The Wrecker Part 37

"O, this'll never do!" I cried, in English.

"Dreadful stuff, isn't it?" said Madden, in the same language. "Do let me ask you to share my bottle. They call it Chambertin, which it isn't; but it's fairly palatable, and there's nothing in this house that a man can drink at all."

I accepted; anything would do that paved the way to better knowledge.

"Your name is Madden, I think," said I. "My old friend Stennis told me about you when I came."

"Yes, I am sorry he went; I feel such a Grandfather William, alone among all these lads," he replied.

"My name is Dodd," I resumed.

"Yes," said he, "so Madame Siron told me."

"Dodd, of San Francisco," I continued. "Late of Pinkerton and Dodd."

"Montana Block, I think?" said he.

"The same," said I.

Neither of us looked at each other; but I could see his hand deliberately making bread pills.

"That's a nice thing of yours," I pursued, "that panel. The foreground is a little clayey, perhaps, but the lagoon is excellent."

"You ought to know," said he.

"Yes," returned I, "I'm rather a good judge of--that panel."

There was a considerable pause.

"You know a man by the name of Bellairs, don't you?" he resumed.

"Ah!" cried I, "you have heard from Doctor Urquart?"

"This very morning," he replied.

"Well, there is no hurry about Bellairs," said I. "It's rather a long story and rather a silly one. But I think we have a good deal to tell each other, and perhaps we had better wait till we are more alone."

"I think so," said he. "Not that any of these fellows know English, but we'll be more comfortable over at my place. Your health, Dodd."

And we took wine together across the table.

Thus had this singular introduction pa.s.sed unperceived in the midst of more than thirty persons, art students, ladies in dressing-gowns and covered with rice powder, six foot of Siron whisking dishes over our head, and his noisy sons clattering in and out with fresh relays.

"One question more," said I: "Did you recognise my voice?"

"Your voice?" he repeated. "How should I? I had never heard it--we have never met."

"And yet, we have been in conversation before now," said I, "and I asked you a question which you never answered, and which I have since had many thousand better reasons for putting to myself."

He turned suddenly white. "Good G.o.d!" he cried, "are you the man in the telephone?"

I nodded.

"Well, well!" said he. "It would take a good deal of magnanimity to forgive you that. What nights I have pa.s.sed! That little whisper has whistled in my ear ever since, like the wind in a keyhole. Who could it be? What could it mean? I suppose I have had more real, solid misery out of that ..." He paused, and looked troubled. "Though I had more to bother me, or ought to have," he added, and slowly emptied his gla.s.s.

"It seems we were born to drive each other crazy with conundrums," said I. "I have often thought my head would split."

Carthew burst into his foolish laugh. "And yet neither you nor I had the worst of the puzzle," he cried. "There were others deeper in."

"And who were they?" I asked.

"The underwriters," said he.

"Why, to be sure!" cried I, "I never thought of that. What could they make of it?"

"Nothing," replied Carthew. "It couldn't be explained. They were a crowd of small dealers at Lloyd's who took it up in syndicate; one of them has a carriage now; and people say he is a deuce of a deep fellow, and has the makings of a great financier. Another furnished a small villa on the profits. But they're all hopelessly muddled; and when they meet each other, they don't know where to look, like the Augurs."

Dinner was no sooner at an end than he carried me across the road to Ma.s.son's old studio. It was strangely changed. On the walls were tapestry, a few good etchings, and some amazing pictures--a Rousseau, a Corot, a really superb old Crome, a Whistler, and a piece which my host claimed (and I believe) to be a t.i.tian. The room was furnished with comfortable English smoking-room chairs, some American rockers, and an elaborate business table; spirits and soda-water (with the mark of Schweppe, no less) stood ready on a butler's tray, and in one corner, behind a half-drawn curtain, I spied a camp-bed and a capacious tub.

Such a room in Barbizon astonished the beholder, like the glories of the cave of Monte Cristo.

"Now," said he, "we are quiet. Sit down, if you don't mind, and tell me your story all through."

