Homicide - A Year On The Killing Streets Part 27

"I just talked to him a couple hours back. I told him that this s.h.i.+t was gonna get his a.s.s killed. He just laughed, you know? He laughed and said he was gonna make a little money and then go buy his own s.h.i.+t."

"Well," says Edgerton, "you were right."

At the sound of voices on the adjacent sidewalk, the dealer slumps down inside the car, suddenly aware that he has been talking on the street with a police detective for a quarter of an hour. Two young boys glide past the car and turn the corner onto Hollins Street, eyef.u.c.king the uniforms but never bothering to look into the back seat. Except for the uniforms, the intersection is once again empty.

"Let's hurry this up," the dealer says, suddenly uncomfortable. "A lot of people know me around here and this don't look right."

"Tell me this," says Edgerton, still scanning his notes. "There had to be some people out on that corner, right?"

The dealer nods almost gratefully, content to know the price of his own noninvolvement.

"There were five or six people around," he tells the detective. "A couple girls that live over that way on Hollins with some other boy I don't know. I don't know their names but I see them around. And there was another guy who I do know. He was right there when it happened."

Edgerton flips to a fresh page of his notepad and clicks the top of his city-issue pen. With nothing else said, both men understand that the price of anonymity will be another witness's ident.i.ty. The dealer asks for another cigarette, then a light, then expels both the smoke and the name.

"John Nathan," Edgerton repeats, writing it down. "Where's he live?"

"I think Catherine Street, right off Frederick."

"He deals?"

"Yeah. You all have locked him up."

The detective nods, then closes the notepad. There is only so much cooperation that a detective can expect at the scene of a drug murder, and this kid has just exceeded Edgerton's monthly quota. Instinctively, the dealer reaches over to close the bargain with a handshake. A strange gesture. Edgerton responds, then offers a last warning before opening the car door.

"If this doesn't check out," he says, sliding off the seat with the kid following him out of the car, "I know where to find you, right?"

The dealer nods agreement, then pulls the beret down on his forehead and disappears into the darkness. Edgerton takes another ten minutes to sketch his crime scene and asks the Southwest uniforms a few questions about the name he has just been given. If you see him on the street, he tells the patrolmen, pick his a.s.s up and call homicide.

At half past three in the morning, Edgerton finally manages to get free for the four-block drive to Bon Secours and a visit with his dead man. He's a big one, too-six-foot-one or so with a linebacker's upper body and a tailback's legs. A thirty-year-old addict who lived not a block from where he was shot, Gregory Taylor looks up at the ceiling of the ER through one glazed eye, the other having swollen shut from the fall on Payson Street. Catheters and tubes hang limply from every appendage, lifeless as the body to which they were attached. Edgerton notes the needle tracks on both arms as well as gunshot wounds to the right chest, left hip and upper right arm. All of the wounds appear to be entrances, though with a .22 slug, Edgerton knows, it's hard to tell.

"He looks pretty mean, doesn't he?" says the detective to a nearby uniform. "Big and mean. I guess that explains why there were two of them. I wouldn't want to go out looking for this guy alone, even with a rifle. I'd definitely bring a friend."

The physical evidence suggests two other things to the detective. One: The killing was an act of impulse rather than premeditation. Edgerton knows that from the weapons involved; no shooter with any semblance of professionalism would carry something as c.u.mbersome as a .22 rifle to a planned drug killing. Two: The shooter was mightily p.i.s.sed off at Gregory Taylor, ten shots fired being an obvious indication of displeasure.

Leaning over the dead man's torso, Edgerton draws a human form on a fresh page of his notepad and begins marking wound sites. As he does, a heavyset trauma nurse, her face locked in that unmistakable get-out-of-my-emergency-room expression, walks across the ER, closing the plastic curtain behind her.

"Are you the detective for this one?"

"Yes."

"Do you need his clothes?"

"Yeah, we do, thanks. There should be a uniformed officer here to bag those. I'll see-"

"There's one out in the waiting room with the mother," says the nurse, obviously torn between the joys of irritation and the satisfactions of efficiency. "We're going to need this bed soon."

"The mother is here?"

The nurse nods.

"Okay, then. I need to see her," says Edgerton, opening the curtain. "One other thing. He didn't say anything in the ambulance or once he got here?"

