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Now, smoothing things over is practically a profession to mothers of families. But Milly Dilworth had never succeeded in it. In the first place, she had no gift of words; the more she felt, the more inexpressive she became; but, worst of all, she had, poor woman, not the slightest sense of humor. Now, in dealing with husbands and children (especially with husbands), though you have the tongues of men--which are thought to be more restrained than those of women--and though you have the gift of prophecy (a common gift of wives) and understand all mysteries--say, of housekeeping--and though you give your body to be used up and worn out for their sakes, yet all these things profit you nothing if you have no sense of humor. And Milly Dilworth had none.
That was why she could not understand.
She loved, in her tender, undemonstrative way, her shy, unpractical, secretive Edwin and her two capable girls; she loved, with the single, silent pa.s.sion of her soul, her generous, selfish, light-hearted Tom, who took her wordless wors.h.i.+p as unconsciously and simply as he took the air he breathed; she loved them all. But she did not pretend to understand them. Thus she stood always a little aside, watching and loving, and wondering sometimes in her simple way; but often suffering, as people with no sense of humor are apt to suffer. Dear, dull, gentle Milly! No one could remember a harsh word of hers, or mean deed, or a little judgment. No wonder Dr. Lavendar felt confident that there would be no thistles in her household.
Thomas Dilworth had the same comfortable conviction, especially in regard to his girls. "Now, Milly, honestly," he used to say, "apart from the fact that they are ours, don't you really think they are the nicest girls in Old Chester?"
Milly would admit, in her brief way, that they were good children.
"And Edwin means all right," the father would a.s.sure himself; and then add that he couldn't understand their boy--"at least, I suppose he's ours? w.i.l.l.y King says so. I have thought perhaps he was a changeling, put into the cradle the first day."
"But, Tom," Milly would protest, anxiously, "Neddy couldn't be a changeling. He was never out of my sight for the first week--not even to be taken out of the room to be shown to people. Besides, he has your chin and my eyes."
"Well, if you really think so?" Thomas would demur. And Mrs. Dilworth always said, earnestly, that she was sure of it.
Still, in spite of eyes and chin, Ned's unpracticalness was an anxiety to his father, and his uncommunicativeness a constant irritation.
Thomas himself was ready to share anything he possessed, money or opinions or hopes, with any friend, almost with any acquaintance. "I don't want to know anybody's business," he used to say; "I'm not inquisitive, Milly; you know I'm not. But I hate hiding things! Why shouldn't he say where he's going when he goes out in the evening?
Sneaking off, as if he were ashamed."
"He just doesn't think of it," the mother would say, trying to smooth it over.
"Well, he ought to think of it," the father would grumble, eager to be smoothed.
But Milly found it harder to reconcile her husband to their boy's indifference to business than to his reserves.
"He sees fit to look down on the hardware trade," Tom told his wife, angrily. "'Well, sir,' I said to him the other day, 'it's given you your bread-and-b.u.t.ter for nineteen years; yes--and your fiddle, too, and your everlasting music lessons.' And I'll tell you what, Milly, a man who looks down on his business will find his business looking down on him. And it's a good business--it's a darned good business. If Ned doesn't have the sense to see it, he had better go and play his fiddle and hold out his hat for pennies."
Milly looked anxiously sympathetic.
"I don't know what is going to become of him," Thomas went on. "When you come to provide for three out of the hardware business, n.o.body gets very much."
Mrs. Dilworth was silent.
"I was talking about him to Dr. Lavendar yesterday, and he said: 'Oh, he'll fall in love one of these days, and he'll see that fiddling won't buy his wife her shoe-strings; then he'll take to the hardware business,' Dr. Lavendar said. It's all very well to talk about his falling in love and taking to business; but if he falls in love, I'll have another mouth to fill. And maybe more," he added, grimly.
"Not for a year, anyway," his wife said, hopefully. "And, besides, I don't think Neddy's thinking of such a thing."
"I hope not, at his age."
"You were engaged when you were nineteen."
"My dear, I wasn't Ned."
Mrs. Dilworth was silent.
"The Packards telegraphed to-day that they wouldn't take that reaper,"
Tom Dilworth said.
