The Sculptress Part 21

"I gather Mr. Martin left his money to Amber's illegitimate son. I have been told' she stretched the truth like a piece of elastic *that he was adopted by some people called Brown who have since emigrated to Australia. Can you tell me if you've made any progress in finding him?"

Mr. Crew shot her an annoyed glance.

"Now where did you find that out, I wonder?" His voice clipped the words angrily.

"Has someone in my practice been talking?"

"No," she a.s.sured him.

"I had it from an independent source.

His eyes narrowed.

"I find that hard to believe. May I ask who it was?"

Roz smiled easily.

"Someone who knew Amber at the time the baby was born."

"How did they know the name?"

"I've no idea."

"Robert certainly wouldn't have talked," he muttered.

"There are rules governing the tracing of adopted children, which he was well aware of, but even allowing for that he was pa.s.sionate on the subject of secrecy. If the child were to be found he didn't want any publicity surrounding the inheritance.

The stigma of the murders could follow the boy all his life." He shook his head crossly.

"I must insist, Miss Leigh, that you keep this information to yourself.

It would be gross irresponsibility to publish it. It could jeopardise the lad's future."

"You really do have quite the wrong impression of me," said Roz pleasantly.

"I approach my work with immense care, and I do not set out to expose people for the sake of it."

He turned a corner.

"Well, be warned, young lady. I shan't hesitate to take out an injunction against your book if I think it justified." A gust of wind lifted the toupee's peak and he pressed it firmly to his head like a hat.

Roz, a step or two behind him, scurried alongside.

"Fair enough," she said, biting back her laughter.

"So, on that basis, could you answer my question? Have you found him yet? Are you anywhere near finding him?"

He padded on doggedly.

"Without wis.h.i.+ng to be offensive, Miss Leigh, I don't see how that information can help you. We have just agreed you won't be publis.h.i.+ng it."

She decided to be straight with him.

"Olive knows all about him, knows her father left him his money, knows you're looking for him." She lifted her hands at his expression of irritation.

"Not, in the first instance, from me, Mr. Crew. She's very astute and what she hadn't guessed for herself she picked up on the prison grapevine. She said her father would always leave money to family if he could so it hardly required much imagination to guess that he would try and trace Amber's child.

Anyway, whether or not you've had any success seems to matter to her. I hoped you could tell me something that would set her mind at rest."

He stopped abruptly.

"Does she want him found?"

"I don't know."

"Hm. Perhaps she thinks the money will come to her in the absence of the named beneficiary?"

Roz showed her surprise.

"I don't think that's ever occurred to her. It couldn't, anyway, could it? You made that point before."

Mr. Crew set off again.

"Robert did not insist that Olive should be kept in the dark. His only instruction was that we should avoid distressing her unnecessarily.

Wrongly, perhaps, I a.s.sumed that knowledge of the terms of the will would distress her. However, if she is already acquainted with them well, well, you can leave that with me, Miss Leigh. Was there anything else?"

"Yes. Did Robert Martin ever visit her in prison?"

"No. I'm sorry to say he never spoke to her again after she was charged with the murders."

Roz caught his arm.

"But he thought she was innocent," she protested with some indignation, *and he paid her legal bills.

Why wouldn't he see her? That was very cruel, wasn't it?"

There was a sharp gleam in the man's eyes.

"Very cruel," he agreed, *but not on Robert's part. It was Olive who refused to see him. It drove him to his death, which, I think, was her intention all along."

Roz frowned unhappily.

"You and I have very different views of her, Mr. Crew. I've only experienced her kindness."

The frown deepened.

"She did know he wanted to see her, I suppose."

"Of course. As a prosecution witness he had to apply to the Home Office for special permission to visit her, even though she was his daughter. If you contact them they'll verify it for you." He moved on again and Roz had to run to keep up with him.

"What about the inconsistencies in her statement, Mr. Crew?

Did you ask her about them?"

"What inconsistencies?"

"Well, for example, the fact that she doesn't mention the fight with her mother but claims Gwen and Amber were dead before she started to dismember them."

He cast an impatient glance at his watch.

