Timeline. Part 37

Sixty feet below him, the courtyard lay in shadow. Men and women in their finery drifted toward the lighted windows of the great hall. He heard the faint sounds of music. The festive scene made him feel even more morose, more isolated. The three of them were going to be killed-and there was nothing they could do about it.

They were locked in a small chamber, high in the central tower of the castle keep, overlooking the castle walls and the town beyond. This was a woman's room, with a spinning wheel and an altar off to one side, perfunctory signs of piety overwhelmed by the enormous bed with red plush coverings and fur trim in the center of the room. The door to the room was of solid oak, and fitted with a new lock. Sir Guy himself had locked the door, after placing one guard inside the room, sitting by the door, and two others outside.

They were taking no chances this time.

Marek sat on the bed, staring into s.p.a.ce, lost in thought. Or perhaps he was listening; he had one hand cupped around his ear. Meanwhile, Kate paced restlessly, moving from one window to the next, inspecting the view from each. At the farthest window, she leaned way out, looking down, then walked to the window where Chris was standing and leaned out again.

"The view here is just the same," Chris said. Her restlessness annoyed him.

Then he saw she was reaching out to run her hand along the wall at the side of the window, feeling the stones and the mortar.

He stared at her, questioning.

"Maybe," she said, nodding. "Maybe."

Chris reached out and touched the wall. The masonry was nearly smooth, the wall curving and sheer. It was a straight drop to the courtyard below.

"Are you joking?" he said.

"No," she said. "I'm not."

He looked out again. In the courtyard, there were many others besides the courtiers. A group of squires talked and laughed as they cleaned the armor and groomed the horses of the knights. To the right, soldiers patrolled the parapet wall. Any of them could turn and look up if her movement caught their eye.

"You'll be seen."

"From this window, yes. Not from the other. Our only problem is him." She nodded toward the guard at the door. "Can you do anything to help?"

Sitting on the bed, Marek said, "I'll take care of it."

"What the h.e.l.l is this?" Chris said, very annoyed. He spoke loudly. "You don't think I can do this myself?"

"No, I don't."

"d.a.m.n it, I'm sick of the way you treat me," Chris said. He was furious; looking around for something to fight with, he picked up the little stool by the spinning wheel and started toward Marek.

The guard saw it, said, "Non, non, non" "Non, non, non" quickly as he went toward Chris. He never saw Marek hit him from behind with a metal candlestick. The guard crumpled, and Marek caught him, eased him silently to the floor. Blood was pouring from the guard's head onto an Oriental carpet. quickly as he went toward Chris. He never saw Marek hit him from behind with a metal candlestick. The guard crumpled, and Marek caught him, eased him silently to the floor. Blood was pouring from the guard's head onto an Oriental carpet.

"Is he dead?" Chris said, staring at Marek.

"Who cares?" Marek said. "Just continue to talk quietly, so the ones outside hear our voices."

They looked over, but Kate had already gone out the window.

It's just a free solo,she told herself, as she clung to the tower wall, sixty feet in the air.

The wind pulled at her, rippling her clothes. She gripped the slight protrusions of the mortar with her fingertips. Sometimes the mortar crumbled away, and she had to grab, then grip again. But here and there, she found indentations in the mortar, large enough for her fingertips to fit in.

She'd flashed more difficult climbs. Any number of buildings at Yale were more difficult-although there, she'd always had chalk for her hands, and proper climbing shoes, and a safety rope. No safety here.

It isn't far.

She'd climbed out the west window because it was behind the guard, because it faced toward the town, and so she would be less likely to be seen from the courtyard below-and because it was the shortest distance to the next window, which stood at the end of the hallway that ran outside the chamber.

It isn't far, she told herself. Ten feet at most. Don't rush it. No hurry. Just one hand, then a foothold ... another hand ...

Almost there, she thought.

Almost there.

Then she touched the stone windowsill. She got her first firm handgrip. She pulled herself up one-handed, then peered cautiously down the corridor.

There were no guards.

The hallway was empty.

Using both hands now, Kate pulled up, flopped onto the ledge, and slid over onto the floor. She was now standing in the hallway outside the locked door. Softly, she said, "I made it."

Marek said, "Guards?"

"No. But no key, either."

She inspected the door. It was thick, solid.

Marek said, "Hinges?"

