Zoo City Part 18

Distrib!!!! Cross-pollinate w music stores?

Int?

Choose ringtone tracks. Re-mix?

SOLO?!?!? Heather Yalo

Can we do a fragrance? Market research.

I take notes. Move on.

Bathroom #1. A scramble of boy stuff. Five different flavours of deodorant, slick electric razors, electric toothbrushes, shaving cream, moisturising balm, exfoliator, anti-wrinkle eye cream all for fifteen year-olds. A shower with a curtain featuring mildew and Hawaiian flowers. Sodden towels puddled on the Italian tiles. But otherwise remarkably clean. No skid marks in the toilet. Nothing living in the bath. Well stocked on toilet paper.

Bathroom #2. Dramatically smaller. The first hint of Song. A bottle of perfume on the counter. A punky black bottle with the name Lithium etched in white, like chalk scratchings. Blue nail polish. Eyeliner. More eyeliner. Four different kinds of mascara: coal, black, ultra-black and green. Eyeshadow in jewel colours. Gothpunk Princess Barbie. I spritz the perfume into the air. It smells like petrol and dead flowers. Sloth sniffs the air appreciatively. Clearly there are tones in there that human noses just can't appreciate. There is a gla.s.s jar of dried green leaves. I crush some between my fingers. It's fragrant. Not dope. Possibly muti muti. But for what? If only traditional healers would label s.h.i.+t. I wrap some up in a tissue and fold it into my pocket.

More helpfully, there is also an unopened pill container marked "Songweza Radebe" and "Flurazepam", "dosage: 1 per day with food." I look it up on my phone. It's a generic, used for anxiety or insomnia, especially for those with manic depression. The date on the label is Friday 18 March. So one day before she runs away, she gets a prescription for heavy-duty anxiety pills. Makes it seem like the script wasn't her idea. Interesting.

Next door is a full-on bedroom studio with egg-boxes studding the walls, mixing-decks, a computer facing the tiniest voice booth you ever saw, but at least semi-pro, if I'm any judge of expensive. And I am.

Adjoining the studio is the final bedroom. This has been creatively adapted. It's barely a metre across because a slapdash drywall has been erected in the middle of the room, forming the back of the recording booth next door. A double bed takes up most of the remaining s.p.a.ce, under a block-mounted poster of Barbarella gazing into the depths of s.p.a.ce, managing to look yearning and bold all at once. The cupboard has been thrown open, and clothes dumped recklessly on the bed among a spread of comics. There are more comics crammed into every available s.p.a.ce on a long, low bookshelf that runs the length of the window. I skim through a few. Swamp monsters and teleporting houses, a muscled guy wearing the Union Jack.

A collection of movie monsters are posed all along the top of the bookshelf. On instinct, I pick up the one that looks like an upside-down dustbin with rows of studs down the side. As I do, it says "Exterminate!" and I nearly drop it. The head comes right off. There's a bankie bankie of dope inside. And it's quality, if I'm any judge of substances. And I am. of dope inside. And it's quality, if I'm any judge of substances. And I am.

I put the little robot's head back on, leaving the dope where it is, and replace him carefully between Arnold Schwarzenegger, metal cha.s.sis gleaming from under ripped plastic skin, and a manga girl with a mane of bright pink hair and b.o.o.bs popping out of the leopard-print bikini that matches her tail and ears. But I do take one of the A5 soft-cover notebooks ferreted away between the comics. It says lyrics lyrics on the cover. And on the cover. And S'bu Radebe S'bu Radebe. I roll it up and slip it into my bag.

As we're heading back towards the stairs, Sloth chirrups. "My thoughts exactly," I say, stepping back into the anonymous hotel room, which is not in fact a guest room. I open the cupboard and face an array of pretty preppy clothing. White sundresses and Afro-chic numbers by Sun G.o.ddess and Darkie and Stoned Cherrie. Perfect for a hip teen kwaito queen. But not for a Gothpunk Princess Barbie. There are empty hangers, like a gaptoothed smile. Wherever Song went, whoever she went with, she had time to pack.

I ransack the room for lost things, digging under the mattress, in the back of the cupboard. There are only dust bunnies and some spare change, a hair band. Nothing lost. Nothing to lead me back to Song. Which means I'm stuck with the investigative journalist angle.

