The Complete Essays of John Galsworthy Part 9

When the drone of the thresher breaks through the autumn sighing of trees and wind, or through that stillness of the first frost, I get restless and more restless, till, throwing down my pen, I have gone out to see.

For there is nothing like the sight of thres.h.i.+ng for making one feel good--not in the sense of comfort, but at heart. There, under the pines and the already leafless elms and beech-trees, close to the great stacks, is the big, busy creature, with its small black puffing engine astern; and there, all around it, is that conglomeration of unsentimental labour which invests all the crises of farm work with such fascination. The crew of the farm is only five all told, but to-day they are fifteen, and none strangers, save the owners of the travelling thresher.

They are working without respite and with little speech, not at all as if they had been brought together for the benefit of some one else's corn, but as though they, one and all, had a private grudge against Time and a personal pleasure in finis.h.i.+ng this job, which, while it lasts, is bringing them extra pay and most excellent free feeding. Just as after a dilatory voyage a crew will brace themselves for the run in, recording with sudden energy their consciousness of triumph over the elements, so on a farm the harvests of hay and corn, sheep-shearing, and thres.h.i.+ng will bring out in all a common sentiment, a kind of sporting energy, a defiant spurt, as it were, to score off Nature; for it is only a philosopher here and there among them, I think, who sees that Nature is eager to be scored off in this fas.h.i.+on, being anxious that some one should eat her kindly fruits.

With ceremonial as grave as that which is at work within the thresher itself, the tasks have been divided. At the root of all things, pitchforking from the stack, stands--the farmer, moustached, and always upright was he not in the Yeomanry?--dignified in a hard black hat, no waistcoat, and his working coat so ragged that it would never cling to him but for pure affection. Between him and the body of the machine are five more pitch forks, directing the pale flood of raw material. There, amongst them, is poor Herd, still so sad from his summer loss, plodding doggedly away. To watch him even now makes one feel how terrible is that dumb grief which has never learned to moan. And there is George Yeoford, almost too sober; and Murdon plying his pitchfork with a supernatural regularity that cannot quite dim his queer brigand's face of dark, soft gloom shot with sudden humours, his soft, dark corduroys and battered hat. Occasionally he stops, and taking off that hat, wipes his corrugated brow under black hair, and seems to brood over his own regularity.

Down here, too, where I stand, each separate function of the thresher has its appointed slave. Here Cedric rakes the chaff pouring from the side down into the chaff-shed. Carting the straw that streams from the thresher bows, are Michelmore and Neck--the little man who cannot read, but can milk and whistle the hearts out of his cows till they follow him like dogs. At the thresher's stern is Morris, the driver, selected because of that utter reliability which radiates from his broad, handsome face. His part is to attend the sacking of the three kinds of grain for ever sieving out. He murmurs: "Busy work, sir!" and opens a little door to show me how "the machinery does it all," holding a sack between his knees and some string in his white teeth. Then away goes the sack--four bushels, one hundred and sixty pounds of "genuines, seconds, or seed"--wheeled by Cedric on a little trolley thing, to where George-the-Gaul or Jim-the-Early-Saxon is waiting to bear it on his back up the stone steps into the corn-chamber.

It has been raining in the night; the ground is a churn of straw and mud, and the trees still drip; but now there is sunlight, a sweet air, and clear sky, wine-coloured through the red, naked, beechtwigs tipped with white untimely buds. Nothing can be more lovely than this late autumn day, so still, save for the droning of the thresher and the constant tinny chuckle of the grey, thin-headed Guinea-fowl, driven by this business away from their usual haunts.

And soon the feeling that I knew would come begins creeping over me, the sense of an extraordinary sanity in this never-ceasing harmonious labour pursued in the autumn air faintly perfumed with wood-smoke, with the scent of chaff, and whiffs from that black puffing-Billy; the sense that there is nothing between this clean toil--not too hard but hard enough--and the clean consumption of its clean results; the sense that n.o.body except myself is in the least conscious of how sane it all is.

The brains of these sane ones are all too busy with the real affairs of life, the disposition of their wages, antic.i.p.ation of dinner, some girl, some junketing, some wager, the last rifle match, and, more than all, with that pleasant rhythmic nothingness, companion of the busy swing and play of muscles, which of all states is secretly most akin to the deep unconsciousness of life itself. Thus to work in the free air for the good of all and the hurt of none, without worry or the breath of acrimony--surely no phase of human life so nears the life of the truly civilised community--the life of a hive of bees. Not one of these working so sanely--unless it be Morris, who will spend his Sunday afternoon on some high rock just watching sunlight and shadow drifting on the moors--not one, I think, is distraught by perception of his own sanity, by knowledge of how near he is to Harmony, not even by appreciation of the still radiance of this day, or its innumerable fine shades of colour. It is all work, and no moody consciousness--all work, and will end in sleep.

