Nightmares And Dreamscapes Part 12

A long, static-filled silence. Then a very small voice, utterly unlike Farmer John's previous hearty 'Hey bo'!' delivery, said, 'You're cleared to land Runway 34, N471B.'

Dees smiled and homed in on the runway.

He depressed the mike b.u.t.ton and said, 'I got mean and yelling. I'm sorry. It only happens when I almost die.'

No response from the ground.

'Well, f.u.c.k you very much,' Dees said, and then headed on down, resisting the impulse to take a quick glance at his watch as he did so.

7.

Dees was case-hardened and proud of it, but there was no use kidding himself; what he found in Duffrey gave him the creeps. The Night Flier's Cessna had spent another entire day - July 31st - on the ramp, but that was really only where the creeps began. It was the blood his loyal Inside View readers would care about, of course, and that was just as it should be, world without end, amen, amen, but Dees was increasingly aware that blood (or, in the case of good old Ray and Ellen Sarch, the lack of blood) was only where this story started. Below the blood were caverns dark and strange.

Dees arrived in Duffrey on August 8th, by then barely a week behind the Night Flier. He wondered again where his batty buddy went between strikes. Disney World? Busch Gardens? Atlanta, maybe, to check out the Braves? Such things were relatively small potatoes right now, with the chase still on, but they would be valuable later on. They would become, in fact, the journalistic equivalent of Hamburger Helper, stretching the leftovers of the Night Flier story through a few more issues, allowing readers to resavor the flavor even after the biggest chunks of raw meat had been digested.

Still, there were caverns in this story - dark places into which a man might drop and be lost forever. That sounded both crazy and corny, but by the time Dees began to get a picture of what had gone on in Duffrey, he had actually begun to believe it . . . which meant that part of the story would never see print, and not just because it was personal. It violated Dees's single iron-clad rule: Never believe what you publish, and never publish what you believe. It had, over the years, allowed him to keep his sanity while those all about him had been losing theirs.

He had landed at Was.h.i.+ngton National - a real airport for a change - and rented a car to take him the sixty miles to Duffrey, because without Ray Sarch and his wife, Ellen, there was no Duffrey Airfield. Aside from Ellen's sister, Raylene, who was a pretty fair Socket Wrench Susie, the two of them had been the whole shebang. There was a single oiled-dirt runway (oiled both to lay the dust and to discourage the growth of weeds) and a control booth not much bigger than a closet attached to the Jet-Aire trailer where the Sarch couple lived. They were both retired, both fliers, both reputedly as tough as nails, and still crazy in love with each other even after almost five decades of marriage.

Further, Dees learned, the Sarches watched the private air-traffic in and out of their field with a close eye; they had a personal stake in the war on drugs. Their only son had died in the Florida Everglades, trying to land in what looked like a clear stretch of water with better than a ton of Acapulco Gold packed into a stolen Beech 18. The water had been clear . . . except for a single stump, that was. The Beech 18 hit it, water-looped, and exploded. Doug Sarch had been thrown clear, his body smoking and singed but probably still alive, as little as his grieving parents would want to believe such a thing. He had been eaten by gators, and all that remained of him when the DBA guys finally found him a week later was a dismembered skeleton, a few maggoty sc.r.a.ps of flesh, a charred pair of Calvin Klein jeans, and a sport coat from Paul Stuart, New York. One of the sport-coat pockets had contained better than twenty thousand dollars in cash; another had yielded nearly an ounce of Peruvian flake cocaine.

'It was drugs and the motherf.u.c.kers who run em killed my boy,' Ray Sarch had said on several occasions, and Ellen Sarch was willing to double and redouble on that one. Her hatred of drugs and drug dealers, Dees was told again and again (he was amused by the nearly unanimous feeling in Duffrey that the murder of the elderly Sarches had been a 'gangland hit'), was exceeded only by her grief and bewilderment over the seduction of her son by those very people.

Following the death of their son, the Sarches had kept their eyes peeled for anything or anyone who looked even remotely like a drug transporter. They had brought the Maryland State Police out to the field four times on false alarms, but the State Bears hadn't minded because the Sarches had also blown the whistle on three small transporters and two very big ones. The last had been carrying thirty pounds of pure Bolivian cocaine. That was the kind of bust that made you forget a few false alarms, the sort of bust that made promotions.

So very late in the evening of July 30th comes this Cessna Skymaster with a number and description that had gone out to every airfield and airport in America, including the one in Duffrey; a Cessna whose pilot had identified himself as Dwight Renfield, point of origination, Baysh.o.r.e Airport, Delaware, a field which had never heard of 'Renfield' or a Skymaster with tail-number N101BL; the plane of a man who was almost surely a murderer.

