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The Bone Chamber Part 41

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Translation: McNiel wasn't about to reveal to anyone in that room that he knew there might be a mole. "Unfortunately," Griffin continued, "Adami got part of the map. A very small piece if that's any consolation. But it also renders the part we have as unusable. There was nothing we could do."

"Clearly we know your next mission."

Recover the rest of the map to stop Adami. Griffin realized the others had grown silent, and he glanced up, saw them all staring at him. Tex had an odd look on his face. "I should go," he said. "I think we should get Tex to a hospital."

"Tell him I'm glad he's safe."

"I will."



Griffin disconnected. "What's going on?" he asked them.

"This," Sydney said, lifting up the sketchbook, showing him her drawing of the mosaic on the columbarium floor. And then she held up the parchment and what was left of the labyrinth beside it.

The map. There on the columbarium floor the whole time.

Outside, he heard the helicopter starting up. He shook himself, ran from the room. Giustino and the other officer were just getting on. "Giustino!"

Giustino stopped, looked back.

"Any chance we can commandeer that helicopter one more time? There's something important we need to see in Rome. And time is of the essence."

The following evening, en route to Fiumicino airport, Rome Sydney s.h.i.+fted in the front seat of the car, trying to get a glimpse of the Colosseum, its arches lit against the black night sky. "Are you sure we don't have time to stop? It's the Colosseum, after all. When in Rome..."

"Not a chance," he said. "You have a plane to catch, and I intend to make sure you're on it."

"There is no way I'm going to miss it. It's not as if I have a reason to stay this time. I know who killed Tasha, and you now have a complete copy of the map-though Francesca wasn't too happy to learn you ripped up the floor of the columbarium after you got your photos. I think she would like to have had her own photos to publish, since as far as she knows, no one has ever seen the floor from that high up to determine the pattern on it."

"She can't complain too much, since she will be helping us research the Old French so that we can decipher the labyrinth and find out where the map leads to. Once we have the location secure and stabilized, she can publish the photos anywhere she wants."

"And the scientists you rescued? Do they get any credit?"

"What they're getting is new ident.i.ties to ensure their safety and keep their work from falling into enemy hands. According to Dr. Balraj, Dr. Zemke did more to set back Adami's plans than Adami ever realized. She was genetically engineering a super-plague that was more of a super-dud. It looked virulent in the lab, but its DNA was faulty."

"No one ever suspected her?"

"One of his scientists did, but she managed to convince him that the test sample he was viewing had been contaminated. She said it was a matter of days before they would have realized that she was working against them. Regardless, Adami had enough material down there to cause some serious damage, even without creating a super-plague. Her fear is that Adami will find this new source and start over again."

"Any chance he'll succeed?"

"Since he has very little of the map, I'd say no. Not that we're about to take any chances, should he have another lab equipped to pick up where he left off. Thanks to Dr. Balraj and Zemke, we have a fair idea where that lab might be," he said, slowing behind a bus that pulled out from the curb. "Our next step is to recover the lost part of the map from Adami, before he or his a.s.sociates attempt to discover the location it leads to. And once we discover that location and what the map leads to, our team of scientists will go in and a.s.sess exactly what it is we're dealing with. In other words," he said, glancing over at her, then back to the road, "nothing that we can't handle on our own, which means you you are no longer needed." are no longer needed."

"You could at least wait until after after I'm on the plane to gloat." I'm on the plane to gloat."

"Trust me. I won't be gloating until you are well across the Atlantic. Past experience tells me I'll need all my wits about me to get you on that plane and home for Thanksgiving."

"Aren't you the funny one." She leaned back in her seat, thinking that if truth be told, she was glad to be going back to San Francisco. "What about you? Who are you spending Thanksgiving with?"

"I'm not-" His phone rang and he pulled it from his pocket, answered it. Suddenly he slowed, turned a corner, and pulled over, and Sydney knew that whatever news he was being told, wasn't good. When he disconnected, he looked troubled. "That was McNiel. They picked up Harden this morning. Apparently he was denying any involvement with Adami, until they finally mentioned that his daughter had been a part of ATLAS. McNiel says he turned white as a sheet, then broke down."

