Zombies - Encounters with the Hungry Dead Part 3

Martin had company.

Morning, afternoon, evening, dawn and dusk, sun and moon circled with Dog, who faithfully reported temperatures of turf and air, color of earth and tree, consistency of mist or rain, but-most important of all-brought back again and again and again-Miss Haight.

On Sat.u.r.day, Sunday, and Monday she baked Martin orange-iced cupcakes, brought him library books about dinosaurs and cavemen. On Tuesday, Wednesday, and Thursday somehow he beat her at dominoes, somehow she lost at checkers, and soon, she cried, he'd defeat her handsomely at chess. On Friday, Sat.u.r.day, and Sunday they talked and never stopped talking, and she was so young and laughing and handsome and her hair was a soft, s.h.i.+ning brown like the season outside the window, and she walked clear, clean, and quick, a heartbeat warm in the bitter afternoon when he heard it. Above all, she had the secret of signs, and could read and interpret Dog and the symbols she searched out and plucked forth from his coat with her miraculous fingers. Eyes shut, softly laughing, in a gypsy's voice, she divined the world from the treasures in her hands.

And on Monday afternoon, Miss Haight was dead.

Martin sat up in bed, slowly.

"Dead?" he whispered.

Dead, said his mother, yes, dead, killed in an auto accident a mile out of town. Dead, yes, dead, which meant cold to Martin, which meant silence and whiteness and winter come long before its time. Dead, silent, cold, white. The thoughts circled round, blew down, and settled in whispers.

Martin held Dog, thinking; turned to the wall. The lady with the autumn-colored hair. The lady with the laughter that was very gentle and never made fun and the eyes that watched your mouth to see everything you ever said. The-other-half-of-autumn-lady, who told what was left untold by Dog, about the world. The heartbeat at the still center of gray afternoon. The heartbeat fading...

"Mom? What do they do in the graveyard, Mom, under the ground? Just lay there?"

"Lie there."

"Lie there? Is that all they do? It doesn't sound like much fun."

"For goodness sake, it's not made out to be fun."

"Why don't they jump up and run around once in a while if they get tired lying there? G.o.d's pretty silly... "

"Martin!"

"Well, you'd think He'd treat people better than to tell them to lie still for keeps. That's impossible. n.o.body can do it! I tried once. Dog tries. I tell him, 'dead Dog!' He plays dead awhile, then gets sick and tired and wags his tail or opens one eye and looks at me, bored. Boy, I bet sometimes those graveyard people do the same, huh, Dog?"

Dog barked.

"Be still with that kind of talk!" said Mother.

Martin looked off into s.p.a.ce.

"Bet that's exactly what they do," he said.

Autumn burnt the trees bare and ran Dog still farther around, fording creek, prowling graveyard as was his custom, and back in the dusk to fire off volleys of barking that shook windows wherever he turned.

In the late last days of October, Dog began to act as if the wind had changed and blew from a strange country. He stood quivering on the porch below. He whined, his eyes fixed at the empty land beyond town. He brought no visitors for Martin. He stood for hours each day, as if leashed, trembling, then shot away straight, as if someone had called. Each night he returned later, with no one following. Each night, Martin sank deeper and deeper in his pillow.

"Well, people are busy," said Mother. "They haven't time to notice the tag Dog carries. Or they mean to come visit, hut forget."

But there was more to it than that. There was the fevered s.h.i.+ning in Dog's eyes, and his whimpering tic late at night, in some private dream. His s.h.i.+vering in the dark, under the bed. The way he sometimes stood half the night, looking at Martin as if some great and impossible secret was his and he knew no way to tell it save by savagely thumping his tail, or turning in endless circles, never to lie down, spinning and spinning again.

On October thirtieth, Dog ran out and didn't come back at all, even when after supper Martin heard his parents call and call. The hour grew late, the streets and sidewalks stood empty, the air moved cold about the house and there was nothing, nothing.

Long after midnight, Martin lay watching the world beyond the cool, clear gla.s.s windows. Now there was not even autumn, for there was no Dog to fetch it in. There would be no winter, for who could bring the snow to melt in your hands? Father, Mother? No, not the same. They couldn't play the game with its special secrets and rules, its sounds and pantomimes. No more seasons. No more time. The go-between, the emissary, was lost to the wild throngings of civilization, poisoned, stolen, hit by a car, left somewhere in a culvert...

