Buried Prey Part 18

They went past a short shaft going straight up, like an upsidedown well. An intersecting shaft went off to the right, perhaps fifteen feet up. "If he had a rope, he could get up there and n.o.body could get at him," somebody said.

But Chip said, "Yeah, but . . . see?" He pointed to a partial track in the sand, six feet past the intersection, going deeper into the tunnel. "And I've never seen a rope or anything going up there."

They moved on, then somebody spotted a hole in a wall to the left. Lucas climbed a short slope to the hole, pushed his light in: there was a low-ceiling s.p.a.ce, a kind of pot full of water. He could hear more running water, but couldn't see anything inside the room except a pile of metal trash and some rotting wooden beams.

He hopped down and said, "Nothing."

They found another hole, and this one carried a human stench. Sloan looked and he said, "Somebody's using it as a can. Hang their a.s.s off the wall, and let go."

"More tracks," somebody called, from up ahead.

Sc.r.a.pE WAS FAR AHEAD of them, carrying a cheap aluminum flashlight with a weak bulb: but he knew where he was going. He got in the main room, under the power plant, tiptoed across the wet concrete, careful not to leave footprints, boosted himself up on a damp concrete revetment, then onto a rusting steel beam that sat on top of it. Once on top, he slid down into a narrow s.p.a.ce on the other side, and lay on top of the concrete revetment. He barely had room to move his shoulders and hips, but he was practically invisible. They wouldn't find him unless they climbed a ladder that led up toward the power plant, and then s.h.i.+ned a light down. . . .

If they did that, he was cooked.

As he lay there, in the dark, listening to the cops coming down the tunnel, he began to feel his muscles clenching up and down his body, in fear and anger. If they caught him, they'd put him in a hospital, and the hospital people would do experiments on him, as they had in the past. Experiments . . .

He'd known when the cops released him that they'd be back. Sc.r.a.pe was crazy-and knew it, and regretted it, and suffered for it, nothing to be done about it-but not stupid. Once they had a taste of him, he believed, they'd be back if they didn't find the little girls with somebody else. He was just too good a target, and in his experience, if cops couldn't solve a bad crime, they began to look for somebody they could hang it on.

An old story on the street. Some people said it was bulls.h.i.+t; others swore it was true, said it had happened to them. Sc.r.a.pe believed it to be true. He'd been arrested too many times for nothing, for simply being there, crazy, on the sidewalk, to have any faith in the honesty or efficiency of cops.

What good did it do to take him down to court? He didn't have any money, putting him in jail didn't cure anything, so why did they do it?

Because, he thought, that's what cops did. They got grades on a paper, somewhere, on how many arrests they got. He was an easy one.

The night before, he'd tricked them, sliding out a side window after dark, creeping like a shadow down the hedge and across the yard, staying in backyards for half a mile, before breaking to the river. He'd thought he'd be safe, for a while, in his tunnels, but somebody had talked. . . .

Now they were coming for him again, and they'd put him in a hospital and they'd strap him to a bed, and they'd do more experiments; he lay behind his beam and closed his eyes and tried to pretend that they weren't there.

That the nightmares weren't there: but this time, they were.

WHILE Sc.r.a.pE SETTLED into his hiding place, the cops pushed on, like a National Geographic caving expedition made up of stupid people, splas.h.i.+ng through pools of water, stumbling over debris and rotting lumber, swearing, s.h.i.+ning their lights around. They turned a couple of corners, explored shafts going left and right. One of them showed what appeared to be an attractive, golden-brown wall. Then the wall twitched, and a cop, looking closer, suddenly back-pedaled and said, "Jesus, those are c.o.c.kroaches. Millions of them."

"Don't mess with them, don't mess with them . . ." The wall s.h.i.+mmered and they all backed up.

Moving ahead, they found more footprints, which Lucas now recognized from a series of round treads on the bottom-running shoes-and followed them.

Chip took them down a branch and over a wall, then through a narrow natural crack half filled with dirt. They were squatwalking now, under a four-foot ceiling, which led to a hole in the top of a dry storm sewer. They s.h.i.+ned their lights down the hole and found another thin stream of water, and more sand, with no sign of footprints.

"He could have gotten down there, but I can't believe he'd have landed in the water and never made a print," Chip said.

Lucas said, "If he did, he could have gotten out, right?"

"Yeah, he could've walked back into town, got out at a drain, if he could find a loose one. There probably are a couple. Or, he could follow it out to the river, but the exit is barred."

Lucas looked both ways and said, "He can't dribble a basketball. He didn't jump down there and not make tracks. Let's back out."