"She was lying."

Roz caught at his arm again and forced him to stop.

"You were her solicitor," she said angrily.

"You had a duty to believe her."

"Don't be naY ve Miss Leigh. I had a duty to represent her."

He shook himself free.

"If solicitors were required to believe everything their clients told them there would be little or no legal representation left." His lips thinned in distaste.

"In any case I did believe her. She said she killed them and I accepted it. I had to. In spite of every attempt I made to suggest she said nothing, she insisted on making her confession." His eyes bored into hers.

"Are you telling me now that she denies the murders?"

"No," Roz admitted, *but I don't think the version she gave the police is the correct one."

He studied her for a moment.

"Did you talk to Graham Deedes?" She nodded.

"And?"

"He agrees with you."

"The police?"

She nodded again.

"One of them. He also agrees with you."

"And doesn't that tell you anything?"

"Not really. Deedes was briefed by you and never even spoke to her and the police have been wrong before." She brushed a curl of red hair from her face.

"Unfortunately, I don't have your faith in British justice."

"Obviously not." Crew smiled coolly.

"But your scepticism is misplaced this time. Good day to you, Miss Leigh." He loped away up the wind-swept street, the absurd toupee held in place under his hand, his coat-tails whipping about his long legs.

He was a comical figure, but Roz did not feel like laughing. For all his idiotic mannerisms he had a certain dignity.

She telephoned St. Angela's Convent from a payphone but it was after five o'clock and whoever answered said Sister Bridget had gone home for the evening. She called Directory Enquiries for the DSS number in Dawlington, but, when she tried it, the office had closed for the night and there was no answer. Back in her car she pencilled in a rough timetable for the following morning, then sat for some time with her notebook propped against the steering-wheel, running over in her mind what Crew had told her. But she couldn't concentrate. Her attention kept wandering to the more attractive lure of Hal Hawksley in the Poacher's kitchen.

He had an unnerving trick of catching her eye when she wasn't expecting it, and the shock to her system every time was cataclysmic. She thought *going weak at the knees' was something invented by romantic auth.o.r.esses. But the way things were, if she went back to the Poacher, she'd need a Zimmer frame just to make it through the door! Was she mad? The man was some sort of gangster. Whoever heard of a restaurant without customers? People had to eat, even in recessions. With a rueful shake of her head, she fired the engine and set off back to London. What the h.e.l.l, anyway! Sod's law predicated that because thoughts of him filled her mind with erotic fantasies his thoughts of her (if he thought about her at all) would be anything but libidinous.

London, when she reached it, was fittingly dogged and oppressive with Thursday night rush-hour traffic.

An older motherly inmate, elected by the others, paused nervously by the open door. The Sculptress terrified her but, as the girls kept saying, she was the only one Olive would talk to.

You remind her of her mother, they all said. The idea alarmed her, but she was curious. She watched the huge brooding figure, clumsily rolling a cigarette paper around a meagre sprinkling of tobacco, for several moments before she spoke.

"Hey, Sculptress! Who's the redhead you're seeing?"

Except for a brief ifick of her eyes, Olive ignored her.

"Here, have one of mine." She fished a pack of Silk Cut from her pocket and proffered it. The response was immediate. Like a dog responding to the ringing tap of its dinner plate, Olive shuffled across the floor and took one, secreting it in the folds of her dress somewhere.

"So who's the redhead?" persisted the other.

"An author. She's writing a book about me."

"Christ!" said the older woman in disgust.

"What she want to write about you for? I'm the one got b.l.o.o.d.y st.i.tched up."

Olive stared at her.

"Maybe I did, too."

"Oh, sure," the other sn.i.g.g.e.red, tapping her thigh.

"Now pull the other one. It's got frigging bells on."

A wheeze of amus.e.m.e.nt gusted from Olive's lips.

"Well, you know what they say: you can fool some of the people all of the time and all of the people some of the timea" She paused invitingly.

"But not all of the people all of the time," the woman finished obligingly. She wagged her finger.

"You haven't got a prayer."

Olive's unblinking eyes held hers.