Expanded Universe Part 21

"Look, Joe, you don't have to kid me. I'm your friend. Even if you did tell me it wOuldn't matter. In the first place, I wouldn't have any proof. In the second place, I'm sympathetic to the Underground-any American is. I just think they're wrong-headed and foolish. Otherwise I'd join 'em myself."

"They're foolish all right! You can say that again."

"So you were in it?"

"Huh? You're trying to trap me. I gave my word of honor-"

"Oh, relax!" Moyland said hastily. "Forget it. I didn't hear anything; I can't tell anything. Hear no evil, see no evil-that's me." He changed the subject.

The level of the bottle dropped while Moyland explained current events as he saw them. "It's a shame we had to take such a sh.e.l.lacking to learn our lesson but the fact of the matter is, we were standing in the way of the natural logic of progress. There was a time back in '45 when we could have pulled the same stunt ourselves, only we weren't bright enough to do it. World organization, world government. We stood in the way, so we got smeared. It had to come. A smart man can see that."

Benz was bleary but he did not find this comment easy to take. "Look, Zack-you don't mean you like what happened to us?"

"Like it? Of course not. But it was necessary. You don't have to like having a tooth pulled-but it has to be done. Anyhow," he went on, "it's not all bad. The big cities were economically unsound anyway.

We should have blown them up ourselves. Slum clearance, you might call it."

Benz banged his empty gla.s.s down. "Maybe so-but they made slaves out of us!"

"Take it easy, Joe," Moyland said, filling his gla.s.s, "you're talking abstractions. The cop on the corner could push you around whenever he wanted to. Is that freedom? Does it matter whether the cop talks with an Irish accent or some other accent? No, chum, there's a lot of guff talked about freedom. No man is free. There is no such thing as freedom. There are only various privileges. Free speech-we're talking freely now, aren't we? After all, you don't want to get up on a platform and shoot off your face. Free press? When did you ever own a newspaper? Don't be a chump. Now that you've shown sense and come in, you are going to find that things aren't so very different. A little more orderly and no more fear of war, that's all. Girls make love just like they used to, the smart guys get along, and the suckers still get the short end of the deal."

Benz nodded. "You're right, Zack. I've been a fool."

"I'm glad you see it. Now take those wild men you were with. What freedom have they got?

Freedom to starve, freedom to sleep on the cold ground, freedom to be hunted."

"That was it," Benz agreed. "Did you ever sleep in a mine, Zack? Cold. That ain't half of it. Damp, too."

"I can imagine," Moyland agreed. "The Capehart Lode always was wet."

"It wasn't the Capehart; it was the Harkn-" He caught himself and looked puzzled.

"The Harkness, eh? That's the headquarters?"

"I didn't say that! You're putting words in my mouth! You-"

"Calm yourself, Joe. Forget it."Moyland got up and drew down the shade. "You didn't say anything."

"Of course I didn't." Benz stared at his gla.s.s. "Say, Zack, where do I sleep? I don't feel good."

"You'll have a nice place to sleep any minute now."

"Huh? Well, show me. I gotta fold up."

"Any minute. You've got to check in first."

"Huh? Oh, I can't do that tonight, Zack. I'm in no shape."

"I'm afraid you'll have to. See me pull that shade down? They'll be along any moment."

Benz stood up, swaying a little. "You framed me!" he yelled, and lunged at his host.

Moyland sidestepped, put a hand on his shoulder and pushed him down into the chair. "Sit down, sucker," he said pleasantly. "You don't expect me to get A-bombed just for you and your pals, do you?"

Benz shook his head, then began to sob.

Hobart escorted them out of the house, saying to Art as they left, "If you get back, tell McCracken that Aunt Dinah is resting peacefully."

"Okay."

"Give us two minutes, then go in. Good luck."

Cleve took the outside; Art went in. The back door was locked, but the upper panel was gla.s.s. He broke it with the hilt of his knife, reached in and unbolted the door. He was inside when Moyland showed up to investigate the noise.

Art kicked him in the belly, then let him have the point in the neck as he went down. Art stopped just long enough to insure that Moyland would stay dead, then went looking for the room where Benz had been when the shade was drawn.

He found Benz in it. The man blinked his eyes and tried to focus them, as if he found it impossible to believe what he saw. "Art!" he got out at last. "Jeez, boy! Am I glad to see you! Let's get out of here-this place is 'hot.'

Art advanced, knife out.

Benz looked amazed. "Hey, Art! Art! You're making a mistake. Art. You can't do this-" Art let him have the first one in the soft tissues under the breast bone, then cut his throat to be sure. After that he got out quickly.

Thirty-five minutes later he was emerging from the country end of the chute. His throat was burning from exertion and his left arm was useless-he could not tell whether it was broken or simply wounded.

Cleve lay dead in the alley behind Moyland's house, having done a good job of covering Art's rear.

It took Art all night and part of the next morning to get back near the mine. He had to go through the hills the entire way; the highway was, he judged, too warm at the moment.

He did not expect that the Company would still be there. He was reasonably sure that Morgan would have carried out the evacuation pending certain evidence that Benz's mouth had been shut. He hurried.

But he did not expect what he did find-a helicopter hovering over the neighborhood of the mine.

He stopped to consider the matter. If Morgan had got them out safely, he knew where to rejoin. If they were still inside, he had to figure out some way to help them. The futility of his position depressed him-one man, with a knife and a bad arm, against a helicopter.

Somewhere a bluejay screamed and cursed. Without much hope he chirped his own identification.

The bluejay shut up and a mockingbird answered him- Ted.