'If he'd flown in here, he'd be in the stir now,' one of the Baysh.o.r.e controllers had told Dees over the phone, but Dees wondered. Yes. He wondered very much.

The Night Flier had landed in Duffrey at 11:27 P.M., and 'Dwight Renfield' had not only signed the Sarches' logbook but also had accepted Ray Sarch's invitation to come into the trailer, have a beer, and watch a rerun of Gunsmoke on TNT. Ellen Sarch had told all of this to the proprietor of the Duffrey Beauty Bar the following day. This woman, Selida McCam-mon, had identified herself to Dees as one of the late Ellen Sarch's closest friends.

When Dees asked how Ellen had seemed, Selida had paused and then said, 'Dreamy, somehow. Like a high-school girl with a crush, almost seventy years old or not. Her color was so high I thought it was make-up, until I started in on her perm. Then I saw that she was just . . . you know . . . ' Selida McCammon shrugged. She knew what she meant but not how to say it.

'Het up,' Dees suggested, and that made Selida McCammon laugh and clap her hands.

'Het up! That's it! You're a writer, all right!'

'Oh, I write like a boid,' Dees said, and offered a smile he hoped looked good-humored and warm. This was an expression he had once practiced almost constantly and continued to practice with fair regularity in the bedroom mirror of the New York apartment he called his home, and in the mirrors of the hotels and motels that were really his home. It seemed to work - Selida McCammon answered it readily enough - but the truth was that Dees had never felt good-humored and warm in his life. As a kid he had believed these emotions didn't really exist at all; they were just a masquerade, a social convention. Later on he decided he had been wrong about that; most of what he thought of as 'Reader's Digest emotions' were real, at least for most people. Perhaps even love, the fabled Big Enchilada, was real. That he himself could not feel these emotions was undoubtedly a shame, but hardly the end of the world. There were, after all, people out there with cancer, and AIDS, and the memory-spans of brain-damaged parakeets. When you looked at it that way, you quickly realized that being deprived of a few huggy-kissy emotions was fairly small beans. The important thing was that if you could manage to stretch the muscles of your face in the right directions every now and then, you were fine. It didn't hurt and it was easy; if you could remember to zip up your fly after you took a leak, you could remember to smile and look warm when it was expected of you. And an understanding smile, he had discovered over the years, was the world's best interview tool. Once in awhile a voice inside asked him what his own inside view was, but Dees didn't want an inside view. He only wanted to write and to take photographs. He was better at the writing, always had been and always would be, and he knew it, but he liked the photographs better just the same. He liked to touch them. To see how they froze people either with their real faces hung out for the whole world to see or with their masks so clearly apparent that they were beyond denial. He liked how, in the best of them, people always looked surprised and horrified. How they looked caught.

If pressed, he would have said the photographs provided all the inside view he needed, and the subject had no relevance here, anyway. What did was the Night Flier, his little batty buddy, and how he had waltzed into the lives of Ray and Ellen Sarch a week or so earlier.

The Flier had stepped out of his plane and walked into an office with a red-bordered FAA notice on the wall, a notice which suggested there was a dangerous guy out there driving a Cessna Skymaster 337, tail-number N101BL, who might have murdered two men. This guy, the notice went on, might or might not be calling himself Dwight Renfield. The Skymaster had landed, Dwight Renfield had signed in and had almost surely spent the following day in the belly-hold of his plane. And what about the Sarches, those two sharp-eyed old folks?

The Sarches had said nothing; the Sarches had done nothing.

Except that latter wasn't quite right, Dees had discovered. Ray Sarch had certainly done something; he had invited the Night Flier in to watch an old Gunsmoke episode and drink a beer with his wife. They had treated him like an old friend. And then, the next day, Ellen Sarch had made an appointment at the Beauty Bar, which Selida McCammon had found surprising; Ellen's visits were usually as regular as clockwork, and this one was at least two weeks before Selida would next have expected her. Her instructions had been unusually explicit; she had wanted not just the usual cut but a perm . . . and a little color, too.

'She wanted to look younger,' Selida McCammon told Dees, and then wiped a tear from one cheek with the side of her hand.

But Ellen Sarch's behavior had been pedestrian compared to that of her husband. He had called the FAA at Was.h.i.+ngton National and told them to issue a NOTAM, removing Duffrey from the active-airfield grid, at least for the time being. He had, in other words, pulled down the shades and closed up the shop.

On his way home, he'd stopped for gas at the Duffrey Texaco and told Norm Wilson, the proprietor, that he thought he was coming down with the flu. Norm told Dees that he thought Ray was probably right about that -he'd looked pale and wan, suddenly even older than his years.