Sobbing, Martin turned his face to his pillow. The world was a picture under gla.s.s, untouchable. The world was dead.

Martin twisted in bed and in three days the last Hallowe'en pumpkins were rotting in trash cans, papier-mache skulls and witches were burnt on bonfires, and ghosts were stacked on shelves with other linens until next year.

To Martin, Hallowe'en had been nothing more than one evening when tin horns cried off in the cold autumn stars, children blew like goblin leaves along the flinty walks, flinging their heads, or cabbages, at porches, soap-writing names or similar magic symbols on icy windows. All of it as distant, unfathomable, and nightmarish as a puppet show seen from so many miles away that there is no sound or meaning.

For three days in November, Martin watched alternate light and shadow sift across his ceiling. The fire-pageant was over forever; autumn lay in cold ashes. Martin sank deeper, yet deeper in white marble layers of bed, motionless, listening always listening...

Friday evening, his parents kissed him good-night and walked out of the house into the hushed cathedral weather toward a motion-picture show. Miss Tarkins from next door stayed on in the parlor below until Martin called down he was sleepy, then took her knitting off home.

In silence, Martin lay following the great move of stars down a clear and moonlit sky, remembering nights such as this when he'd spanned the town with Dog ahead, behind, around about, tracking the green-plush ravine, lapping slumbrous streams gone milky with the fullness of the moon, leaping cemetery tombstones while whispering the marble names; on, quickly on, through shaved meadows where the only motion was the off-on quivering of stars, to streets where shadows would not stand aside for you but crowded all the sidewalks for mile on mile. Run now run! chasing, being chased by bitter smoke, fog, mist, wind, ghost of mind, fright of memory; home, safe, sound, snug-warm, asleep...

Nine o'clock.

Chime. The drowsy clock in the deep stairwell below. Chime.

Dog, come home, and run the world with you. Dog, bring a thistle with frost on it, or bring nothing else but the wind. Dog, where are you? Oh, listen, now, I'll call.

Martin held his breath.

Way off somewhere-a sound.

Martin rose up, trembling.

There, again-the sound.

So small a sound, like a sharp needle-point brus.h.i.+ng the sky long miles and many miles away.

The dreamy echo of a dog-barking.

The sound of a dog crossing fields and farms, dirt roads and rabbit paths, running, running, letting out great barks of steam, cracking the night. The sound of a circling dog which came and went, lifted and faded, opened up, shut in, moved forward, went back, as if the animal were kept by someone on a fantastically long chain. As if the dog were running and someone whistled under the chestnut trees, in mold-shadow, tar-shadow, moon-shadow, walking, and the dog circled back and sprang out again toward home.

Dog! Martin thought, oh Dog, come home, boy! Listen, oh, listen, where you been'? Come on, boy, make tracks!

Five, ten, fifteen minutes; near, very near, the bark, the sound. Martin cried out, thrust his feet from the bed, leaned to the window. Dog! Listen, boy! Dog! Dog! He said it over and over. Dog! Dog! Wicked Dog, run off and gone all these days! Bad Dog, good Dog, home, boy, hurry, and bring what you can!

Near now, near, up the street, barking, to knock clapboard housefronts with sound, whirl iron c.o.c.ks on rooftops in the moon, firing off volleys- Dog! now at the door below...

Martin s.h.i.+vered.

Should he run-let Dog in, or wait for Mom and Dad? Wait? Oh, G.o.d, wait? But what if Dog ran off again? No, he'd go down, s.n.a.t.c.h the door wide, yell, grab Dog in, and run upstairs so fast, laughing, crying, holding tight, that...

Dog stopped barking.

Hey! Martin almost broke the window, jerking to it. Silence. As if someone had told Dog to hush now, hush, hush.

A full minute pa.s.sed. Martin clenched his fists.

Below, a faint whimpering.

Then, slowly, the downstairs front door opened. Someone was kind enough to have opened the door for Dog. Of course! Dog had brought Mr. Jacobs or Mr. Gillespie or Miss Tarkins, or...

The downstairs door shut.

Dog raced upstairs, whining, flung himself on the bed.

