Wolfville Days Part 20

'round, in them pigskins, reminds me a mighty sight of that sprooce beer. Later it most likely reminds you of the pigskin.

"Mexican barkeeps, when they sells pulque, aims to dispose of it two gla.s.ses at a clatter. It gives their conceit a chance to spread itse'f an' show. The pulque is in a tub down back of the bar. This yere vain Mexican seizes two gla.s.ses between his first an' second fingers, an' with a finger in each gla.s.s. Then he dips 'em full back-handed; an' allers comes up with the back of his hand an' the two fingers covered with pulque. He claps 'em on the bar, eyes you a heap sooperior like he's askin' you to note what a acc'rate, high- grade barkeep he is, an' then raisin' his hand, he slats the pulque off his fingers into the two gla.s.ses. If he spatters a drop on the bar, it shows he's a bungler, onfit for his high p'sition, an'

oughter be out on the hills tendin' goats instead of dealin' pulque.

"What do they do with the sour pulque? Make mescal of it--a sort o'

brandy, two hookers of which changes you into a robber. No, thar's mighty few still-houses in Mexico. But that's no set-back to them Greasers when they're out to construct mescal. As a roole Mexicans is slow an oninventive; but when the question becomes the arrangement of somethin' to be drunk with, they're plenty fertile.

Jest by the way of raw material, if you'll only confer on a Mexican a kettle, a rifle bar'l, a saddle cover, an' a pigskin full of sour pulque, he'll be conductin' a mescal still in full blast at the end of the first hour. But to go back to Enright's yarn.

"'These yere pulque people,' says Enriglit, 'does a fa'rly rapid commerce. For while, as you-all may know, pulque is tame an' lacks in reebound as compared with nose-paint, still when pulque is the best thar is, the Pine Knot Cavaliers of the Plaza Perdita invests heavily tharin. That pulque's jest about a stand-off for the chaplain's sermons. "'It's the fourth trip of the pulque sellers, when the Donna Anna shows in the door. The Donna Anna arrives with 'em; an' the way she bosses 'round, an' sets fire to them pulque slaves, notifies me they're the Donna Anna's peonies. "'I'm sort o'

pervadin' about the plaza when the Donna Anna rides up. Thar's an old she-wolf with her whose name is Magdalena. I'm not myse'f what they calls in St. Looey a "connoshur" of female loveliness, an' it's a pity now that some gifted gent like Doc Peets yere don't see this Donna Anna that time, so's he could draw you her picture, verbal.

All I'm able to state is that she's as beautiful as a cactus flower, an' as vivid. She's tall an' strong for a Mexican, with a voice like velvet, graceful as a mountain lion, an' with eyes that's soft an'

deep an' black, like a deer's. She's sh.o.r.ely a lovely miracle, the Donna Anna is, an' as dark an' as warm an' as full of life as a night in Joone. She's of the grande, for the mule she's ridin', gent-fas.h.i.+on, is worth forty ponies. Its coat is soft, an' s.h.i.+ny like this yere watered silk, while its mane an' tail is braided with a hundred littler silver bells. The Donna Anna is dressed half Mexican an' half Injun, an' thar's likewise a row of bells about the wide brim of her Chihuahua hat.

"'Thar's mebby a half-dozen of us standin' 'round when the Donna Anna comes up. Nacherally, we-all is interested. The Donna Anna, bein' only eighteen an' a Mexican, is not abashed. She waves her hand an' says, "How! how!" Injun fas.h.i.+on. an' gives us a white flash of teeth between her red lips. Then a band of nuns comes out of a little convent, which is one of the public improvements of the Plaza Perdita, an' they rounds up the Donna Anna an' the wrinkled Magdalena, an' takes 'em into camp. The Donna Anna an' the other is camped in the convent doorin' the visit. No, they're not locked up nor gyarded, an' the Donna Anna comes an' goes in an' out of that convent as free as birds. The nuns, too, bow before her like her own peonies.

