Create Dangerously Part 9

Chapter 7. Bicentennial.

The Thomas Jefferson quotations can be found at the Library of Congress's American Memory Archives: The Thomas Jefferson Papers 1606-1827 at http://memory.loc.gov/ammem/collections/jefferson_papers. I also use Notes on the State of Virginia, edited by William Peden (Chapel Hill: University of North Carolina Press, 1982). Toussaint L'Ouverture's speech that begins "In overthrowing me . . . " is widely circulated and paraphrased. I am using the version that is in Ralph Korngold, Citizen Toussaint (Westport, CT: Greenwood Press, 1979). For a recent biography of Toussaint L'Ouverture, see Madison Smartt Bell, Toussaint Louverture: A Biography (New York: Pantheon Books, 2007). The edition of Alejo Carpentier's Kingdom of This World referenced and quoted here was published by Farrar, Straus and Giroux in 2006. Alejo Carpentier's comments about Haiti and magic realism were reprinted in Cristina Garcia, ed., Cubanisimo: The Vintage Book of Contemporary Cuban Literature (New York: Vintage, 2003)

Chapter 8. Another Country.

The quotation from Their Eyes Were Watching G.o.d is from the Harper Collins Perennial edition (New York: Harper Collins, 1999.) The Masood Farivar quotation is from his essay "Man on the Path," in 110 Stories: New York Writes after September 11, edited by Ulrich Baer (New York: New York University Press, 2002). The Isabel Allende quotation is from My Invented Country: A Nostalgic Journey through Chile, translated by Margaret Sayers Peden (New York: Harper Collins, 2003).

Chapter 9. Flying Home.

The Wole Soyinka poem "New York, USA" is from Mandela's Earth and Other Poems (New York: Random House, 1988.) "i have not written one word / no poetry in the ashes south of ca.n.a.l street" is from the poem "first writing since" by Suheir Hammad published in Trauma at Home: After 9/11, edited by Judith Greenberg (Lincoln: University of Nebraska Press, 2003.) The Ralph Ellison short story "Flying Home" is found in the book Flying Home, edited by John F. Callahan (New York: Vintage International, 1996). The quotation "On Wednesday the 18th of February, 1931, I will take off from Mercy and fly away on my own wings. Please forgive me, I loved you all" is from Toni Morrison's Song of Solomon (New York: Vintage International, 1977.) The Ralph Waldo Emerson quotations here are from the essay "The Poet" in Ralph Waldo Emerson: Selected Essays, Lectures and Poems, edited and with a foreword by Robert D. Richardson (New York: Bantam Cla.s.sics, 1990). The Adrian Dannat quotation concerning Michael Richards is from Michael Richards's obituary in the Independent on September 24, 2001. The Moukhtar Kocache quotation is from C. Carr, "Lost Horizons: An Artist Dead, a Downtown Arts Organization in Ruins," Village Voice, September 18, 2001. The quote from a.s.sotto Saint is from Spells of a Voodoo Doll: The Poems, Fiction, Essays and Plays of a.s.sotto Saint (New York, Richard Kasak Books, 1996).

Chapter 10. Welcoming Ghosts.

For much of Hector Hyppolite's life story, I am grateful to Selden Rodman's The Miracle of Haitian Art (Garden City, NY: Doubleday, 1974) as well as Selden Rodman's Where Art Is Joy, Haitian Art: The First Forty Years (New York: Ruggles de Latour, 1988). Basquiat's biography, particularly his "Papa, I will be very famous one day," is from Phoebe Hoban's Basquiat: A Quick Killing in Art (Harmondsworth, UK: Penguin, 1998). Demosthenes Davvetas's interview with Jean-Michel Basquiat was published in New Art International, no. 3 (October-November 1998), and was reprinted in the art catalog Basquiat (Milan: Edizioni Charta and Civico Museo Revoltella Trieste, 1999). The Miller/Basquiat interview (Jean-Michel Basquiat: An Interview, ART/new york, no. 30A, 1989) is from Inner Tube Video. The "Madison Avenue Primitive" reference is from Adam Gopnik, "Madison Avenue Primitive," New Yorker, November 9, 1992.

Chapter 11. Acheiropoietos.

The poem "Tourist" by Felix Morisseau-Leroy was translated from Haitian Creole by Jack Hirschman and is published widely on the Internet as well as in Haitiad and Oddities, edited by Jeffrey Knapp (Austin: University of Texas, 1991). The Junot Diaz quotation is from his essay "Becoming a Writer," published in O: The Oprah Magazine, November 2009. Selden Rodman and Carole Cleaver tell a version of the story about Gran Brigit and the cemetery tree in their book Spirits of the Night: The Vaudun G.o.ds of Haiti (Dallas: Spring Publications, 1992). The Susan Sontag quotations are from Susan Sontag, On Photography (New York: Farrar, Strauss, Giroux, 1973). The Roland Barthes quotations are from Roland Barthes, Camera Lucida: Reflections on Photography, translated by Richard Howard (New York: Farrar, Strauss, Giroux, 1973). Jane Regan and Daniel Morel's book on the Septentrional has not yet been published. The quotations are from a ma.n.u.script in progress. Albert Camus' short story "The Artist at Work" is reprinted in Albert Camus, The Plague, the Fall, Exile and the Kingdom, and Selected Essays (New York: Everyman's Library, 2004).

Chapter 12. Our Guernica.

The Jean Genet quotation, "Your song was very beautiful," is from the English edition of Jean Genet's Les Negres-The Blacks (New York: Grove Press, 1960). The Dolores Dominique Neptune quotations are from an e-mail message dated January 30, 2010, sent by Claudine Michel, Professor, Department of Black Studies, University of California, Santa Barbara. The Evelyne Trouillot quotation is from Evelyne Trouillot, "Aftershocks," Op-ed, New York Times, January 20, 2010. The Lyonel Trouillot quotation is from Lyonel Trouillot, "Carnet de Bord a Haiti: Fais divers de nos mauvais jours, 5/9," published on January 24, 2010, at www.lepoint.fr; the translation is mine.

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