The Story of Red Feather Part 6

Red Feather read the distrust in his face and manner. With a deliberation that was not lacking in dignity, he walked slowly to the corner of the apartment, Melville closely following him with his eye, and leaned his gun against the logs. Then he drew his knife and tomahawk from his girdle, and threw them on the floor beside the more valuable weapon. That done, he moved back to the fire-place, folded his arms, and, fixing his black eyes on the countenance of the lad, repeated--"Red Feather friend of white folk."

"I believe you," responded Melville, carefully letting down the hammer of his rifle and resting the stock on the floor; "now I am glad to shake hands with you."

A broader smile than before lit up the dusky face as the chief warmly pressed the hand of the youth, who felt just a little trepidation when their palms met.

"Where pappoose?" asked Red Feather, looking suggestively at the steps leading to the upper story.

"Dot!" called Melville, "come down here; someone wants to see you."

The patter of feet was heard, and the next instant the little one came tripping downstairs, with her doll clasped by one arm to her breast.

"Red Feather is a good Indian now, and he wants to shake hands with you."

With a faint blush and a sweet smile Dot ran across the floor and held out her tiny hand. The chieftain stooped, and not only took the palm of the little girl, but placed each of his own under her shoulders and lifted her from the floor. Straightening up, he touched his dusky lips to those of the innocent one, murmuring, with a depth of emotion which cannot be described--

"Red Feather lub white pappoose--she make him good Injin--he be her friend always."

The chieftain touched his lips but once to those of the little one, who showed no hesitation in accepting the salute. Pure, innocent, and good herself, she had not yet learned how evil the human heart may become.

Not only did she receive the salute willingly, but threw her free arm around the neck of the Indian and gave him a kiss.

"Red Feather, what made you come down the chimney?" questioned Melville when the Indian had released his sister.

"Can't come oder way," was the instant response.

"True; but why do you want to enter this house?"

"Be friend of white folk--come tell 'em."

"I am sure of that; but what can you do for us?"

Red Feather gave no direct answer to this question, but walked upstairs.

As he did so he left every one of his weapons on the lower floor, and by a glance cast over his shoulder expressed the wish that the brother and sister should follow him. They did so, Dot tripping ahead, while Melville retained his weapons.

Reaching the upper floor, the Sioux walked directly to the window through which the shots had come that shattered the two panes of gla.s.s.

There was a curious smile on his swarthy face as he pointed at the pane on the left, and said--

"Red Feather fire _dat!_"

The explanation of his remark was that had Melville kept his place in front of the window at the moment the rifles were discharged, only one of the bullets would have hit him, and that would have been the one which Red Feather did not fire.

[Ill.u.s.tration: "'She make him good Injin--he be her friend always.'"--Page 51]

The shot which he sent into the apartment, and which filled the youth with so much indignation, had been fired for the purpose of making the other warriors believe the chieftain was as bitter an enemy of the brother and sister as he was of all white people.

Having convinced his followers on this point, he made his position still stronger with them by declaring his purpose of descending the chimney, and having it out with them, or rather with the lad, within the building.

Red Feather peered out of the window, taking care that none of his warriors saw him, though they must have felt a strong curiosity to learn the result of his strange effort to overcome the little garrison.

Melville supposed that he had arranged to communicate with them by signal, for the result of the attempt must be settled quickly.

The youth took the liberty of peeping forth from the other window on the same side of the house.

Only two of the Sioux were in their field of vision, and their actions did not show that they felt much concern for their chief. They were mounted on their horses, and riding at a walk towards the elevations from which Red Feather had waved his blanket to the brother and sister when on the other side of the stream.

Melville's first thought was that they had decided to leave the place, but that hope was quickly dispelled by the action of the warriors. At the highest point of the hill they checked their ponies, and sat for a minute gazing fixedly to the northward in the direction of the settlement.

"They are looking for our friends," thought the youth, "but I am afraid they will not be in sight for a good while to come."

At this juncture one of the warriors deliberately rose to a standing position on the back of his pony, and turned his gaze to the westward.

"Now they are looking for _their_ friends," was the correct conclusion of Melville, "and I am afraid they see them; yes, there is no doubt of it."

The warrior, in a.s.suming his delicate position, pa.s.sed his rifle to his companion, whose horse was beside him. Then, with his two hands free, he drew his blanket from around his shoulders and began waving it, as Red Feather had done earlier in the day.

Melville glanced across at Red Feather, who was attentively watching the performance. He saw the countenance grow more forbidding, while a scowl settled on his brow.

It was easy to translate all this. The Sioux had caught sight of some of their friends, and signalled them. This would not have been done had there not been some person or persons to observe it.

The party which the chieftain had described as being in the Muddy Creek country must have changed their course and hastened to join Red Feather and the smaller party. If such were the fact, they would arrive on the spot within a brief s.p.a.ce of time.

The interesting question arose whether, in the event of such arrival, and the attack that was sure to follow, Red Feather would come out as open defender of the children against his own people. Had there been only the five original warriors, he might have played a part something akin to neutrality, on the ground that his descent of the chimney had turned out ill for him, and, being caught at disadvantage he was held idle under the threat of instant death. Still further, it might have been his province to a.s.sume the character of hostage, and thus to defeat the overthrow of the couple by the Sioux.

But the arrival of the larger party would change everything. Among the Muddy Creek band were several who disliked Red Feather intensely enough to be glad of a chance to help his discomfiture.

He had agreed that, in the event of his surprising the lad who was making such a brave defence, he would immediately appear at the front window and announce it, after which he would unbar the door and admit the warriors to the "last scene of all."

[Ill.u.s.tration: "'Let the Sioux send more of his warriors down the chimney!'"]

Several minutes had now pa.s.sed, and no such announcement was made. The other three Sioux were lingering near the building, awaiting the signal which came not.

While the two were engaged on the crest of the hill the others suddenly came round in front of the house. They were on foot, and looked inquiringly at the windows, as if at a loss to understand the cause of the silence. Red Feather instantly drew back, and said in a low voice to Melville--

"Speak to Injin--dem tink Red Feather lose scalp."

Grasping the situation, the youth showed himself at the window, where the Sioux were sure to see him, and uttered a tantalizing shout.

"Let the Sioux send more of their warriors down the chimney!" he called out; "the white youth is waiting for them, that he may take their scalps."

This was followed by another shout, as the lad withdrew beyond reach of a rifle-ball, that left no doubt of its meaning on the minds of the astounded warriors.

CHAPTER SIX

THE MUDDY CREEK BAND--THE TORCH