Solomon And Lord Drop Anchor Part 2

"Say 'please,'" Cruz laughed, mocking him.

Just before midnight, the lights of Key West off the port, the Wet Dream cruised north through Hawk Channel, headed toward Miami. The sky was clear and sparkled with stars. The wind whipped across the bridge, bringing a night chill. Victoria slipped into her glen-plaid jacket. Hair messed, clothes rumpled, emotionally drained, she was trying to figure out how to salvage the situation.

I came aboard to save Steve from himself and I'm doing a lousy job.

Steve stood at the wheel, draining a La Tropical beer, maybe listening, maybe not, as Cruz berated him.

"You f.u.c.king loser," Cruz said. "Every minute I'm tied up is gonna cost you." Cruz rubbed his arm where the cuff was biting into his wrist. "I got nerve damage. Gonna add that to my lawsuit. When this is over, you'll wish the Cubans had taken you prisoner."

"Steve, I need a moment with you," Victoria said.

Steve put the boat on auto - Cruz complaining that it was a d.a.m.n reckless way to cruise at night - then headed down the ladder, joining Victoria in the salon.

"You can't keep him locked up," she said.

"I need more time."

"For what?"

"To think." He walked to the galley sink and turned the faucet, intending to toss cold water on his face. Same rattle, same thump. "d.a.m.n, I forgot. Cruz put all that money into his boat and still can't get the water to work."

"What?"

"A fancy boat like this and you can't wash your hands."

"No. What you said before. 'Cruz put all that money into his boat.'"

"It's just a figure of speech."

"Think about it, Steve. He doesn't own a house. He leases a car. No brokerage accounts, no bank accounts. Everything he has, he puts into his boat. If he ever has to leave town quickly..."

"Like he left Cuba," Steve said, picking up the beat. "With nothing but the clothes on his back."

"This time it would be different because..."

"The money's here! On the boat."

In sync now, she thought.

A man and a woman running stride for stride.

"Vic, why don't you go back up to the bridge and make sure we don't crash into any cruise s.h.i.+ps?"

"And what are you doing?"

"I'm gonna fix the plumbing."

Steve opened the hatch in the salon floor and climbed down a ladder to the engine compartment, wincing at the noise from the twin diesels. He found the black water tank first, tucked up under the bow. Sewage and waste water. Nothing unusual about it, and Cruz wouldn't want to dirty his hands with that, anyway. Then Steve found the freshwater tank, a custom job built into one of the bulkheads. Made of fibergla.s.s, it looked capable of holding 500 gallons or more. The boat had desalinization equipment, so why did Cruz need such a big tank?

A big tank that wasn't working.

Steve grabbed a flashlight mounted on a pole and took a closer look. He peered into an inspection port and could see the tank was three quarters full. On top of the tank was a metal plate with a built-in handle. He turned the plate counter-clockwise and removed it. Then he aimed the flashlight into the opening.

Water. Well, what did you expect?

He grabbed a mop that was attached by velcro to a stringer and poked the handle into the tank. The end of the handle clanked off the walls.

Clank. Clank. Clank. Thud.

Thud? What the h.e.l.l?

Steve pushed the mop handle around the bottom of the tank as if he were stirring a giant vat of paella. It snagged on something soft. He worked the handle under the object and lifted.

Something as long as a man's body but much thinner.

Thin enough to fit into the opening of the custom-built tank. The object was a transparent, plasticized pouch, and when the end peeked out of the opening, Steve saw Ben Franklin's tight-lipped face. A hundred dollar bill. Stacked on others. Dozens of stacks. As he pulled the pouch out of the tank, he saw even more. Hundreds of stacks, thousands of bills.

d.a.m.n heavy, Steve thought, lugging the pouch up the ladder from the engine compartment. Then he dragged the load out the salon door and into the c.o.c.kpit. "Now you've done it," Cruz sounded almost mournful. He stood on the bridge, aiming a double-barrel shotgun at Steve. The rail where he had been cuffed hung loose. "I didn't want this. But it's your own d.a.m.n fault."

"I'm sorry, Steve," Victoria said. "When I came up here, he'd gotten out."

"Not your fault," Steve said. He dragged the pouch to the starboard gunwale.

"Stop right there!" Cruz ordered. "Step away from the money."

"Nope. Don't think so."

Cruz pumped the shotgun, an unmistakable click-clack that Steve felt in the pit of his stomach. "I'll blow your head off."

"And leave blood and bone and tissue embedded in the planking? Nah. You may kill us, but you won't do it on your boat." Steve hoisted the pouch onto the rail.

"If I can't take this to Teresa, I'm sure as h.e.l.l not gonna let you have it. Your treasure, pal, is strictly Sierra Madre.'"

The shotgun blast roared over Steve's head, and he flinched. The pouch balanced on the rail, halfway between the deck and the deep blue sea.