THEY BACKED OUT of the crack and found that the other cops had pushed on, down a ledge and into a cavernous room that might have been a dungeon in a post-industrial vampire's castle. The ceiling was invisible in the murk, and the place was full of huge rusty pipes, more unidentifiable superstructure, and a couple of shafts, with steel ladders and wrist-thick ropes that disappeared into the gloom. "They go up to the power plant," Chip said. "You can get up there, but the entrance at the top is always blocked off. Didn't used to be, but they had some b.u.ms set up housekeeping a few years back."

Somebody called in the dark, "I got some tracks."

They went over and looked, and found the prints they'd been following in. They went even farther back into the room.

Sloan asked Chip, "Is there any way out of here?"

"There are some tunnels, but they're all dead ends, and not far now. There's a pretty good storage cave over there to the left. That's probably where he's hiding. Little nooks and crannies back in there."

Sloan said, "All right, everybody, we think he's still in front of us. Take it slow, keep your lights way out in front of you. No hurry-we take it slow."

They spread out and checked the rest of the big room, eventually moving to a cl.u.s.ter in the back, around a seven-foot-high tunnel, maybe twenty feet long, that showed a black patch to the left, down at the end-a big dark s.p.a.ce. Lucas and Sloan led the way in, and as they came up to the cave, found another smaller branch going off to the right. A uniform cop crawled down it, came back a few seconds later: "Nothing. Dead end."

Lucas and Sloan s.h.i.+ned their lights into the cave. As Chip said, it was deep, and fairly wide. Squared off, it had been carved into the sandstone by humans, rather than by water. They couldn't see quite to the end of it.

"It smells awful," a cop said.

"Like something's been dead for a while," Lucas said.

"Bat s.h.i.+t," Chip called, from the end of the line. "Lots of bat s.h.i.+t. Guano."

"If he's in there, and he's got a gun, we're done," one of the cops said.

"I don't think he's ever had a gun," Lucas said. He turned: "Hey, Chip, Russ? Could we get those lanterns up here?"

The two sewer guys came up, and the extra light was enough to show them the end of the cave. There was no sign of Sc.r.a.pe, not even footprints. Lucas pointed at a band of sand ten feet in: "He either flew over that, or he's behind us."

Russ the sewer guy said, "There's a small side room down to the left. He could be in there-it's about the only place left."

Lucas nodded, moved ahead with the light. Another cop pulled his gun and said, "If he comes after you with something, just get flat and out of the way."

Lucas went in, saw the side hole, again as a patch of black. He edged up to it: "Sc.r.a.pe? Hey, Sc.r.a.pe? We don't want to hurt you, man. Come out of there. . . ."

Not a sound. He stuck his head around the edge of the hole, s.h.i.+ned the light in. Empty. There seemed to be a cavity in the roof. He got on his knees, crawled inside, and s.h.i.+ned the light up the hole: just enough s.p.a.ce to stand up in, and it was empty, and smelled of water and something else, like clothes left too long in a washer. And the wall moved, and he realized his face was inches from another school of c.o.c.kroaches, or whatever they were. He quailed, and knelt, and got out.

He said to Sloan: "He's behind us."

At that moment, a cop called, "Hey, Jesus, Jesus," and a swarm of bats flew through them, spiraling out of the cave and into the large outer room. Lucas froze, creeped out, and when they were gone, moved back to the tunnel. They'd left two cops in the outer room, and the two of them shouted warnings at each other as the bats came through.

IN THE MAIN ROOM, Sc.r.a.pe remained hidden until he heard what he'd feared: one of the cops said, "I think I'll climb up there and look around. Maybe he's in one of those crannies behind those pipes."

Another voice: "You'll fall on your a.s.s."

"Shoot, I use to climb up on top of water towers just to look around."

"If you're gonna do it, take the big flash."

"Let me see . . . ladder feels fine."

"Careful, there . . ."

A cop was climbing, and in two minutes, he'd put a light on Sc.r.a.pe. He was behind them, his only chance was to drop down and run for it. Maybe more guys outside, but he'd have to take the chance, Sc.r.a.pe thought. He s.h.i.+vered with fear: have to take the chance. If he just lay there, they'd get him and put him in the hospital and they'd tie him down and do their experiments. . . .

He could hear the cop climbing up the ladder, one step at a time, the other cop s.h.i.+ning a light up on the higher rungs. Then he could see the cop, still climbing. When he turned, with the flashlight, Sc.r.a.pe would be right there.

Sc.r.a.pe pushed himself up on his elbows, c.o.c.ked his knees. When the cop seemed to have turned his head away, he pushed himself to his feet and looked down at the other cops. He was in luck: the other cop had his back to him.

He hooked a hand around a piece of rebar to brace himself, felt the rebar move; and he jumped, holding on to the rebar to keep himself upright, and hit with a thud. He saw the cop turn, and Sc.r.a.pe took off, the rebar still in his hand. He'd pulled it out, he realized, maybe he'd have a use for it, maybe G.o.d put it there.

He had a good lead going into the tunnel, and he knew where he was going. . . .

