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_Do not waste your time wandering thousands of [miles], through this town and that, with your staff on your shoulder, wintering in one place and spending the summer in another. Do not seek out beautiful mountains and rivers to contemplate. . . . [T]he fundamental thing for you to do is to obtain the essence of Ch'an. Then your travels will not have been in vain. If you find a way to guide your understanding under a severe master . . . wake up, hang up your bowl-bag, and break your staff.
Spend ten or twenty years of study under him until you are thoroughly enlightened.17
_
He also advised that they try to simplify their search, that they try to realize how uncomplicated Ch'an really is.
_Let me tell you that anything you can directly point at will not lead you to the right trail. . . . Besides dressing, eating, moving bowels, releasing water, what else is there to do?18
_
Yun-men was one of the most dynamic masters of the late ninth and early tenth century, providing new twists to the historic problem of nonlanguage transmission. His celebrated solution was the so-called one-word answer. Several of these are preserved in the two major koan collections of later years. Two of the better-known follow:
_A monk asked Yun-men, "What is the teaching that transcends the Buddha and patriarchs?" Yun-men said, "A sesame bun._"19_
A monk asked Yun-men, "What is Buddha?" Yun-men replied, "A dried piece of s.h.i.+t._"20_
_
The "one-word" was his version of the blow and the shout. R. H. Blyth is particularly fond of Yun-men and suggests he may have had the keenest intellect of any Ch'an master--and even goes so far as to declare him the greatest man China has produced.21
At the very least Yun-men was in the great tradition of the iconoclastic T'ang masters, with a touch that bears comparison to Huang-po. And he probably was wise in attempting to stop copyists, for his teachings eventually were reduced to yet another abominable system, as seemed irresistible to the Chinese followers of the five houses. A later disciple produced what is known as the "Three propositions of the house of Yun-men." It is not difficult to imagine the barnyard response Yun-men would have had to this "systematization" of his thought.22 The school of this "most eloquent of Ch'an masters" lasted through the Sung dynasty, but its failure to find a transplant in j.a.pan eventually meant that history would pa.s.s it by. Nonetheless, the cutting intellect of Yun-men was one of the bright stars in the constellation of Ch'an, providing what is possibly its purest antirational statement.
THE FA-YEN SECT
The master known as Fa-yen (885-958), founder of the third short-lived house of Ch'an, need not detain us long. Fa-yen's novel method for triggering enlightenment was to repeat back the
questioner's own query, thereby isolating the words and draining them of their meaning. It was his version of the shout, the silence, the single word. And whereas the Lin-chi school was concerned with the Four Processes of Liberation from Subjectivity and Objectivity and the Ts'ao-tung school constructed the five relations between Particularity and Universality, the Fa-yen school invented the Six Attributes of Being.23 The Six Attributes of Being (totality and differentiation, sameness and difference, becoming and disappearing) were adapted from the doctrine of another Buddhist sect, and in fact later attempts by one of Fa-yen's disciples to combine Ch'an and Pure Land Buddhism have been credited with accelerating the disappearance of his school.
According to _The Transmission of the Lamp_, the master remembered as Fa-yen was born as Wen-i, near Hangchow. He became a Ch'an novice at age seven and was ordained at twenty. Learned in both Buddhist and Confucianist literature (though not, significantly enough, in the Taoist cla.s.sics), he then got the wanderl.u.s.t, as was common, and headed south to seek out more Ch'an teachers. He ended up in Kiangsi province in the city of Fuchou, where to escape the floodings of a rainstorm he found himself one evening in a local monastery. He struck up a conversation with the master there, who suddenly asked him:
_"Where are you going, sir?"
"I shall continue my foot travels along the road."
"What is that which is called foot travel?"
"I do not know."
"Not-knowing most closely approaches the Truth._"24
The _Transmission of the Lamp _states that he was enlightened on the spot and decided to settle down for a period of study. He eventually became a famous teacher himself, shepherding as many as a thousand students at one time.