"A-D-A-S-T-W," says the nurse.

"What?"

"A-D-A-S-T-W," she says with a certain pride. "Arrived dead and stayed that way."

Beautiful. Is it any wonder that the easiest extramarital affair for a cop is with an emergency room nurse? What other relations.h.i.+p could be so psychologically symbiotic, so happily diseased in its perspective? h.e.l.l, if they ever get bored with the s.e.x, they can always go to a motel room and give each other att.i.tude. A-D-A-S-T-W.

Edgerton swallows his smile before pus.h.i.+ng through the double doors to find the fifty-eight-year-old mother in the waiting room.

Pearl Taylor takes the detective's hand but says nothing. Edgerton is usually good with the grieving mothers. An attractive, well-dressed man with carefully coifed salt-and-pepper hair and a rich, sonorous voice, he is a walking, talking reminder of the son they never managed to raise. Faced with black male defendants and juries of black women, city prosecutors love to get Edgerton on the witness stand for that very reason.

"I'm very sorry about your son."

The mother shakes her head quickly, then releases the detective's hand.

"We think this happened," says Edgerton, choosing his words with care, "because of an argument that might have had to do with-"

"Drugs," she says, finis.h.i.+ng the sentence. "I know it."

"Is there anyone your son might have had a disagreement ..."

"I don't know anything about his business," she says. "I can't help you with that."

Edgerton contemplates another question, but the woman's plaintive expression changes his mind. It's as if she's waited for this moment for years, waited so long that its arrival can be greeted with familiarity as much as grief.

"I'll do my best," Edgerton tells her, "to find the person responsible."

She looks at him strangely, then shrugs a shoulder before turning away.

TUESDAY, MAY 10.

"Homicide," says Edgerton. "How's it going?"

"It's going," says the desk sergeant, unimpressed. "Nah, f.u.c.k that. It's more than going. It's gone. It's f.u.c.kin' history."

"That bad, huh?"

"What can I do you for?"

"Got a writ for a prisoner," says Edgerton, pulling out a custody form signed by a state's attorney and tossing it on the Southwestern booking desk. Peering at the writ over the top of his reading gla.s.ses, the desk sergeant grunts, coughs, then grinds a cigarette into an overburdened ashtray. He takes the paper slip and steps back, checking the name against the cellblock prisoner log.

"Gone to city jail," the sergeant says.

"You all just called and told me he was here," says Edgerton. "When was your wagon run?"

The sergeant rechecks the name, then walks over to the cellblock door. Calling for the turnkey, he pa.s.ses the paper through the bars, nods an acknowledgment to the man on the other side, then walks back toward the detective. Edgerton watches each labored movement, caught between amus.e.m.e.nt and exasperation. The Midnight Dance of the Universal Desk Sergeant, a performance that is somehow the same whether the precinct house is in Boston or Biloxi. Was there ever a desk sergeant who didn't peer out over reading gla.s.ses? Was there ever a desk man who wanted to be bothered with police work at three in the morning? Was any station house desk ever manned by anything but aging civil servants, six months from their pensions, whose every movement seemed slower than death itself?

"Yeah, John Nathan. We got him," the sergeant says finally. "He gave us a slightly different name."

"Okay then."

"You want him carryout, right?"

"Yeah, he's going downtown."

Five minutes more and the cage door opens for a dark-skinned, pear-shaped kid, who steps slowly into the light of the booking area. Edgerton looks at the bloated little wonder that is his eyewitness and knows immediately that the Hollins Street murder is going down. He knows this from the kid's demeanor. Because not only was this brain-dead corner boy clever enough to get locked up on a drug charge two hours after the shooting, he's now standing here looking more sheepish than sullen. Three A.M. A.M. and the boy can't even manage a decent eyef.u.c.k; when Edgerton pulls out his cuffs, the kid actually pushes his arms forward, palms up. and the boy can't even manage a decent eyef.u.c.k; when Edgerton pulls out his cuffs, the kid actually pushes his arms forward, palms up.

"Don't keep him out too late," says the desk sergeant. "It's a school night."

An old station house line, and Edgerton doesn't laugh. The fat kid says nothing for a moment, then manages a sentence that is more of a statement than a question: "You want to talk to me about Pete, too, man."