I leave them soon, and make my way up the stone steps to the "corn chamber," where tranquillity is crowned. In the whitewashed room the corn lies in drifts and ridges, three to four feet deep, all silvery-dun, like some remote sand desert, lifeless beneath the moon. Here it lies, and into it, staggering under the sacks, George-the-Gaul and Jim-the-Early Saxon tramp up to their knees, spill the sacks over their heads, and out again; and above where their feet have plunged the patient surface closes again, smooth. And as I stand there in the doorway, looking at that silvery corn drift, I think of the whole process, from seed sown to the last sieving into this tranquil resting-place. I think of the slow, dogged ploughman, with the crows above him on the wind; of the swing of the sower's arm, dark up against grey sky on the steep field. I think of the seed snug-burrowing for safety, and its mysterious ferment under the warm Spring rain, of the soft green shoots tapering up so shyly toward the first sun, and hardening in air to thin wiry stalk.

I think of the unnumerable tiny beasts that have jangled in that pale forest; of the winged blue jewels of b.u.t.terfly risen from it to hover on the wild-rustling blades; of that continual music played there by the wind; of the chicory and poppy flowers that have been its lights-o' love, as it grew tawny and full of life, before the appointed date when it should return to its captivity. I think of that slow-travelling hum and swish which laid it low, of the gathering to stack, and the long waiting under the rustle and drip of the sheltering trees, until yesterday the hoot of the thresher blew, and there began the falling into this dun silvery peace. Here it will lie with the pale sun narrowly filtering in on it, and by night the pale moon, till slowly, week by week, it is stolen away, and its ridges and drifts sink and sink, and the beasts have eaten it all....

When the dusk is falling, I go out to them again. They have nearly finished now; the chaff in the chaff-shed is mounting hillock-high; only the little barley stack remains unthreshed. Mrs. George-the-Gaul is standing with a jug to give drink to the tired ones. Some stars are already netted in the branches of the pines; the Guinea-fowl are silent.

But still the harmonious thresher hums and showers from three sides the straw, the chaff, the corn; and the men fork, and rake, and cart, and carry, sleep growing in their muscles, silence on their tongues, and the tranquillity of the long day nearly ended in their souls. They will go on till it is quite dark.

1911.

THAT OLD-TIME PLACE

"Yes, suh--here we are at that old-time place!" And our dark driver drew up his little victoria gently.

Through the open doorway, into a dim, cavernous, ruined house of New Orleans we pa.s.sed. The mildew and dirt, the dark denuded dankness of that old hostel, rotting down with damp and time!

And our guide, the tall, thin, grey-haired dame, who came forward with such native ease and moved before us, touching this fungused wall, that rusting stairway, and telling, as it were, no one in her soft, slow speech, things that any one could see--what a strange and fitting figure!

Before the smell of the deserted, oozing rooms, before that old creature leading us on and on, negligent of all our questions, and talking to the air, as though we were not, we felt such discomfort that we soon made to go out again into such freshness as there was on that day of dismal heat.

Then realising, it seemed, that she was losing us, our old guide turned; for the first time looking in our faces, she smiled, and said in her sweet, weak voice, like the sound from the strings of a spinet long unplayed on: "Don' you wahnd to see the dome-room: an' all the other rooms right here, of this old-time place?"

Again those words! We had not the hearts to disappoint her. And as we followed on and on, along the mouldering corridors and rooms where the black peeling papers hung like stalact.i.tes, the dominance of our senses gradually dropped from us, and with our souls we saw its soul--the soul of this old-time place; this mustering house of the old South, bereft of all but ghosts and the grey pigeons niched in the rotting gallery round a narrow courtyard open to the sky.

"This is the dome-room, suh and lady; right over the slave-market it is.

Here they did the business of the State--sure; old-time heroes up therein the roof--Was.h.i.+ngton, Hamilton, Jefferson, Davis, Lee--there they are!

All gone--now! Yes, suh!"

A fine--yea, even a splendid room, of great height, and carved grandeur, with hand-wrought bronze sconces and a band of metal bordering, all blackened with oblivion. And the faces of those old heroes encircling that domed ceiling were blackened too, and scarred with damp, beyond recognition. Here, beneath their gaze, men had banqueted and danced and ruled. The pride and might and vivid strength of things still fluttered their uneasy flags of spirit, moved disherited wings! Those old-time feasts and grave discussions--we seemed to see them printed on the thick air, imprisoned in this great chamber built above their dark foundations.

The pride and the might and the vivid strength of things--gone, all gone!

We became conscious again of that soft, weak voice.

"Not hearing very well, suh, I have it all printed, lady--beautifully told here--yes, indeed!"

