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Her weeping was wild at first, measureless and violent, broken by sharp cries that hurt her heart like jagged knives, then strangled to a choking silence again and again, as the merciless consciousness that could have killed, if it had prevailed, almost had her by the throat, but was forced back again with cruel pain by the young life that would not die, though living was agony and death would have been as welcome as air.
Then her loud grief subsided to a lower key, and her voice grew by degrees monotonous and despairing as the turning tide on a quicksand, before bad weather,--not diminished, but deeper drawn within itself; and the low moan came regularly with each breath, while the tears flowed steadily. The first wild tempest had swept by, and the more enduring storm followed in its track.
So she lay a long time weeping; and then strong hands were upon her, lifting her up and dragging her away, without warning and without word.
She did not understand, and she fancied herself in the arms of some supernatural being of monstrous strength that was tearing her from what was left of life and love. She struggled senselessly, but she could find no foothold as she was swept through the open door. She gasped for breath, as one does in bad dreams, and bodily fear almost reached her heart through its sevenfold armour of such grief as makes fear ridiculous and turns mortal danger to an empty show. The time had seemed an age since she had fallen upon dead Don John--it had measured but a short few minutes; it seemed as if she were being dragged the whole length of the dim palace as the strong hands bore her along, yet she was only carried from the room to the terrace; and when her eyes could see, she knew that she was in the open air on a stone seat in the moonlight, the cool night breeze fanning her face, while a gentle hand supported her head,--the same hand that had been so masterfully strong a moment earlier. A face she knew and did not dread, though it was unlike other faces, was just at the same height with her own, though the man was standing beside her and she was seated; and the moonlight made very soft shadows in the ill-drawn features of the dwarf, so that his thin and twisted lips were kind and his deep-set eyes were overflowing with human sympathy. When he understood that she saw him and was not fainting, he gently drew away his hand and let her head rest against the stone parapet.
She was dazed still, and the tears veiled her sight. He stood before her, as if guarding her, ready in case she should move and try to leave him. His long arms hung by his sides, but not quite motionless, so that he could have caught her instantly had she attempted to spring past him; and he was wise and guessed rightly what she would do. Her eyes brightened suddenly, and she half rose before he held her again.
"No, no!" she said desperately. "I must go to him--let me go--let me go back!"
But his hands were on her shoulders in an instant, and she was in a vise, forced back to her seat.
"How dare you touch me!" she cried, in the furious anger of a woman beside herself with grief. "How dare you lay hands on me!" she repeated in a rising key, but struggling in vain against his greater strength.
"You would have died, if I had left you there," answered the jester.
"And besides, the people will come soon, and they would have found you there, lying on his body, and your good name would have gone forever."
"My name! What does a name matter? Or anything? Oh, let me go! No one must touch him--no hands that do not love him must come near him--let me get up--let me go in again!"
She tried to force the dwarf from her--she would have struck him, crushed him, thrown him from the terrace, if she could. She was strong, too, in her grief; but his vast arms were like iron bars, growing from his misshapen body. His face was very grave and kind, and his eyes more tender than they had ever been in his life.
"No," he said gently. "You must not go. By and by you shall see him again, but not now. Do not try, for I am much stronger than you, and I will not let you go back into the room."
Then her strength relaxed, and she turned to the stone parapet, burying her face in her crossed arms, and her tears came again. For this the jester was glad, knowing that tears quench the first white heat of such sorrows as can burn out the soul and drive the brain raving mad, when life can bear the torture. He stood still before her, watching her and guarding her, but he felt that the worst was past, and that before very long he could lead her away to a place of greater safety. He had indeed taken her as far as he could from Don John's door, and out of sight of it, where the long terrace turned to the westward, and where it was not likely that any one should pa.s.s at that hour. It had been the impulse of the moment, and he himself had not recovered from the shock of finding Don John's body lifeless on the floor. He had known nothing of what had happened, but lurking in a corner to see the King pa.s.s on his way back from his brother's quarters, he had made sure that Don John was alone, and had gone to his apartment to find out, if he could, how matters had fared, and whether he himself were in further danger or not. He meant to escape from the palace, or to take his own life, rather than be put to the torture, if the King suspected him of being involved in a conspiracy. He was not a common coward, but he feared bodily pain as only such sensitive organizations can, and the vision of the rack and the boot had been before him since he had seen Philip's face at supper.