One of his most often repeated exchanges concerned the question of the difference between the "moon" (i.e., enlightenment) and the "finger pointing at the moon," (i.e., the teaching leading to enlightenment).
It was a common observation that students confused the finger pointing at the moon with the moon itself, which is to say they confused talk about enlightenment with the state. One day a monk came along who thought he was smart enough to get around the dilemma.
_A monk asked, "As for the finger, I will not ask you about it. But what is the moon?"
The Master said, "Where is the finger that you do not ask about?"
So the monk asked, "As for the moon, I will not ask you about it. But what is the finger?"
The Master said, "The moon!"
The monk challenged him, "I asked about the finger; why should you answer me, 'the moon'?"
The Master replied, "Because you asked about the finger._"25
At age seventy-four Fa-yen died in the manner of other great masters, calmly and seated in the meditation posture. Part of the lineage of s.h.i.+h-t'ou and an offshoot of the branch of Ch'an that would become Soto, he was a kindly individual with none of the violence and histrionics of the livelier masters. However, his school lasted only briefly before pa.s.sing into history. Nonetheless, a number of disciples initially perpetuated his memory, and his wisdom is preserved in various Sung-period compilations of Ch'an sermons.
Chapter Fourteen
TA-HUI:
MASTER OF THE KOAN
To confront the koan--the most discussed, least understood teaching concept of the East--is to address the very essence of Zen itself. In simple terms the koan is merely a brief story--all the encounters between two monks related here could be koans. During the Sung Dynasty (960-1279) these stories were organized into collections, commented upon, and structured into a system of study--which involved meditating on a koan and arriving at an intuitive "answer" acceptable to a Zen master. Faced with the threatening intellectualism of the Sung scholars, Ch'anists created the koan out of the experience of the older masters, much the way a liferaft might be constructed from the timbers of a storm-torn s.h.i.+p. But before we examine this raft, it would be well to look again at the s.h.i.+p.
It will be recalled that Ch'an grew out of both Buddhism and Taoism, extracting from them the belief that a fundamental unifying quality transcends all the diversity of the world, including things that appear to be opposite. However, Ch'an taught that this cannot be understood using intellectualism, which rationally makes distinctions and relates to the world by reducing it to concepts and systems. One reason is that all rationality and concepts are merely part of a larger, encompa.s.sing Reality; and trying to reach this Reality intellectually is like trying to describe the outside of a building while trapped inside.
There is, however, a kind of thought--not beholden to concepts, systems, discriminations, or rationality--that can reach this new understanding.
It is intuition, which operates in a mode entirely different from rationality. It is holistic, not linear; it is unself-conscious and noncritical; and it doesn't bother with any of the rational systems of a.n.a.lysis we have invented for ourselves. But since we can't call on it at our pleasure, the next best thing we can do is clear the way for it to operate--by shutting off the rational part of the mind. Then intuition starts hesitantly coming out of the shadows. Now, if we carefully wait for the right moment and then suddenly create a disturbance that momentarily short-circuits the rational mind--the way shock suppresses our sense of pain in the first moments of a serious accident--we may get a glimpse of the intuitive mind in full flower. In that instant we intuitively understand the oneness of the world, the Void, the greater Reality that words and rationality have never allowed us to experience.
The Zen teachers have a very efficient technique for making all this happen. They first discredit rationality for a novice by making him feel foolish for using it. Each time the novice submits a rational solution to a koan, he receives a humiliating rebuff. After a while the strain begins to tell. In the same way that a military boot camp destroys the ego and self-ident.i.ty of a recruit, the Zen master slowly erodes the novice's confidence in his own logical powers.
At this point his intuitive mind begins overcoming its previous repression. Distinctions slowly start to seem absurd, because every time he makes one he is ridiculed. Little by little he dissolves his sense of object and subject, knower and known. The fruit now is almost ready to fall from the tree. (Although enlightenment cannot be made to happen, it can be made possible.) Enter at this point the unexpected blow, the shout, the click of bamboo, the broken leg. If the student is caught unawares, rationality may be momentarily short-circuited and suddenly he glimpses--Reality.