Isla And The Happily Ever After Part 25

Much to the dismay of girls like Sanjita and Emily, the School of America in Paris doesn't have any formal dances. I've never minded, but now that I'm dressed up I'm almost on their side. I twirl in a complete circle. "I feel like Cinderella."

"Cinderella was blonde," Hattie says. "Redheads are never the princess."

"Bulls.h.i.+t," Gen says, and Maman tut-tuts her. "Amy Adams. Enchanted."

"h.e.l.lo, Ariel?" I say. "She was a princess, too."

"She was a fish," Hattie says.

"Isla!" Dad's voice booms from downstairs. "Your date is here!"

Is it possible to be both clammy and feverish? I don't know what's more nerve-racking: seeing Josh for the first time in two months, introducing him to my parents, or hanging out with his parents. Except, no. It's definitely the last one. The thought of speaking to his mother again has kept me from being able to eat all day. At least my parents are glad and relieved to finally be meeting Josh. They're also impressed that he's taking me to such a prestigious party.

Maman acknowledges my worried expression with an encouraging smile. "Prince Charming awaits."

"I wonder if he's as skinny and weird as I remember," Gen says.

"Hey," I say.

I wait for Hattie to cattily agree with Gen, but she's silent. She hasn't spoken a single word on the subject of Josh since Halloween. Maman shoos them both downstairs. My stomach is in knots. I can't decide which of his parents scares me more.

"There's nothing to be afraid of," Maman says, reading my mind. "His father will love you. His mother will learn to love you. You're intelligent, charming, and kind."

"Of course you think that."

"I would never describe your younger sister as charming."

That gets me to crack a smile.

"Come on. Don't you want to see what your boyfriend looks like in a tux?" Maman nudges me before whisking away. She calls out from the top of the stairs, "Joshua, mon cher. Lovely to finally meet you."

"Great to meet you, too." There's a smile that professional, political smile in his voice. "It's hard for me to believe, but your home looks even better than your windows at Bergdorf Goodman. I saw them last week. They're extraordinary."

She laughs. "Don't you know exactly what to say."

My legs turn gelatinous. Until this moment, I honestly don't know if I believed that I'd see him tonight. Excitement overtakes my nerves. I grab the jewelled clutch borrowed from Maman, dash from my room, and promptly freeze at the top of the stairs. Josh looks immaculate. His tuxedo is not a rental. He's saying something to my dad and wearing his trustworthy, son-of-a-senator face. And then he follows my father's upturned gaze, and absolutely everything about him changes as he stops talking mid-sentence.

Josh weakens.

There's a lump in my throat. It looks as if he's so grateful to see me that he's in physical pain. The feeling is reciprocated. The house vanishes, the voices disappear, and the air holds its own breath. Our eyes remain locked as I descend. Closer. Closer. Our hands outstretch, our fingers are about to touch- "Green and red." My dad gestures from my dress to my hair. "You look just like Mrs. Claus!"

The needle scratches across the record. Everyone turns and stares.

He blushes. "I meant Christmas. She looks like Christmas."

"You can't tell a girl that she looks like a holiday," Gen says.

"He was right the first time," Hattie says. She's standing on the periphery, as far away from Josh as possible. "You look like an old lady."

"Isla." Josh's voice catches on my name. "You look beautiful."

Because I see it in his eyes, I feel it in my heart. He takes my hand. His skin touches mine, and he's real again. And then we lose restraint, and he sweeps me into an embrace and kisses my cheek. And then again. I hug him. He squeezes me too hard in return, but it's wonderful and perfect and sublime.

Dad examines Josh with a renewed distrust. "When will you be home?" he asks me.

"I don't know," I say honestly.

"The gala is usually over by midnight, so she'll be home no later than that," Josh says. "Would you like to speak with Brian? He's our driver-slash-security tonight."

My dad brightens at the mention of security. He peeks through our curtains and then waves at someone down on the street. Brian, I a.s.sume. "That's okay." He scratches his thick beard, worries somewhat a.s.suaged. "Midnight it is."

I make a move for the front door. "Don't want to be late."

"Wait!" Gen holds up her phone. "Just one picture."

"Two," Maman says, reaching for her own.

I groan with embarra.s.sment, but Gen cuts me off. "Oh, come on. It's not every day that my little sis gets all dolled up."

"What do you mean? Isla wears a stupid dress every stupid day," Hattie says.

"Manhattan. Darling. Shut your mouth," Maman says.

A dozen pictures later, Josh and I are out the door and in the hall. As soon as we turn the corner away from the gaze of the keyhole I throw my arms around his neck. He leans into me but quickly pulls back. "Your lipstick."

"I don't care."

