The Toynbee Convector Part 22

There was a conspiracy, no, several conspiracies. Someone had contrived a joke about murder and played it on him. The train roared on with five hundred commuters who all rode, swaying like a team of drunken intellectuals behind their masking books and papers, while the old man, as if pursued by demons, fled off away from car to car. By the time Jonathan Hughes had rampaged his blood and completely thrown his sanity off balance, the old man had plunged, as if felling, to the farthest end of the commuter's special.

The two men met again in the last car, which was almost empty. Jonathan Hughes came and stood over the old man, who refused to look up. He was crying so hard now that conversation would have been impossible.

Who, thought the young man, who is he crying for? Stop, please, stop.

The old man, as if commanded, sat up, wiped his eyes, blew his nose, and began to speak in a frail voice that drew Jonathan Hughes near and finally caused him to sit and listen to the whispers: "We were born-"

"We?" cried the young man.

"We," whispered the old man, looking out at the gathering dusk that traveled like smokes and burnings past the window, "we, yes, we, the two of us, we were born in Quincy in nineteen fifty, August twenty-second-"

Yes, thought Hughes.

"-and lived at Forty-nine Was.h.i.+ngton Street and went to Central School and walked to that school all through first grade with Isabel Perry-"

Isabel, thought the young man.

"We..." murmured the old man. "Our" whispered the old man. "Us." And went on and on with it: "Our woodshop teacher, Mr. Bisbee. History teacher, Miss Monks. We broke our right ankle, age ten, ice-skating. Almost drowned, age eleven; Father saved us. Fell in love, age twelve, Impi Johnson-"

Seventh grade, lovely lady, long since dead, Jesus G.o.d, thought the young man, growing old.

And that's what happened. In the next minute, two minutes, three, the old man talked and talked and gradually became younger with talking, so his cheeks glowed and his eyes brightened, while the young man, weighted with old knowledge given, sank lower in his seat and grew pale so that both almost met in mid-talking, mid-listening, and became twins in pa.s.sing. There was a moment when Jonathan Hughes knew for an absolute insane certainty, that if he dared glance up he would see identical twins m the mirrored window of a night-rus.h.i.+ng world.

He did not look up.

The old man finished, his frame erect now, his head somehow driven high by the talking out, the long lost revelations.

"That's the past," he said.

I should hit him, thought Hughes. Accuse him. Shout at him. Why aren't I hitting, accusing, shouting?

Because....

The old man sensed the question and said, "You know I'm who I say I am. I know everything there is to know about us. Now-the future?"

"Mine?"

"Ours," said the old man.

Jonathan Hughes nodded, staring at the newspaper clutched in the old man's right hand. The old man folded it and put it away.

"Your business will slowly become less than good. For what reasons, who can say? A child will be born and die. A mistress will be taken and lost. A wife will become less than good. And at last, oh believe it, yes, do, very slowly, you will come to-how shall I say it-hate her living presence. There, I see I've upset you. I'll shut up."

They rode in silence for a long while, and the old man grew old again, and the young man along with him. When he had aged just the proper amount, the young man nodded the talk to continue, not looking at the other who now said: "Impossible, yes, you've been married only a year, a great year, the best. Hard to think that a single drop of ink could color a whole pitcher of clear fresh water. But color it could and color it did. And at last the entire world changed, not just our wife, not just the beautiful woman, the fine dream."

"You-" Jonathan Hughes started and stopped. "You- killed her?"

"We did. Both of us. But if I have my way, if I can convince you, neither of us will, she will live, and you will grow old to become a happier, finer me. I pray for that. I weep for that. There's still time. Across the years, I intend to shake you up, change your blood, shape your mind. G.o.d, if people knew what murder is. So silly, so stupid, so-ugly. But there is hope, for I have somehow got here, touched you, begun the change that will save our souls. Now, listen. You do admit, do you not, that we are one and the same, that the twins of time ride this train this hour this night?"

The train whistled ahead of them, clearing the track of an enc.u.mbrance of years. The young man nodded the most infinitely microscopic of nods. The old man needed no more.

"I ran away. I ran to you. That's all I can say. She's been dead only a day, and I ran. Where to go? Nowhere to hide, save Time. No one to plead with, no judge, no jury, no proper witnesses save-you. Only you can wash the blood away, do you see? You drew me, then. Your youngness, your innocence, your good hours, your fine life still un touched, was the machine that seized me down the track. All of my sanity lies in you. If you turn away, great G.o.d, I'm lost, no, we are lost. Well share a grave and never rise and be buried forever in misery. Shall I tell you what you must do?"