"'Thar's a Lootenant Jack Spencer with us; he hails from further up the c.u.mberland than me--some'ers near Nashville. He's light-ha'red an' light-hearted, Spencer is; an' as straight an' as strong as a pine-tree. S'ciety ain't throwin' out no skirmish lines them days, an' of course Spencer an' the Donna Anna meets up with each other; an' from the onbroken hours they tharafter proceeds to invest in each other's company, one is jestified in a.s.soomin' they experiences a tender interest. The Donna Anna can't talk Americano, but Spencer is a sharp on Spanish; an' you can bet a pony, if he wasn't, he'd set to studyin' the language right thar.

"'Nothin' much is thought by the Pine Knot Cavaliers of an'

concernin' the att.i.toodes of Spencer an' the Donna Anna touchin' one another.

Love it might be, an' less we cares for that. Our army, when it ain't fightin', is makin' love throughout the entire Mexican War; an' by the time we're at the Plaza Perdita, love, mere everyday love, either as a emotion or exhibition, is plenty commonplace. An'

so no one is interested, an' no one keeps tabs on Spencer an' the Donna Anna.

Which, if any one had, he'd most likely got ag'inst Spencer's gun; wharfore, it's as well mebby that this yere lack-l.u.s.ter feelin'

prevails.

"'It's about the tenth day sicice the Donna Anna gladdens us first.

Orders comes up from Vera Cruz for the Pine Knot Cavaliers to come down to the coast an' embark for New Orleans. The word is pa.s.sed, an' our little jimcrow camp buzzes like bees, with us gettin' ready to hit the trail. Spencer asks "leave;" an' then saddles up an'

starts at once. He says he's got a trick or two to turn in Vera Cruz before we sails. That's the last we-all ever beholds of Lootenant Jack Spencer. "'When Spencer don't show up none in Vera Cruz, an'

the s.h.i.+p throws loose without him, he's marked, "missin'," on the company's books. If he's a private, now, it would have been "deserted;" but bein' Spencer's an officer, they makes it "missin'."

An' they gets it right, at that; Spencer is sh.o.r.ely missin'. Spencer not only don't come back to Tennessee none; he don't even send no word nor make so much as a signal smoke to let on whar he's at. This yere, to some, is more or less disapp'intin'. "'Thar's a lady back in Tennessee which Spencer's made overtures to. before he goes to war that time, to wed. Young she is; beautiful, high-grade, corn- fed, an' all that; an' comes of one of the most clean-bred fam'lies of the whole c.u.mberland country. I will interject right yere to say that thar's ladies of two sorts. If a loved one, tender an' troo, turns up missin' at roll-call, an' the phenomenon ain't accompanied with explanations, one sort thinks he's quit, an' the other thinks he's killed. Spencer's inamorata is of the former. She's got what the neighbors calls "hoss sense." She listens to what little thar is to tell of Spencer fadin' from our midst that Plaza Perdita day, shrugs her shoulders, an' turns her back on Spencer's mem'ry. An'

the next news you gets is of how, inside of three months, she jumps some gent--who's off his gyard an' is lulled into feelin's of false secoority--ropes, throws, ties an' weds him a heap, an' he wakes up to find he's a gone fawn-skin, an' to realize his peril after he's onder its hoofs. That's what this c.u.mberland lady does. I makes no comments; I simply relates it an' opens a door an' lets her out.

"'I'm back in Tennessee mighty nigh a year before ever I hears ag'in of Lootenant Jack Spencer of the Pine Knot Cavaliers. It's this a- way: I'm stoppin' with my old gent near Warwhoop Crossin', the same bein' a sister village to Pine Knot, when he's recalled to my boyish mind. It looks like Spencer ain't got no kin nearer than a aunt, an'

mebby a stragglin' herd of cousins. He never does have no brothers nor sisters; an' as for fathers an' mothers an' sech, they all cashes in before ever Spencer stampedes off for skelps in that Mexican War at all. "'These yere kin of Spencer's stands his absence ca'mly, an' no one hears of their settin' up nights, or losin'

