The Broom Of The System Part 22

"We out of ice again? again? s.h.i.+t on fire. You eat ice, or what? Do you go around takin' the ice out of here after I make it? If you do, just admit it." s.h.i.+t on fire. You eat ice, or what? Do you go around takin' the ice out of here after I make it? If you do, just admit it."

"Just leave, if you're going to leave."

"Let me just take a quick squirt, if I may. One for the road."

"Wait. I think you shouldn't go."

"Say please."

"Please."

"Too bad. Fooled you."

"You're drunk."

"Where are you going to go?"

"I think first I'm gonna go home."

"You're going to drive to Texas? Now?"

"No, you very very dumb woman. I said I'm going the f.u.c.k home. home. Home." Home."

"I love you."

"Then you're a confused little specimen."

"And you love me."

"You are an amazing woman if you think that's today's message. You amaze me, Melinda-Sue. I'd take my hat off to you, except I think I left it next door. And hey, you should probably either get out of the window, or else put something on."

"No sense givin' it away."

A bright day, in very early September, everything dry, the sun an explicit thing, up there, with heat coming right off it, but a flat edge of cool running down the middle of the day. A jet airplane stood at lunchtime on Runway 1 at CHA, pointed west to go east, a red-ink drawing of a laughing baby on its side, guys with earm.u.f.fs and orange plastic flags torn at by the wind off the flatness taking iron prisms out from under the airplane's wheels, the air behind the engines hot and melting the pale green fields through it, the engines hissing through the dry wind like torches, fuel-s.h.i.+mmers. The guys slowly waving the orange flags. The sun glinting off the slanted gla.s.s of the winds.h.i.+eld, behind which there are sungla.s.ses and thumbs-ups. One of the flag-guys is wearing a Walkman, instead of earm.u.f.fs, and he twirls with his flag.

"There is an ominous rumbling in my ears."

"That's the engine, right outside the window."

"No, the engine is a piercing, nerve-jangling, screaming whine. I'm talking about an ominous rumbling."

"My ears are going to hurt horribly on this flight, I know. The change in pressure is going to make my ears hurt like h.e.l.l."

"Rick, in my purse are like fifty packs of gum. I'll keep shoving gum in your mouth, and you'll chew, and swallow your saliva, and your ears will be OK. We've discussed this already."

"Maybe I'd better have a piece now, all unwrapped and ready to go in my hand."

"Here, then."

"Bless you, Lenore."

"A story, please."

"A story? Here?"

"I'm really in the mood for a story. Maybe a story will take your mind off your ears."

"My ears, G.o.d. I'd almost begun to have hopes of forgetting, what with the gum in my hand, and you go and mention my ears."

"Let's just have a minimum of spasms, here in public, on the plane, with a pilot and stewardess who're probably going to tell my father everything we do and say."

"How comforting."

"Just no spasms, please."

"But a story."

"Please."

"I know you've got some. I saw manila envelopes in your suitcase when I put stuff in."

"Lord, they're getting ready to take off. We're moving. My ears are rumbling like mad."

"Ironically enough, a man, in whom the instinct to love is as strong and natural and instinctive as can possibly be, is unable to find someone really to love."

"We're starting the story? Or is this just a Vigorous pithy?"

"The story is underway. The aforementioned pre-sarcastic-interruption fact is because this man, in whom the instincts and inclinations are so strong and pure, is completely unable to control these strong and pure instincts and inclinations. What invariably happens is that the man meets a halfway or even quarterway desirable woman, and he immediately falls head over heels in love with her, right there, first thing, on the spot, and blurts out 'I love you' as practically the first thing he says, because he can't control the intensely warm feelings of love, and not just l.u.s.t, now, it's made clear, but deep, emotionally intricate, pa.s.sionate love, the feelings that wash over him, and so immediately at the first opportunity he says 'I love you,' and his pupils dilate until they fill practically his whole eyes, and he moves unself-consciously toward the woman in question as if to touch her in a s.e.xual way, and the women he does this to, which is more or less every woman he meets, quite understandably don't react positively to this, a man who says 'I love you' right away, and makes a bid for closeness right away, and so the women as an invariable rule reject him verbally on the spot, or hit him with their purse, or worst of all run away, screaming screams only he and they can hear."