Art signaled that he would wait where he was. He considered himself well hidden; he expected to have to signal again when Ted got closer, but he underestimated Ted's ability. A hand was laid on his shoulder.

He rolled over, knife out, and hurt his shoulder as he did so. "Ted! Man, do you look good to me!"

"Same here. Did you get him?"

"Benz? Yes, but maybe not in time. Where's the gang?"

"A quarter mile north of back door. We're pinned down. Where's Cleve?"

"Cleve's not coming back. What do you mean 'pinned down'?"

"That d.a.m.ned 'copter can see right down the draw we're in. Dad's got 'em under an overhang and they're safe enough for the moment, but we can't move."

"What do you mean 'Dad's got 'em'?" demanded Art. "Where's the Boss?"

"He ain't in such good shape, Art. Got a machine gun slug in the ribs. We had a dust up. Cathleen's dead."

"The h.e.l.l you say!"

"That's right. Margie and Maw Carter have got her baby. But that's one reason why we"re pinned down- the Boss and the kid, I mean."

A mockingbird's call sounded far away. "There's Dad," Ted announced. "We got to get back."

"Can we?"

"Sure. Just keep behind me. I'll watch out that I don't get too far ahead."

Art followed Ted in, by a circuitous and, at one point, almost perpendicular route. He found the Company huddled under a shelf of rock which had been undercut by a stream, now dry. Against the wall Morgan was on his back, with Dad Carter and Dr. McCracken squatting beside him. Art went up and made his report.

Morgan nodded, his face gray with pain. His s.h.i.+rt had been cut away; bandaging was wrapped around his ribs, covering a thick pad. "You did well, Art. Too bad about Cleve. Ted, we're getting out of here and you're going first, because you're taking the kid."

"The baby? How-"

"Doc'll dope it so that it won't let out a peep. Then you strap it to your back, papoose fas.h.i.+on."

Ted thought about it. "No, to my front. There's some knee-and-shoulder work on the best way out."

"Okay. It's your job."

"How do you get out, boss?"

"Don't be silly."

"Look here, boss, if you think we're going to walk off and leave you, you've got another-"

"Shut up and scram!" The exertion hurt Morgan; he coughed and wiped his mouth.

"Yes, sir." Ted and Art backed away.

"Now, Ed-" said Carter.

"You shut up, too. You still sure you don't want to be Captain?"

"You know better than that, Ed. They took things from me while I was your deppity, but they wouldn't have me for Captain."

"That puts it up to you, Doc."

McCracken looked troubled. "They don't know me that well, Captain."

"They'll take you. People have an instinct for such things."

"Anyhow, if I am Captain, I won't agree to your plan of staying here by yourself. We'll stay till dark and carry you out."

"And get picked up by an infrared spotter, like sitting ducks? That's supposing they let you alone until sundown-that other 'copter will be back with more troops before long."

"I don't think they'd let me walk off on you."

"It's up to you to make them. Oh, I appreciate your kindly thoughts, Doc, but you'll think differently as soon as you're Captain. You'll know you have to cut your losses."

McCracken did not answer. Morgan turned his head to Carter. "Gather them around, Dad."

They crowded in, shoulder to shoulder. Morgan looked from one troubled face to another and smiled. "The Barclay Free Company, a provisional unit of the United States of America, is now in session," he announced, his voice suddenly firm. "I'm resigning the captaincy for reasons of physical disability. Any nommat ions?"

The silence was disturbed only by calls of birds, the sounds of insects.

Morgan caught Carter's eyes. Dad cleared his throat. "I nominate Doc McCracken."

"Any other nominations?" He waited, then continued, "All right, all in favor of Doc make it known by raising your right hand. Okay-opposed the same sign. Dr. McCracken is unanimously elected. It's all yours, Captain. Good luck to you."

McCracken stood up, stooping to avoid the rock overhead. "We're evacuating at once. Mrs. Carter, give the baby about another tablespoon of the syrup, then help Ted. He knows what to do. You'll follow Ted.

Then Jerry. Margie, you are next. I'll a.s.sign the others presently. Once out of the canyon, spread out and go it alone. Rendezvous at dusk, same place as under Captain Morgan's withdrawal plan-the cave." He paused. Morgan caught his eye and motioned him over, "That's all until Ted and the baby are ready to leave. Now back away and give Captain Morgan a little air."

When they had withdrawn McCracken leaned over Morgan the better to hear his weak words.

"Don't be too sure you've seen the last of me, Captain. I might join up in a few days."

"You might at that. I'm going to leave you bundled up warm and plenty of water within reach. I'll leave you some pills, too-that'll give you some comfort and ease. Only half a pill for you-they're intended for cows." He grinned at his patient.

"Half a pill it is. Why not let Dad handle the evacuation? He'll make you a good deputy-and I'd like to talk with you until you leave."

"Right." He called Carter over, instructed him, and turned back to Morgan.

"After you join up with Powell's outfit," whispered Morgan, "your first job is to get into touch with Brockman. Better get Mrs. Carter started right away, once you've talked it over with Powell."

''I will.''

"That's the most important thing we've got to worry about, Doc. We've got to have unity, and one plan, from coast to coast. I look forward to a day when there will be an American a.s.signed, by name, to each and every one of them. Then at a set time-zzzt!" He drew a thumb across his throat.

McCracken nodded. "Could be. It will be. How long do you think it will take us?"

"I don't know. I don't think about 'how long'. Two years, five years, ten years-maybe a century.

That's not the point. The only question is whether or not there are any guts left in America." He glanced out where the fifth person to leave was awaiting a signal from Carter, who in turn was awaiting a signal from Art, hidden out where he could watch for the helicopter. "Those people will stick."