"Yes. Outside." They were made of heavy wrought iron. She knew what he was asking her. "I can see the pins." If she could knock the pins out of the hinges, the door would be easy to break open. "But I need a hammer or something. There's nothing here I can use."

"Find something," Marek said softly.

She ran down the corridor.

"De Kere," Lord Oliver said as the knight with the scar came into the room. "The Magister counsels to remove to La Roque."

De Kere gave a judicious nod. "The risk would be grave, sire."

"And the risk to stay here?" Oliver said.

"If the Magister's advice is true and good, and without other intent, why did his a.s.sistants conceal their ident.i.ty when first they came to your court? Such concealment is not the mark of honesty, my Lord. I would you be satisfied of their answer for this conduct, before I put faith in this new Magister and his advis.e.m.e.nts."

"Let us all be satisfied," Oliver said. "Bring the a.s.sistants to me now, and we shall ask them what you wish to know."

"My Lord." De Kere bowed, and left the room.

Kate came out of the stairwell and slipped into the crowd in the courtyard. She was thinking that she could use a carpenter's tool kit, or a blacksmith's hammer, or maybe some of the tools the farrier used to shoe horses. Over to the left, she saw the grooms and the horses, and she started to drift in that direction. In the excited throng, n.o.body paid her any attention. She slipped easily toward the east wall, and was beginning to consider how to distract the grooms, when directly ahead she saw a knight standing very still and staring at her.

Robert de Kere.

Their eyes met for a moment, and then she turned and ran. From behind her she heard de Kere shout for help, and the answering cries from soldiers all around. She pushed forward through the crowd, which was suddenly an impediment, hands clutching at her, plucking at her clothes. It was like a nightmare. To escape the crowd, she went through the nearest door, slamming it behind her.

She found herself in the kitchen.

The room was dreadfully hot, and more crowded than the courtyard. Huge iron cauldrons boiled on fires in the enormous fireplace. A dozen capons turned on a row of spits, the crank turned by a child. She paused, uncertain what to do, and then de Kere came through the door after her, snarled, "You!" "You!" and swung his sword. and swung his sword.

She ducked, scrambled among the tables of food being prepared. The sword crashed down, sending platters flying. She scrambled, crouched low, beneath the tables. The cooks began to yell. She saw a giant model of the castle, made in some kind of pastry, and headed there. De Kere was right after her.

The cooks were shouting "Non, Sir Robert, non non!" in a kind of chorus from all around the room, and some of the men were so distressed that they came forward to stop him.

De Kere swung again. She ducked, and the sword decapitated the castle battlements, raising a cloud of white powder. At this, the chefs gave a collective shriek of agony and fell on de Kere from all sides, shouting that this was Lord Oliver's favorite, that he had approved it, that Sir Robert must not do further damage. Robert rolled on the floor, swearing and trying to shake them off.

In the confusion, she ran back out the door again, into the afternoon light.

Off to the right she saw the curved wall of the chapel. The chapel was undergoing some restoration; there was a ladder going up the wall, and some perfunctory scaffolding on the roof, where tilers were making repairs.

She wanted to get away from the crowds, and the soldiers. She knew that on the far side of the chapel, a narrow pa.s.sage ran between the chapel building and the outer wall of the castle tower. At least she would be out of the crowd if she went there. As she ran toward the pa.s.sage, she heard de Kere behind her, shouting to the soldiers; he had gotten out of the kitchen. She ran hard, trying to gain some distance. She rounded the corner of the chapel. Looking back, she saw other soldiers running the other way around the chapel, intending to head her off at the far end of the pa.s.sage.

Sir Robert barked more orders to the soldiers as he came around the corner after her-and then he stopped abruptly. The soldiers halted at his side, and everyone murmured in confusion.

They stared down a pa.s.sage four feet wide between the castle and the chapel. The pa.s.sage was empty. At the far end of the pa.s.sage, other soldiers appeared, facing them.

The woman had disappeared.

Kate was clinging ten feet up the chapel wall, the outline of her body concealed by the decorative border of the chapel window and thick vines of ivy. Even so, she was easily visible if anyone looked up. But the pa.s.sage was dark, and no one did. She heard de Kere shout angrily, "Go to the other a.s.sistants, and dispatch them now!"

The soldiers hesitated. "But Sir Robert, they a.s.sist the Magister of Lord Oliver-"

"And Lord Oliver himself commands it. Kill them all!"