sleep, wonderin' where he's at. Which I don't reckon now they'd felt the least cur'ous concernin' him--for they're as cold-blooded as channel catfish--if it ain't that Spencer's got what them law coyotes calls a "estate," an' this property sort o' presses their hands. So it falls out like, that along at the last of the year, a black-coat party-lawyer he is-comes breezin' up to me in Warwhoop an' says he's got to track this yere Spencer to his last camp, dead or alive, an' allows I'd better sign for the round-up an' accompany the expedition as guide, feclos'pher an' friend--kind o' go 'long an' scout for the campaign. "'Two months later me an' that law sharp is in the Plaza Perdita. We heads up for the padre. It's my view from the first dash outen the box that the short cut to find Spencer is to acc'rately discover the Donna Anna; so we makes a line for the padre. In Mexico, the priests is the only folks who saveys anythin'; an', as if to make up for the hoomiliatin' ignorance of the balance of the herd, an' promote a average, these yere priests jest about knows everythin'. An' I has hopes of this partic'lar padre speshul; for I notes that, doorin' them times when Spencer an' the Donna Anna is dazzlin' one another at the Plaza Perdita, the padre is sort o'

keepin' cases on the deal, an' tryin' as well as he can to hold the bars an' fences up through some covert steers he vouchsafes from time to time to the old Magdalena. "'No; you bet this padre don't at that time wax vocif'rous or p'inted none about Spencer an' the Donna Anna. Which he's afraid if he gets obnoxious that a-way, the Pine Knot Cavaliers will rope him up a lot an' trade him for beef. Sh.o.r.e don't you-all know that? When we're down in Mexico that time, with old Zach Taylor, an' needs meat, we don't go ridin' our mounts to death combin' the hills for steers. All we does is round up a band of padres, or monks, an' then trade 'em to their par'lyzed congregations for cattle. We used to get about ten steers for a padre; an' we doles out them divines, one at a time, as we needs the beef. It's sh.o.r.ely a affectin' sight to see them parish'ners, with tears runnin' down their faces, drivin' up the cattle an' takin'

them religious directors of theirs out o' hock.

"'We finds the padre out back of his wickeyup, trimmin' up a game- c.o.c.k that he's matched to fight the next day. The padre is little, fat, round, an' amiable as owls. Nacherally, I has to translate for him an' the law sport.

"'"You do well to come to me, my children," he says. "The Senor Juan"--that's what the padre calls Spencer--"the Senor Juan is dead.

It is ten days since he pa.s.sed. The Donna Anna? She also is dead an'

with the Senor Juan. We must go to the Hacienda Tulorosa, which is the house of the Donna Anna. That will be to-morrow. Meanwhile, who is to protect Juarez, my beloved chicken, in his battle when I will be away? Ah! I remember! The Don Jose Miguel will do. He is skilful of c.o.c.ks of the game. Also he has bet money on Juarez; so he will be faithful. Therefore, to-morrow, my children, we will go to the Donna Anna's house. There I will tell you the story of the Senor Juan."

"'The Hacienda Tulorosa is twenty miles back further in the hills.

The padre, the law sharp an' me is started before sun-up, an' a good road-gait fetches us to the Hacienda Tulorosa in a couple of hours.

It's the sort of a ranch which a high grade Mexican with a strong bank-roll would throw up. It's built all 'round a court, with a flower garden and a fountain in the centre. As we comes up, I observes the old Magdalena projectin' about the main door of the casa, stirrin' up some lazy peonies to their daily toil--which, to use the word "toil," however, in connection with a Greaser, is plumb sarcastic. The padre leads us into the cases, an' the bitter-lookin'

Magdalena hustles us some grub; after which we-all smokes a bit.

Then the padre gets up an' leads the way.

"'"Come, my children," says the padre, "I will show you the graves.

Then you shall hear what there is of the Senor Juan an' the Donna Anna."

