The Sculptress Part 3

"Certainly, if she reads the newspapers. The amount has been published and, because of the murders, it found its way into the tabloids."

"Has it gone to the beneficiary yet?"

He frowned heavily, his brows jutting.

"I'm afraid I'm not at liberty to discuss that. The terms of the will preclude it."

Roz shrugged and tapped her teeth with her pencil.

"Black Monday was October eighty-seven. The murders happened on September ninth, eighty-seven. That's odd, don't you think?"

"In what way?"

"I'd expect him to be so sh.e.l.l-shocked that stocks and shares would be the last thing he'd worry about."

"Conversely," said Mr. Crew reasonably, *that very fact would demand that he find something to occupy his mind. He was semi-retired after the murders. Perhaps the financial pages were his only remaining interest." He looked at his watch.

"Time presses. Was there anything else?"

It was on the tip of Roz's tongue to ask why, if Robert Martin had made a killing on the stock exchange, he had chosen to live out his days in an un saleable house. Surely a man worth half a million could have afforded to move, irrespective of what his property was worth? What, she wondered, was in that house to make Martin sacrifice himself to it?

But she sensed Crew's hostility to her and decided that discretion was the better part of valour. This man was one of the few sources of corroborative information open to her and she would need him again, even though his sympathies clearly lay more with the father than the daughter.

"Just one or two more questions this morning." She smiled pleasantly, a studied use of charm as insincere as his.

"I'm still feeling my way on this, Mr. Crew. To tell you the truth, I'm not yet convinced there's a book in it." And what an understatement that was. She wasn't intending to write anything. Or was she?

He steepled his fingers and tapped them together impatiently.

"If you remember, Miss Leigh, I made that very point in my letter to you."

She nodded gravely, pandering to his ego.

"And as I told you, I don't want to write Olive's story simply to cover the pages with lurid details of what she did. But one part of your letter implied an angle that might be worth pursuing. You advised her to plead not guilty to murder on the grounds of diminished responsibility. Had that succeeded, you suggested, she would have been found guilty of manslaughter and would, in all probability, have been sentenced to indefinite detention. I think you went on to estimate ten to fifteen years in a secure unit if she had been given psychiatric treatment and had responded favourably to it."

"That is correct," he agreed.

"And I think it was a reasonable estimate. Certainly she would have served nothing like the twenty-five year sentence the judge recommended she serve."

"But she rejected your advice. Do you know why?"

"Yes. She had a morbid fear of being locked up with mad people and she misunderstood the nature of indefinite detention.

She was convinced that it meant endless, and, try as we might, we could not persuade her otherwise."

"In that case, why didn't you lodge a not guilty plea on her behalf?

The very fact that she couldn't grasp what you were telling her implies that she wasn't capable of pleading for herself. You must have thought she had a defence or you wouldn't have suggested it."

He smiled grimly.

"I don't quite understand why, Miss Leigh, but you seem to have decided that we failed Olive in some way."

He scribbled a name and address on a piece of paper.

"I suggest you talk to this man before you come to any more erroneous conclusions." He flicked the paper in her direction.

"He's the barrister we briefed for her defence.

Graham Deedes. In the event, she out manoeuvred us and he was never called to defend her."

"But why? How could she out manoeuvre you?" She frowned.

"I'm sorry if I sound critical, Mr. Crew, and please believe me, you are wrong in a.s.suming I have reached any unfavourable conclusions." But was that really true? she wondered.

"I am simply a perplexed onlooker asking questions. If this Deedes was in a position to raise serious doubts over her quote sanity unquote, then surely he should have insisted that the court hear her defence whether she wanted it or not. Not to put too fine a point on it, if she was bonkers then the system had a duty to recognise the fact, even if she herself thought she was sane. He relented a little.

"You're using very emotive language, Miss Leigh there was never a question of pleading insanity, only diminished responsibility but I do take your point. I used the word out manoeuvred advisedly. The simple truth is that a few weeks before the scheduled date of her trial, Olive wrote to the Home Secretary demanding to know whether she had the right to plead guilty or whether, under British law, this right was denied her. She claimed that undue pressure was being brought to bear to force a lengthy trial that would do nothing to help her but only prolong the agony for her father. The trial date was postponed while tests were carried out to discover if she was fit to plead. She was ruled eminently fit and was allowed to plead guilty."

"Good Lord!" Roz chewed her lower lip.

"Good Lord!" she said again.

"Were they right?"

"Of course." He noticed the forgotten cigarette with a curl of ash dripping from its end and, with a gesture of annoyance, stubbed it out.

"She knew exactly what the consequences would be. They even told her what sort of sentence to expect.

Nor would prison have come as any surprise to her. She spent four months on remand before the trial. Frankly, even had she agreed to defend herself the result would still have been the same. The evidence for a plea of diminished responsibility was very flimsy. I doubt we could have swung a jury."