"I'm the one who's gonna talk to you for real," says Edgerton, walking his prisoner out the booking area door and into the back seat of the Cavalier. Heading west on Lombard Street, Edgerton makes a point of gesturing toward the medical examiner's building at the intersection of Penn Street.

"You want to wave to your friend?"

"Who's my friend?"

"Pete. The boy from Payson and Hollins."

"He ain't my friend."

"No, huh?" says Edgerton. "So I guess you don't want to wave to him?"

"Where he now?"

"Right there. The white building."

"What's he doing there?"

"Not a h.e.l.luva lot," says Edgerton. "That's the morgue, yo."

The detective checks the rearview mirror and satisfies himself that there isn't a trace of surprise in the fat kid's face. He's been locked up at the Southwest since early yesterday morning, but he knows about the murder.

"I don't know no more about that s.h.i.+t," the kid offers after a five-second delay. "Don't know why you got to take me from the Southwest District to talk to me."

Edgerton slows the Cavalier to the curb lane, then wheels around in his seat and glares hard at the kid's dark, bloated face. The kid looks back evenly, but Edgerton can already sense some small kernel of fear.

"You don't need to know," says Edgerton coldly, turning back and speeding up again. "We're going to start over like you never met another cop in your whole life. Just forget you ever dealt with a cop any other time in your life because they ain't never talked to you like I'm gonna talk to you."

"You gonna talk to me."

"You got it."

"I don't know s.h.i.+t."

"You were there," says Edgerton.

"I wasn't nowhere."

Edgerton slows the car and turns around again. The kid actually flinches a bit.

"You were there," says Edgerton slowly.

This time the fat kid says nothing, and Edgerton drives the remaining six blocks in cold silence. Two hours, the detective tells himself. One hour and forty minutes for fat boy here to tell me everything that happened on Payson Street; twenty minutes to write it up and initial each page.

Predictions don't mean much in the interrogation room; Edgerton proved as much to himself three weeks ago when he went at his best suspect in the Brenda Thompson killing in a third and final interview. That day, Edgerton went into the box predicting a confession and emerged six hours later with nothing but lies. Still, he can't help but be optimistic this time around. For one thing, the kid in the back seat isn't the target but merely a witness. For another, he has managed to collect a drug charge that can be used for leverage. Lastly, John Nathan has no heart; he proved as much a minute ago.

Back at the homicide office, Edgerton shepherds the kid into the large interrogation room, then goes into his monologue. Twenty minutes later, the boy is nodding in semiagreement. In all, it requires a little more than ninety minutes before Edgerton has a viable account of the shooting on Payson Street, an account that conforms to everything he learned at the scene.

By Nathan's account, Gregory Taylor was indeed burning customers with fake dime bags, then firing the profits into his own arms. Even judged against the fleeting standards of the urban drug trade, this was not exactly a long-term career move. Taylor eventually burned a couple boys from down by the Gilmor Homes, then made the mistake of staying out on the corner too long. The boys came back in an old pickup, jumped on Taylor with rifles and demanded their money back. Sizing up the situation correctly, the victim coughed up two $10 bills, but one customer was still unsatisfied. He opened up with the rifle, chasing Taylor across the intersection, firing one round after another as the victim collapsed on the asphalt. The two gunmen then ran back to the pickup and drove south on Payson toward Frederick.

During the brief interrogation, Nathan gives up real names, street names, physical descriptions and approximate addresses-every last little detail. When Edgerton walks back into the main office, he has everything he needs for a pair of search and seizure warrants.

And yet none of that seems to matter the following morning when the administrative lieutenant-the supervisor who serves as a direct aide to the captain-reads the 24-hour report and learns that Edgerton questioned a witness at the scene without bringing the man downtown. Inappropriate, the lieutenant complains. Irregular. Against standard procedure. Such behavior shows bad judgment, perhaps even laziness.

"What the f.u.c.k does he know about investigation?" says Edgerton angrily when Roger Nolan tells him of the complaints on the following midnight s.h.i.+ft. "He sits in that office and does arithmetic. When did he ever get out on the street and work a case?"

"Easy, Harry. Easy."

"I got everything I needed from that guy at the scene," storms Edgerton. "What the f.u.c.k does it matter whether I talk to him there or here?"

"I know ..."

