Darkness. Part 6

Except for the strange empty look she'd noticed in his eyes sometimes, when he thought he was un.o.bserved. That had troubled her, as had his refusal to cry, even when he was an infant.

From the first moment he had been put into her arms, Michael had always been an easy child to deal with. Even now, as he watched her warily, she couldn't see that there was any real reason to be angry with him-after all, he'd done nothing more than to work late, and he'd done that every single night since he'd gotten the job at the swamp tour. Nor had he left his filthy pants and sneakers for her to clean up. "No, I guess he's not really mad," she finally replied to his question. "But couldn't you call us if you're going to be late?"

"But I'm always late," Michael reminded her. "You know how it is. I get involved in something, and I just lose track of time."

Barbara shook her head helplessly. "Just go get a fast shower, and be at the table in ten minutes. Okay?"

Michael nodded, darting out through the dining room, calling a quick h.e.l.lo to his father and sister as he pa.s.sed. He saw his father's mouth open, but decided that whatever his father was going to say to him could wait-besides, by the time he got back downstairs, his mother would have straightened the whole thing out.

He paused at the bathroom to start the hot water running in the shower, then went on to his own room, stripped off the rest of his clothes, wrapped himself in a towel, and went back to the bathroom. Steam was pouring from the shower stall, and the mirror was already fogged with condensation. Still, as Michael glanced at the misted gla.s.s, the memory of what he'd seen there before leaped once more into his mind.

But why tonight?

He got into the shower, shampooed his hair, then soaped the washcloth and began scrubbing the perspiration off his body. Suddenly he froze, his skin crawling with the feeling that he was being watched. He shut off the water and listened for a few seconds, finally pulling the curtain open.

The bathroom was empty.

Feeling ridiculous, he turned the shower back on, letting the stream flow full force over his soapy body.

Less than a minute later he was done, but as he stepped out of the stall and grabbed his towel, he once more had the sensation of unseen eyes fixed on him. He dried himself quickly, trying to rid himself of the eerie feeling, telling himself it was all taking place in his imagination.

He started out of the bathroom, then paused, his eyes fastened on the clouded mirror.

There was something there.

He could feel it.

Reaching across the sink with the towel, he wiped away the moisture on the gla.s.s.

It disappeared almost as quickly as he saw it, but the image stuck in his mind.

A face.

An old man's face, staring at him.

The face of a dead man, with empty eyes.

Michael stood rooted in front of the mirror, his mind numb. Where had the image come from? Had it even been real?

It couldn't have been, for when he'd seen it, his own reflection hadn't been there at all. It had been replaced by the grotesque image of the old man.

No, it had to have been some kind of strange refraction caused by the wetness on the mirror. He'd seen only himself, distorted by the steam in the room.

Yet as he hurriedly dressed and joined his family at the supper table, he found himself unable to rid himself of the dark image he'd glimpsed in the mirror, and when he finally went to bed that night, he stayed awake a long time, the reading light on, a book propped in his lap.

But the book remained unread, for no matter how hard he tried, the memory of what he'd seen in the mirror refused to ease its grip on him. Twice he went back to the bathroom, closed the door, and stood in front of the mirror, not only searching the gla.s.s for any remnant of the vision, but studying his own reflection as well, trying to see the old man's face in his own features, trying to envision himself as a wizened relic of what he was now.

But all he could see were his own familiar features, his clear blue eyes and strong jaw, the hints of dimples in his cheeks, which deepened when he smiled, and his unruly blond hair, rumpled from the pillow.

What he'd seen that night-and the other times, too-had to be nothing more than tricks of his own mind.

At last, back in his bed once again, he put the book aside, switched off the light, and pulled the sheet over his body.

Outside, the moon still shone brightly, and the insects and frogs filled the night with their music.

It was a music that Michael had always before found soothing, but tonight he tossed restlessly, resisting sleep.

When sleep finally came, the face dominated his dreams, looming up at him out of the darkness, leering at him, reaching for him with gnarled clawlike hands.

Three times during the night he awakened, his body sweating, his muscles tense, still caught in the nightmare.

The fourth time he awakened, it was dawn, and the morning light finally seemed to drive the night specter away.

Clarey Lambert hadn't slept at all that night. Clarey was past ninety, she was sure of that, but how much past she no longer bothered to reckon. After all, it didn't matter. All that really mattered was that she was still alive.

Still alive, and still looking after things.

Clarey lived alone, five miles from Villejeune. Five miles as the crow flew, anyway. A lot farther when you went by boat. You had to wind through the bayous, watching all the landmarks, or you'd never find the place. And, in fact, very few people ever did find Clarey's house. Often weeks would go by without Clarey seeing anyone, but always, just when she was running low on food, someone would show up and her stores of flour and rice, or whatever else she needed, would be replenished. For vegetables, she'd long ago cleared out a little patch on the island behind her house, where she raised okra and beans, and some sweet potatoes. Not enough to sell for money, but enough for herself, with a little left over to trade with the other swamp rats for whatever else she needed.