LUCAS WAS THIRD in line again, heading back out. He said to Sloan, "Another ten million c.o.c.kroaches . . ." Then there was a clatter, metal on metal, and one of the cops in the big room shouted, "Hey, stop, stop," and a second later, "There he is . . . there he is . . . he's coming out, he's coming out. He's coming out. . . ."

Lucas and Sloan ran back to the big room, too late to see what had happened, but saw the two cops they'd left behind, running toward the exit, their guns drawn. They shouted again, "Watch out, he's coming."

Sloan said, "Oh, s.h.i.+t."

And three seconds later, a single shot: BAM. BAM. The noise was m.u.f.fled by the branching of the caves, but there was no question of what it was, and the cops all headed toward the exit tunnel, trailed by the sewer guys. They could hear more shouting, and two or three minutes later, back at the exit, they found four cops crouched over a body. The noise was m.u.f.fled by the branching of the caves, but there was no question of what it was, and the cops all headed toward the exit tunnel, trailed by the sewer guys. They could hear more shouting, and two or three minutes later, back at the exit, they found four cops crouched over a body.

Lucas came up and looked down: Sc.r.a.pe, lying faceup, looking not so much tired, as resigned. His eyes were moving, but glazed, and his heels sc.r.a.ped at the sand, as though trying to push himself out into the light. He had a hand-sized patch of blood on his chest.

"Get a G.o.dd.a.m.n ambulance," Lucas said. Lucas headed for the entrance, but another cop was there, shouting, "What? What?" and had a gun out.

"He's dead," said a crouching cop, from behind him. Lucas turned, took a step back, and looked again. Sc.r.a.pe was gone, his eyes still open, but deathly still.

Another one, the shooter, said, "Jeez, I never even aimed. He had that iron thing-"

"It's not you, man, you did the right thing," a third cop said. "He was coming right for you."

A two-foot-long piece of rusted rebar lay just down the tunnel from Sc.r.a.pe's body.

Sloan said, "Jesus. Okay. Freeze everything. You guys back off. We need an ambulance down here."

"He's dead, Sloan," one of the cops said.

"I'd rather have a doctor tell me that," Sloan said. " ' Cause if he blows a bubble five minutes from now, and the papers ask us why we didn't get a doc on him, I don't want to say because Larry Plant told me so."

Lucas pushed through, squeezed past the bars, saw Daniel at the top of the bank, and shouted, "We need an ambulance. Right now."

Daniel shouted back, "Who's hurt?"

"Sc.r.a.pe. He came out with an iron bar in his hands. He's dead, but Sloan is asking for a doc."

Daniel nodded and hurried off, and Lucas went back into the cave.

A cop was saying, "The only bad thing about it is, we can't ask him where he stashed the girls."

Somebody said in a hushed voice, "Christ, remember that thing down in Florida where that girl was buried alive?"

They all thought about that and looked at the body, and then the cop who did the shooting said, "I saw him coming with the bar and I didn't know if it was a rifle or something and he lifted it up . . ."

"Like a baseball bat," said another cop. "If he'd hit you with that, that'd be you laying there. . . ."

DANIEL CAME DOWN and moved them all out of the cave, except for one guy to keep an eye on the body, although there would be n.o.body to interfere with it, except the bats. A few minutes later, an ambulance arrived. Two medics were taken down the riverbank, and a minute later were back: Sc.r.a.pe was dead.

The crime-scene specialists showed up next, went down to the cave. Daniel, who'd been talking to the shooter, took Lucas aside. "How'd you find him?"

Lucas told the story about Karen Frazier calling him at home, about his interview with Millard, about hearing somebody moving in the entrance.

"You think this Millard guy is still down at the Lunch Box?"

"Yeah. I had him pretty scared," Lucas said. "If he's not, he'll be easy enough to find. He's staying at the Mission."

Daniel slapped him on the back. "You did good on this, Lucas. I'm gonna talk to the chief. Del tells me you're pretty hot to get out of uniform."

"I am," Lucas said. "To tell you the truth, I'm not sure Sc.r.a.pe took the girls. There are too many questions."

"There are a few," Daniel said. "What I need for you to do is, I need you to give a complete statement, with everything you think. I got some of it from Del, and it worries me. Don't leave anything out."

"If we could just put hands on this Fell dude. That's all I want-just to talk to him."

"What I need to do is find those girls," Daniel said. "I'm not gonna rest right until we do it. We need to turn this cave inside out, we need to search every G.o.dd.a.m.n cave on these bluffs. . . .

"He couldn't get them down here without a vehicle," Lucas said. "I keep stumbling over that. Where's his vehicle? He couldn't have just marched them down here."

Daniel said, "Yeah, yeah. I need to get you back to the office. G.o.dd.a.m.nit, too much to do. Tell you what: you go down and get this Willard guy. Is that right, Willard?"