The Harry Bosch Novels Vol I Part 54

"What, you give me a room and money and you think I'm going to talk to you? I've seen TV, man. The whole thing was a hoax, you and that guy."

"Don't misunderstand, kid. I'm doing this because it's something that I need to do. It doesn't mean I think what you do for a living is okay. I don't. If I ever see you out on the street again I'm going to come down on you. It's a pretty f.u.c.king desperate chance but it's a chance just the same. Do with it what you want. You can go. It's no hoax."

The boy opened the car door and got out. He looked back in at Bosch.

"Then why're you doing it?"

"I don't know. I guess 'cause you told him to go to h.e.l.l. I should've said that and I didn't. I gotta go."

The boy looked at him a moment before speaking.

"You know, man, Dance's gone. I don't know why you're all worried about him."

"Look, kid, I didn't do -"

"I know."

Harry just looked at him.

"He left, man. Left town. He said our source split and so he went down to see if he could get the thing going again. You know, he wants to step up and be the source, now."

"Down?"

"He said Mexico, but that's all I know. He's gone. That's why I was doing sherms."

The boy closed the door and disappeared into the courtyard of the motel. Bosch sat there thinking and Rickard's question came back to him. Where would the boy be in a year? Then he thought of himself staying in rundown motels so many years ago. Bosch had made it through. Had survived. There was always the chance. He restarted the car and pulled out.

CHAPTER 16

Talking to the kid sealed it. Bosch knew he was going to Mexico. All the spokes on the wheel pointed to the hub. The hub was Mexicali. But, then, he'd known that all along.

He drove to the station on Wilc.o.x, trying to determine a strategy. He knew he would have to contact Aguila, the State Judicial Police officer who had sent the letter identifying Juan Doe #67 to the consulate. He would also have to contact the DEA, which had provided the intelligence report to Moore. He would have to get the trip cleared by Pounds, but he knew that might end it right there. He would have to work around that.

In the bureau, the homicide table was empty. It was after four on a Friday, and a holiday week as well. With no new cases, the detectives would clear out as soon as possible to go home to families and lives outside the cop-shop. Harry could see Pounds in his gla.s.s booth; his head was down and he was writing on a piece of paper, using his ruler to keep his sentences on a straight line.

Bosch sat down and checked through a pile of pink message slips at his spot. Nothing needing an immediate return. There were two from Bremmer at the Times Times but he had left the name Jon Marcus - a code they had once worked out so it would not become known that the reporter was calling for Bosch. There were a couple from DAs who were prosecuting cases Harry had worked and needed information or the location of evidence. There was a message that Teresa had called but he looked at the time on the note and saw that he had seen her since then. He guessed that she had called to tell him she wasn't talking to him. but he had left the name Jon Marcus - a code they had once worked out so it would not become known that the reporter was calling for Bosch. There were a couple from DAs who were prosecuting cases Harry had worked and needed information or the location of evidence. There was a message that Teresa had called but he looked at the time on the note and saw that he had seen her since then. He guessed that she had called to tell him she wasn't talking to him.

There was no message from Porter and no message from Sylvia Moore. He took out the copy of the inquiry from Mexicali that the missing-persons detective, Capetillo, had given him and dialed the number Carlos Aguila had provided. The number was a general exchange for the SJP office. His Spanish was unconfident despite his recent refresher, and it took Bosch five minutes of explanations before he was connected to the investigations unit and asked once again for Aguila. He didn't get him. Instead, he got a captain who spoke English and explained that Aguila was not in the office but would return later and would also be working Sat.u.r.day. Bosch knew that the cops in Mexico worked six-day weeks.

"Can I be of help?" the captain asked.

Bosch explained that he was investigating a homicide and was answering the inquiry Aguila had sent to the consulate in Los Angeles. The description was similar to the body he had. The captain explained that he was familiar with the case, that he had taken the report before handing the case to Aguila. Bosch asked whether there were fingerprints available to confirm the identification but the captain said there were none. Chalk one up for Capetillo, Bosch thought.

"Perhaps you have a photograph from your morgue of this man that you could send to us," the captain said. "We could make identification from the family of Mr. Gutierrez-Llosa."