She was putting cards into our hands; then, impa.s.sive, maintaining ever her impersonal chant, the guardian of past glory led us on.

"Now we shall see the slave-market--downstairs, underneath! It's wet for the lady the water comes in now yes, suh!"

On the crumbling black and white marble floorings the water indeed was trickling into pools. And down in the halls there came to us wandering--strangest thing that ever strayed through deserted grandeur--a brown, broken horse, lean, with a sore flank and a head of tremendous age. It stopped and gazed at us, as though we might be going to give it things to eat, then pa.s.sed on, stumbling over the ruined marbles. For a moment we had thought him ghost--one of the many. But he was not, since his hoofs sounded. The scrambling clatter of them had died out into silence before we came to that dark, crypt-like chamber whose marble columns were ringed in iron, veritable pillars of foundation. And then we saw that our old guide's hands were full of newspapers. She struck a match; they caught fire and blazed. Holding high that torch, she said: "See! Up there's his name, above where he stood. The auctioneer. Oh yes, indeed! Here's where they sold them!"

Below that name, decaying on the wall, we had the slow, uncanny feeling of some one standing there in the gleam and flicker from that paper torch. For a moment the whole shadowy room seemed full of forms and faces. Then the torch lied out, and our old guide, pointing through an archway with the blackened stump of it, said:

"'Twas here they kept them indeed, yes!"

We saw before us a sort of vault, stone-built, and low, and long. The light there was too dim for us to make out anything but walls and heaps of rusting sc.r.a.p-iron cast away there and mouldering own. But trying to pierce that darkness we became conscious, as it seemed, of innumerable eyes gazing, not at us, but through the archway where we stood; innumerable white eyeb.a.l.l.s gleaming out of blackness. From behind us came a little laugh. It floated past through the archway, toward those eyes. Who was that? Who laughed in there? The old South itself--that incredible, fine, lost soul! That "old-time" thing of old ideals, blindfolded by its own history! That queer proud blend of simple chivalry and tyranny, of piety and the abhorrent thing! Who was it laughed there in the old slave-market--laughed at these white eyeb.a.l.l.s glaring from out of the blackness of their dark cattle-pen? What poor departed soul in this House of Melancholy? But there was no ghost when we turned to look--only our old guide with her sweet smile.

"Yes, suh. Here they all came--'twas the finest hotel--before the war-time; old Southern families--buyin' an' sellin' their property. Yes, ma'am, very interesting! This way! And here were the bells to all the rooms. Broken, you see--all broken!"

And rather quickly we pa.s.sed away, out of that "old-time place"; where something had laughed, and the drip, drip, drip of water down the walls was as the sound of a spirit grieving.

1912.

ROMANCE--THREE GLEAMS

On that New Year's morning when I drew up the blind it was still nearly dark, but for the faintest pink flush glancing out there on the horizon of black water. The far sh.o.r.e of the river's mouth was just soft dusk; and the dim trees below me were in perfect stillness. There was no lap of water. And then--I saw her, drifting in on the tide-the little s.h.i.+p, pa.s.saging below me, a happy ghost. Like no thing of this world she came, ending her flight, with sail-wings closing and her glowing lantern eyes.

There was I know not what of stealthy joy about her thus creeping in to the unexpecting land. And I wished she would never pa.s.s, but go on gliding by down there for ever with her dark ropes, and her bright lanterns, and her mysterious felicity, so that I might have for ever in my heart the blessed feeling she brought me, coming like this out of that great mystery the sea. If only she need not change to solidity, but ever be this visitor from the unknown, this sacred bird, telling with her half-seen, trailing-down plume--sails the story of uncharted wonder. If only I might go on trembling, as I was, with the rapture of all I did not know and could not see, yet felt pressing against me and touching my face with its lips! To think of her at anchor in cold light was like flinging-to a door in the face of happiness. And just then she struck her bell; the faint silvery far-down sound fled away before her, and to every side, out into the utter hush, to discover echo. But nothing answered, as if fearing to break the spell of her coming, to brush with reality the dark sea dew from her sail-wings. But within me, in response, there began the song of all unknown things; the song so tenuous, so ecstatic, that seems to sweep and quiver across such thin golden strings, and like an eager dream dies too soon. The song of the secret-knowing wind that has peered through so great forests and over such wild sea; blown on so many faces, and in the jungles of the gra.s.s the song of all that the wind has seen and felt. The song of lives that I should never live; of the loves that I should never love singlng to me as though I should! And suddenly I felt that I could not bear my little s.h.i.+p of dreams to grow hard and grey, her bright lanterns drowned in the cold light, her dark ropes spidery and taut, her sea-wan sails all furled, and she no more en chanted; and turning away I let fall the curtain.