The young man rose.

"Plandome," a voice cried. "Plandome."

And they were out on the platform with the old man running after, the young man blundering into walls, into people, feeling as if his limbs might fly apart.

"Wait!" cried the old man. "Oh, please."

The young man kept moving.

"Don t you see, we're in this together, we must think of it together, solve it together, so you won't become me and I won't have to come impossibly in search of you, oh, it's all mad, insane, I know, I know, but listen!"

The young man stopped at the edge of the platform where cars were pulling in, with joyful cries or muted greetings, brief honkngs, gunnings of motors, lights vanis.h.i.+ng away. The old man grasped the young man's elbow.

"Good G.o.d, your wife, mine, will be here in a moment, there's so much to tell, you can't know what I know, there's twenty years of unfound information lost between which we must trade and understand! Are you listening? G.o.d, you don't don't believe!" believe!"

Jonathan Hughes was watching the street A long way off a final car was approaching. He said: "What happened in the attic at my grandmother's house in the summer of nineteen fifty-eight? No one knows that but me. Well?"

The old man's shoulders slumped. He breathed more easily, and as if reciting from a promptboard said: "We hid ourselves there for two days, alone. No one ever knew where we hid. Everyone thought we had run away to drown in the lake or fall in the river. But all the tune, crying, not feeling wanted, we hid up above and...listened to the wind and wanted to die."

The young man turned at last to stare fixedly at his older self, tears in his eyes. "You love me, then?"

"I had better," said the old man. "I'm all you have."

The car was pulling up at the station. A young woman smiled and waved behind the gla.s.s.

"Quick," said the old man, quietly. "Let me come home, watch, show you, teach you, find where things went wrong, correct them now, maybe hand you a fine life forever, let me-"

The car horn sounded, the car stopped, the young woman leaned out. "h.e.l.lo, lovely man!" she cried.

Jonathan Hughes exploded a laugh and burst into a manic run. "Lovely lady, hi-"

"Wait"

He stopped and turned to look at the old man with the newspaper, trembling there on the station platform. The old man raised one hand, questioningly.

"Haven't you forgotten something?"

Silence. At last: "You," said Jonathan Hughes. "You."

The car rounded a turn in the night. The woman, the old man, the young man, swayed with the motion. "What did you say your name was?" the young woman said, above the rush and run of country and road.

"He didn't say," said Jonathan Hughes quickly.

"Weldon," said the old man, blinking.

"Why," said Alice Hughes. "That's my my maiden name." maiden name."

The old man gasped inaudibly, but recovered. "Well, is it? How curious!"

"I wonder if we're related? You-"

"He was my teacher at Central High," said Jonathan Hughes, quickly.

"And still am," said the old man. "And still am."

And they were home.

He could not stop staring. All through dinner, the old man simply sat with his hands empty half the time and stared at the lovely woman across the table from him. Jonathan Hughes fidgeted, talked much too loudly to cover the silences, and ate spa.r.s.ely. The old man continued to stare as if a miracle was happening every ten seconds. He watched Alice's mouth as if it were giving forth fountains of diamonds. He watched her eyes as if all the hidden wisdoms of the world were there, and now found for the first time. By the look of his face, the old man, stunned, had forgotten why he was there.

"Have I a crumb on my chin?" cried Alice Hughes, suddenly. "Why is everyone watching me?"

Whereupon the old man burst into tears that shocked everyone. He could not seem to stop, until at last Alice came around the table to touch his shoulder.

"Forgive me," he said. "It's just that you're so lovely. Please sit down. Forgive."

They finished off the dessert and with a great display of tossing down his fork and wiping his mouth with his napkin, Jonathan Hughes cried, "That was fabulous. Dear wife, I love you!" He kissed her on the cheek, thought better of it, and rekissed her, on the mouth. "You see?" He glanced at the old man. "I very much love my wife."

The old man nodded quietly and said, "Yes, yes, I remember."

"You remember remember?" said Alice, staring.

"A toast!" said Jonathan Hughes, quickly. "To a fine wife, a grand future!" His wife laughed. She raised her gla.s.s. "Mr. Weldon," said, after a moment. "You're not drinking?..."

It was strange seeing the old man at the door to the living room.