As the gray light of dawn began to brighten, Clarey stirred in the chair on her porch and stretched her bones. There were a few aches, but not too bad, all things considered. She heaved herself out of her chair, went into the shack she'd lived in most of her life-the shack in which she'd borne her children, and raised the only one who'd survived-and poked at the dying coals in the stove she used for cooking. She added a chunk of cypress to the fire, then put on a kettle of water.

Coffee-thick and black, well-laced with chicory-would drive the arthritis out of her bones.

She was still standing at the stove when she sensed someone approaching and she moved stiffly back out onto her porch, her still-sharp eyes scanning the bayous.

Sure enough, less than a minute later a rowboat emerged from the reeds and slid across the water. There were two boys in the boat, both of them in their late teens, both wearing dirty overalls held up by a single strap. Quint Millard feathered the oars, and the boat turned, drifting to a stop a few feet from Clarey's sagging porch. From the bench in the stern, Jonas c.o.x gazed up at Clarey through eyes that barely seemed to focus. But though his expression revealed nothing, Clarey knew exactly what was in his mind.

George Coulton.

"It warn't your fault, Jonas," she told him. "You didn't have no choice. You understand that?"

Jonas's brow furrowed slightly. "Me and George was friends. I didn't-"

"You done what the Dark Man made you do," the old woman declared. "Ain't nothin' anyone can do about that. So you just remember that you didn't do nothin'! You hear me?"

Jonas nodded mutely, and Clarey turned to Quint Millard. "You got somethin' to tell me, too?"

"Saw someone new last night," Quint replied.

Clarey's body tensed. "New?" she repeated. "Where?"

"By the ca.n.a.ls, where they's buildin' all them houses."

The old woman's countenance darkened at the mention of the development. She knew who the developer was-she knew who everyone in Villejeune was-and she didn't like Carl Anderson. And it wasn't just for what he was doing to the swamp, chipping away at it, draining a few acres here, a few acres there, ruining it for all the people and animals who'd lived in it peacefully for hundreds and hundreds of years. No, she had other reasons for hating Carl Anderson. His name had gone on her list years ago, long before he'd started encroaching on her beloved marshes.

"Who was the person?" Clarey asked, though after last night, she was almost certain she knew.

The children had been out last night, prowling through the swamp, guarding their master as the Dark Man went about his punishment of George Coulton. And Clarey, though she'd never left her house, had been there, too, her mind reaching out, sensing their wanderings, tracking their movements. Last night, though, she had felt a new presence in the swamp, felt the vibrations of someone seeking her out.

Her, and the children.

And the Dark Man.

Clarey had been aware of such a presence before, and always known who it was.

Michael Sheffield.

She'd followed Michael for years. She'd sensed him often, feeling his way through the swamp, unconsciously searching for something of which he had no understanding. And for years she'd kept him away, refusing to reach out to him, unwilling to guide him to the tiny island at the far edge of the swamp, where the Circle gathered.

Perhaps if he knew nothing of who he was, if he took no part in the rituals of the Circle, he would be able to escape.

Escape unscathed, from the evil into which he had been born.

But last night Clarey had felt another presence, a new presence. It wasn't nearby, nowhere near close enough to be sensed by anyone but herself, but much closer than she'd ever felt it before.

"It's a girl," Quint said now, and Clarey closed her eyes for a moment, hearing the words she'd been expecting.

"She's come back," she breathed, barely aware she was speaking aloud. "He promised me she wouldn't. He promised me he'd leave her alone."

She stopped speaking, feeling Quint Millard's eyes upon her.

"But she's one of us," Quint said. "Soon's I seed her, I knowed."

"Did she see you?" Clarey asked.

Quint hesitated, then nodded, knowing he couldn't lie to Clarey. "She tried to follow me. But she couldn't, 'cause she don't know how. I kept close to her and didn't let nothin' happen to her."

A heavy sigh escaped Clarey's throat. "You done right, Quint. But I reckon the police'll be snoopin' around, and I don't see no good in them talkin' to either one of you two. So you just lay low, hear?"

Quint nodded, but Jonas's empty eyes narrowed. "If'n they find me, what'll I tell 'em?"

Clarey's lips tightened bitterly. "You don't tell n.o.body nothin'. Ain't n.o.body's business what goes on out here. An' if 'n you say anything, I cain't help you anymore'n I could help George Coulton. So you just lay low an' keep quiet, just like always."

Jonas was silent, staring sullenly at his lap. "It ain't right," he finally said.

A great wave of pity washed over Clarey. No, it wasn't right. None of it was right. But that it wasn't right made no difference. It was the way things were. "Go on, Jonas," she told him softly. "Go on and find somewheres to hide. And don't you fret yourself none. Ain't none of it your fault."

Jonas c.o.x frowned slightly, as if uncertain whether to believe her words or not. But at last he nodded as Quint Millard dipped the oars back in the water and leaned into them. Once again the little boat turned, and a moment later was swallowed up by the dense foliage.

