A Tramp's Sketches Part 3

To draw one beauty into the heart's core And keep it changeless.

Yet how transient is the appearance of beauty. It has an eternity not in itself but in the heart. Thus I look out at the ever-changing ocean and suddenly, involuntarily e.j.a.c.u.l.a.t.e, "How beautiful!" yet before I can call another to witness the scene it has changed. Only in the heart the beauty is preserved. Thus we see a woman in her youth and beauty, and then in a few years look again and find her worn and old.

The beauty has pa.s.sed away; its eternity is in the heart.

We have a choice, to live in the shadow and s.h.i.+ne of the outer life where visions fade, or to live with all the beauty we have ever known, where it is treasured, in the heart. Choosing the former we at last perish with the world, but choosing the latter we ourselves receive an immortality in the here and now. The one who chooses the latter shall never grow old, and the beauty of his world can never pa.s.s away.

Nietzsche could not tolerate the doctrine of the "immaculate perception" of Beauty. To him Beauty was _une promesse de bonheur_; Beauty was a lure and a temptation, it had no virtue in itself, but its value lay in the service rendered to the ulterior aims of Nature.

Thus the beauty hung in woman's face was a device of the Life-force for the continuance of the race; strange beauty lured men to strange ends, and one of these ends the German philosopher divined and named as the Superman. Even the beauty of Nature was merely a temptation of man's will. The Kantian conception of the disinterested contemplation of Beauty Nietzsche likened to the moon looking at the earth at night and giving the earth only dreams; but the Stendhalian conception of Beauty as a promise of happiness he likened to the sun looking at the earth and causing her to bear fruit.

Darwin as much as said, "Beauty has been the gleam which the instinct of the race has followed in its upward development. Beauty has been the genius of Evolution." Thus science has lent its authority to philosophy. The idea is charming. In its power it is irresistible. It certainly dominates modern literary art, being the princ.i.p.al dynamic of Ibsen and Bernard Shaw and all their followers.

It is a very important matter. There can be nothing more important in literary art, and indeed in one's articulate conception of the meaning of life, than the notion of what is beautiful. What if this conception be narrow, what if it be simply a generalisation, a generalisation from too few observations? What if the wish were father to the thought?

The only test of philosophy and art is experience. And it is the wanderer, the life-explorer without irrelevant preoccupations, who is the true naturalist, collecting experiences and making maps for spiritual eyes. What then does the wanderer note?

First, that the knowledge of the beautiful is an affirmation.

Something in the soul suddenly rises up and e.j.a.c.u.l.a.t.es "Yes" to some outside phenomenon, and then he is aware that he is looking at Beauty.

As he gazes he knows himself in communion with what he sees--sometimes that communion is a great joy and sometimes a great sadness. Thus, looking at the opening of dawn he is filled with gladness, his spirits rising with the sun; he wishes to shout and to sing. He is one with the birds that have begun singing and with all wild Nature waking refreshed after the night. But looking out at evening of the same day over the grey sea he is failed with unutterable sorrow.

I remember how all night long in the North region, where the light does not leave the sky, I looked out at the strange beauty of the white night and felt all the desolateness of the world, all the exiledom of man upon it. There was no lure, no temptation in that. The Aeolian harp of the heart does not always discourse battle music, and on this night it was as if an old sad minstrel sat before me and played unendingly one plaint, the story of a lost throne, of a lost family, lost children, a lost world. Thus a thought came to me: "We are all the children of kings; on our spiritual bodies are royal seals. Sometime or other we were abandoned on this beautiful garden, the world. We expected some one to return for us; but no one came.

We lived on, and to forget homesickness devised means of pleasure, diversions, occupations, games. Some have entirely forgotten the lost heritage and the mystery of their abandonment; their games absorbed them, they have become gamblers, they have theories of chance, their talk is all of Progress of one sort or another. They forget the great mystery of life. We tramps and wanderers remember. It is our religion to remember, to count nothing as important beside the initial mystery.

For us it is sweeter to remember than to forget. The towns would always have us forget, but in the country we always remember again.

What is beautiful is every little rite that reminds us of our mysteries."

This is a most persistent experience, and Beauty thereby promises us happiness, but in a strange way seems to tell of happiness past. It lures not forward unless to the exploration of the "prison-house" once more.

Even the beauty of woman is not always a lure. There is a beauty in woman which makes one glad, but there is the beauty that haunts one like a great sadness, besides the beauty that draws one nearer to her.