That night, the two vigilant fire wardens had, in effect, burned to death. Ray Sarch was found in the little control room, his head torn off and cast into the far corner, where it sat on a ragged stump of neck, staring toward the open doorway with wide, glazed eyes, as if there were actually something there to see.

His wife had been found in the bedroom of the Sarch trailer. She was in bed. She was dressed in a peignoir so new it might never have been worn before that night. She was old, a deputy had told Dees (at twenty-five dollars he was a more expensive f.u.c.k than Ezra the Amazing Gin-Head Mechanic, but worth it), but you still only had to take one look to know that there was a woman who'd dressed for bed with loving on her mind. Dees had liked the c w tw.a.n.g so much that he wrote it down in his notebook. Those huge, spike-sized holes were driven into her neck, one in the carotid, the other in the jugular. Her face was composed, her eyes closed, her hands on her bosom.

Although she had lost almost every drop of blood in her body, there were only spots on the pillows beneath her, and a few more spots on the book which lay open on her stomach: The Vampire Lestat, by Anne Rice.

And the Night Flier?

Sometime just before midnight on July 31st, or just after it on the morning of August 1st, he had simply flown away. Like a boid.

Or a bat.

8.

Dees touched down in Wilmington seven minutes before official sunset. While he was throttling back, still spitting blood out of his mouth from the cut below his eye, he saw lightning strike down with blue-white fire so intense that it nearly blinded him. On the heels of the light came the most deafening thunderclap he had ever heard. His subjective opinion of the sound was confirmed when another window in the pa.s.senger compartment, stellated by the near miss with the Piedmont 727, now coughed inward in a spray of junk-shop diamonds.

In the brilliant glare he saw a squat, cubelike building on the port side of Runway 34 impaled by the bolt. It exploded, shooting fire into the sky in a column that, although brilliant, did not even come close to the power of the bolt that had ignited it.

Like lighting a stick of dynamite with a baby nuke, Dees thought confusedly, and then: The genny. That was the genny.

The lights - all of them, the white lights that marked the edges of the runway and the bright red bulbs that marked its end - were suddenly gone, as if they had been no more than candles puffed out by a strong gust of wind. All at once Dees was rus.h.i.+ng at better than eighty miles an hour from dark into dark.

The concussive force of the explosion which had destroyed the airport's main generator struck the Beech like a fist - did more than strike it, hammered it like a looping haymaker. The Beech, still hardly knowing it had become a ground-bound creature again, skittered affrightedly to starboard, rose, and came down with the right wheel pogoing up and down over something - somethings - that Dees vaguely realized were landing lights.

Go port! his mind screamed. Go port, you a.s.shole!

He almost did before his colder mind a.s.serted itself. If he hauled the wheel to port at this speed, he would ground-loop. Probably wouldn't explode, considering how little fuel was left in the tanks, but it was possible. Or the Beech might simply twist apart, leaving Richard Dees from the gut on down twitching in his seat, while Richard Dees from the gut on up went in a different direction, trailing severed intestines like party-favors and dropping his kidneys on the concrete like a couple of oversized chunks of birds.h.i.+t.

Ride it out! he screamed at himself. Ride it out, you son of a b.i.t.c.h, ride it out!

Something - the genny's secondary LP tanks, he guessed when he had time for guessing - exploded then, buffeting the Beech even farther to starboard, but that was okay, it got him off the dead landing lights, and all at once he was running with relative smoothness again, port wheel on the edge of Runway 34, starboard wheel on the spooky verge between the lights and the ditch he had observed on the right of the runway. The Beech was still shuddering, but not badly, and he understood that he was running on one flat, the starboard tire shredded by the landing lights it had crushed.

He was slowing down, that was what mattered, the Beech finally beginning to understand that it had become a different thing, a thing that belonged to the land again. Dees was starting to relax when he saw the wide-body Learjet, the one the pilots called Fat Albert, looming ahead of him, parked insanely across the runway where the pilot had stopped on his taxi out to Runway 5.

Dees bore down on it, saw lighted windows, saw faces staring out at him with the gape of idiots in an asylum watching a magic trick, and then, without thinking, he pushed full right rudder, bouncing the Beech off the runway and into the ditch, missing the Lear by approximately an inch and a half. He heard faint screams but was really aware of nothing but the now exploding in front of him like a string of firecrackers as the Beech tried to become a thing of the air again, helpless to do so with the flaps down and the engines dropping revs but trying anyway; there was a leap like a convulsion in the dying light of the secondary explosion, and then he was skidding across a taxi way, seeing the General Aviation Terminal for a moment with its corners lit by emergency lights that ran on storage batteries, seeing the parked planes - one of them almost surely the Night Flier's Skymaster - as dark crepe-paper silhouettes against a baleful orange light that was the sunset, now revealed by the parting thunderheads.