"Look down a second, Rick. Out the window."

"Where?"

"Right down there."

"Heavens, I know her! That's..."

"Jayne Mansfield."

"Jayne Mansfield, right. What's she doing as a town? Is that East Corinth?"

"I'll explain later."

"My G.o.d, will you look at that west border. That 271. That's the Inner Belt. I've driven over that."

"Meanwhile, back with the lover whose love drives the lovee away with silent screams."

"Right. So the man is understandably not too happy. Not only is he denied the opportunity to love, but it's the very strength and intensity of his own love-urge that denies him the opportunity, which denial thus understandably causes him exponentially more sadness and depression and frustration than it would you or me, in whom the instincts are semi-under-control, and so semi-satisfiable."

"More gum?"

"And so the man is in a bad way, and he loses his job at the New York State Department of Weights and Measures, at which he'd been incredibly successful before the love-intensity problem got really bad, and now he wanders the streets of New York City, living off the bank account he'd built up during his days as a brilliant weights-and-measures man, wandering the streets, stopping only when he falls in love, getting slapped or laughed at or hearing silent screams. And this goes on, for months, until one day in Times Square he sees a discreet little Xeroxed ad on a notice board, an ad for a doctor who claims to be a love therapist, one who can treat disorders stemming from and connected to the emotion of love."

"What, like a s.e.x therapist?"

"No, as a matter of fact it says 'Not A s.e.x Therapist' 'Not A s.e.x Therapist' in italics at the bottom of the ad, and it gives an address, and so the man, who is neither overjoyed with his life nor overwhelmed with alternatives for working out his problems, hops the subway and starts heading across town to the love therapist's office. And in his car on the subway there are four women, three of them reasonably desirable, and he falls in love in about two seconds with each of the three in turn, and gets. .h.i.t, laughed at, and subjected to a silent scream, respectively, and then eventually he looks over at the fourth woman, who's conspicuously fat, and has stringy hair, and c.o.ke-bottle gla.s.ses, and an incredibly weak chin, weaker even than mine, and so the fourth woman is prohibitively undesirable, even for the man, and besides she's very hard to see because she's pressed back into the shadow of the rear of the car, with her coat collar pulled up around her neck, which neck is also encased in a thick scarf. Did I mention it was March in New York City?" in italics at the bottom of the ad, and it gives an address, and so the man, who is neither overjoyed with his life nor overwhelmed with alternatives for working out his problems, hops the subway and starts heading across town to the love therapist's office. And in his car on the subway there are four women, three of them reasonably desirable, and he falls in love in about two seconds with each of the three in turn, and gets. .h.i.t, laughed at, and subjected to a silent scream, respectively, and then eventually he looks over at the fourth woman, who's conspicuously fat, and has stringy hair, and c.o.ke-bottle gla.s.ses, and an incredibly weak chin, weaker even than mine, and so the fourth woman is prohibitively undesirable, even for the man, and besides she's very hard to see because she's pressed back into the shadow of the rear of the car, with her coat collar pulled up around her neck, which neck is also encased in a thick scarf. Did I mention it was March in New York City?"

"No."

"Well it is, and she's in a scarf, pressed back into the shadow, with her cheek pressed against the grimy graffiti-spattered wall of the subway car, clutching an old Thermos bottle that's jutting halfway out of her coat pocket, and she just basically looks like one of those troubled cases you don't want to mess with, which cases New York City does not exactly have a scarcity of."

"You're telling me."

"And then on top of everything else the fat stringy-haired woman with the Thermos has been watching the man telling the other three women that he loves them, and making bids for closeness, out of the comer of her eye, as she hugs the wall of the car in shadow, and then so when she sees the man even look at her, at all, she obviously flips out, it really bothers her, and she bolts for the door of the subway car, as fast as she can bolt, which isn't too fast, because now it becomes clear that one of her legs is roughly one half the length of the other, but still she bolts, and the car is just pulling into a station, and the door opens, and out she flies, and in her excessive haste she drops the old Thermos she'd been clutching, and it rolls down the floor of the subway, and it finally clunks against the man's shoe, and he picks it up, and it's just an old black metal Thermos, but on the bottom is a piece of masking tape on which is written in a tiny faint hand a name and an address, which he and we a.s.sume to be the woman's, in Brooklyn, and so the man resolves to give the woman back her Thermos, since it was probably he and his inappropriate emotional behavior that had caused her to drop it in the first place. Besides, the love therapist's office is in Brooklyn, too.