There is the seductive beauty of Cleopatra, but there is also the almost repulsive beauty of Medea, and besides both there is the mysterious beauty of Helen or of Eve.

Beauty is also a great possession, and that is another conception, another mystery. We lie like a mirror in the presence of Beauty, and it builds the very temple of our souls. Beauty is the gold of earthly experience. It is essentially that which in looking round our eyes like best, that which they say swiftly "Yes" to. We enter into communion with the beautiful as with a beloved object. We make it part of ourselves. We absorb it into that which is integral and immortal--our very essence. "A thing of beauty is a joy for ever: its loveliness can never pa.s.s away" is a truth of experience, not the idle fancy of the poet. For to have seen the beautiful is not inconsequential, it is not even a responsibility entirely your own; the beautiful thing has also seen you. Henceforth your life can never be quite the same, and the beautiful thing looked upon has either become less or more beautiful.

VII

A STILL-CREATION-DAY

The blue-green sea is living velvet, and full of light-rings; it goes out to a distant mauve horizon, near which sea-gulls with white gleaming wings are flying. Many gulls are fluttering on the red buoys in the water.

It is late in a December afternoon on the south coast of the Crimea.

It is Yalta, beloved of all Russians, and I have come tramping to it--which Russians never do--and I am intending to spend lazy days looking with the gay town and all its white villas at the glorious spectacle of the southern sea. All the rest of Russia is gripped by winter, but here there is sanctuary and forgiveness. I have been tramping on the cold, cold steppes, frozen, forced to get back into myself and hide like the trees, and when I came here it seemed somehow as if Nature herself had been angry with me, relented, and was now showing me all her tenderness again. All along the road I found violets in the little bushes, and I wore them as a forgiveness gift from a woman that I love.

When a woman smiles upon a man she bids him live, and when she frowns he can but die. To-day the woman of all women has smiled on me, Nature herself.

Along the road I had that pleasant life with myself that one has the day after one's birthday, when one has kept good resolutions two days.

My old self carried, as it were, within me a little child, and the child chattered and lisped to me.

Delightful tramping along a road high over the sh.o.r.e! Below me, stretching far to East and to West, blue and glorious like summer, was the immense sea, all in dazzling radiance under the noonday sun. A bank of grey-blue mist lay over the South, and marked the domain where winter was felt. Up above me stood great grey rocks, stained here and there the colour of rose porphyry. The tops of these rocks, even here as I look up at them from Yalta, are outlined with a bright white line--winter and h.o.a.r-frost hold sway there also.

I have been in the sight of nut-brown hillsides, something absolutely perfect, the warm living colour of thousands of little, closely packed French oak trees, all withered, and holding still their little withered leaves. The colour of these hills was the colour of Nature's eyes.

There was silence too--such wonderful silence, one could hear one's own heart beating. Such a morning was indeed what Richter calls a "still-creation-day," that still silence of the heart that prefaces new revelation, as the brooding of the dove on the waters the creation of a world. You must know I saw the dawn, and have been with the sun all day. I slept at a Greek coffee-house, but was up whilst the sky was yet dark and the waves all cloudy purple. There was just one gleam of light in the dark sky, just one little promise. The great cliffs were all in their night cloaks, and night shapes were on the road. All Nature was in the night world, and I felt as if I were continuing my last night's tramping, and not starting upon a new day. Yet in the night of my heart was also just that one gleam of whiteness in the East, one little promise. I knew the whiteness must get more and more, and the darkness less and less. I stood on the cliff road and watched the waves become all alive, playing with their shadows as the light diffused in the sky, and the white lines of the East turned to rosy ribbons. Then the dawn twilight came and the night shapes slunk away.

The Tartars and Greeks took down their shutters in the little village hard by.

The sea became green, the rocks all grey, and then, as I watched, the rim of the sun rose over the horizon and the sea held it as a scimitar of fire. The white disc rose, a miracle; it looked very large, as if it had grown bigger in the night. It paused a moment in the sea and then suddenly seemed to bound up from it: it flooded the world with light. Then, as if from his hands angels were leaping, thousands of gulls were descried on the sea, their gleaming wings seeming to be the very meaning of morning. Out of the sea under the dawn, dark dolphins came leaping toward the sh.o.r.e. The sea became a grey expanse over which the sun made a silver roadway. There commenced the quiet, quiet morning, and the still-creation-day.