"And yet in your letter you said that, in spite of everything, you are still convinced she's a psychopath. Why?"

He fingered the file on his desk.

"I saw the photographs of Gwen and Amber's bodies, taken before their removal from the kitchen. It was a slaughterhouse running with blood, the most horrifying scene I have ever witnessed. Nothing will ever convince me that a psychologically stable personality could wreak such atrocity on anyone, let alone on a mother and sister."

He rubbed his eyes.

"No, despite what the psychiatrists say and you must remember, Miss Leigh, that whether or not psychopathy is a diagnosable disease is under constant debate Olive Martin is a dangerous woman. I advise you to be extremely wary in your dealings with her."

Roz switched off her tape-recorder and reached for her briefcase.

"I suppose there's no doubt that she did it."

He stared at her as if she had said something dirty.

"None at all," he snapped.

"What are you implying?"

"It just occurs to me that a simple explanation for the discrepancy between the psychiatric evidence of Olive's normality and the quite abnormal nature of the crime is that she didn't do it but is covering for whoever did." She stood up and gave a small shrug in face of his tight-lipped expression.

"It was just a thought. I agree it makes little sense, but nothing about this case makes much sense. I mean, if she really is a psychopathic murderess she wouldn't have cared tuppence about putting her father through the mill of a trial. Thank you for your time, Mr.

Crew. I can see myself out."

He held up a hand to hold her back.

"Have you read her statement, Miss Leigh?"

"Not yet. Your office promised to send it tome."

He sorted through the file and took out some stapled sheets of paper.

"This is a copy you may keep," he told her, pa.s.sing the pages across the desk.

"I urge you to read it before you go any further. It will persuade you, I think, as it persuaded me, of Olive's guilt."

Roz picked up the papers.

"You really don't like her, do you?"

His eyes hardened.

"I have no feelings for her, one way or the other. I merely question society's rationale in keeping her alive. She kills people. Don't forget that, Miss Leigh. Good day to you."

It took Roz an hour and a half to drive back to her flat in London and for most of that time Crew's words She kills people obscured all other thoughts. She took them out of context and wrote them large across the screen of her mind, dwelling on them with a kind of grim satisfaction.

It was later, curled up in an armchair, that she realised the journey home was a complete blank. She had no recollection, even, of leaving Southampton, a city she wasn't familiar with.

She could have killed someone, crus.h.i.+ng them under the wheels of her car, and she wouldn't have been able to remember when or how it happened. She stared out of her sitting-room window at the dismal grey facades opposite, and she wondered quite seriously about the nature of diminished responsibility.

STATEMENT MADE BY OLIVE MARTIN 9.9.87 9.30 P.M.

PRESENT: VS HAWK5LEY, VS WYATT, E.P. CREW (SOLICITOR).

My name is Olive Martin. I was born on 8th September, 1964.1 live at 22 Leven Road, Dawlington, Southampton.

I am employed as a clerk in the Department of Health and Social Security in Dawlington High Street. Yesterday was my birthday. I am twenty-three years old. I have always lived at home. My relation s.h.i.+p with my mother and sister has never been close. I get on well with my father. I weigh eighteen and a half stone and my mother and sister have always teased me about it.

Their nickname for me was FattieHattie, after Hattie Jacques, the actress. I am sensitive to being laughed at for my size.

Nothing was planned for my birthday and that upset me. My mother said I wasn't a child any more and that I must organise my own treats. I decided to show her I was capable of doing something on my own. I arranged to have today off work with the idea of taking the train to London and spending the day sight-seeing. I did not organise the treat for yesterday, my birthday, in case she had planned a surprise for the evening which is what she did for my sister's twenty-first birthday in July. She did not. We all spent the evening quietly watching television. I went to bed feeling very upset. My parents gave me a pale pink jumper for my birthday present. It was very unflattering and I didn't like it. My sister gave me some new slippers which I did like.

I woke up feeling nervous about going to London on my own. I asked Amber, my sister, to phone in sick and come with me. She has been working in Glitzy, a fas.h.i.+on boutique in Dawlington, for about a month.

My mother got very angry about this and stopped her. We had an argument over breakfast and my father left for work in the middle of it. He is fifty-five and works three days a week, as a book-keeper for a private haulage company. For many years he owned his own garage. He sold it in 1985 because he had no son to take it over.

The argument became very heated after he left, with my mother blaming me for leading Amber astray. She kept calling me Fattie and laughing at me for being too wet to go to London alone. She said I had been a disappointment to her from the day I was born. Her shouting gave me a headache. I was still very upset that she had done nothing for my birthday and I was jealous because she had given Amber a birthday party.

I went to the drawer and took out the rolling pin. I hit her with it to make her be quiet, then I hit her again when she started screaming.