I did as he asked, beginning with the day when Jim showed me the pa.s.sage in the _Daily Occidental_, and winding up with the stamp alb.u.m and the Chailly postmark. It was a long business; and Carthew made it longer, for he was insatiable of details; and it had struck midnight on the old eight-day clock in the corner, before I had made an end.

"And now," said he, "turn about: I must tell you my side, much as I hate it. Mine is a beastly story. You'll wonder how I can sleep. I've told it once before, Mr. Dodd."

"To Lady Ann?" I asked.

"As you suppose," he answered; "and to say the truth, I had sworn never to tell it again. Only, you seem somehow ent.i.tled to the thing; you have paid dear enough, G.o.d knows; and G.o.d knows I hope you may like it, now you've got it!"

With that he began his yarn. A new day had dawned, the c.o.c.ks crew in the village and the early woodmen were afoot, when he concluded.

CHAPTER XXII. THE REMITTANCE MAN.

Singleton Carthew, the father of Norris, was heavily built and feebly vitalised, sensitive as a musician, dull as a sheep, and conscientious as a dog. He took his position with seriousness, even with pomp; the long rooms, the silent servants, seemed in his eyes like the observances of some religion of which he was the mortal G.o.d. He had the stupid man's intolerance of stupidity in others; the vain man's exquisite alarm lest it should be detected in himself. And on both sides Norris irritated and offended him. He thought his son a fool, and he suspected that his son returned the compliment with interest. The history of their relation was simple; they met seldom, they quarrelled often. To his mother, a fiery, pungent, practical woman, already disappointed in her husband and her elder son, Norris was only a fresh disappointment.

Yet the lad's faults were no great matter; he was diffident, placable, pa.s.sive, unambitious, unenterprising; life did not much attract him; he watched it like a curious and dull exhibition, not much amused, and not tempted in the least to take a part. He beheld his father ponderously grinding sand, his mother fierily breaking b.u.t.terflies, his brother labouring at the pleasures of the Hawbuck with the ardour of a soldier in a doubtful battle; and the vital sceptic looked on wondering. They were careful and troubled about many things; for him there seemed not even one thing needful. He was born disenchanted, the world's promises awoke no echo in his bosom, the world's activities and the world's distinctions seemed to him equally without a base in fact. He liked the open air; he liked comrades.h.i.+p, it mattered not with whom, his comrades were only a remedy for solitude. And he had a taste for painted art. An array of fine pictures looked upon his childhood, and from these roods of jewelled canvas he received an indelible impression. The gallery at Stallbridge betokened generations of picture lovers; Norris was perhaps the first of his race to hold the pencil. The taste was genuine, it grew and strengthened with his growth; and yet he suffered it to be suppressed with scarce a struggle. Time came for him to go to Oxford, and he resisted faintly. He was stupid, he said; it was no good to put him through the mill; he wished to be a painter. The words fell on his father like a thunderbolt, and Norris made haste to give way. "It didn't really matter, don't you know?" said he. "And it seemed an awful shame to vex the old boy."

To Oxford he went obediently, hopelessly; and at Oxford became the hero of a certain circle. He was active and adroit; when he was in the humour, he excelled in many sports; and his singular melancholy detachment gave him a place apart. He set a fas.h.i.+on in his clique.

Envious undergraduates sought to parody his unaffected lack of zeal and fear; it was a kind of new Byronism more composed and dignified.

"Nothing really mattered"; among other things, this formula embraced the dons; and though he always meant to be civil, the effect on the college authorities was one of startling rudeness. His indifference cut like insolence; and in some outbreak of his const.i.tutional levity (the complement of his melancholy) he was "sent down" in the middle of the second year.

The event was new in the annals of the Carthews, and Singleton was prepared to make the most of it. It had been long his practice to prophesy for his second son a career of ruin and disgrace. There is an advantage in this artless parental habit. Doubtless the father is interested in his son; but doubtless also the prophet grows to be interested in his prophecies. If the one goes wrong, the others come true. Old Carthew drew from this source esoteric consolations; he dwelt at length on his own foresight; he produced variations. .h.i.therto unheard from the old theme "I told you so," coupled his son's name with the gallows and the hulks, and spoke of his small handful of college debts as though he must raise money on a mortgage to discharge them.