Clarey waited until Jonas and Quint were gone, then went back into her house. The kettle of water was boiling on the stove, and she threw a handful of coffee grounds into the pot, then poured water over them. The grounds floated to the surface, and Clarey added a pinch of salt. In five minutes or so the grounds would sink to the bottom and the coffee would be ready, just the way she liked it.

In the meantime, she had some thinking to do.

She knew who the girl Jonas had seen was, and had prayed that this day would never come. But the girl had come back, and now the last of the children was in the village.

The boy and the girl would find each other, recognize each other the minute they met.

And when they did, they would begin to understand what they were.

They would come looking for her.

Her, and their brothers and sisters.

And the Dark Man.

They would be taken into the Circle, no matter the promises the Dark Man had made.

The evil she had been able to contain for so long would finally begin to spread.

The boundaries of the swamp would no longer restrain it, and once it was loose...

She put the dark thought out of her mind. It had begun here in the swamp, and it would end here, too.

For there were things Clarey understood that even the Dark Man did not.

Tim Kitteridge pulled into the parking lot outside the clinic at a few minutes after eight that morning. He lingered in the car, putting off the moment he would have to go inside and look at the body in the back room that served as a morgue.

This was the part of the job he hated most, and it didn't seem fair that it had cropped up only a couple of months after he'd come to Villejeune. In fact, it was one of the reasons he'd taken the job as police chief of the little town in the first place. He'd considered it carefully, checking out the town thoroughly before making his decision. And he'd liked what he'd seen-a sleepy Florida backwater. Growing, but growing with retired people, a notoriously peaceful group. Not like San Bernardino at all, where the city was booming and the problems were growing even faster. The southern California city had changed in the years he'd been there, from a quiet farming town into yet another Los Angeles suburb. But with San Bernardino's growth had come drug problems, and with drugs had come gangs. A year ago Tim Kitteridge had finally decided he'd had it, and begun looking for another job. He'd had two basic requirements: warm weather and little crime. The second condition had eliminated all the major cities of the South. Villejeune, though, had been perfect. Though he supposed there might be a little drug traffic in the swamp, it was just that. Little. With no good landing strips in the area, and the nearest metropolitan center fifty miles away, Villejeune held little attraction for drug lords.

Indeed, after looking over the records, he had concluded that there was little crime of any sort in Villejeune. That was fine with Tim Kitteridge.

Now, only two months later, a body had been pulled out of the swamp.

Kitteridge worked himself out from behind the wheel and wondered, not for the first time, if he should have just retired. Still, at fifty-five he had another ten years in him, and though he could have lived on his retirement pay, it would have been tight. On the other hand, retirement would have definitely precluded having to look at corpses, which was something he truly hated.

He slammed the car door shut, crossed the parking lot, and nodded a greeting to Jolene Mayhew, but said nothing else, knowing that if he spoke to the nurse at all, he would proceed to stall even further. Better just to get it over with. He pa.s.sed through the emergency room, then went down the long corridor. At the end lay the small room that was the morgue. Orrin Hatfield, the coroner, was already there, waiting for him. To his relief, the body was covered, and he made no move to remove the shroud. Instead, he picked up the clipboard on which Hatfield had made his notes and scanned it quickly.

The first s.p.a.ce, where the victim's name should have been filled in, was blank. He glanced questioningly at Hatfield.

The coroner, whom Kitteridge judged to be in his mid-forties, shrugged helplessly. "No identification at all."

"And neither of the boys recognized him?"

Kitteridge shook his head. "Seems like n.o.body here's ever seen him before."

Just then the door opened and Warren Phillips walked in. "Chief," he said, nodding to Kitteridge. "Orrin. Jolene tells me we have an unidentified body."

"Duval and Templar brought it in aground midnight. No ID, and n.o.body recognizes him."

Phillips frowned, moving to the table, where he pulled the covering back from the corpse's face. Taking a deep breath, fighting the nausea that rose in his gut, Tim Kitteridge made himself look, too.

The old man's eyes were still open, and the rictus of fear that had twisted his features as he died remained frozen in place. But what startled Kitteridge was the man's age. His hair-only a few straggling wisps-was snow white, and the heavily creased skin of his face was draped loosely around his skull. Most of his teeth were gone, and his body, what Kitteridge could see of it, was little more than skin and bones.

Phillips, a deep frown creasing his brow, pulled the cover farther back, exposing the wound in the man's chest. A gaping slash, several inches long, laid the man's rib cage open. Once again Kitteridge fought to control his churning stomach.

Phillips uttered a low whistle. "Whatever got him, it tore his whole sternum out."

"You mean whoever whoever got him, don't you?" Kitteridge asked, looking at the doctor. To him, the cut had looked exactly like a knife wound. "Any idea who he is?" got him, don't you?" Kitteridge asked, looking at the doctor. To him, the cut had looked exactly like a knife wound. "Any idea who he is?"