I might have stopped then but Amber started screaming because of what I had done. I had to hit her too. I have never liked noise.

I made myself a cup of tea and waited. I thought I had knocked them out. They were both lying on the floor. After an hour I wondered if they were dead.

They were very pale and hadn't moved. I know that if you hold a mirror to someone's mouth and there is no mist on it afterwards it means they are dead. I used the mirror from my handbag. I held it to their mouths for a long time but there was no mist. Nothing.

I became frightened and wondered how to hide the bodies. At first, I thought of putting them in the attic, but they were too heavy to carry upstairs. Then I decided the sea would be the best place as it's only two miles from our house, but I can't drive and, anyway, my father had taken the car. It seemed to me that if I could make them smaller I could fit them into suitcases and carry them that way. I have cut chickens into portions many times. I thought it would be easy to do the same thing with Amber and my mother. I used an axe that we kept in the garage and a carving knife from the kitchen drawer.

It wasn't at all like cutting up chickens. I was tired by two o'clock and I had only managed to take off the heads and the legs and three of the arms. There was a lot of blood and my hands kept slipping. I knew my father would be home soon and that I could never finish by then as I still had to carry the pieces to the sea. I realised it would be better to ring the police and admit what I had done. I felt much happier once I had made this decision.

It never occurred to me to leave the house and pretend that someone else had done it. I don't know why except that my mind was set on hiding the bodies. That's all I thought about. I did not enjoy cutting them up. I had to undress them so I could see where the joints were. I did not know I'd mixed the pieces up. I rearranged them out of decency, but there was so much blood that I couldn't tell which body was which. I must have put my mother's head on Amber's body by mistake. I acted alone.

I am sorry for what I have done. I lost my temper and behaved stupidly. I confirm that everything written here is true.

Signed-OLIVE MARTIN The statement was a photocopy, covering three typed sheets of A4. On the reverse of the last sheet was a photocopied extract from what was presumably the pathologist's report. It was brief, just a concluding paragraph, and there was no indication to show who had written it.

The injuries to the heads are entirely consistent with a blow or blows from a heavy solid object. These were inflicted before death and were not fatal. While there is no forensic evidence to suggest that the rolling pin was the weapon used, there is none to prove it wasn't.

Death in both cases was caused by severance of the carotid artery during the decapitation process. Examination of the axe revealed considerable rusting beneath the blood stains. It is highly probable that it was blunt before it was used to dismember the bodies. The extensive bruising around the cuts on Amber Martin's neck and trunk indicate three or four strikes with an axe before the cawing knife was used to cut the throat. It is unlikely that she ever regained consciousness In Mrs. Gwen Martin's case, however, the lacerations to her hands and forearms, inflicted before death, are consistent with her regaining consciousness and trying to defend herself. Two stabbing incisions below the jawline imply two failed attempts before her throat was successfully cut with the knife. These attacks were carried out with savage ferocity.

Roz read the pages through then put them on the table beside her and stared into the middle distance. She felt very cold.

Olive Martin took an axea Oh, G.o.d! No wonder Mr. Crew called her a psychopath. Three or four strikes with a blunted axe and Amber was still alive! Bile rose in her throat, nauseous, bitter, gagging. She must stop thinking about it. But she couldn't, of course. The m.u.f.fled thuds of metal bouncing off soft flesh boomed loudly in her brain. How dark and shadowy the flat was. She reached out abruptly and snapped on a table lamp but the light did nothing to dispel the vivid pictures that crowded her imagination, nightmare visions of a madwoman, frenzied by blood-l.u.s.t. And the bodiesa How far had she committed herself to writing this book? Had she signed anything? Had she received an advance. She couldn't remember and a cold fist of panic squeezed her insides. She was living in a twilight world where so little mattered that day followed day with nothing to distinguish their pa.s.sing. She thrust herself out of her chair and paced about the floor, cursing Iris for bouncing her, cursing herself for her own insanity, and cursing Mr.

Crew for not sending her the statement when she'd first written to him.

She seized the telephone and dialled Iris's number.

"Have I signed anything on the Olive Martin book? Why? Because I d.a.m.n well can't write it, that's why. The woman scares the b.l.o.o.d.y s.h.i.+t out of me and I am not visiting her again."

"I thought you liked her." Iris spoke calmly through a mouthful of supper.

Roz ignored this comment.

"I've got her statement here and the pathologist's report, or his conclusions at least. I should have read them first. I'm not doing it. I will not glorify what she did by writing a book about it. My G.o.d, Iris, they were alive when she cut their heads off. Her poor wretched mother tried to ward off the axe. It's making me sick just thinking about it."

"OK."

"OK what?"

"Don't write it."

Roz's eyes narrowed suspiciously.

"I thought you'd argue at least."