"I'm sick of these f.u.c.king politicians."

Nolan sighs. As Edgerton's sergeant, he's caught between the captain and D'Addario, for whom Edgerton has become ammunition in a shooting war. If Edgerton handles calls and solves murders, he vindicates his s.h.i.+ft lieutenant; if he doesn't, he serves the captain and the admin lieutenant as prima facie evidence of lax supervision on D'Addario's s.h.i.+ft.

But now the situation is even worse. Not only does Nolan have to contend with the external politics, but he's also got serious problems in his squad. Edgerton has become a lightning rod; Kincaid, in particular, can't abide the younger detective.

A veteran investigator of the old school, Kincaid puts stock in the way a man serves his unit. By that reckoning, a good detective shows up early for work to relieve the previous s.h.i.+ft; he answers the phone, handling as many calls as come his way; he covers for his partner and his squad members, helping them with witnesses or even scenes without having to be asked. It is a gratifying portrait of the investigator as a cooperative ent.i.ty, a team player, and Kincaid has spent twenty-two years fas.h.i.+oning himself in that image. For seven of those years, he worked murders with Eddie Brown, an interracial team made especially amusing by Kincaid's hillbilly drawl. And for the last two years, he has partnered with anyone and everyone on D'Addario's s.h.i.+ft willing to share a call with him.

All of which makes Edgerton simply incomprehensible to Kincaid. It isn't so much a personal dislike, the older detective tells others in the office. After all, not two weeks ago he spent time with Edgerton at McAllister's squad party, a summer barbecue to which Edgerton brought his wife and young son. Harry was good company that afternoon, even a little bit charming, Kincaid had to concede. Granting the differences in youth, in race, in his New York urbanity, Edgerton might not be Kincaid's first choice for a drinking buddy, but in the end, the feud had less to do with personalities than with Edgerton's lack of any communal instinct, his indifference to the station house camaraderie that had always been so valuable to Kincaid.

To Edgerton, the consummate loner, homicide investigation is an isolated, individual pursuit. It is, in his mind, a singular contest between one detective and his killer, a contest in which the other detectives, the sergeants, the lieutenants and every other organism in the police department have no appropriate role beyond getting out of the primary detective's path. This was, in essence, Edgerton's strength and at the same time his weakness. Share and share alike would never be his credo, and consequently Edgerton would always be a source of discontent to his squad. But when he did catch a murder, he wouldn't s.h.i.+rk. Unlike many detectives who learn to work a murder only until the phone rings with the next dispatcher's call, Edgerton would bury himself in a case file until a sergeant came along to drag him kicking and screaming to the next a.s.signment.

"It's h.e.l.l getting Harry to take a case," explained Terry McLarney on one occasion. "You've got to grab him by the shoulders and yell, 'Harry. This one's yours.' But once you do that, he'll work it to death."

No, Edgerton will not handle his share of suicides, overdose deaths, or cellblock hangings. He will not take orders for anyone else when traveling to Crazy John's for a cheesesteak, and if asked to bring something back, he will surely forget. No, he will not be a workhorse like Garvey or Worden, a central force around whom the rest of a squad establishes its...o...b..t. And it is true that when some rookie cop fires six-on-the-whistle at the scene of some gas station robbery, Edgerton will probably not volunteer to help sort through witness statements and collate reports. But, if left alone, he will give a squad eight or nine good clearances a year.

Having supervised Edgerton when the two were in the Eastern District, Nolan has for a long time understood the necessary tradeoff. Edgerton was one of the most talented, intelligent patrolmen in Nolan's sector-even if the rest of the uniforms didn't know what to make of him. He could be inconsiderate, at times even a little irresponsible, but nothing happened on that Greenmount Avenue post that he didn't know about. The same was true up in homicide; Edgerton may drift off into the ether for a day or two, but Nolan could be a.s.sured that in the end, Harry's cases would get worked. Hard.

"Don't worry about it," Nolan told Edgerton after one of Kincaid's angry tirades. "You just keep doing what you're doing."

For Nolan, the trick was to keep his squad together by keeping the friction points apart. Everyone to his proper orbit: Kincaid with Bowman and Garvey, Edgerton, alone or with Nolan himself when he occasionally needed a secondary. Suddenly, however, that had become impossible.