"So it was true," Sydney said. "The amba.s.sador was feeding Adami info."

"Info that probably got his daughter killed. But Harden also implicated someone pretty high up the political ladder. He asked for a lawyer, and promised that once he had a chance to speak with his counsel, he'd tell us the name of the person he was working for."

"That's good, then."

"Except that he and his attorney were both killed in a vehicle collision on their way to Langley a few hours ago."

It was a second before the implication of it all hit her. "I take it that it wasn't an accident."

"McNiel's fairly certain it wasn't. Unfortunately for the parties involved, Harden's lawyer had a written confession in his briefcase, and it survived intact. Harden implicated Jon Westgate."

"Who is that?"

"He used to be a low-level crime boss who hailed from Adami's hometown in New Jersey. And you'll never guess whose number popped up several times on Westgate's cell phone. Martin Hoagland."

"Hoagland?" Sydney repeated. "As in Congressman Hoagland?"

"The same. He always felt he should have headed the committee for ATLAS."

Sydney couldn't believe what she was hearing. "This was out of spite?"

"Trust me," Griffin said, pulling away from the curb, then back out to the main street. "If Hoagland did it for anything, it was for control. He and Adami are cut from the same cloth. Power and domination."

"And what better way to dominate world powers than having inside intel into an organization such as ATLAS."

"Exactly," he said. "Only now he'll have to attempt doing it from a federal prison cell."

At the airport, Griffin and a carabinieri carabinieri contact escorted her through the security entrance at the airport, where she'd be flown home on the ATLAS jet. contact escorted her through the security entrance at the airport, where she'd be flown home on the ATLAS jet.

Their contact waited a discreet distance from the door that led out to the tarmac, and Griffin held out his hand. "I never did thank you for what you did to help Tex."

She shook hands with him, said, "I sort of owed you one. I'm only sorry it wasn't as dramatic as that night at Adami's villa. Now that that would make for a good war story at the bar. You're sure I'm not allowed to talk about any of this?" would make for a good war story at the bar. You're sure I'm not allowed to talk about any of this?"

"Sorry." He looked down at her hand, seemed to realize he was still holding it, then let go. "You know, if you ever get tired of the Bureau..."

She smiled. "Sorry. I have a job."

"At the FBI Academy?"

"I like it. For a reason."

"To hide."

"Wrong. It's giving me time to think where I want to go next."

"If you change your mind," he said, handing her bag to her, "you know how to reach me."

"I do."

They stood there for several seconds, the silence turning awkward, until Griffin said, "I don't need to personally walk you to that plane, do I?"

"I'm going. I'm going." She started toward the jet, thinking about everything that had happened since she'd left Was.h.i.+ngton. She was d.a.m.ned lonely at times, and h.e.l.l, life these past few days had been more exhilarating than anything she'd done in a long time. She glanced back, saw that Griffin had turned to leave, was walking toward the security door where the carabinieri carabinieri contact was waiting. contact was waiting.

"Griffin!"

He stopped, turned, a bemused expression on his face. "You have a real problem getting on planes."

Suddenly she was uncomfortable, not sure what he'd say. What she was even going to ask. She'd be on that plane tonight, alone.

He tilted his head, waiting.

"You never did say what you were doing for Thanksgiving..." she finally ventured.

"No plans."

"Well, if you find yourself in San Francisco, you could stop by my mother's house. She cooks a mean turkey, and with your connections, I'll bet you have no trouble finding the address."

Griffin stood there a moment, his hands shoved in his pockets, as though mulling it over. Suddenly he smiled. "Tell her to set an extra place. I'd like that. A lot."

FACT OR FICTION.

