White Noise Part 24

In the dark the mind runs on like a devouring machine, the only thing awake in the universe. I tried to make out the walls, the dresser in the corner. It was the old defenseless feeling. Small, weak, deathbound, alone. Panic, the G.o.d of woods and wilderness, half goat. I moved my head to the right, remembering the clock-radio. I watched the numbers change, the progression of digital minutes, odd to even. They glowed green in the dark.

After a while I woke up Babette. Warm air came rising from her body as she s.h.i.+fted toward me. Contented air. A mixture of forgetfulness and sleep. Where am I, who are you, what was I dreaming?

"We have to talk," I said.

She mumbled things, seemed to fend off some hovering presence. When I reached for the lamp, she gave me a backhand punch in the arm. The light went on. She retreated toward the radio, covering her head and moaning.

"You can't get away. There are things we have to talk about. I want access to Mr. Gray. I want the real name of Gray Research."

All she could do was moan, "No."

"I'm reasonable about this. I have a sense of perspective. No huge hopes or expectations. I only want to check it out, give it a try. I don't believe in magical objects. I only say, 'Let me try, let me see.' I've been lying here for hours practically paralyzed. I'm drenched in sweat. Feel my chest, Babette."

"Five more minutes. I need to sleep."

"Feel. Give me your hand. See how wet."

"We all sweat," she said. "What is sweat?"

"There are rivulets here."

"You want to ingest. No good, Jack."

"All I ask is a few minutes alone with Mr. Gray, to find out if I qualify."

"He'll think you want to kill him."

"But that's crazy. I'd be crazy. How can I kill him?"

"He'll know I told you about the motel."

"The motel is over and done. I can't change the motel. Do I kill the only man who can relieve my pain? Feel under my arms if you don't believe me."

"He'll think you're a husband with a grudge."

"The motel is frankly small grief. Do I kill him and feel better? He doesn't have to know who I am. I make up an ident.i.ty, I invent a context. Help me, please."

"Don't tell me you sweat. What is sweat? I gave the man my word."

In the morning we sat at the kitchen table. The clothes dryer was running in the entranceway. I listened to the tapping sound of b.u.t.tons and zippers as they struck the surface of the drum.

"I already know what I want to say to him. I'll be descriptive, clinical. No philosophy or theology. I'll appeal to the pragmatist in him. He's bound to be impressed by the fact that I'm actually scheduled to die. This is frankly more than you could claim. My need is intense. I believe he'll respond to this. Besides, he'll want another crack at a live subject. That's the way these people are."

"How do I know you won't kill him?"

"You're my wife. Am I a killer?"

"You're a man, Jack. We all know about men and their insane rage. This is something men are very good at. Insane and violent jealousy. Homicidal rage. When people are good at something, it's only natural that they look for a chance to do this thing. If I were good at it, I would do it. It happens I'm not. So instead of going into homicidal rages, I read to the blind. In other words I know my limits. I am willing to settle for less."

"What did I do to deserve this? This is not like you. Sarcastic, mocking."

"Leave it alone," she said. "Dylar was my mistake. I won't let you make it yours as well."

We listened to the tap and scratch of b.u.t.tons and zipper tabs. It was time for me to leave for school. The voice upstairs remarked: "A California think-tank says the next world war may be fought over salt."

All afternoon I stood by the window in my office, watching the Observatory. It was growing dark when Winnie Richards appeared at the side door, looked both ways, then began moving in a wolf-trot along the sloping turf. I hurried out of my office and down the stairs. In seconds I was out on a cobbled path, running. Almost at once I experienced a strange elation, the kind of bracing thrill that marks the recovery of a lost pleasure. I saw her turn a corner in a controlled skid before she disappeared behind a maintenance building. I ran as fast as I could, cutting loose, cutting into the wind, running chest out, head high, my arms pumping hard. She reappeared at the edge of the library, an alert and stealthy figure moving beneath the arched windows, nearly lost to the dusk. When she drew near the steps she suddenly accelerated, going full tilt from what was almost a standing start. This was a deft and lovely maneuver that I was able to appreciate even as it put me at a disadvantage. I decided to cut behind the library and pick her up on the long straight approach to the chemistry labs. Briefly I ran alongside the members of the lacrosse team as they charged off a field after practice. We ran step for step, the players waving their sticks in a ritualized manner and chanting something I couldn't understand. When I reached the broad path I was gasping for breath. Winnie was nowhere in sight. I ran through the faculty parking lot, past the starkly modern chapel, around the administration building. The wind was audible now, creaking in the high bare branches. I ran to the east, changed my mind, stood looking around, removed my gla.s.ses to peer. I wanted to run, I was willing to run. I would run as far as I could, run through the night, run to forget why I was running. After some moments I saw a figure loping up a hill at the edge of the campus. It had to be her. I started running again, knowing she was too far away, would disappear over the crest of the hill, would not resurface for weeks. I put everything I had into a final climbing burst, charging over concrete, gra.s.s, then gravel, lungs burning in my chest, a heaviness in my legs that seemed the very pull of the earth, its most intimate and telling judgment, the law of falling bodies.