Josh pushes me against the wall. We kiss with everything we have, tasting each other, aching for each other. His lips are cracked with winter. He's brushed his teeth recently, and his mouth is sharp and clean. His hands slide across my back and down my hips. Our kissing grows more intense, frenzied from longing. A tremor runs through my body into his, and he bursts apart from me, gasping for breath.

"Your parents," he says. "They'll be watching from the window. Waiting for us to appear."

We stumble downstairs, laughing and hurrying. He wipes off the lipstick from his mouth, I wipe it off the skin around my mouth, and then we stroll out of the building as if we've been deep in conversation. I'm sure we look guilty as h.e.l.l. I glance up to the window, between the bare limbs of the climbing rose, and Maman and Gen wave down happily. Dad gives a brisk nod. Hattie isn't there.

A solid-looking man with stylish grey hair and a security earpiece opens the backseat door of a black town car. It's the same man who took the package from me at Josh's house over Thanksgiving. "Good evening, mademoiselle."

"Oh! You're Brian."

He gives me a wide grin. "It's nice to see you again. You look enchanting. Easy to see why our boy here talks of little else."

I glance at Josh, pleased, and he shrugs in a "what did you expect?" way.

We climb into the car, but as Brian moves towards the driver's side, Josh's smile drops. "This isn't my usual mode of transportation, you know."

"I don't know," I tease. "Seems like the two of you spend a lot of time together."

"Well, yeah, but usually at home. Or my dad's office. I don't want you to think that I'm always...chauffeured around like this. I take the subway."

I soften. "It's okay. I wasn't judging you."

"I know, I just-"

The driver's side door opens, and Brian slides in with a surprising amount of elegance and pizazz. He turns out to be a great storyteller, which is helpful, because it keeps me from wis.h.i.+ng that this posh car were even more posh say, a limousine with a part.i.tion for privacy because all I want to do is re-jump my boyfriend. Instead, I touch up my make-up. I don't want to arrive looking like a dishevelled floozy. Even though that's probably what his mother thinks about me anyway.

Brian wasn't lying. He knows enough about me to ask if I've heard back from Dartmouth. He winks at Josh in the rear-view mirror, but Josh doesn't notice. His eyes are only on me. I tell Brian the truth I'm waiting to hear back from them. I still haven't told Josh that I've heard from the other two schools. I still haven't told him that, so far, the only school that wants me is in France.

The Metropolitan Museum of Art is one of the most European-looking structures in Manhattan. As Josh leads me towards the entrance, it feels as if we've time-travelled back to October. Back to Paris. The white facade, the gargantuan columns, the long steps. If only we were headed towards a date at the Musee d'Orsay and not this meet-the-parents extravaganza. If Josh's mom is that intimidating, what will his dad be like?

Josh catches my expression and squeezes my arm. "You'll do great."

"Your parents hate me," I say.

"They don't hate you. They hate me."

"Let's go back to my place and make out in the hallway."

He grins down at me. "This place has a lot of hallways."

I've been here many times before, but the museum's Great Hall is still impressive. The domes and arches of its grand entryway so reminiscent of the Pantheon near our dorm are decked with gold ribbons, swags of evergreens, and giant ornaments and baubles. The echoing hall is filled with a buzzing stream of men and women in black tie. I'm glad Maman helped me dress for the occasion. At least I have confidence there.

Josh hands our tickets to an elderly woman in pearls and a black spangled top, and then we follow the crowd towards the party in the Medieval Sculpture Hall. He leads me in a gentlemanly manner, adultlike and formal. The surrounding couples move in a similar fas.h.i.+on. They look as if this stilted sort of behaviour is routine, but it's a first for us. I want to walk against him, wrapped into him, arms and hands entangled in one mess of limbs. This careful entrance only heightens my self-consciousness.

He guides me like this towards the distant sound of a string quartet aside the main staircase, through a narrow room of Byzantine artefacts, through another room with a masterfully marble-carved altar canopy, and straight into the bustling Sculpture Hall. The room is larger and taller, though still not as big as I'd remembered. Banners of heraldry in mixed patterns of red, blue, yellow and white hang down on each side. Below them, the walls are covered in tapestries of stags and ladies in medieval garb. And in the centre of the room the clear star of the collection is a ma.s.sive iron gate. From previous visits, I know it's a choir screen from a cathedral in Spain.

Centred before the screen is an equally ma.s.sive blue spruce surrounded by hundreds of creche figures from the eighteenth century. The tree itself is covered in angels and cherubs and lights that look like candles. It's dramatic, to be sure, but it's also...stiff.

"Merry Agnostic Christmas," Josh says. "Welcome to the most Jewish Christmas party in America."

I smile.

"There." He smiles back. "More of that."