"And so the man arrives at the love therapist's office, and actually wouldn't ordinarily have gotten in to see the love therapist at all, because she's apparently a truly great and respected love therapist, and incredibly busy, and her appointment calendar is booked up months in advance, but, as it happens, the love therapist's receptionist is a ravingly desirable woman, and the man immediately and involuntarily falls head over heels in love with her, and actually begins involuntarily reciting love poems to her, then eventually sort of pa.s.ses out, swoons from the intensity of his love, and falls to the carpeted floor, and so the receptionist runs in and tells the love therapist what's happened, that this is obviously a guy who really needs to be seen right away, out here, on the rug, and so the love therapist skips her lunch hour, which she was just about to take, and they pick the man up off the reception-area rug and carry him into the office and revive him with cold water, and he gets an appointment right away.

"And it turns out that one of the reasons why this love therapist is so great is that she can usually hew to the bone of someone's love-problem in one appointment, and doesn't keep the patient stringing along month after expensive month with vague predictions of breakthrough, which we are both in a position to appreciate the desirability of, I think, and so the love therapist hews to the bone of the man's problem, and tells the man that surprisingly enough it's not that his emotional love-mechanism is too strong, but rather that some of its important features are actually too weak, because one of the big things about real love is the power to discriminate and decide whom and on the basis of what criteria to love, which the man is very obviously unable to do-witness the fact that the man fell deeply and intricately for the receptionist without even knowing her, and has already said 'I love you' to the love therapist, herself, about ten times, involuntarily. What the man needs to do, the love therapist says, is to strengthen his love-discrimination mechanism by being around women and trying not to fall in love with them. Since this obviously will be hard for the man to do at the start, the love therapist suggests that he begin by finding some woman so completely and entirely undesirable, looks-wise and personality-wise, that it won't be all that hard to keep from falling in love with her right away, and then proceeding to hang around her as much as he can, to begin to strengthen the mechanism that lets men hang around with women without necessarily falling in love with them. And the man is dazed from the one-two punch of the ravingly desirable receptionist and the wise and kind and obviously exceedingly competent and also not unerotic love therapist, but the back part of his brain, the part that deals with basic self-preservation, knows that things cannot keep going as they have been, and he resolves to give the love therapist's advice a try, and then he happens to look down at the Thermos he's still holding, and he sees the piece of masking tape with the name and address of the Thermos woman on it, and he has an epiphany-ish flashback to the subway, and sees that the Thermos woman is just a prime candidate for non-love, stringy-hair-and-uneven-leg-wise, and clearly-troubled-personality-wise, and as the scene ends we see him looking speculatively at the Thermos and then at the love therapist."

"How's the gum doing?"

"New piece, please."

"Here."

"Is the gum working?"

"Do you hear me complaining yet?"

"Good point."

"And so as the next scene opens it's a few days later, and the man and the Thermos woman are walking in Central Park, or rather walking and limping, respectively, and they're holding hands, although for the man it's just a friendly platonic hand-holding, although we're not sure what it is for the Thermos woman, and it's made clear that the man had gone to the Thermos address and had talked to the woman and had, after a reasonably long time and many visits, broken down some of her really pathological shyness and introversion, though only some. And they're walking hand in hand, although it's inconvenient, because the woman clearly has a pathological need always to be in shadow, and so they keep having to veer all over Central Park to find shadow that she'll be able to walk in, and she also has a pathological need to keep her neck covered, and keeps fingering at one of the seemingly uncountable number of scarves she owns, and she also strangely always seems to want to have only her right side facing the man, she keeps her left side turned away at all times, so all the man ever sees of her is her right profile, and as he turns from time to time and moves relative to her she keeps moving and positioning herself like mad to keep only her right side facing him."