"'It's a set-back,' continyoos Enright, as he signals Black Jack the barkeep to show us he's awake; 'it's sh.o.r.ely a disaster that some book-instructed gent like Peets or Colonel Sterett don't hear this padre when he makes them revelations that day. Not that I overlooks a bet, or don't recall 'em none; but I ain't upholstered with them elegancies of diction needed to do 'em justice now. My language is roode an' corrupted with years of sech surroundin's as cattle an'

kyards. It's too deeply freighted with the slang of the plains an'

the faro-banks to lay forth a tale of love an' tenderness, as the o'casion demands. Of course, I can read an' write common week-day print; but when thar's a call for more, I'm mighty near as illit'rate that a-way as Boggs.'

"'Which, as you su'gests, I'm plumb ignorant,' admits Boggs, 'but it ain't the fault none of my bringin' up neither. It jest looks like I never can learn print nohow when I'm young. I'm simply born book- shy, an' is terrified at schools from my cradle. An', say! I'm yere to express my regrets at them weaknesses. If I was a eddicated gent like Doc Peets is, you can put down all you has, I'd be the cunnin'est wolf that ever yelps in Cochise County.'

"'An' thar ain't no doubt of that, Boggs,' observes Enright, as he reorganizes to go ahead with them Donna Anna mem'ries of his. 'Which if you only has a half of Peets' game now, you'd be the hardest thing--mental--to ride that ever invades the Southwest. Nacherally, an' in a wild an' ontrained way, you're wise. But to rcsoome: As much as I can, I'll give the padre in his own words. He takes us out onder a huddle of pine trees, where thar's two graves side by side, an' with a big cross of wood standin' gyard at the head. Thar's quite a heap o' rocks, about as big as your shet hand, heaped up on 'em. It's the Mexicans does that. Every Greaser who goes by, says a pray'r, an' tosses a rock on the grave. When we-all is camped comfortable, the padre begins.

"'"This is that which was with the Senor Juan and the Donna Anna,"

he says. "They adored each other with their hearts. It was many months ago when, from the Plaza Perdita, they came together here to the Donna Anna's house, the Hacienda Tulorosa. Who was the Donna Anna? Her mother was an Indian, a Navajo, and the child of a head man. Her father was the Senor Ravel, a captain of war he was, and the Americanos slew him at Buena Vista. No; they were not married, the father and the mother of the Donna Anna. But what then? There are more children than weddings in Mexico. Also the mother of the Donna Anna was a Navajo. The Captain Ravel long ago brought her to the Hacienda Tulorosa for her home--her and the Donna Anna. But the mother lived not long, for the Indian dies in a house. This is years gone by; and the Donna Anna always lived at the Casa Tulorosa. "'No; the Senor Juan and the Donna Anna do not marry. They might; but the Senor Juan became like a little child-muchachito. This was within a few days after he came here. Then he lived until ten days ago; but always a little child. "'When the Senor Juan is dead, the Donna Anna sends for me. The Seuor Juan is ready for the grave when I arrive.'

Is it to bury him that I come?' I ask. 'No; it is to bury me,' says the Donna Anna. Ah! she was very beautiful! the Donna Anna. You should have seen her, my children. "'When the Senor Juan is laid away, the Donna Anna tells me all. 'He came, the Senor Juan,' says the Donna Anna, 'and I gave him all my love. But in a day he was to have gone to his home far away with the Americanos. Then I would never more see him nor hear him, and my soul would starve and die.

There, too, was a Senorita, an Americana; she would have my place.