"Yes. I have photos. The letter said Gutierrez-Llosa was a laborer?"

"Yes. He found day work at the circle where employers come to find workers. Beneath the statue of Benito Juarez."

"Do you know if he worked at a place, a business called EnviroBreed? It does business with the state of California."

There was a long silence before the Mexican replied.

"I am sorry. I do not know of his work history. I have taken notes and will discuss this with Investigator Aguila upon his return. If you send the photographs we will act promptly on securing positive identification. I will personally expedite this matter and contact you."

Now Bosch let silence fill the phone connection.

"Captain, I didn't get your name."

"Gustavo Grena, director of investigations, Mexicali."

"Captain Grena, please tell Aguila that he will have the photos tomorrow."

"That soon?"

"Yes. Tell him I'm bringing them down myself."

"Investigator Bosch, this is not necessary. I believe -"

"Don't worry, Captain Grena," Bosch cut him off. "Tell him I will be there by early afternoon, no later."

"As you wish."

Bosch thanked him and hung up. He looked up and saw Pounds staring at him through the gla.s.s in his office. The lieutenant raised his thumb and his eyebrows in an inquiring, pleading way. Bosch looked away.

A laborer, Bosch thought. Fernal Gutierrez-Llosa was a day laborer who got jobs at the circle, whatever that was. How did a day laborer fit? Perhaps he was a mule who brought black ice across the border. And perhaps he had not been a part of the smuggling operation at all. Perhaps he had done nothing to warrant his death other than to be somewhere he should not have been, seen something he should not have seen.

What Bosch had were just parts of the whole. What he needed was the glue that would correctly hold them together. When he had first received his gold s.h.i.+eld he had a partner on the robbery table in Van Nuys who told him that facts weren't the most important part of an investigation, the glue was. He said the glue was made of instinct, imagination, sometimes guesswork and most times just plain luck.

Two nights earlier Bosch had looked at the facts that lay inside a rundown motel room and from them extrapolated a cop's suicide. He now knew he'd been wrong. He considered the facts again, along with everything else he had collected, and this time he saw a cop's murder as one of several connected murders. If Mexicali was the hub of the wheel with so many spokes, then Moore was the bolt that held the wheel on.

He took out his notebook and looked up the name of the DEA agent who was listed on the intelligence report Moore had put in the Zorrillo file. He then got the DEA's local number out of his Rolodex and dialed it. The man who answered asked who was calling when Bosch asked for Corvo.

"Tell him it's the ghost of Calexico Moore."

One minute later a voice said, "Who's this?"

"Corvo?"

"Look, you want to talk, give me an ID. Otherwise I hang up."

Bosch identified himself.

"What's with the ruse, man?"

"Never mind. I want to meet."

"You haven't given me a reason yet."

"You want a reason? Okay. Tomorrow morning, I'm going to Mexicali. I'm going after Zorrillo. I could use some help from somebody who knows his s.h.i.+t. I thought you might want to talk first. Being that you were Cal Moore's source."

"Who says I even knew the guy?"

"You took my call, didn't you? You also were pa.s.sing DEA intelligence to him. He told me."

"Bosch, I spent seven years under. You trying to bluff me? Uh-uh. Try some of the eightball dealers on Hollywood Boulevard. They might buy your line."

"Look, man, at seven o'clock I'll be at the Code Seven, in the back bar. After that, I'll be heading south. It's your choice. If I see you, I see you."

"And if I decide to show up, how will I know you?"

"Don't worry. I'll know you. You'll be the guy who still thinks he's under-cover."

When he hung up, Harry looked up and saw Pounds hovering near the homicide table, standing there reading the latest CAP report, another sore subject for the division's statisticians. Crimes Against Persons, meaning all crimes of violence, were growing at a rate faster than the overall crime rate. That meant not only was crime going up but the criminals were becoming meaner, more p.r.o.ne to violence. Bosch noticed the white dust on the upper part of the lieutenant's pants. It was there often and was cause for great comical debate and derision in the squad room. Some of the d.i.c.ks said he was probably blowing c.o.ke up his nose and was just sloppy about it. This was especially humorous because Pounds was one of the department's born-agains. Others said the mystery dust was from sugar doughnuts that he secretly scarfed down in the gla.s.s booth after closing the blinds so no one would see. Bosch, though, figured it out once he identified the odor that was always about Pounds. Harry believed the lieutenant had the habit of putting baby powder on in the morning before he put on his s.h.i.+rt and tie - but after putting on his pants.