Now the day is ending, and the sun goes down behind the hills at Yalta, the mist bank over the southern horizon catches the reflection of true sunset tints, and transmits them to the velvety water, full of light-rings. I have been sitting on a pleasure seat on the sand all the afternoon, and now I go to the end of the long pier. There one may see another vision of the mystery of the day, for the sea-waves are full of living autumn colours, of luminous withered leaves and faded rose petals; they are still living velvet, the night garment of a queen. Black ducks are swimming mysteriously on the glowing dusky water.

In a moment, however, the scene has changed and the colours have been withdrawn. The presence in the world, the queen whom we call Day, has pa.s.sed over the waves and disappeared; not even a fold of the long train of her dress is visible.

Some one has lighted a Roman candle at the far end of the pier, as a signal to a steamer whose white and red lanterns have just been descried upon the dark horizon. It is night: the day is over.

VIII

SUNSET FROM THE GATE OF BAIDARI

It was at the Gate of Baidari in the Crimea on the shortest day of the year that I saw the most wonderful sunset I have ever known, and entered most completely into the spirit of the dark, quiet night.

It was another vision of the sea, a presentment of the sea's question in a new light.

A mild December afternoon. I had been some days wandering across pleasant tree-brown valleys and immense hollows mountain-walled. In the winter silence there was no murmur of the ocean, not even was there saltness in the air. I was out of the sight of the sea and had been so for several days. But this afternoon I climbed by a long road where were many berberry bushes vermilion with their berries, up to the pa.s.s over the hills, and there all at once by surprise, without the least expecting it, at a turn of the road I had a revelation of the whole sea.

It was a ravishment of the eyes, a scene on which one looks, at which one stares. The road came suddenly to a precipice, and sheer down, two thousand feet below, the waves foamed forward on the rocks, and from the foam to the remote horizon lay the mysterious sleeping sea--no, not sleeping, but rather causing all else to sleep in its presence, for it was full of serpent lines all moving toward the sh.o.r.e. The whole wild mountainous Crimean sh.o.r.e sat before the sea and dreamed.

And I realised slowly all that was in the evening. Below me lay the white tortuous road leading downward to the sh.o.r.e in coils, and clothing the road, the many woods, all h.o.a.ry white because the sharp sea-breeze had breathed on them. Evening had long since settled on the road and on the wintry trees; it lay also about the grey temple which the Russians have put up on one of the platforms of the lower cliffs.

The church looked so compact and small down below me that it seemed one could have held it in the palm of the hand. It was sunset, but the sky was full of blue-grey colour. The whole South caught a radiance from the hidden West and the sea was grey.

In a moment it is noticeable that the south is becoming rosier. The sea is now alight from the increase of sunset hues. In the shadow the lines of the sea are a sequence of wavings like the smoke of the snow blown over the steppes. In the hurrying clouds a great s.p.a.ce clears, and along the south-west runs a great rosy fleece of sunset. It is rapidly darkening. The sea in the western corner is crimson, but all the vast south is silver and sombre. The horizon is like that seen from a balloon--pushed out to its furthermost, and there, where clouds and sky mingle, one sees fantastically as it were the sides of giant, shadowy fish.

The motor-coach, with its pa.s.sengers from Sebastopol to Yalta, comes rus.h.i.+ng and grumbling up behind me and stops five minutes, this being its half-way point. The pa.s.sengers adjourn into the inn to drink vodka: "Remember, gentlemen, five minutes only," says the chauffeur.

"G.o.d help any one who gets left behind at Baidari...." Four minutes later there is a stamping of fat men in heavy overcoats round the brightly varnished 'bus. "Are we going?" says a little man to the refreshed but purple-faced chauffeur. "Yes!" "That's good. I've had enough of this." The guard winds his horn, and after a preliminary squirm of the plump tyres on the soft road, the vehicle and its company goes tumbling down the road as if it were descending into a pit.

And the sunset! It develops with every instant. The lines on the sea seem to move more quickly, and the s.p.a.ces between them to be larger.

The west is full of storm. A closing cloud comes up out of the west: the western sea is utterly hopeless, the moving south inexorable.

There is terror in the west.

Evening is more below me than above me. Night is coming to me over the dark woods. The foam on the rocks below is like a milk-white robe.

As I walk the first miles downhill I begin to hear the sound of the waves. The sea is beginning to roar, and the wind rus.h.i.+ng up to me tells me that the lines of the sea are its stormy waves ridden forward to the sh.o.r.e by a gale.