Milly seemed to search for words of sympathy, but before she found them Tom began to talk of something else; he never waited for his wife's replies, or, indeed, expected them. He was so const.i.tuted that he had to have a listener; and during all their married life she had listened.
When she replied, she was a sounding-board, echoing back his own opinions; when she was silent, he took her silence to mean agreement.
Tom used to say that his Milly wasn't one of the smart kind; he didn't like smartness in a woman, anyway; but she had darned good sense;--for, like the rest of us, Thomas Dilworth had a deep belief in the intelligence of the people who agreed with him....
"I have a great mind," he rambled on, "to go up to the Hayeses'. You know that note is due on the 15th, and I believe I'll have to ask him to extend it. I hate to do it, but Packard has upset my calculations, and I'll have to get an extension, or else sell something out; and just now I don't like to do that."
"Very well," she said. It was her birthday--the one day in the year that her Thomas remembered that he had been in love with her for so many years, months, days, hours, minutes--a fact she never for one day in the year forgot. But she could no more have reminded him of the day than she could have flown. She was const.i.tutionally inexpressive.
Tom began to whistle:
[Ill.u.s.tration: music fragment]
but broke off to say, "Well, since you advise it, I'll see Hayes"; then he gave her a kiss, and immediately forgot her--as completely as he had forgotten his supper or any other comfortable and absolutely necessary thing. Then he lighted his cigar and started for the Hayeses'.
II
"And who do you suppose I found there?" he said, when he got home, well on towards eleven o'clock, an hour so dissipated for Old Chester that Milly was broad awake in silent anxiety. "Why, Ned, if you please! He was talking to Hayes's daughter Helen. She seems a mighty nice girl, Milly. I packed young Edwin off at nine; he was boring Miss Helen to death. Boys have no sense about such things. Can't you give him a hint that women of twenty-five don't care for little boys' talk?
By-the-way, she talks mighty well herself. After I settled my business with Hayes, we got to discussing the President's letter; she had just read it."
"Do you mean to say _that the President has written to Helen Hayes_?"
cried Mrs. Dilworth, sitting up in bed in her astonishment.
Thomas roared, and began to pull his boots. "Why, they are regular correspondents! Didn't you know it?"
"No! I hadn't the slightest idea--Tom, you're joking?"
"My dear, you can't think I am capable of joking? But, Milly, look here, I'll tell you one thing: she was mighty sensible about Ned. She thinks there's a good deal to him--"
"I don't need Helen Hayes to tell me that," said Ned's mother.
Tom, who never paused for his wife's reply, was whistling joyfully:
[Ill.u.s.tration: music fragment]
Helen Hayes had been very comforting to him; he had protested, when Ned reluctantly departed, that a boy never knew when to clear out; and Miss Helen had pouted, and said Ned shouldn't be scolded; "I wouldn't let him 'clear out'--so there!" Few women of thirty-two can be cunning successfully, but Tom thought Miss Helen very cunning. "I just perfectly love to hear him talk about his music," she said.
"He can't talk about anything else," Ned's father said. "That's the trouble with him."
"The trouble with him? Why, that's the beauty of him," said Miss Hayes, with enthusiasm; and Thomas said to himself that she was a mighty good-looking girl. The rose-colored lamp-shade cast a soft light on a face that was not quite so young as was the frock she wore--rose-colored also, with much yellowish lace down the front. It was very unlike Milly's dresses--dark, good woollens, made rather tight, for Milly, short and stout and forty-three, aspired (for her Thomas's sake) to a figure,--which is always a pity at forty-three.
Furthermore, Helen Hayes's hands, very white and heavy with s.h.i.+ning rings, lay in lovely idleness in her lap; and that is so much more restful in a woman's hands than to be fussing with sewing "or everlasting darning," Thomas thought. In fact, what with her lovely idleness and her praise of his boy, Tom Dilworth thought he had rarely seen so pleasing a young woman. "Though she's not so very young, after all; she must be twenty-five," he told his wife.
"She'll never see thirty again."
"Well, she's a mighty nice girl," Thomas said.
Except to look pretty, Miss Helen Hayes had done nothing to produce this impression, for she had contradicted Mr. Dilworth up and down about Ned.