I'm going over! he screamed to himself, and the Beech did try to roll; the port wing struck a fountain of sparks from the taxiway nearest the terminal and its tip actually broke free, wheeling off into the scrub where friction-heat awoke a dim fire in the wet weeds.

Then the Beech was still, and the only sounds were the snowy roar of static from the radio, the sound of broken bottles fizzing their contents onto the carpet of the pa.s.senger compartment, and the frenzied hammering of Dees's own heart. He slammed the pop release on his harness and headed for the pressurized hatch even before he was totally sure he was alive.

What happened later he remembered with eidetic clarity, but from the moment the Beech skidded to a stop on the taxiway, a.s.s-end to the Lear and tilted to one side, to the moment he heard the first screams from the terminal, all he remembered for sure was swinging back to get his camera. He couldn't leave the plane without his camera; the Nikon was the closest thing Dees had to a wife. He'd bought it in a Toledo hockshop when he was seventeen and kept it with him ever since. He had added lenses, but the basic box was about the same now as it had been then; the only modifications had been the occasional scratch or dent that came with the job. The Nikon was in the elasticized pocket behind his seat. He pulled it out, looked at it to make sure it was intact, saw that it was. He slung it around his neck and bent over the hatch.

He threw the lever, jumped out and down, staggered, almost fell, and caught his camera before it could strike the concrete of the taxiway. There was another growl of thunder, but only a growl this time, distant and unthreatening. A breeze touched him like the caressing touch of a kind hand on his face . . . but more icily below the belt. Dees grimaced. How he had p.i.s.sed his pants when his Beech and the Piedmont jet had barely sc.r.a.ped by each other would also not be in the story.

Then a thin, drilling shriek came from the General Aviation Terminal - a scream of mingled agony and horror. It was as if someone had slapped Dees across the face. He came back to himself. He centered on his goal again. He looked at his watch. It wasn't working. Either the concussion had broken it or it had stopped. It was one of those amusing antiques you had to wind up, and he couldn't remember when he had last done it.

Was it sunset? It was f.u.c.king dark out, yes, but with all the thunderheads ma.s.sed around the airport, it was hard to tell how much that meant. Was it?

Another scream came - no, not a scream, a screech - and the sound of breaking gla.s.s.

Dees decided sunset no longer mattered.

He ran, vaguely aware that the genny's auxiliary tanks were still burning and that he could smell gas in the air. He tried to increase his speed but it seemed he was running in cement. The terminal was getting closer, but not very fast. Not fast enough.

'Please, no! Please, no! PLEASE NO! OH PLEASE, PLEASE NO!'

This scream, spiraling up and up, was suddenly cut off by a terrible, inhuman howl. Yet there was something human in it, and that was perhaps the most terrible thing of all. In the chancy light of the emergency lamps mounted on the corners of the terminal, Dees saw something dark and flailing shatter more gla.s.s in the wall of the terminal that faced the parking area - that wall was almost entirely gla.s.s - and come flying out. It landed on the ramp with a soggy thud, rolled, and Dees saw it was a man.

The storm was moving away but lightning still flickered fitfully, and as Dees ran into the parking area, panting now, he finally saw the Night Flier's plane, N101BL painted boldly on the tail. The letters and numbers looked black in this light, but he knew they were red and it didn't matter, anyway. The camera was loaded with fast black-and-white film and armed with a smart flash which would fire only when the light was too low for the film's speed.

The Skymaster's belly-hold hung open like the mouth of a corpse. Below it was a large pile of earth in which things squirmed and moved. Dees saw this, did a double-take, and skidded to a stop. Now his heart was filled not just with fright but with a wild, capering happiness. How good it was that everything had come together like this!

Yes, he thought, but don't you call it luck - don't you dare call it luck. Don't you even call it hunch.

Correct. It wasn't luck that had kept him holed up in that s.h.i.+tty little motel room with the clanky air-conditioner, not hunch - not precisely hunch, anyway - that had tied him to the phone hour after hour, calling flyspeck airports and giving the Night Flier's tail-number over and over again. That was pure reporter's instinct, and here was where it all started paying off. Except this was no ordinary payoff; this was the jackpot, El Dorado, that fabled Big Enchilada.

He skidded to a stop in front of the yawning belly-hold and tried to bring the camera up. Almost strangled himself on the strap. Cursed. Unwound the strap. Aimed.