The soldiers ran off, into the castle.

De Kere swore. He was talking to a remaining soldier, but they were whispering, and her ear translator crackled and she couldn't make it out. In truth, she was surprised she had been able to hear as much as she had.

How had she been able to hear them? It seemed as if they were too far away to hear de Kere so clearly. And yet his voice was clear, almost amplified. Maybe the acoustics of the pa.s.sage ...

Glancing down, she saw that some soldiers hadn't left. They were just milling about. So she couldn't go back down. She decided to climb up onto the roof and wait until things were quieter. The roof of the chapel was still in sunlight: a plain peaked roof of tile, with small gaps where repairs were being made. The pitch was steep; she crouched at the gutter and said, "Andre."

A crackle. She thought she heard Marek's voice, but the static was bad.

"Andre, they're coming to kill you."

There was no answer, just more static.

"Andre?"

No answer.

Perhaps the walls around her were interfering with transmission; she might do better from the top of the roof. She began to climb the steep slope, easing around the tile repair sites. At each site, the mason had set up a small platform, with his mortar basin and stack of tiles. The chirp of birds made her pause. She saw there was actually a hole in the roof at these tiling sites, and- A sc.r.a.ping sound made her look up. She saw a soldier come over the top of the roof. He paused, peering down at her.

Then a second soldier.

So that was why de Kere had been whispering: he'd seen her after all, on the wall, and had sent soldiers up the ladder on the opposite side.

She looked down and saw soldiers in the pa.s.sage below. They were now staring up at her.

Now the first soldier swung his leg over the ridge of the roof and was starting to come down toward her.

There was only one thing she could do. The mason's hole was about two feet square. Through it she could see the bracing beneath the roof and, about ten feet below that, the stone arches of the chapel ceiling. There was a sort of wooden catwalk running over the arches.

Kate crawled through the hole, and dropped down to the ceiling below. She smelled the sour odor of dust and bird droppings. There were nests everywhere, along the flat walkways, in the corners and joists. She ducked as a few sparrows flew past her head, chittering. And suddenly, she was engulfed in a swirling tornado of shrieking birds and flying feathers. There were hundreds in here, she realized, and she had disturbed them. For a moment she could do nothing except put her arms over her face and stand quietly. The sounds lessened.

When she looked again, there were only a few flying birds. And the two soldiers were climbing down through holes in the roof to the ground below.

Quickly, she moved down the walkway to a far door, which probably led into the church. As she approached it, the door opened and a third soldier came through.

Three against one.

She backed away, moving along the walkway that went over the curves of the ceiling domes. But the other soldiers were moving toward her. They had taken their daggers out. She had no illusions about what they intended.

She backed away.

She remembered how she had hung beneath this ceiling, examining the many breaks and repairs that had been made over the centuries. Now she was standing above that same structure. The walkway clearly implied the curved arches themselves were weak. How weak? Would they support her weight? The men were moving steadily toward her.

She stepped out onto one of the domes gingerly, testing it. She put her full weight on it.

It held.

The soldiers were coming after her, but moving slowly. The birds suddenly were active again, shrieking and rising like a cloud. The soldiers covered their faces. The sparrows flew so close that their wings beat at her face. She moved backward again, her feet crunching on the thick layer of acc.u.mulated droppings.

She was now standing on a series of domes and pits, with thicker stone ribs where the arches met in the center. She moved toward the ribs because she knew they would be structurally stronger, and walking on them, she made her way toward the far end of the chapel, where she saw a little door. This would probably take her to the interior of the church, perhaps coming down behind an altar.

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One of the soldiers ran along the walkway and then stepped out on the bulge of a curving arch. He moved to block her progress. He held his knife in front of him.

Crouching, she gave a little feint, but the soldier simply stood his ground. A second soldier ran up to stand beside him. The third soldier was behind her. He also stepped out onto the dome.

She moved to her right, but the two men came directly toward her. The third was closing in behind.

The two men were just a few yards away from her when she heard a loud crack like a gunshot, and she looked down to see a jagged line open in the mortar between the stones. The soldiers scrambled backward, but the crack was already widening, sending branches out like a tree. The cracks went between their legs; they stared down in horror. Then the stones fell away beneath their feet, and they fell from view, screaming in terror.