Father, what could I do? I gave him the loco to drink; not much, but it was enough. Then his memory sank and sank; and he forgot the Senorita Americana; and he remembered not to go away to his home; and he became like a little child with me. The good loco drove every one from his heart; and all from his mind-all, save me, the Donna Anna. I was the earth and the life to him. And so, night and day, since he came until now he dies, my arms and my heart have been about the Senor Juan. And I have been very, very happy with my muchachito, the Senor Juan. Yes, I knew he would go; because none may live who drinks the loco. But it would be months; and I did not care. He would be mine, ever my own, the Senor Juan; for when he died, could I not die and follow him? We were happy these months with the flowers and the fountain and each other. I was happier than he; for I was like the mother, and he like a little child. But it was much peace with love! And we will be happy again to-morrow when I go where he waits to meet me. Father, you are to remain one day, and see that I am buried with the Senior Juan.' "Then," goes on the padre, "I say to the Donna Anna, 'If you are to seek the Senor Juan, you will first kneel in prayer and in confession, and have the parting rites of the church.' But the Donna Anna would not. 'I will go as went the Senor Juan,' she says; 'else I may find another heaven and we may not meet.' Nor could I move the Donna Anna from her resolution. 'The Senor Juan is a heretic and must now be in perdition,' I say. 'Then will I, too, go there,' replies the Donna Anna, 'for we must be together; I and the Senor Juan. He is mine and I will not give him up to be alone with the fiends or with the angels.' So I say no more to the Donna Anna of the church.

"'" On the day to follow the burial of the Senor Juan, it is in the afternoon when the Donna Anna comes to me. Oh! she was twice lovely!

'Father,' she says, 'I come to say my adios. When the hour is done you will seek me by the grave of my Senor Juan.' Then she turns to go. 'And adios to you, my daughter,' I say, as she departs from my view. And so I smoke my cigars; and when the hour is done, I go also to the grave of the Senor Juan--the new grave, just made, with its low hill of warm, fresh earth.

"'" True! it was as you guess. There, with her face on that little round of heaped-up earth, lay the Donna Anna. And all the blood of her heart had made red the grave of her Senor Juan. The little knife she died by was still in her hand. No, I do not fear for them, my children. They are with the good; the Donna Anna and her Senor Juan.

They were guiltless of all save love; and the good G.o.d does not punish love."'"

CHAPTER XIV.

How Jack Rainey Quit.

"Customary, we has our social round-ups in the Red Light," observed the Old Cattleman; "which I mentions once it does us for a club. We're all garnered into said fold that time when Dave Tutt tells us how this yere Jack Rainey quits out. "'Rainey gets downed,' says Tutt, 'mainly because his system's obscoore, an'

it chances that a stranger who finds himse'f unmeshed tharin takes it plumb ombrageous; an' pendin' explanations, gets tangled up with a pard of Rainey's, goes to a gun play, an' all accidental an'

casooal Rainey wings his way to them regions of the blest. "'Now I allers holds,' goes on Tutt, 'an' still swings an' rattles with that decision, that it's manners to ask strangers to drink; an' that no gent, onless he's a sky-pilot or possesses scrooples otherwise, has a right to refoose. Much less has a gent, bein' thus s'licited to licker, any license to take it hostile an' allow he's insulted, an'

lay for his entertainers with weepons.' "'Well, I don't know, neither,' says Texas Thompson, who's a heap dispootatious an' allers spraddlin' in on every chance for an argyment. 'Thar's a party, now deceased a whole lot--the Stranblers over in Socorro sort o'

chaperones this yere gent to a cottonwood an' excloodes the air from his lungs with a lariat for mebby it's an hour-an' this party I'm alloodin' at, which his name is Fowler, is plumb murderous. Now, it's frequent with him when he's selected a victim that a-way, an'

while he's bickerin' with him up to the killin' p'int, to invite said sacrifice to take a drink. When they're ag'inst the bar, this yere Fowler we-all strangles would pour out a gla.s.s of whiskey an'

chuck it in the eyes of that onfortunate he's out to down. Of course, while this party's blind with the nose-paint, he's easy; an'

Fowler tharupon e'llects his skelp in manner, form an' time to suit his tastes. Now I takes it that manners don't insist none on no gent frontin' up to a bar on the invite of sech felons as Fowler, when a drink that a-way means a speshul short-cut to the tomb.' "'All this yere may be troo,' replies Tutt, 'but it's a exception. What I insists is, Texas, that speakin' wide an' free an' not allowin' none for sports of the Fowler brand, it's manners to ask strangers to stand in on what beverages is goin'; that it's likewise manners for said strangers to accept; an' it shows that both sides concerned tharin is well brought up by their folks. Sech p'liteness is manners, goin' an' comin', which brings me with graceful swoops back to how Jack Rainey gets shot up.' "'But, after all,' breaks in Texas ag'in, for he feels wranglesome, 'manners is frequent a question of where you be. What's manners in St. Looey may be bad jedgment in Texas; same as some commoonities plays straights in poker, while thar's regions where straights is barred.'