Don John was kind, and would have warned him if he were in danger, and so all might have been well, and by flight or death he might have escaped being torn limb from limb. So he had gone boldly in, and had found the door ajar and had entered the bedchamber, and when he had seen what was there, he would have fled at once, for his own safety, not only because Don John's murder was sure to produce terrible trouble, and many enquiries and trials, in the course of which he was almost sure to be lost, but also for the more immediate reason that if he were seen near the body when it was discovered, he should certainly be put to the question ordinary and extraordinary for his evidence.
But he was not a common coward, and in spite of his own pardonable terror, he thought first of the innocent girl whose name and fame would be gone if she were found lying upon her murdered lover's body, and so far as he could, he saved her before he thought of saving himself, though with infinite difficulty and against her will.
Half paralyzed by her immeasurable grief, she lay against the parapet, and the great sobs came evenly, as if they were counted, shaking her from her head to her waist, and just leaving her a breathing s.p.a.ce between each one and the next. The jester felt that he could do nothing.
So long as she had seemed unconscious, he had tried to help her a little by supporting her head with his hand and arm, as tenderly as if she had been his own child. So long as she did not know what he was doing, she was only a human being in distress, and a woman, and deep down in the jester's nature there was a marvellous depth of pity for all things that suffered--the deeper and truer because his own sufferings in the world were great. But it was quite different now that she knew where she was and recognized him. She was no longer a woman now, but a high-born lady, one of the Queen's maids of honour, a being infinitely far removed above his sphere, and whose hand he was not worthy to touch. He would have dared to be much more familiar with the King himself than with this young girl whom fate had placed in his keeping for a moment. In the moonlight he watched her, and as he gazed upon her graceful figure and small head and slender, bending arms, it seemed to him that she had come down from an altar to suffer in life, and that it had been almost sacrilege to lay his hands upon her shoulders and keep her from doing her own will. He almost wondered how he had found courage to be so rough and commanding. He was gentle of heart, though it was his trade to make sharp speeches, and there were wonderful delicacies of thought and feeling far down in his suffering cripple's nature.
"Come," he said softly, when he had waited a long time, and when he thought she was growing more quiet. "You must let me take you away, Dona Maria Dolores, for we cannot stay here."
"Take me back to him," she answered. "Let me go back to him!"
"No--to your father--I cannot take you to him. You will be safe there."
Dolores sprang to her feet before the dwarf could prevent her.
"To my father? oh, no, no, no! Never, as long as I live! I will go anywhere, but not to him! Take your hands from me--do not touch me! I am not strong, but I shall kill you if you try to take me to my father!"
Her small hands grasped the dwarfs wrists and wrung them with desperate energy, and she tried to push him away, so that she might pa.s.s him. But he resisted her quietly, planting himself in a position of resistance on his short bowed legs, and opposing the whole strength of his great arms to her girlish violence. Her hands relaxed suddenly in despair.
"Not to my father!" she pleaded, in a broken voice. "Oh, please, please--not to my father!"
The jester did not fully understand, but he yielded, for he could not carry her to Mendoza's apartments by force.
"But what can I do to put you in a place of safety?" he asked, in growing distress. "You cannot stay here."
While he was speaking a light figure glided out from the shadows, with outstretched hands, and a low voice called Dolores' name, trembling with terror and emotion. Dolores broke from the dwarf and clasped her sister in her arms.
"Is it true?" moaned Inez. "Is it true? Is he dead?" And her voice broke.
CHAPTER XIV
The courtiers had a.s.sembled again in the great throne room after supper, and the stately dancing, for which the court of Spain was even then famous throughout Europe, had begun. The orchestra was placed under the great arch of the central window on a small raised platform draped with velvets and brocades that hung from a railing, high enough to conceal the musicians as they sat, though some of the instruments and the moving bows of the violins could be seen above it.
The masked dancing, if it were dancing at all, which had been general in the days of the Emperor Maximilian, and which had not yet gone out of fas.h.i.+on altogether at the imperial court of Vienna, had long been relegated to the past in Spain, and the beautiful "pavane" dances, of which awkward travesties survive in our day, had been introduced instead. As now, the older ladies of the court withdrew to the sides of the hall, leaving the polished floor free for those who danced, and sets formed themselves in the order of their rank from the foot of the throne dais to the lower end. As now, too, the older and graver men congregated together in outer rooms; and there gaming-tables were set out, and the n.o.bles lost vast sums at games now long forgotten, by the express authorization of the pious Philip, who saw that everything which could injure the fortunes of the grandees must consolidate his own, by depriving them of some of that immense wealth which was an ever-ready element of revolution. He did everything in his power to promote the ruin of the most powerful grandees in the kingdom by encouraging gaming and all imaginable forms of extravagance, and he looked with suspicion and displeasure upon those more prudent men who guarded their riches carefully, as their fathers had done before them. But these were few, for it was a part of a n.o.ble's dignity to lose enormous sums of money without the slightest outward sign of emotion or annoyance.