How surprised I was, nearing the top of the hill, to see that she had stopped. She wore a Gore-Tex jacket puffed up with insulation and she was looking to the west. I walked slowly toward her. When I cleared a row of private homes I saw what it was that had made her pause. The edge of the earth trembled in a darkish haze. Upon it lay the sun, going down like a s.h.i.+p in a burning sea. Another postmodern sunset, rich in romantic imagery. Why try to describe it? It's enough to say that everything in our field of vision seemed to exist in order to gather the light of this event. Not that this was one of the stronger sunsets. There had been more dynamic colors, a deeper sense of narrative sweep.

"Hi, Jack. I didn't know you came up here."

"I usually go to the highway overpa.s.s."

"Isn't this something?"

"It's beautiful all right."

"Makes me think. It really does."

"What do you think about?"

"What can can you think about in the face of this kind of beauty? I get scared, I know that." you think about in the face of this kind of beauty? I get scared, I know that."

"This isn't one of the scarier ones."

"It scares me. Boy, look at it."

"Did you see last Tuesday? A powerful and stunning sunset. I rate this one average. Maybe they're beginning to wind down."

"I hope not," she said. "I'd miss them."

"Could be the toxic residue in the atmosphere is diminis.h.i.+ng."

"There's a school of thought that says it's not residue from the cloud that causes the sunsets. It's residue from the microorganisms that ate the cloud."

We stood there watching a surge of florid light, like a heart pumping in a doc.u.mentary on color TV.

"Remember the saucer-shaped pill?"

"Of course," she said. "A super piece of engineering."

"I found out what it's designed to do. It's designed to solve an ancient problem. Fear of death. It encourages the brain to produce fear-of-death inhibitors."

"But we still die."

"Everyone dies, yes."

"We just won't be afraid," she said.

"That's right."

"Interesting, I guess."

"Dylar was designed by a secret research group. I believe some of these people are psychobiologists. I wonder if you've heard rumors of a group working secretly on fear of death."

"I'd be the last to hear. No one can ever find me. When they do find me, it's to tell me something important."

"What could be more important?"

"You're talking about gossip, rumors. This is thin stuff, Jack. Who are these people, where is their base?"

"That's why I've been chasing you. I thought you'd know something about them. I don't even know what a psychobiologist is."

"It's a catchall sort of thing. Interdisciplinary. The real work is in the pits."

"Isn't there anything you can tell me?"

Something in my voice made her turn to look at me. Winnie was barely into her thirties but she had a sane and practiced eye for the half-concealed disasters that const.i.tute a life. A narrow face partly hidden by wispy brown ringlets, eyes bright and excited. She had the beaky and hollow-boned look of a great wading creature. Small prim mouth. A smile that was permanently in conflict with some inner stricture against the seductiveness of humor. Murray told me once he had a crush on her, found her physical awkwardness a sign of an intelligence developing almost too rapidly, and I thought I knew what he meant. She was poking and s.n.a.t.c.hing at the world around, overrunning it at times.

"I don't know what your personal involvement is with this substance," she said, "but I think it's a mistake to lose one's sense of death, even one's fear of death. Isn't death the boundary we need? Doesn't it give a precious texture to life, a sense of definition? You have to ask yourself whether anything you do in this life would have beauty and meaning without the knowledge you carry of a final line, a border or limit."

I watch light climb into the rounded summits of high-alt.i.tude clouds. Clorets, Velamints, Freedent.

"People think I'm s.p.a.cey," she said. "I have a s.p.a.cey theory about human fear, sure enough. Picture yourself, Jack, a confirmed homebody, a sedentary fellow who finds himself walking in a deep wood. You spot something out of the corner of your eye. Before you know anything else, you know that this thing is very large and that it has no place in your ordinary frame of reference. A flaw in the world picture. Either it shouldn't be here or you shouldn't. Now the thing comes into full view. It is a grizzly bear, enormous, s.h.i.+ny brown, swaggering, dripping slime from its bared fangs. Jack, you have never seen a large animal in the wild. The sight of this grizzer is so electrifyingly strange that it gives you a renewed sense of yourself, a fresh awareness of the self-the self in terms of a unique and horrific situation. You see yourself in a new and intense way. You rediscover yourself. You are lit up for your own imminent dismemberment. The beast on hind legs has enabled you to see who you are as if for the first time, outside familiar surroundings, alone, distinct, whole. The name we give to this complicated process is fear."