"'Texas is dead right about his State that a-way,' says Jack Moore, who's heedin' of the talk. 'Manners is a heap more inex'rable in Texas than other places. I recalls how I'm galivantin' 'round in the Panhandle country--it's years ago when I'm young an' recent--an' as I'm ridin' along south of the Canadian one day, I discerns a pony an' a gent an' a fire', an' what looks like a yearlin' calf tied down. I knows the pony for Lem Woodruff's cayouse, an' heads over to say "Howdy" to Lem. He's about half a mile away; when of a sudden he stands up--he's been bendin' over the yearlin' with a runnin' iron in his hand--an' gives a whoop an' makes some copious references towards me with his hands. I wonders what for a game he's puttin'

up, an' whatever is all this yere sign-language likely to mean; but I keeps ridin' for'ard. It's then this Woodruff steps over to his pony, an' takin' his Winchester off the saddle, cuts down with it in my direction, an' onhooks her--"Bang!" The bullet raises the dust over about fifty yards to the right. Nacherally I pulls up my pony to consider this conduct. While I'm settin' thar tryin' to figger out Woodruff's system, thar goes that Winchester ag'in, an' a streak of dust lifts up, say, fifty yards to the left. I then sees Lem objects to me. I don't like no gent to go carpin' an' criticisin' at me with a gun; but havin' a Winchester that a-way, this yere Woodruff can overplay me with only a six-shooter, so I quits him an'

rides contemptuous away. As I withdraws, he hangs his rifle on his saddle ag'in, picks up his runnin' iron all' goes back content an'

all serene to his maverick.'" "What is a maverick?" I asked, interrupting my friend in the flow of his narration. "Why, I s'posed," he remarked, a bit testily at being halted, "as how even shorthorns an' tenderfeet knows what mavericks is. Mavericks, son, is calves which gets sep'rated from the old cows, their mothers, an'

ain't been branded none yet. They're bets which the round-ups overlooks, an' don't get marked. Of course, when they drifts from their mothers, each calf for himse'f, an' no brands nor y'ear marks, no one can tell whose calves they be. They ain't branded, au' the old cows ain't thar to identify au' endorse 'em, an' thar you stands in ignorance. Them's mavericks. "It all comes," he continued in further elucidation of mavericks, "when cattle brands is first invented in Texas. The owners, whose cattle is all mixed up on the ranges, calls a meetin' to decide on brands, so each gent'll know his own when he crosses up with it, an' won't get to burnin' powder with his neighbors over a steer which breeds an' fosters doubts.

After every party announces what his brand an' y'ear mark will be, all' the same is put down in the book, a old longhorn named Maverick addresses the meetin', an' puts it up if so be thar's no objection, now they all has brands but him, he'll let his cattle lope without markin', an' every gent'll savey said Maverick's cattle because they won't have no brand. Cattle without brands, that a-way, is to belong to Maverick, that's the scheme, an' as no one sees no reason why not, they lets old Maverick's proposal go as it lays.

"An' to cut her short, for obv'ous reasons, it ain't no time before Maverick, claimin' all the onbranded cattle, has herds on herds of 'em; whereas thar's good authority which states that when he makes his bluff about not havin' no brand that time, all the cattle old Maverick has is a triflin' bunch of Mexican steers an' no semblances of cows in his outfit. From which onpromisin', not to say barren, beginnin', Maverick owns thousands of cattle at the end of ten years. It all provokes a heap of merriment an' scorn. An' ever since that day, onmarked an' onbranded cattle is called 'mavericks.' But to go back ag'in to what Jack Moore is remarkin' about this yere outlaw, Woodruff, who's been bustin' away towards Jack with his Winchester.