From the terminal came another scream - that of a woman or a child. Dees barely noticed. The thought that there was a slaughter going on in there was followed by the thought that slaughter would only fatten the story, and then both thoughts were gone as he snapped three quick shots of the Cessna, making sure to get the gaping belly-hold and the number on the tail. The auto-winder hummed.

Dees ran on. More gla.s.s smashed. There was another thud as another body was ejected onto the cement like a rag doll that had been stuffed full of some thick dark liquid like cough-syrup. Dees looked, saw confused movement, the billowing of something that might have been a cape . . . but he was still too far away to tell. He turned. Snapped two more pictures of the plane, these shots dead-on. The gaping belly-hold and the pile of earth would be stark and undeniable in the print.

Then he whirled and ran for the terminal. The fact that he was armed with only an old Nikon never crossed his mind.

He stopped ten yards away. Three bodies out here, two adults, one of each s.e.x, and one that might have been either a small woman or a girl of thirteen or so. It was hard to tell with the head gone.

Dees aimed the camera and fired off six quick shots, the flash flickering its own white lightning, the auto-winder making its contented little whizzing sound.

His mind never lost count. He was loaded with thirty-six shots. He had taken eleven. That left twenty-five. There was more film stuffed into the deep pockets of his slacks, and that was great . . . if he got a chance to reload. You could never count on that, though; with photographs like these, you had to grab while the grabbing was good. It was strictly a fast-food banquet.

Dees reached the terminal and yanked open the door.

9.

He thought he had seen everything there was to see, but he had never seen anything like this. Never.

How many? his mind yammered. How many you got? Six? Eight? Maybe a dozen?

He couldn't tell. The Night Flier had turned the little private terminal into a knacker's shop. Bodies and parts of bodies lay everywhere. Dees saw a foot clad in a black Converse sneaker; shot it. A ragged torso; shot it. Here was a man in a greasy mechanic's coverall who was still alive, and for a weird moment he thought it was Ezra the Amazing Gin-Head Mechanic from c.u.mberland County Airport, but this guy wasn't just going bald; this guy had entirely made the grade. His face had been chopped wide open from forehead to chin. His nose lay in halves, reminding Dees for some mad reason of a grilled frankfurter, split and ready for the bun.

Dees shot it.

And suddenly, just like that, something inside him rebelled and screamed No more! in an imperative voice it was impossible to ignore, let alone deny.

No more, stop, it's over!

He saw an arrow painted on the wall, with the words THIS WAY TO COMFORT STATIONS below it. Dees ran in the direction the arrow pointed, his camera flapping.

The men's room happened to be the first one he came to, but Dees wouldn't have cared if it was the aliens' room. He was weeping in great, harsh, hoa.r.s.e sobs. He could barely credit the fact that these sounds were coming from him. It had been years since he had wept. He'd been a kid the last time.

He slammed through the door, skidded like a skier almost out of control, and grabbed the edge of the second basin in line.

He leaned over it, and everything came out in a rich and stinking flood, some of it splattering back onto his face, some landing in brownish clots on the mirror. He smelled the take-out chicken Creole he'd eaten hunched over the phone in the motel room - this had been just before he'd hit paydirt and gone racing for his plane - and threw up again, making a huge grating sound like overstressed machinery about to strip its gears.

Jesus, he thought, dear Jesus, it's not a man, it can't be a man - That was when he heard the sound.

It was a sound he had heard at least a thousand times before, a sound that was commonplace in any American man's life . . . but now it filled him with a dread and a creeping terror beyond all his experience or belief.

It was the sound of a man voiding into a urinal.

But although he could see all three of the bathroom's urinals in the vomit-splattered mirror, he could see no one at any of them.

Dees thought: Vampires don't cast reflec - Then he saw reddish liquid striking the porcelain of the center urinal, saw it running down that porcelain, saw it swirling into the geometric arrangement of holes at the bottom.

There was no stream in the air; he saw it only when it struck the dead porcelain.

That was when it became visible.

He was frozen. He stood, hands on the edge of the basin, his mouth and throat and nose and sinuses thick with the taste and smell of chicken Creole, and watched the incredible yet prosaic thing that was happening just behind him.

I am, he thought dimly, watching a vampire take a p.i.s.s.

It seemed to go on forever - the b.l.o.o.d.y urine striking the porcelain, becoming visible, and swirling down the drain. Dees stood with his hands planted on the sides of the basin into which he had thrown up, gazing at the reflection in the mirror, feeling like a frozen gear in some vast jammed machine.

I'm almost certainly dead meat, he thought.

In the mirror he saw the chromed handle go down by itself. Water roared.