II

Then what happens to the moon? She, who, shy and veiled, slips out before dusk to take the air of heaven, wandering timidly among the columned clouds, and fugitive from the staring of the sun; she, who, when dusk has come, rules the sentient night with such chaste and icy spell--whither and how does she retreat?

I came on her one morning--I surprised her. She was stealing into a dark wintry wood, and five little stars were chasing her. She was orange-hooded, a light-o'-love dismissed--unashamed and unfatigued, having taken--all. And she was looking back with her almond eyes, across her dark-ivory shoulder, at Night where he still lay drowned in the sleep she had brought him. What a strange, slow, mocking look! So might Aphrodite herself have looked back at some weary lover, remembering the fire of his first embrace. Insatiate, smiling creature, slipping down to the rim of the world to her bath in the sweet waters of dawn, whence emerging, pure as a water lily, she would float in the cool sky till evening came again! And just then she saw me looking, and hid behind a holm-oak tree; but I could still see the gleam of one shoulder and her long narrow eyes pursuing me. I went up to the tree and parted its dark boughs to take her; but she had slipped behind another. I called to her to stand, if only for one moment. But she smiled and went slip ping on, and I ran thrusting through the wet bushes, leaping the fallen trunks.

The scent of rotting leaves disturbed by my feet leaped out into the darkness, and birds, surprised, fluttered away. And still I ran--she slipping ever further into the grove, and ever looking back at me. And I thought: But I will catch you yet, you nymph of perdition! The wood will soon be pa.s.sed, you will have no cover then! And from her eyes, and the scanty gleam of her flying limbs, I never looked away, not even when I stumbled or ran against tree trunks in my blind haste. And at every clearing I flew more furiously, thinking to seize all of her with my gaze before she could cross the glade; but ever she found some little low tree, some bush of birch ungrown, or the far top branches of the next grove to screen her flying body and preserve allurement. And all the time she was dipping, dipping to the rim of the world. And then I tripped; but, as I rose, I saw that she had lingered for me; her long sliding eyes were full, it seemed to me, of pity, as if she would have liked for me to have enjoyed the sight of her. I stood still, breathless, thinking that at last she would consent; but flinging back, up into the air, one dark-ivory arm, she sighed and vanished. And the breath of her sigh stirred all the birch-tree twigs just coloured with the dawn. Long I stood in that thicket gazing at the spot where she had leapt from me over the edge of the world-my heart quivering.

III

We embarked on the estuary steamer that winter morning just as daylight came full. The sun was on the wing scattering little white clouds, as an eagle might scatter doves. They scurried up before him with their broken feathers tipped and tinged with gold. In the air was a touch of frost, and a smoky mist-drift clung here and there above the reeds, blurring the sh.o.r.es of the lagoon so that we seemed to be steaming across boundless water, till some clump of trees would fling its top out of the fog, then fall back into whiteness.

And then, in that thick vapour, rounding I suppose some curve, we came suddenly into we knew not what--all white and moving it was, as if the mist were crazed; murmuring, too, with a sort of restless beating. We seemed to be pa.s.sing through a ghost--the ghost of all the life that had sprung from this water and its sh.o.r.es; we seemed to have left reality, to be travelling through live wonder.

And the fantastic thought sprang into my mind: I have died. This is the voyage of my soul in the wild. I am in the final wilderness of spirits--lost in the ghost robe that wraps the earth. There seemed in all this white murmuration to be millions of tiny hands stretching out to me, millions of whispering voices, of wistful eyes. I had no fear, but a curious baked eagerness, the strangest feeling of having lost myself and become part of this around me; exactly as if my own hands and voice and eyes had left me and were groping, and whispering, and gazing out there in the eeriness. I was no longer a man on an estuary steamer, but part of sentient ghostliness. Nor did I feel unhappy; it seemed as though I had never been anything but this Bedouin spirit wandering.

We pa.s.sed through again into the stillness of plain mist, and all those eerie sensations went, leaving nothing but curiosity to know what this was that we had traversed. Then suddenly the sun came flaring out, and we saw behind us thousands and thousands of white gulls dipping, wheeling, brus.h.i.+ng the water with their wings, bewitched with sun and mist. That was all. And yet that white-winged legion through whom we had ploughed our way were not, could never be, to me just gulls--there was more than mere sun-glamour gilding their misty plumes; there was the wizardry of my past wonder, the enchantment of romance.

1912.

MEMORIES

We set out to meet him at Waterloo Station on a dull day of February--I, who had owned his impetuous mother, knowing a little what to expect, while to my companion he would be all original. We stood there waiting (for the Salisbury train was late), and wondering with a warm, half-fearful eagerness what sort of new thread Life was going to twine into our skein. I think our chief dread was that he might have light eyes--those yellow Chinese eyes of the common, parti-coloured spaniel.