Dramatic Romances Part 7

II

Past we glide, and past, and past!

Why's the Pucci Palace flaring Like a beacon to the blast?

Guests by hundreds, not one caring If the dear host's neck were wried: Past we glide!

She sings.

I

The moth's kiss, first!

Kiss me as if you made believe 50 You were not sure, this eve, How my face, your flower, had pursed Its petals up; so, here and there You brush it, till I grow aware Who wants me, and wide ope I burst..

II

The bee's kiss, now!

Kiss me as if you entered gay My heart at some noonday, A bud that dares not disallow The claim, so all is rendered up, 60 And pa.s.sively its shattered cup Over your head to sleep I bow.

He sings.

I

What are we two?

I am a Jew, And carry thee, farther than friends can pursue, To a feast of our tribe; Where they need thee to bribe The devil that blasts them unless he imbibe.

Thy... Scatter the vision for ever! And now As of old, I am I, thou art thou! 70

II

Say again, what we are?

The sprite of a star, I lure thee above where the destinies bar My plumes their full play Till a ruddier ray Than my pale one announce there is withering away Some... Scatter the vision forever! And now, As of old, I am I, thou art thou!

He muses.

Oh, which were best, to roam or rest?

The land's lap or the water's breast? 80 To sleep on yellow millet-sheaves, Or swim in lucid shallows just Eluding water-lily leaves, An inch from Death's black fingers, thrust To lock you, whom release he must; Which life were best on Summer eves?

He speaks, musing.

Lie back; could thought of mine improve you?

From this shoulder let there spring A wing; from this, another wing; Wings, not legs and feet, shall move you! 90 Snow-white must they spring, to blend With your flesh, but I intend They shall deepen to the end, Broader, into burning gold, Till both wings crescent-wise enfold Your perfect self, from 'neath your feet To o'er your head, where, lo, they meet As if a million sword-blades hurled Defiance from you to the world!

Rescue me thou, the only real! 100 And scare away this mad ideal That came, nor motions to depart!

Thanks! Now, stay ever as thou art!

Still he muses.

I

What if the Three should catch at last Thy serenader? While there's cast Paul's cloak about my head, and fast Gian pinions me, Himself has past His stylet thro' my back; I reel; And... is it thou I feel?

II

They trail me, these three G.o.dless knaves, 110 Past every church that saints and saves, Nor stop till, where the cold sea raves By Lido's wet accursed graves, They scoop mine, roll me to its brink, And... on thy breast I sink!

She replies, musing.

Dip your arm o'er the boat-side, elbow-deep, As I do: thus: were death so unlike sleep, Caught this way? Death's to fear from flame or steel, Or poison doubtless; but from water--feel!

Go find the bottom! Would you stay me? There! 120 Now pluck a great blade of that ribbon-gra.s.s To plait in where the foolish jewel was, I flung away: since you have praised my hair, 'Tis proper to be choice in what I wear.

He speaks.

Row home? must we row home? Too surely Know I where its front's demurely Over the Giudecca piled; Window just with window mating, Door on door exactly waiting, All's the set face of a child: 130 But behind it, where's a trace Of the staidness and reserve, And formal lines without a curve, In the same child's playing-face?

No two windows look one way O'er the small sea-water thread Below them. Ah, the autumn day I, pa.s.sing, saw you overhead!

First, out a cloud of curtain blew, Then a sweet cry, and last came you-- 140 To catch your lory that must needs Escape just then, of all times then, To peck a tall plant's fleecy seeds, And make me happiest of men.

I scarce could breathe to see you reach So far back o'er the balcony To catch him ere he climbed too high Above you in the Smyrna peach That quick the round smooth cord of gold, This coiled hair on your head, unrolled, 150 Fell down you like a gorgeous snake The Roman girls were wont, of old, When Rome there was, for coolness' sake To let lie curling o'er their bosoms.

Dear lory, may his beak retain Ever its delicate rose stain As if the wounded lotus-blossoms Had marked their thief to know again!

Stay longer yet, for others' sake Than mine! What should your chamber do? 160 --With all its rarities that ache In silence while day lasts, but wake At night-time and their life renew, Suspended just to pleasure you Who brought against their will together These objects, and, while day lasts, weave Around them such a magic tether That dumb they look: your harp, believe, With all the sensitive tight strings Which dare not speak, now to itself 170 Breathes slumberously, as if some elf Went in and out the chords, his wings Make murmur wheresoe'er they graze, As an angel may, between the maze Of midnight palace-pillars, on And on, to sow G.o.d's plagues, have gone Through guilty glorious Babylon.

And while such murmurs flow, the nymph Bends o'er the harp-top from her sh.e.l.l As the dry limpet for the nymph 180 Come with a tune he knows so well.

And how your statues' hearts must swell!

And how your pictures must descend To see each other, friend with friend!

Oh, could you take them by surprise, You'd find Schidone's eager Duke Doing the quaintest courtesies To that prim saint by Haste-thee-Luke!

And, deeper into her rock den, Bold Castelfranco's Magdalen 190 You'd find retreated from the ken Of that robed counsel-keeping Ser-- As if the Tizian thinks of her, And is not, rather, gravely bent On seeing for himself what toys Are these, his progeny invent, What litter now the board employs Whereon he signed a doc.u.ment That got him murdered! Each enjoys Its night so well, you cannot break 200 The sport up, so, indeed must make More stay with me, for others' sake.

She speaks.

I

To-morrow, if a harp-string, say, Is used to tie the jasmine back That overfloods my room with sweets, Contrive your Zorzi somehow meets My Zanze! If the ribbon's black, The Three are watching: keep away!

II

Your gondola--let Zorzi wreathe A mesh of water weeds about 210 Its prow, as if he unaware Had struck some quay or bridge-foot stair!

That I may throw a paper out As you and he go underneath.

There's Zanze's vigilant taper; safe are we.

Only one minute more to-night with me?

Resume your past self of a month ago!

Be you the bashful gallant, I will be The lady with the colder breast than snow.

Now bow you, as becomes, nor touch my hand 220 More than I touch yours when I step to land, And say, "All thanks, Siora!"-- Heart to heart And lips to lips! Yet once more, ere we part, Clasp me and make me thine, as mine thou art!

[He is surprised, and stabbed.

It was ordained to be so, sweet!--and best Comes now, beneath thine eyes, upon thy breast.

Still kiss me! Care not for the cowards! Care Only to put aside thy beauteous hair My blood will hurt! The Three, I do not scorn To death, because they never lived: but I 230 Have lived indeed, and so--(yet one more kiss)--can die!

NOTES: "In a Gondola" is a lyric dialogue between two Venetian lovers who have stolen away in a gondola spite of "the three"--"Himself'," perhaps a husband, and "Paul"

and "Gian," her brothers--whose vengeance discovers them at the end, but not before their love and danger have moved them to weave a series of lyrical fancies, and led them to a climax of emotion which makes Life so deep a joy that Death is of no account.

"The first stanza was written,'' writes Browning, "to ill.u.s.trate Maclise's picture, for which he was anxious to get some line or two. I had not seen it, but from Forster's description, gave it to him in his room impromptu.... When I did see it I thought the serenade too jolly, somewhat, for the notion I got from Forster, and I took up the subject in my own way.''