We scan between the alabaster sculptures for his parents. Best to get this over with. We find them along the edge of the room beside a rough-looking statue of a clown. When we get closer, I realize that the statue's pointy red hat is a pope hat. It doesn't matter that I didn't say any of this out loud. I still feel stupid.

Josh's parents have their backs to us. They're holding gla.s.ses of white wine and conversing with a short man in perfectly round spectacles. "Judge Lederman," Josh whispers in my ear. "New York Supreme Court."

Yeah. Sure. No big deal.

"Joshua." The judge smiles and waves us over.

I try to act like it's normal for a state supreme court judge to know my boyfriend on a first-name basis. Josh's parents turn around. Their initial reaction is happiness, but it's quickly masked by a demeanour better described as professionally pleased. With a layer of curiosity. And perhaps another layer of mistrust.

Josh guides me forward by the small of my back. I imagine that I look like a mouse, weak and easy to discard from the premises. "Judge Lederman," Josh says. "It's good to see you." How bizarre to hear his interview voice being spoken live from his actual mouth. "This is my girlfriend, Isla Martin."

The judge shakes my hand. "A pretty little thing you are."

Gross. I smile. "It's nice to meet you, sir."

"Mom, you remember Isla," Josh continues as if our last encounter wasn't a shame-filled agonyfest. "Dad, I'd like to introduce you to my girlfriend. Isla, this is my father."

"It's nice to meet you, Senator."

Wait. Was I supposed to call him Senator? Mr. Wa.s.serstein? Senator Wa.s.serstein? I should have said "sir". Why didn't I say "sir"? Oh no! I called the judge "sir". Was I supposed to call him "your honour", or is that only in court? But Josh's dad smiles and reveals a comforting pair of familiar dimples. He pumps my hand. "Great to meet you. I've heard so many stories that I feel like I already know you."

I'm taken aback. He sounds sincere, but...is he? It must be that practised politico charm. I hadn't realized how lucky it is that our first meeting is in public. Josh's father has to pretend like everything is cool, even if it's not.

"Sam," he says to Judge Lederman. "Isla studies abroad."

"Ah, that's right," the judge says to Josh. "I forgot you lived overseas. England?"

"France. Though I'm finis.h.i.+ng my schooling here in America." Josh's reply is smooth. Antic.i.p.ated. His parents smile with ease, and it occurs to me that everyone playing this game is a pro. Everyone but me.

"Isla is the top student in her cla.s.s," the senator says.

My face pinkens as a surreal conversation occurs in which I am the subject, and Josh's parents are bragging about my accomplishments. It's uncomfortable to hear them praise me when they can't possibly mean what they're saying. There's no reason for them to like me. I'm a n.o.body. A n.o.body who took their son to Spain for s.e.x and then got him expelled from high school. This situation is so unexpected that I can't even answer their questions, and Josh is forced to pick up my end of the dialogue. Before I know it, the whole thing is over, and Josh is pulling me away.

"We're off to find something to eat," he tells his parents. "It was good seeing you again," he tells the judge, shaking his outstretched hand while steering me in the opposite direction.

"Nice to meet you," I call out. Which is the only thing I've said to any of them this entire time. Josh's parents probably think that he's been lying about my intelligence, too.

"That went well," Josh says.

"Did it?"

He glances at me. "We'll talk to them again later just the four of us after they've had a few more gla.s.ses of wine."

That's not an answer.

Josh swiftly pushes us through a cl.u.s.ter of uptight partygoers. He heads straight towards the canapes, grabs an uncharacteristically small sampling, and parades us past his parents again. He lifts his plate to them in a toast. His mother raises her gla.s.s in return. And then he's ducking and weaving us into the thickest crush in the room. His plate vanishes somewhere in the mix.

"Excuse me, pardon me," he says.

I'm scrambling to keep up. "These heels. They weren't built for this."

Josh throws me a mischievous smile, and I recognize a plan behind it. He continues threading us through a neighbouring gallery past stained-gla.s.s windows and a Pieta, glazed jugs and earthenware until we come to an abrupt halt before a closed door.

A closed door and a museum guard.

But the middle-aged guard in the navy suit loses all rigidity the moment he recognizes Josh. He breaks into an unexpected grin. Josh jerks up his chin in the universal guy-nod. The guard returns the nod, whisks open the door, and lets us pa.s.s.

The door shuts behind us.

The sound of the party instantly dims. We're in a very large, very dark, and very empty room. It's a vast indoor sculpture garden. We're in the American wing, but it feels as if we're back in Paris thanks to a gorgeous pair of flickering turn-of-the-century electric street lamps. I wonder if the guard left them on for us.

"What," I whisper, "was that?"

"We," Josh says at normal volume, "are taking a break from the soiree."

My heartbeat accelerates. "We are?"