"Fear is self-awareness raised to a higher level."

"That's right, Jack."

"And death?" I said.

"Self, self, self. If death can be seen as less strange and unreferenced, your sense of self in relation to death will diminish, and so will your fear."

"What do I do to make death less strange? How do I go about it?"

"I don't know."

"Do I risk death by driving fast around curves? Am I supposed to go rock climbing on weekends?"

"I don't know," she said. "I wish I knew."

"Do I scale the sheer facade of a ninety-story building, wearing a clip-on belt? What do I do, Winnie? Do I sit in a cage full of African snakes like my son's best friend? This is what people do today."

"I think what you do, Jack, is forget the medicine in that tablet. There is no medicine, obviously."

She was right. They were all right. Gp on with my life, raise my kids, teach my students. Try not to think of that staticky figure in the Grayview Motel putting his unfinished hands on my wife.

"I'm still sad, Winnie, but you've given my sadness a richness and depth it has never known before."

She turned away, blus.h.i.+ng.

I said, "You're more than a fair-weather friend-you're a true enemy."

She turned exceedingly red.

I said, "Brilliant people never think of the lives they smash, being brilliant."

I watched her blush. She used both hands to pull her knit cap down over her ears. We took a last look at the sky and started walking down the hill.

31.

DID YOU REMEMBER: 1) to make out your check to Waveform Dynamics? 2) to write your account number on your check? 3) to sign your check? 4) to send payment in full, as we do not accept partial payment? 5) to enclose your original payment doc.u.ment, not a reproduced copy? 6) to enclose your doc.u.ment in such a way that the address appears in the window? 7) to detach the green portion of your doc.u.ment along the dotted line to retain for your records? 8) to supply your correct address and zip code? 9) to inform us at least three weeks before you plan to move? 10) to secure the envelope flap? 11) to place a stamp on the envelope, as the post office will not deliver without postage? 12) to mail the envelope at least three days before the date entered in the blue box?

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No one wanted to cook that night. We all got in the car and went out to the commercial strip in the no man's land beyond the town boundary. The never-ending neon. I pulled in at a place that specialized in chicken parts and brownies. We decided to eat in the car. The car was sufficient for our needs. We wanted to eat, not look around at other people. We wanted to fill our stomachs and get it over with. We didn't need light and s.p.a.ce. We certainly didn't need to face each other across a table as we ate, building a subtle and complex cross-network of signals and codes. We were content to eat facing in the same direction, looking only inches past our hands. There was a kind of rigor in this. Denise brought the food out to the car and distributed paper napkins. We settled in to eat. We ate fully dressed, in hats and heavy coats, without speaking, ripping into chicken parts with our hands and teeth. There was a mood of intense concentration, minds converging on a single compelling idea. I was surprised to find I was enormously hungry. I chewed and ate, looking only inches past my hands. This is how hunger shrinks the world. This is the edge of the observable universe of food. Steffie tore off the crisp skin of a breast and gave it to Heinrich. She never ate the skin. Babette sucked a bone. Heinrich traded wings with Denise, a large for a small. He thought small wings were tastier. People gave Babette their bones to clean and suck. I fought off an image of Mr. Cray lazing naked on a motel bed, an unresolved picture collapsing at the edges. We sent Denise to get more food, waiting for her in silence. Then we started in again, half stunned by the dimensions of our pleasure.

Steffie said quietly, "How do astronauts float?"

There was a pause like a missing tick in eternity.

Denise stopped eating to say, 'They're lighter than air."

We all stopped eating. A worried silence ensued.

"There is no air," Heinrich said finally. "They can't be lighter than something that isn't there. s.p.a.ce is a vacuum except for heavy molecules."

"I thought s.p.a.ce was cold," Babette said. "If there's no air, how can it be cold? What makes warm or cold? Air, or so I thought. If there's no air, there should be no cold. Like a nothing kind of day."

"How can there be nothing?" Denise said. "There has to be something."

'There is something," Heinrich said in exasperation. 'There's heavy molecules."

"Do-I-need-a-sweater kind of day," Babette said.

There was another pause. We waited to learn if the dialogue was over. Then we set to eating again. We traded unwanted parts in silence, stuck our hands in cartons of rippled fries. Wilder liked the soft white fries and people picked these out and gave them to him. Denise distributed ketchup in little watery pouches.

The interior of the car smelled of grease and licked flesh. We traded parts and gnawed.