Pounds looked away from his report and said in a phoney matter-of-fact voice, "So how's it looking? Getting anywhere with the cases?"

Bosch smiled rea.s.suringly and nodded but said nothing. He'd make Pounds work for it.

"Well, what's up?"

"Oh, some things. Have you heard from Porter today?"

"Porter? No, why? Forget about him, Bosch. He's a mutt. He can't help you. What have you got? You haven't filed any updates. I just went through the box. Nothing from you there."

"I've been busy, Lieutenant. I got something going on Jimmy Kapps and I got an ID and possible death scene on Porter's last case. The one dumped in the alley off Sunset last week. I'm close to knowing who and why. Maybe tomorrow on both of them. I'm going to work through the weekend if that's okay with you."

"Excellent. By all means, take the time you need. I'll fill the overtime authorization out today."

"Thanks."

"But why juggle the cases? Why don't you pick the one you think is easier to complete? We need to clear a case."

"I think the cases are related, that's why."

"Are you -" Then Pounds held up his hand, signaling Bosch not to speak. "Better come into my office for this."

After sitting down behind his gla.s.s-topped desk, Pounds immediately picked up his ruler and began manipulating it in his hand.

"Okay, Harry, what's going on?"

Bosch was going to wing it. He tried to make his voice sound as though he had hard evidence to back everything he was saying. Truth was it was all a lot of speculation and not a lot of glue. He sat down in the chair in front of the lieutenant's desk. He could smell the baby powder on the other man.

"Jimmy Kapps was a payback. Found out yesterday that he set up a bust on a compet.i.tor named Dance. He was putting black ice out on the street. Jimmy apparently didn't like that 'cause he's trying to make Hawaiian ice the growth market. So he snitched Dance off to the BANG guys. Only after Dance got taken down, the DA kicked the case. A bad bust. He walked. Four days later Kapps gets the whack."

"Okay, okay," Pounds said. "Sounds good. Dance is your suspect then?"

"Until I come up with something better. He's in the wind."

"Okay, now how does this tie in with the Juan Doe case?"

"The DEA says the black ice that Dance was putting out comes from Mexicali. I got a tentative ID from the state police down there. Looks like our Juan Doe was a guy named Gutierrez-Llosa. He was from Mexicali."

"A mule?"

"Possibly. Couple things don't fit with that. The state police down there carried him as a day laborer."

"Maybe he went for the big money. A lot of them do."

"Maybe."

"And you think he got whacked back, a payback for Kapps?"

"Maybe."

Pounds nodded. So far so good, Bosch thought. They were both silent for a few moments. Pounds finally cleared his throat.

"That's quite a lot of work for two days, Harry. Very good. Now where do you go from here?"

"I want to go after Dance and get the Juan Doe ID confirmed..." He trailed off. He wasn't sure how much to give Pounds. He knew he was going to keep his trip to Mexicali out of it.

"You said Dance is in the wind."

"I'm told that by a source. I'm not sure. I plan to go looking this weekend."

"Fine."

Bosch decided to open the door a little further.

"There's more to it, if you want to hear it. It's about Cal Moore."

Pounds put the ruler down on the desk, folded his arms and leaned back. His posture signaled caution. They were stepping into an area where careers could be permanently damaged.

"Aren't we getting on thin ice, here? The Moore case is not ours."

"And I don't want it, Lieutenant. I've got these two. But it keeps coming up. If you don't want to know, fine. I can deal with it."

"No, no, I want you to tell me. I just don't like this kind of ...uh, entanglement. That's all."

"Yeah, entanglement is a good word. Anyway, like I said, it was the BANG crew that made the Dance bust. Moore wasn't there until after it went down, but it was his crew.