Ash: The Lost History Part 143

A wave of heat went through her. She flattened her hands against the stone wall behind her, keeping her balance. Her cheeks flushed bright red. Searing embarra.s.sment wiped out everything, even the stabbing pain under her breastbone. Her muscles tensed to take her stamping off, out of the hall, up the stairs - to where? To throw myself off the roof?

"Oh, Jesus!" Fernando del Guiz said, his voice agonised. "I wasn't thinking. I mean her - the Faris. I wanted to tell you about it. Ash, I never meant you to think-"

"No."

"Ash-"

"Take no notice," she said savagely. "Take no f.u.c.king notice. s.h.i.+t!" Unconsciously, her hand had become a fist, that pressed up against her solar plexus. "Oh, s.h.i.+t, Fernando! What is it about her? She's not one of your proper women, she's a soldier too! We're mirror images!"

She broke off, remembering hacked-off hair, and the old, pale scars on her face. She couldn't look at Fernando. One s.n.a.t.c.hed glance told her he was as red as she must be.

"We're the same!"

"No, you're not. I don't know what the difference is," he muttered, doggedly. "There's a difference."

"Oh, you don't know?" Her voice rose. "Don't you. Really. Oh, I'll tell you what the difference is, Fernando. She never had her face cut up. She's never been poor. She's been adopted by a lord-amir. She was never a wh.o.r.e who had to f.u.c.k men when she was ten years old! That's the difference. She isn't spoiled, is she!"

She stared into his eyes for a long minute.

"I could have loved you," she said quietly. "I don't think I knew that until now. And I wish I'd never let you know it."

"Ash, I'm so sorry."

Recovering herself into arrogance, keeping the tears out of her voice, Ash said, "So: have you f.u.c.ked her yet?"

A deeper red rose up his white neck, where the high collar of his ca.s.sock and his hood did not hide it.

"No?"

"She rode out to escort the King-Caliph to Dijon. She called on me to act as her confessor on the way back." He swallowed, Adam's apple bobbing. "She wanted to know why I was a priest now, instead of a knight-"

"But did you f.u.c.k her?"

"No." He looked momentarily angry, then besotted, then apologetic; and ran his gloved hand through his hair, mussing it. "How can I? If I get to a rank in the church where I can marry-"

"You're in a f.u.c.king dream-world!"

"I love her!"

"You just love a dream," Ash spat out. "What do you think she is? Some woman on a white horse, who leads men into battle and doesn't kill? Do you think she's as good as she is beautiful?"

"Ash-"

"She's one of us, Fernando. She's one of the people who organises killing people. That's what I am, that's what you've been, that's what she is. Christus! can't you think with anything else but your c.o.c.k!"

"I'm sorry." In an extreme of embarra.s.sment, he spread his hands. "I did it all wrong. I didn't know you'd think I meant you. I thought you knew I-"

Ash let the silence between them grow.

"Thought I knew you wouldn't touch me again if your life depended on it?" she said.

"No! I mean . . ." Fernando looked down helplessly at the floor. "I can't explain it. I've seen you. I'd seen her before. This time it was . . . different."

"Ahh - f.u.c.k off."

Hot and cold with humiliation, she stared away, not seeing the celebrating men in front of her, not seeing the chipped edges of the window embrasures or the dark, cold sky beyond.

Now I know what people mean when they say they wish the ground would open and swallow them up.

Fernando's voice sounded beside her, quiet, but with authority.

"It's nothing to do with you. There's nothing wrong with you. I hated you -but then I listened to you- Ash, I wouldn't be a priest if it wasn't for you! I didn't know it until just now, when I found out I am sorry I hurt you. I love her. I feel like you're my, I don't know, my sister, maybe. Or my friend."

Sardonic, tears in her voice, Ash said, "Stick to 'friend' - leave sisters out of it. Your sister wants to touch me a whole lot more than you do!"

He blinked.

"Never mind," Ash said. "Forget it. Forget this whole thing. I don't want to hear about it again."

"Okay."

After a second, Ash said, "Does she know?"

"No."

"So you're wors.h.i.+pping from afar, just like the troubadours say."

He coloured again, at her sarcasm. "Might be just as well. I'm bad at this. I just wanted to apologise to you, and then tell you how I feel about her. Ash, I never meant to hurt you."

"You've done it better than when you did mean to."

"I know. What can I say?"

"What can anybody say?" She sighed. "Just one of those things, isn't that what they call it? If you want to do something, Fernando, just don't say anything to me. Okay?"

"Okay."

She turned away from him, watching her men. A welcome numbness pushed her hurt and anger and pride away, leaving only relief in its place; it hurts too much to think about being superseded by it's not worth getting worked up about.

After a few moments, her jaw tightened with the effort of pus.h.i.+ng away the urge to weep.

"It isn't as easy as it used to be," she said.

"What?"

"Doesn't matter."

Before she could do anything to get her voice under control, there was a disturbance at the main door.

Ash looked across into bright daylight as the doors opened. A blast of cold air sliced through the hall's sweaty warmth. She heard boots and weapons clash; put up her hand to shadow her eyes.

De Vere, his brother d.i.c.kon, twenty Turks, Olivier de la Marche, and some of the Burgundian army commanders walked in. Jonvelle stopped dead and stared at her, his face whitening.

"I told you!" John de Vere roared.

Ash found them all staring at her: Oxford's brother with wide eyes. Even the Janissaries appeared mildly interested. She put one fist on her hip, scrabbling for composure, for raw humour.

"What's the matter, did I forget to dress?"