"Put the money down, a.s.shole."

"Okay, okay." Steve shoved the pouch over the rail and it splashed into the water.  "It's down."

"a.s.shole!" Cruz grabbed both throttles, slowed the boat, and swung her around. He turned a spotlight on the water.

Nothing but a black sea and foamy whitecaps.

He swung the spotlight left and right. Still nothing, until...the beam picked up the pouch floating with the current. Cruz eased the boat close to the pouch at idle speed, slipped the engine out of gear, then dashed down the ladder. Grabbing a tarpon gaff, he moved quickly to the gunwale. Shotgun in one hand, gaff in the other, he motioned toward Steve. "Back up. All the way to the chair."

"Do what he says, Steve," Victoria called from the bridge.

"Only because you said so." Steve moved toward one of the fighting chairs.

Cruz leaned over the side and snagged the pouch with the gaff. He struggled to lift it with one arm, still aiming the shotgun at Steve.

Suddenly, the boat shot forward, and Cruz tumbled into the water, the shotgun blasting into s.p.a.ce as it fell onto the deck. On the bridge, Victoria had one hand on the throttles, the other on the wheel.

"Cono!" Cruz shouted from the darkness.

"Do sharks feed at night?" Steve leaned over the side. "Or should I just drop some wiggles on your head and find out?"

"Get me out of here!" His voice more fearful than demanding.

"Nah."

"No me jodas!"

"I'm not f.u.c.king with you. Just don't feel like giving you a lift."

Victoria raced down the ladder and joined Steve in the c.o.c.kpit. "Testing, testing," she said, punching a b.u.t.ton on her pocket Dictaphone.

"What are you doing?" Steve said.

"Mr. Cruz," Victoria called out. "We'll bring you on board once you answer a few questions."

Cruz was splas.h.i.+ng just off the starboard side. "What f.u.c.king questions!"

"Do you admit stealing three million dollars from Teresa Torao?" Victoria said.

Pink slivers of sky lit up the horizon and seabirds squawked overhead as Steve steered the boat into the channel at Matheson Hammock. He had one hand on the wheel and one draped on Victoria's shoulder. A s.h.i.+vering Cruz, his arms and legs bound with quarter-inch line, was laced into a fighting chair in the c.o.c.kpit. His taped confession would be in the hands of the State Attorney by noon. The pouch of money lay at his feet, taunting him.

"What are you thinking about?" Victoria asked.

"I was just imagining the look on Teresa's face when we give her the money."

"She'll be delighted. But it was never about the money, Steve."

"Whadaya mean?"

"When you were a baby lawyer, Teresa believed in you and n.o.body else did.  You needed to prove to her that she was right. And maybe you needed to prove it to yourself, too."

Steve shrugged. "If you say so."

She wrapped both arms around his neck. "But remember this, Steve. You never have to prove anything to me." They kissed, at first softly, and then deeper and slower. The kiss lasted a long time, and when they each opened their eyes, the sun was peeking above the horizon in the eastern sky.

Their bodies pressed together, Victoria felt something digging into her hip. "Are you carrying another pair of handcuffs?"

"Nope."

"Then what...?" She jammed a hand into one of his pockets. "Oh. That."

Steve smiled. "Like I said, no cuffs."

"That's okay, sailor." She brushed her lips against his cheek. "You won't need them."

_____________.

Preview:

TO SPEAK FOR THE DEAD.

M A Y 1 9 8 0.

Prologue.

TABLE DANCER.

He would remember the sounds-the wailing sirens, the moans of the injured-and the smells, a smoky ashen stench that clung to hair and clothing. Late the first night, he slipped into the parking lot for some air, and he tasted the sky as the smoke rose above Miami's inner core. He heard the city scream, the popping of wood and plastic aflame, short bursts of gunfire followed by silence, then the crackle of police radios. Later he would remember slipping in a puddle of blood on the tile floor of the Emergency Room.

He would not leave the hospital for seventy-two hours, and by then, he had treated more gunshot wounds than most doctors see in a lifetime. Blacks against police, whites against blacks, savage violence in a ghetto hopelessly misnamed Liberty City. By the time the shooting stopped and the fires were out, an eerie silence hung over the area, an inner-city battle zone where neither side surrendered, but each put away its weapons and withdrew.

"That's a real poster a.s.s, huh?"

Roger Salisbury shot a sideways glance at the man next to him. A working guy, heavy boots and a plaid s.h.i.+rt open at the neck. Thick hands, one on a pack of cigarettes, the other on his drink, elbows resting on the scarred bar. "Like to frame that a.s.s, hang it in the den next to Bob Griese."

"Uh-huh," Salisbury mumbled. He didn't come here to talk, didn't know why he came. Maybe to lose himself in a place crammed with people and noise, to be alone amid clinking gla.s.ses, laughter, and the creaminess of women's bodies. He strained his neck to see her above him on the stage.