It had been announced that the King and Queen would not return after supper, and the magnificent gravity of the most formal court in the world was a little relaxed when this was known. Between the strains of music, the voices of the courtiers rose in unbroken conversation, and now and then there was a ripple of fresh young laughter that echoed sweetly under the high Moorish vault, and died away just as it rose again from below.
Yet the dancing was a matter of state, and solemn enough, though it was very graceful. Magnificent young n.o.bles in scarlet, in pale green, in straw colour, in tender shades of blue, all satin and silk and velvet and embroidery, led lovely women slowly forward with long and gliding steps that kept perfect time to the music, and turned and went back, and wound mazy figures with the rest, under the waxen light of the waxen torches, and returned to their places with deep curtsies on the one side, and sweeping obeisance on the other. The dresses of the women were richer by far with gold and silver, and pearls and other jewels, than those of the men, but were generally darker in tone, for that was the fas.h.i.+on then. Their skirts were straight and barely touched the floor, being made for a time when dancing was a part of court life, and when every one within certain limits of age was expected to dance well. There was no exaggeration of the ruffle then, nor had the awkward hoop skirt been introduced in Spain. Those were the earlier days of Queen Elizabeth's reign, before Queen Mary was imprisoned; it was the time, indeed, when the rough Bothwell had lately carried her off and married her, after a fas.h.i.+on, with so little ceremony that Philip paid no attention to the marriage at all, and deliberately proposed to make her Don John's wife. The matter was freely talked of on that night by the n.o.ble ladies of elder years who gossiped while they watched the dancing.
That was indeed such a court as had not been seen before, nor was ever seen again, whether one count beauty first, or riches and magnificence, or the marvel of splendid ceremony and the faultless grace of studied manners, or even the cool recklessness of great lords and ladies who could lose a fortune at play, as if they were throwing a handful of coin to a beggar in the street.
The Princess of Eboli stood a little apart from the rest, having just returned to the ball-room, and her eyes searched for Dolores in the crowd, though she scarcely expected to see her there. It would have been almost impossible for the girl to put on a court dress in so short a time, though since her father had allowed her to leave her room, she could have gone back to dress if she had chosen. The Princess had rarely been at a loss in her evil life, and had seldom been baffled in anything she had undertaken, since that memorable occasion on which her husband, soon after her marriage, had forcibly shut her up in a convent for several months, in the vain hope of cooling her indomitable temper. But now she was nervous and uncertain of herself. Not only had Dolores escaped her, but Don John had disappeared also, and the Princess had not the least doubt but that the two were somewhere together, and she was very far from being sure that they had not already left the palace.
Antonio Perez had informed her that the King had promised not to see Don John that night, and for once she was foolish enough to believe the King's word. Perez came up to her as she was debating what she should do. She told him her thoughts, laughing gaily from time to time, as if she were telling him some very witty story, for she did not wish those who watched them to guess that the conversation was serious. Perez laughed, too, and answered in low tones, with many gestures meant to deceive the court.
"The King did not take my advice," he said. "I had scarcely left him, when he went to Don John's apartments."
"How do you know that?" asked the Princess, with some anxiety.
"He found the door of an inner room locked, and he sent Mendoza to find the key. Fortunately for the old man's feelings it could not be found!
He would have had an unpleasant surprise."
"Why?"
"Because his daughter was in the room that was locked," laughed Perez.
"When? How? How long ago was that?"
"Half an hour--not more."
"That is impossible. Half an hour ago Dolores de Mendoza was with me."
"Then there was another lady in the room." Perez laughed again. "Better two than one," he added.
"You are wrong," said the Princess, and her face darkened. "Don John has not so much as deigned to look at any other woman these two years."
"You should know that best," returned the Secretary, with a little malice in his smile.
It was well known in the court that two or three years earlier, during the horrible intrigue that ended in the death of Don Carlos, the Princess of Eboli had done her best to bring Don John of Austria to her feet, and had failed notoriously, because he was already in love with Dolores. She was angry now, and the rich colour came into her handsome dark face.