"And she also seems really aloof and not emotionally connected with anyone outside herself at all, except her family, who live in Yonkers, but as the man works to exercise his love-discrimination mechanism and starts hanging around the woman and beginning to get to know her better, it seems clear to him that she actually wants to be connected with people outside herself, very much, but can't, for some strange reason that he can't figure out, but knows has something to do with the shadows, the scarves, and the profiles."

"And a funny thing happens. The man begins to like the Thermos woman. Not love, but like, which is something the man has never experienced before, and finds different, because it involves directing a lot more emotional attention to the actual other person than the old uncontrollable pa.s.sionate love had involved, involves caring about the whole other person, including the facets and features that have nothing whatsoever to do with the man. And now it's implied that what has happened is that the man has for the first time become really connected to a person other than himself, that he had not really ever been connected before, that his intense-love tendency, which might at first glance have seemed like the ultimate way to connect, has really been a way not to connect, at all, both in its results and, really, as a little psychological a.n.a.lysis is by implication indulged in, in its subconscious intent. The inability to bring the discriminating faculty of love to bear on the world outside him has been what has kept the man from connecting with that world outside him, the same way the Thermos woman has been kept from connecting by the mysterious shadow-scarf-and-profile thing.

"Which thing, by the way, really begins to bother the man, and makes him intensely curious, especially as he begins to feel more and more connected to the woman, though not exactly in a pa.s.sionate-love way, and thinks he feels her yearning to connect, too. And so he gradually wins her trust and affection, and she responds by starting to wash her hair, and dieting, and buying an extra thick shoe for her obscenely short leg, and things progress, although the Thermos woman is still clearly pathologically hung up about something. And then one night in very early April, after a walk all around the quainter parts of Brooklyn, the man takes the Thermos woman back to her apartment and has s.e.x with her, seduces her, gets her all undressed-except, compa.s.sionately, for her scarf-and he makes love to her, and it's at first surprisingly, but then when we think about it not all that surprisingly, revealed that this is the first time this incredibly pa.s.sionate, love-oriented man, who's about thirty, has ever had s.e.x with anybody, at all."

"Um, first time for the Thermos woman, too."

"What's the matter?"

"My ear! s.h.i.+t! G.o.d!"

"Try to swallow."

"Try to yawn."

"Good G.o.d. I so hate airplanes, Lenore. I can think of no more convincing demonstration of my devotion to you than my coming on this trip. I am flying for you."

"You're going to get to see Amherst in the very early fall. You said early fall in Amherst used to make you weep with joy."

"You're less pale. Can we a.s.sume the ear is better?"

"Jesus."

"So they have s.e.x, and the man is able to be gentle and caring, which we can safely intuit he couldn't have been, pa.s.sion-wise, if he'd really been hopelessly in love in his old way with the Thermos woman, and the Thermos woman weeps tears of joy, at all the gentleness and caring, and we can practically hear the thud as she falls in love with the man, and she really begins to think it's possible to connect with someone in the world outside her. And they're lying in bed, and their limbs are unevenly intertwined, and the man is resting his head on the little shelf of the Thermos woman's weak chin, and he's playing idly with the scarf around her neck, which playing pathologically bothers the woman, which the man notices, and curiosity and concern wash over him, and he tries tentatively and experimentally slowly to undo the scarf and take it off, and the Thermos woman tenses all her muscles but through what is obviously great strength of will doesn't stop him, although she's weeping for real, now, and the man gently, and with kisses and rea.s.surances, removes the scarf, throws it aside, and in the dimness of the bedroom sees something more than a little weird on the woman's neck, and he goes and turns on the light, and in the light of the bedroom it's revealed that the woman has a pale-green tree toad living in a pit at the base of her neck, on the left side."

"Pardon me?"

"In a perfectly formed and non-woundish pit on the left side of the Thermos woman's neck is a tiny tree toad, pale green, with a white throat that puffs rhythmically out and in. The toad stares up at the man from the woman's neck with sad wise clear reptilian eyes, the clear and delicate lower lids of which blink upward, in reverse. And the woman is weeping, her secret is out, she has a tree toad living in her neck."