"Dog, Dog, where've you been, what've you done! Dog, Dog!"

And he crushed Dog hard and long to himself, weeping. Dog, Dog. He laughed and shouted. Dog! But after a moment he stopped laughing and crying, suddenly.

He pulled back away. He held the animal and looked at him, eyes widening.

The odor coming from Dog was different.

It was a smell of strange earth. It was a smell of night within night, the smell of digging down deep in shadow through earth that had lain cheek by jowl with things that were long hidden and decayed. A stinking and rancid soil fell away in clods of dissolution from Dog's muzzle and paws. He had dug deep. He had dug very deep indeed. That was it, wasn't it? wasn't it? wasn't it!

What kind of message was this from Dog? What could such a message mean? The stench-the ripe and awful cemetery earth.

Dog was a bad dog, digging where he shouldn't. Dog was a good dog, always making friends. Dog loved people. Dog brought them home.

And now, moving up the dark hall stairs, at intervals, came the sound of feet, one foot dragged after the other, painfully, slowly, slowly, slowly.

Dog s.h.i.+vered. A rain of strange night earth fell seething on the bed.

Dog turned.

The bedroom door whispered in.

Martin had company.

5/ Robert Bloch A Case Of The.

Stubborns.

THE MORNING AFTER HE DIED, Grandpa come downstairs for breakfast.

It kind of took us by surprise.

Ma looked at Pa, Pa looked at little sister Susie, and Susie looked at me. Then we all just set there looking at Grandpa.

"What's the matter?" he said. "Why you all staring at me like that?"

n.o.body said, but I knowed the reason. Only been last night since all of us stood by his bedside when he was took by his attack and pa.s.sed away right in front of our very eyes. But here he was, up and dressed and feisty as ever.

"What's for breakfast?" he said.

Ma sort of gulped. "Don't tell me you fixing to eat?"

"Course I am. I'm nigh starved."

Ma looked at Pa, but he just rolled his eyes. Then she went and hefted the skillet from the stove and dumped some eggs on a plate.

"That's more like it," Grandpa told her. "But don't I smell sausages?"

Ma got Grandpa some sausage. The way he dug into it, they sure was nothing wrong with his appet.i.te.

After he started on seconds, Grandpa took heed of us staring at him again.

"How come n.o.body else is eating?" he asked.

"We ain't hungry," Pa said. And that was the gospel truth.

"Man's got to eat to keep up his strenth," Grandpa told him. "Which reminds me-ain't you gonna be late at the mill?"

"Don't figure on working today," Pa said.

Grandpa squinted at him. "You all fancied up this morning. Shave and a s.h.i.+rt, just like Sunday. You expecting company?"

Ma was looking out the kitchen window, and she give Grandpa a nod. "Yes indeedy Here he comes now."

Sure enough, we could see ol' Bixbee hotfooting up the walk.

Ma went through the parlor to the front door-meaning to head him off, I reckon-but he fooled her and came around the back way. Pa got to the kitchen door too late, on account of Bixbee already had it and his mouth open at the same time.

"Morning, Jethro," he said, in that treacle-and-mola.s.ses voice of his. "And a sad grievous morning it is, too! I purely hate disturbing you so early on this sorrowful occasion, but it looks like today's another scorcher." He pulled out a tape-measure. "Best if I got the measurements so's to get on with the arrangements. Heat like this, the sooner we get everything boxed and squared away the better, if you take my meaning-"

"Sorry," said Pa, blocking the doorway so ol' Bixbee couldn't peek inside. "Needs be you come back later."

"How much later?"

"Can't say for sure. We ain't rightly made up our minds as yet."

"Well, don't dilly-dally too long," Bixbee said. "I'm liable to run short of ice."

Then Pa shut the door on him and he took off. When Ma come back from the parlor, Pa made a sign for her to keep her gap shut, but of course that didn't stop Grandpa.

"What was that all about?" he asked.

"Purely a social call."

"Since when?" Grandpa looked suspicious. "Ol' Bixbee ain't n.o.body's friend-him with his high-toned airs! Calls hisself a Southern planter. Shucks, he ain't nothing but an undertaker."

"That's right, Grandpa," said sister Susie. "He come to fit you for your coffin."