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"And he was supposed to be seriously hurt!" murmured the actor. "Where is that paper?" and he looked about him.
"What paper?" asked Ruth.
"That New York paper I was just reading. There is something in it I want to show you. I begin to see through this."
The journal was found, and Mr. DeVere glanced through it rapidly, looking for some item. Russ and the two girls watched him curiously.
"Here it is!" cried the actor. "It is headed 'Brings Damage Suit for Ten Thousand Dollars.' Listen, I'll just give you the main facts. It says Dan Merley had started an action in one of the courts demanding ten thousand dollars' damages for being hurt by a street car. Merley claims he will never be able to walk again, because his back is permanently hurt. And yet you saw him walking?" he appealed to the two girls.
"We certainly saw him," declared Ruth.
"Then that is a bogus damage suit. He isn't hurt at all. The court should know of this, and so should the street car company. I shall write to them!"
"Wait!" cried Russ. "I have a better idea."
"What is it?" asked Mr. DeVere.
"I'll get some moving pictures of him," went on the young operator.
"I'll take a film, showing him tramping around, hunting, and when that is shown to the street car company's lawyer I guess that will put an end to Mr. Merley's suit. I'll film the faker!"
CHAPTER XXIV
THE PROOF ON THE FILM
Enthusiastic over his new idea, Russ gazed triumphantly at Mr. DeVere and the two girls. They did not seem to comprehend.
"What--what was that you said?" asked Mr. DeVere.
"I said I was going to make a moving picture of that faker," repeated Russ. "Excuse that word, but it's the only one that fits."
"Yes, he really is a faker and cheat," agreed the actor. "And, Russ, your idea is most excellent. It will be the best kind of evidence against the scoundrel, and evidence that can not be controverted."
"That's my idea," went on the young operator. "Some of these accident fakers are so clever that they fool the doctors."
"Do they really make a business of it?" asked Ruth.
"Indeed they do," Russ answered. "Sometimes a gang of men, who don't like to work for a living, plan to have a series of accidents. They decide on who shall be 'hurt,' and where. Then they get their witnesses, who will testify to anything as long as they get paid for it. They hire rascally lawyers, too. Sometimes they have fake accidents happen to their wagons or automobiles instead of themselves. And more than once conductors or motormen of cars have been in with the rascals."
"It doesn't seem possible!" protested Alice.
"It is though," her father a.s.sured her. "I read in a newspaper the other day how two fakers were found out and arrested. But they had secured a large sum in damages, so I presume they figured that it paid them. I knew Dan Merley was an unprincipled man, but I did not believe he was an accident swindler. But you can stop him, Russ."
"I don't see how you are going to do it," remarked Alice. "I mean, I don't see that Dan Merley will let you take a moving picture of him, to show to the court, proving that he is a swindler."
"I don't suppose he would--if he knew it," laughed Russ. "But I don't propose to let him see me filming him. I've got to do it on the sly, and it isn't going to be very easy. But I think I can manage it."
"I wish we could help you," said Ruth.
"Perhaps you can," the young moving picture operator answered. "I'll have to make some plans. But we've got a big day ahead of us to-morrow, and I can't do it then. I'll have to wait."
"Do you think I had better write to the court, and to the lawyers of the street car company?" asked Mr. DeVere. "Your plan might fail, Russ."
"Well, of course it might, that's a fact. But there is time enough. I'd like to try my way first, though, for it would be conclusive proof. If you sent word to the lawyers, and they sent a witness up here to get his evidence by eyesight, Merley might hear of it in some way and fool them.
He might pretend to be lame again, if he knew he was being watched.
"Then, too, he could bring his own witnesses to prove that he was lame and unable to walk. It would be a case of which witnesses the court and jury would believe.
"But if I get the proof on the film--you can't go back of that. Just imagine, working a moving picture machine in one of the courts!" and he laughed at the idea.
"Perhaps you won't have to go to that end," suggested Ruth.
"No, we may be able to give Merley a hint that he had better not keep on with the suit," Mr. DeVere said. "Well, Russ, I wish you luck."
A little later all the members of the company had heard of Russ's plan and Mr. Pertell said that as soon as the big drama was finished Russ could have as much time as he wanted to try and get a moving picture film of Merley.
"I'll have to go over to that cabin, and sort of size up the situation,"
Russ decided. "I want to get the lay of the land, and pick out the best spot to plant my camera. I suppose it will have to be behind a clump of bushes."
"Oh, no! I know the very place for you!" cried Ruth.
"Where?" he asked.
"In the second, or small cabin. You can hide yourself there and focus your camera through the window. Then you can film him without him seeing you."
"Good!" cried Russ. "That will be the very thing!"
As Russ had said, the next day was a very busy one for him, and all the members of the company. Several important scenes in the big drama were made. A few of them were interiors, in the barn or in the living room of Elk Lodge, and for this the players were thankful, for the weather had turned cold, and it was disagreeable outdoors.
Still, some snow scenes were needed, and the work had to go on. Russ had one of his hands slightly frost-bitten using it without a glove to make some adjustments to his camera, and the tips of Mr. Sneed's ears were nipped with the cold.
This happened when the actor was doing a little bit which called for him to shovel a supposedly lost and frozen person out of a snow bank. Of course a "dummy" was put under the snow, and the real person, (in this case Mr. Bunn,) acted up to the time of the snow burial. Then a clever subst.i.tution was made and the film was exposed again. This is often done to get trick pictures.
Mr. Sneed was shoveling away at the snow bank. His ears had been very cold, but suddenly seemed to have lost all feeling. He was rather surprised, then, when the act was over, to have Mr. Switzer rush up to him with a handful of snow and hold some over each ear.
"Here! Quit that! What do you mean?" cried the grouchy actor.
"I got to do it alretty yet!" exclaimed the German.
"Quit it! Stop it!"
"No, I stops not until I haf der cold drawed out of your ears. They are frosted, mine dear chap, und dis is der only vay to make dem proper. I know, I have been in der Far North."
"That's right--it's the best way. Hold snow on your frosted ears or nose, whatever it happens to be," declared Mr. Pertell. "You can thank Mr. Switzer for saving you a lot of trouble, Mr. Sneed."
"Humph! It's a funny thing to be thankful for--because someone washes your face with snow," declared the grouchy actor.