"Uh-oh. Fweag aled," Arno says nasally as I approach. He's looking considerably less stoned, likely courtesy of the pain in his nose, although his eyes are still bloodshot.

"Just ignore her. Maybe she'll get the hint." Des lines up the tee, once, twice, and then swings hard, neatly chipping out a clod of earth to join the other clods of earth gathered around his trainers, which are not not regulation golf shoes. But then, neither are mine. I've left distinctive tracks across three holes: the common kitten-heeled hustler. regulation golf shoes. But then, neither are mine. I've left distinctive tracks across three holes: the common kitten-heeled hustler.

"You play golf now as well as Blood Skies Blood Skies?" Des says, mockingly.

"No. I hate golf. It's the genteel version of seal-clubbing, only not as much fun."

"What do you want?"

"Background stuff. Colour."

"Is bad a whide joke?" Arno bristles.

"As in painting a picture of iJusi's life. The people they hang out with, what goes down."

"You're bod gonna wide about de guns ding, are you?" Arno looks worried.

I laugh. "What was was that?" that?"

"It was the dope. He gets lank lank paranoid. paranoid. Doos Doos." Des smacks Arno upside his head.

"Don't worry, I'll make that incident 'off the record'." I take out my notebook and pen, and look at them expectantly. "So tell me about you guys. How do you know S'bu?"

They look at each other uneasily.

"If this isn't a bad time for you. Wouldn't want to interrupt your..." I look down at the pitted gra.s.s "gardening." They have the grace to look sheepish. "C'mon, I'll buy you a drink at the clubhouse."

Turns out Des and Arno already have a well-established reputation at the clubhouse. "Oh no," the waiter says, wearing a bowtie and gloves, like this is Inanda instead of Mayfields. "No s.h.i.+rt, no service. And no animals."

"Hi there," I say, sticking out my hand. "Zinzi December, journalist for The Economist The Economist. You've heard of The The Economist Economist, I trust? I'm interviewing these young men for a piece on the South African music industry, and I'd really appreciate it if you could accommodate us. I'd hate to have to include something in my piece on the appalling service at Mayfields."

"Do you have a business card?"

"Not on me." I give him my best fake-tolerant smile. He considers this, then breaks out his best fake-obsequious smile in return. "Right this way, madam. But please inform the young gentlemen that we won't be serving them alcoholic beverages. We confiscated their fake IDs the last time they visited with us."

We sit outside overlooking the gentle rolling greenery of the course. A shrike eyes our table, checking out the sc.r.a.ps. Also known as the butcherbird, it has a habit of impaling its prey on barbed-wire fences. People tend to think animals are better than humans. But birds have their own serial killers. Chimpanzees commit murder. The only difference between us is that animals don't feel guilty about it.

"How many of these people actually play golf?" I say, waving my gla.s.s of Appletiser at the townhouses.

"Dwo?" Arno guesses.

"Three max. It's like gym," Des says. "Everyone signs up and goes for like a month and then never goes again."

"So, who are you guys? Tell me about you."

"Um. Anoo Wedelinghaze. Dad's Har-he-duh-he-," he spells out, leaning over my notebook. Listening to him speak makes my eyes water.

"Redelinghuys. Got it," I wink. "How old are you? Arno?"

"Fifdeen."

"And you, Des?"

"Twenty-two. And it's Desmond Luthuli."

"You go to school with S'bu?"

"I do!" Arno chirps. "Bud Des moved hewe wid him. He's da woombade. I jusd hang oud and sleeb over sombedibes."

"Moved out from where?"

"Valley of a Dousand Hills? In Kwa-Zulu Naddal? Dey, like, gwew up dogeduh, besd buds."

"I can speak for myself, Arno." There's something hungry about Des. I get the feeling reflected glory isn't enough for him.

"Sorreeee, dude. s.h.i.+d."

"Yeah, so S'bu and Arno are only, like, friends from two years ago. They both go to Crawford," Des says. "But me and S'bu, we grew up together. Tiny little village called KwaXimba in the Valley of a Thousand Hills. So ja, when iJusi signed and S'bu and Song moved out here" when iJusi signed and S'bu and Song moved out here"

"How'd they get signed?" I interrupt.