One of the more infamous conspiracy theories is that of the Freemasons running a shadow government in the U.S., and controlling the global economy. Proof of this can be found on the back of a dollar bill: the Illuminati's "all-seeing eye" over the pyramid, which forms one half of a six-pointed star, with five of those points touching the letters to form the anagram that spells MASON. According to these theorists, that same shadow government that originated with our country's Founding Fathers who were Masons, is still in power today.

Conspiracy theories aside, in this day and age it would be d.a.m.ned difficult to infiltrate and corrupt an entire country's government, installing criminal networks in with the politicians and the national bankers, all to control the global economy.

Or would it?

In the early 1980s, the Italian government and banking system nearly toppled because of the infiltration and corruption from one Freemason lodge, Propaganda Due, or P2. P2 became a clandestine lodge from 1976 on after being expelled by the Grand Orient of Italy. Counted among its ranks in the lodge before and after the expulsion were prominent journalists, parliamentarians, industrialists, and military leaders, as well as the heads of all three Italian intelligence services. There were also high-ranking members of the Catholic Church listed in the members.h.i.+p, which perhaps explains how the Holy See's bank became involved in the scandal with Banco Ambrosiano, becoming a major shareholder in a bank used by both the Mafia and P2's shadow government-as well as the American government, which used the bank to funnel covert money from the United States to the Contras, among other things.

Add to that the mysterious death of Pope John Paul I in 1978 after a mere thirty-three days in office, allegedly linked to his investigation into the bank's ties to the Mafia. Then a few years later, the murder of the chairman of the Banco Ambrosiano, found hanged beneath the Blackfriars Bridge in England, his pockets filled with stone and masonry-perhaps a not-so-veiled warning as to what happens to Freemasons who violate their oath of secrecy. His death was originally ruled a suicide-and rumor has it that it was investigated by Freemasons, hence the botched initial investigation. In other words, you have the makings of some great fiction-if not for the fact it was real life. For this novel, I was counting on the possibility that not all the P2 players were caught, and intended to start up again where they left off.

Anything can happen in a circle to which only a select few are invited. Such is the history of Freemasonry, the largest secret organization in the world. But where did they come from? John J. Robinson, author of Born in Blood: The Lost Secrets of Freemasonry Born in Blood: The Lost Secrets of Freemasonry, argues-quite convincingly-that after the King of France (a.s.sisted by the pope) hunted down the Templar Knights in 1307, the Templars went underground and emerged several centuries later as Freemasons. If true, what happened to the Templar treasure? And what was listed among the contents of this legendary cache? Unfortunately, when it comes to the treasure, history is murky. Was it simply acc.u.mulated wealth from the Templars' vast banking and land holdings, or, as some historians surmise, the treasure from Solomon's Temple, which contained some of the most amazing religious artifacts known to mankind, including the Ark of the Covenant?

That, of course, got me to thinking about the Bible and the plagues brought down to earth by Moses, so that the pharaoh would free the people of Israel. Scientific evidence has been offered to show that the plagues were possible, and that there was a natural explanation-whether one believes or not. Some historians have surmised that the Ark may contain the staff that Moses used to bring forth the deadly plagues. Is it possible that this Ark, built to specific standards as indicated in the Bible, contained the original source or location of these plagues, so that Moses could bring them forth at the right time?

More importantly, can a deadly plague remain dormant for centuries, only to emerge as dangerous or even more so than it once was? My medical sources and research state yes. (For further reading on this subject, try: Plague Wars: The Terrifying Reality of Biological Warfare Plague Wars: The Terrifying Reality of Biological Warfare, by Tom Mangold and Jeff Goldberg.) But back to the Templars and Freemasons. I bring up the historical figure of Raimondo di Sangro, Prince of Sansevero, and perhaps my own contribution to the idea that the Templars emerged centuries later as the Freemasons. In 1750, di Sangro, a genius (mad genius according to some), became the first Grand Master of the Freemasons in Naples, and because of this was excommunicated by the pope. (And why is it that the church is so dead set against the Masons?) How does this connect di Sangro to the Templars? Quite simply, the princ.i.p.ality that gave him his namesake, the town of San Severo, was sold to the Templar Knights in 1233. If the Templar Knights emerged as the Freemasons in the 1700s, it is certainly conceivable that a man, a Freemason, whose princ.i.p.ality was owned by the Templars, could be hiding a treasure that they intended to guard-a treasure still being sought to this day.