"Watch this," he said, and closed his eyes. He began to move certainly and surely about the room, eyes shut "Over here is the pipestand, over here the books. On the fourth shelf down a copy of Eiseley's The Star Thrower The Star Thrower. One shelf up H. G. Wells's Time Machine Time Machine, most appropriate, and over here the special chair, and me in it."

He sat. He opened his eyes.

Watching from the door, Jonathan Hughes said, "You're not going to cry again, are you?"

"No. No more crying." There were sounds of was.h.i.+ng up from the kitchen.

The lovely woman out there hummed under her breath. Both men turned to look out of the room toward that humming.

"Someday," said Jonathan Hughes, "I will hate her? Someday, I will kill her?"

"It doesn't seem possible, does it? I've watched her for an hour and found nothing, no hint, no clue, not the merest period, semicolon or exclamation point of blemish, b.u.mp, or hair out of place with her. I've watched you, too, to see if you were at fault, we were at fault, in all this."

"And?" The young man poured sherry for both of them, and handed over a gla.s.s. "You drink too much is about the sum. Watch it."

Hughes put his drink down without sipping it. "What else?"

"I suppose I should give you a list, make you keep it, look at it every day. Advice from the old crazy to the young fool."

"Whatever you say, I'll remember."

"Will you? For how long? A month, a year, then, like everything else, it'll go. You'll be busy living. You'll be slowly turning into... me. She will slowly be turning into someone worth putting out of the world. Tell her you love her."

"Every day."

"Promise! It's that that important! Maybe that's where I felled myself, foiled us. Every day, without fail!" The old man leaned forward, his face taking fire with his words. "Every day. Every day!" important! Maybe that's where I felled myself, foiled us. Every day, without fail!" The old man leaned forward, his face taking fire with his words. "Every day. Every day!"

Alice stood in the doorway, faintly alarmed.

"Anything wrong?"

"No, no." Jonathan Hughes smiled. "We were trying to decide which of us likes you best" She laughed, shrugged, and went away. "I think," said Jonathan Hughes, and stopped and closed his eyes, forcing himself to say it, "it's time for you to go."

"Yes, time." But the old man did not move. His voice was very tired, exhausted, sad. "I've been sitting here feeling defeated. I can't find anything wrong. I can't find the flaw. I can't advise you, my G.o.d, it's so stupid, I shouldn't have come to upset you, worry you, disturb your life, when I have nothing to offer but vague suggestions, inane cryings of doom. I sat here a moment ago and thought: I'll kill her now, get rid of her now, take the blame now, as an old man, so the young man there, you, can go on into the future and be free of her. Isn't that silly? I wonder if it would work? It's that old time-travel paradox, isn't it? Would I foul up the time flow, the world, the universe, what? Don't worry, no, no, don't look that way. No murder now. It's all been done up ahead, twenty years in your future. The old man having done nothing whatever, having been no help, will now open the door and run away to his madness."

He arose and shut his eyes again.

"Let me see if I can find my way out of my own house, in the dark."

He moved, the young man moved with him to find the closet by the front door and open it and take out the old man's overcoat and slowly shrug him into it . "You have helped," said Jonathan Hughes. "You have told me to tell her I love her."

"Yes, I did did do that, didn't I?" do that, didn't I?"

They turned to the door.

"Is there hope for us?" the old man asked, suddenly, fiercely.

"Yes. I'll make sure of it," said Jonathan Hughes.

"Good, oh, good. I almost believe!"

The old man put one hand out and blindly opened the front door.

"I won't say goodbye to her. I couldn't stand looking at that lovely face. Tell her the old fool's gone. Where? Up the road to wait for you. You'll arrive someday."

To become you? Not a chance," said the young man.

"Keep saying that. And-my G.o.d-here-" The old man fumbled in his pocket and drew forth a small object wrapped in crumpled newspaper. "You'd better keep this. I can't be trusted, even now. I might do something wild. Here. Here."

He thrust the object into the young man's hands. "Goodbye. Doesn't that mean: G.o.d be with you? Yes. Goodbye."

The old man hurried down the walk into the night. A wind shook the trees. A long way off a train moved in darkness, arriving or departing, no one could tell.

Jonathan Hughes stood in the doorway for a long while, trying to see if there really was someone out there vanis.h.i.+ng in the dark.

"Darling," his wife called.

He began to unwrap the small object.