The Burgundian centenier, Jonvelle, swallowed. "He Dieux!15 It is her. It is the Captain-General."

Ash fixed him and the English Earl with an authoritative eye. "Someone is going to tell me what's going on here ..."

The Burgundian stared, as if he were taking in every detail - a woman at home in plate leg harness and arm-defences, in a polished Milanese cuira.s.s; with dirty-white hair cut short to her ears, and wood-fire s.m.u.ts on her scarred cheeks. Still flus.h.i.+ng a dull red.

"You're here," Jonvelle spoke again.

Ash turned her back on Fernando del Guiz, and folded her arms. "That's what I've been sending b.l.o.o.d.y messages to tell you! Okay . . . Where ought I to be?"

"You may well ask," John de Vere said. "You should excuse Master Jonvelle. He sees Captain-General Ash here - and so do we all. But, it seems, one hour ago, Captain-General Ash was given a slave escort back from the Visigoth camp and admitted to Dijon through the north-east gate. She is there now."

Ash stared at the English Earl. "She d.a.m.n well isn't!"

"We left her at the gatehouse not ten minutes since," John de Vere said. "Madam - it is your sister. The Faris. She says she is surrendering herself to you."

Message: #318 (Anna Longman) Subject: Ash Date: 16/12/00 at 07.47 a.m.

From: [email protected] Anna - Such a change, to be writing in Englis.h.!.+ I'll attach a file with the next section of the Sible Hedingham text that I've translated.

I'm taking a break from the translation tomorrow. Correction: this morning.

I've finally been comparing the two metallurgy reports on the 1messenger-golem' found at the land-site. One of Isobel's graduates has been giving me a hand over breakfast. Now, it's just possible that these are reports on two *different* archaeological remains that got confused in the lab. If they're two reports on the same specimens of cast bronze, then they contradict each other in almost every reading, from plant-material content to implied background radiation.

Either the department got one or other of the a.n.a.lyses wrong -which, I grant you, is the conclusion of any sane, rational person - or, these reports are tracing *a process in the artefact itself* which could have been going on between the first report in November and the second one two weeks later.

How can an artefact appear 'new' (post 1945) in November, and in December, 'old' (4-500 years)?

Anna, if there is a process at work here, of any kind, no matter that I may have details or premises wrong - then *what else are we going to see?*

I have persuaded Isobel to contact her Colonel HHHH and beg the use of a military helicopter. She has just told me he's given his authorisation. An ex-Russian Mil-8 will be waiting for me at Tunis airfield, just before dawn, in two hours' time. And Isobel is lending me one of her graduate students.

The helicopter pilot is prepared to overfly the area to the south of Tunis, as far as the Atlas Mountains. We have video equipment.

In archaeology, aerial surveys can be crucial. With low-angle light, the smallest disturbances in the ground cast shadows, and the shapes, the 'floor-plans', of long-disused settlements can appear plainly evident.

Although a previous, brief geophysical survey of the areas I am interested in shows nothing definite, I think that it may be different for us. If only because Isobel and I, using the 'Fraxinus' ma.n.u.script, have some idea of where we should be looking.

If there is any remnant left - if there is any remnant that is *now* there - that is part of the pyramid-structures that 'Fraxinus' calls 'Wild Machines'; then I want the evidence catalogued.

Either by accident or design, we have become what we are. But since history has no Visigoth 'empire' , in the sense that these texts describe it, either in the mediaeval period or at any other time, then I am left to conclude that - well, to conclude what? That *both* sides in that conflict were changed; eradicated? And that this post-fracture history of ours contains a few remnants, a palimpsest version, of what was before?

And yet, and yet. The Sible Hedingham ms could have lain undiscovered, in Hedingham Castle as your William Davies suggested. The messenger-golem could be an undiscovered artefact, excavated. But *what* am I to make of the site on the seabed, where even the present depth-readings and geological features contradict Admiralty and satellite surveys?

If we have found Carthage, what else might we find, in the barren land to the south?

I will contact you again immediately after the helicopter flight.

- Pierce * * *

Message: #211 (Pierce Ratcliff) Subject: Ash Date: 16/12/00 at 08.58 a.m.

From: [email protected] Pierce - You people are taking this seriously. Let me talk to Dr Isobel.

- Anna * * *

Message: #216 (Pierce Ratcliff) Subject: Ash Date: 16/12/00 at 09.50 a.m.

From: [email protected] Pierce - Sorry, impatient - what's happened on the flight?? Are you back?

Just heard from Jonathan: although they are unaware of the full extent of your discoveries, the independent film company want to start shooting with you, on site, as soon as they can - before the Christmas break, if possible. What will Dr Isobel say to this?

HAVE YOU FOUND ANYTHING IN THE DESERT?.

- Anna * * *

Message: #383 (Anna Longman) Subject: Ash Date: 16/12/00 at 10.20 a.m.

From: [email protected] Ms Longman - I hope you will not mind if I add something at this juncture.

I think it inadvisable for outside filming to begin here yet. Perhaps after Christmas and the New Year? I am keeping the expedition's own video records up to date, however.

Please, call me Isobel.

I. Napier-Grant * * *

Message: #218 (ING) Subject: Ash Date: 16/12/00 at 10.32 a.m.

From: Dear Isobel, Has Pierce told you that the editor of the second edition of ASH, Vaughan Davies, has reappeared after being missing, thought dead, for sixty years?

Can you confirm what Pierce has told me about the status of your archaeological seabed site off the coast of Tunisia?

Does that have any connection with your reluctance to allow outside film teams in?