Beyond that, the prince's body has never been found, he did plan to enlarge his crypt, and his entire chapel is filled with Freemason iconography. Adding to the mystery are the vast miles of tunnels beneath Naples equal in size to the entire Vatican City, and even more still unexplored to this day-it certainly sparks the imagination that there might be a chamber or two left holding secrets that we may never know about. Why not a missing treasure or map?

Acknowledgments.

This book would not have been a twinkle in my eye without author extraordinaire James Rollins, who helped me come up with the first germ of a plot by showing me the back of a dollar bill and its relation to conspiracy theories. That plot grew with the help of my dear friend and writer Susan Crosby. Thanks also to my fellow investigator Arnd Gartner, history buff, who (not on duty-should our bosses read this) helped me with plot points. And to John Clausen; he knows why.

Any FBI agents depicted are not based on real persons. But if I were to include any qualities of real agents it would be those of my good friend Supervising Special Agent George Fong, for answering questions and coming up with a really cool plot idea when I needed something plausible with which to threaten the world. Any deviation from reality is my fault, not his. I also owe thanks to Peter Mygdal, MD, who helped vet one such idea to determine if it was still plausible two thousand years later when this book takes place.

Thanks also to my mother, Dr. Francesca Santoro L'Hoir, who accompanied me on my research trip to Rome and Naples, sharing her extensive knowledge of Italy and the columbaria. While in Rome, we dined at the Hostaria Antica Roma (one of her favorite restaurants); therefore thanks are owed to Paolo Magnanimi for the use of his name, his restaurant and the wonderful food he served. If you go, try the tiramisu. It's to die for.

Last but not least, thanks to my agent, Jane Chelius. To Barbara Peters, Robert Rosenwald, and all at Poisoned Pen Press who ensured a top-notch special edition hardcover. To all at HarperCollins for an awesome book and cover. To Wendy Lee, for all her help. And most of all to my editor, Lyssa Keusch, who let me try something different, embracing the idea for The Bone Chamber The Bone Chamber the moment she heard it. the moment she heard it.

For a Couple Worthy Causes To my friends who contributed to the LHS cheer/drill team fundraiser, on behalf of my daughter: Special thanks to Dan Randolph of The Randolph Investigative Group for your sponsors.h.i.+p. You guys rock! And to HarperCollins for sending books for a raffle.

For the character auction: On behalf of the team, to Ron Nicholas McNiel II, for his son, Ron Nicholas McNiel III. To Natalie Bay and Kris Talley for their friend, Denise Woods. And on behalf of Sacramento DART (Drowning Accident Rescue Team), to Robin Morgan, for her daughter, Amber Jacobsen.

About the Author.

ROBIN BURCELL, an FBI-trained forensic artist, has worked in law enforcement for more than two decades as a police officer, detective, and hostage negotiator. A two-time Anthony Award winner, she is the author of a previous Sydney Fitzpatrick novel, an FBI-trained forensic artist, has worked in law enforcement for more than two decades as a police officer, detective, and hostage negotiator. A two-time Anthony Award winner, she is the author of a previous Sydney Fitzpatrick novel, Face of a Killer Face of a Killer, as well as four novels featuring SFPD Homicide Inspector Kate Gillespie: Every Move She Makes, Fatal Truth, Deadly Legacy Every Move She Makes, Fatal Truth, Deadly Legacy, and Cold Case Cold Case. You can visit her website at www.robinburcell.com www.robinburcell.com.

Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.

By Robin Burcell

WHEN M MIDNIGHT C COMES.

EVERY M MOVE S SHE M MAKES.

FATAL T TRUTH.

DEADLY L LEGACY.

COLD C CASE.

FACE OF A K KILLER.

THE B BONE C CHAMBER.

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