American Supernatural Tales Part 2

When lights were brought, and Wolfgang had a better opportunity of contemplating the stranger, he was more than ever intoxicated by her beauty. Her face was pale, but of a dazzling fairness, set off by a profusion of raven hair that hung cl.u.s.tering about it. Her eyes were large and brilliant, with a singular expression approaching almost to wildness. As far as her black dress permitted her shape to be seen, it was of perfect symmetry. Her whole appearance was highly striking, though she was dressed in the simplest style. The only thing approaching to an ornament which she wore was a broad, black band round her neck, clasped by diamonds.

The perplexity now commenced with the student how to dispose of the helpless being thus thrown upon his protection. He thought of abandoning his chamber to her, and seeking shelter for himself elsewhere. Still he was so fascinated by her charms, there seemed to be such a spell upon his thoughts and senses, that he could not tear himself from her presence. Her manner, too, was singular and unaccountable. She spoke no more of the guillotine. Her grief had abated. The attentions of the student had first won her confidence, and then, apparently, her heart. She was evidently an enthusiast like himself, and enthusiasts soon understand each other.

In the infatuation of the moment Wolfgang avowed his pa.s.sion for her. He told her the story of his mysterious dream, and how she had possessed his heart before he had even seen her. She was strangely affected by his recital, and acknowledged to have felt an impulse towards him equally unaccountable. It was the time for wild theory and wild actions. Old prejudices and superst.i.tions were done away; every thing was under the sway of the "G.o.ddess of Reason." Among other rubbish of the old times, the forms and ceremonies of marriage began to be considered superfluous bonds for honourable minds. Social compacts were the vogue. Wolfgang was too much of a theorist not to be tainted by the liberal doctrines of the day.

"Why should we separate?" said he: "our hearts are united; in the eye of reason and honour we are as one. What need is there of sordid forms to bind high souls together?"

The stranger listened with emotion: she had evidently received illumination at the same school.

"You have no home nor family," continued he; "let me be every thing to you, or rather let us be every thing to one another. If form is necessary, form shall be observed-there is my hand. I pledge myself to you for ever."

"For ever?" said the stranger, solemnly.

"For ever!" repeated Wolfgang.

The stranger clasped the hand extended to her: "Then I am yours," murmured she, and sank upon his bosom.

The next morning the student left his bride sleeping, and sal-lied forth at an early hour to seek more s.p.a.cious apartments, suitable to the change in his situation. When he returned, he found the stranger lying with her head hanging over the bed, and one arm thrown over it. He spoke to her, but received no reply. He advanced to awaken her from her uneasy posture. On taking her hand, it was cold-there was no pulsation-her face was pallid and ghastly.-In a word-she was a corpse.

Horrified and frantic, he alarmed the house. A scene of confusion ensued. The police was summoned. As the officer of police entered the room, he started back on beholding the corpse.

"Great heaven!" cried he, "how did this woman come here?"

"Do you know anything about her?" said Wolfgang, eagerly.

"Do I?" exclaimed the police officer: "she was guillotined yesterday!"

He stepped forward; undid the black collar round the neck of the corpse, and the head rolled on the floor!

The student burst into a frenzy. "The fiend! the fiend has gained possession of me!" shrieked he: "I am lost for ever!"

They tried to soothe him, but in vain. He was possessed with the frightful belief that an evil spirit had reanimated the dead body to ensnare him. He went distracted, and died in a madhouse.

Here the old gentleman with the haunted head finished his narrative.

"And is this really a fact?" said the inquisitive gentleman.

"A fact not to be doubted," replied the other. "I had it from the best authority. The student told it me himself. I saw him in a madhouse at Paris."

NATHANIEL HAWTHORNE.

Nathaniel Hawthorne was born in 1804 in Salem, Ma.s.sachusetts, and spent the bulk of his life there. One of his ancestors was a judge during the Salem witch trials. Ill health, along with a naturally solitary and bookish nature, kept him at home and limited his schooling for much of his youth, which alternated between his Salem home and a family home in Raymond, Maine. He graduated in 1825 from Bowdoin College, where he met Henry Wadsworth Longfellow and the future president Franklin Pierce. Over the next dozen years, spent largely in seclusion, Hawthorne published his first several books, including Fanshawe Fanshawe (1828) and (1828) and Twice-Told Tales Twice-Told Tales (1837). After marrying Sophia Peabody in 1842, Hawthorne published (1837). After marrying Sophia Peabody in 1842, Hawthorne published Mosses from an Old Manse Mosses from an Old Manse (1846) and the two volumes for which he would be best remembered, (1846) and the two volumes for which he would be best remembered, The Scarlet Letter The Scarlet Letter (1850) and (1850) and The House of the Seven Gables The House of the Seven Gables (1851). For a time he worked in the Custom House in Salem; later, when Franklin Pierce became president, Hawthorne became United States consul at Liverpool, spending the years 1853-57 in England. His friends.h.i.+p with Herman Melville fostered both writers' careers. Among Hawthorne's later works are (1851). For a time he worked in the Custom House in Salem; later, when Franklin Pierce became president, Hawthorne became United States consul at Liverpool, spending the years 1853-57 in England. His friends.h.i.+p with Herman Melville fostered both writers' careers. Among Hawthorne's later works are The Blithedale Romance The Blithedale Romance (1852) and (1852) and The Marble Faun The Marble Faun (1860). Hawthorne died in Plymouth, New Hamps.h.i.+re, in 1864. (1860). Hawthorne died in Plymouth, New Hamps.h.i.+re, in 1864.

The supernatural was a lifelong concern for Hawthorne, and he used it in variegated ways to underscore the moral messages he sought to convey. The celebrated tale "Young Goodman Brown" (1835) is a haunting account of secret witchcraft, while "Rappacini's Daughter" (1844) is a story of science gone mad. Although not overtly supernatural, The House of the Seven Gables The House of the Seven Gables is a powerful rumination on an ancestral curse. Throughout his life, Hawthorne worked on several narratives about the elixir of life, including such works as is a powerful rumination on an ancestral curse. Throughout his life, Hawthorne worked on several narratives about the elixir of life, including such works as Septimius Felton Septimius Felton (1872) and (1872) and The Dolliver Romance The Dolliver Romance (1876). "Edward Randolph's Portrait" (first published in the (1876). "Edward Randolph's Portrait" (first published in the United States Magazine and Democratic Review United States Magazine and Democratic Review, July 1838, and included in the revised edition of Twice-Told Tales Twice-Told Tales, 1842) embodies many of the central themes in Hawthorne's supernatural work, notably the powerful effect of the crimes and evils of the past upon the present.

EDWARD RANDOLPH'S PORTRAIT The old legendary guest of the Province House abode in my remembrance from midsummer till January. One idle evening last winter, confident that he would be found in the snuggest corner of the bar-room, I resolved to pay him another visit, hoping to deserve well of my country by s.n.a.t.c.hing from oblivion some else unheard-of fact of history. The night was chill and raw, and rendered boisterous by almost a gale of wind, which whistled along Was.h.i.+ngton Street, causing the gas-lights to flare and flicker within the lamps. As I hurried onward, my fancy was busy with a comparison between the present aspect of the street and that which it probably wore when the British governors inhabited the mansion whither I was now going. Brick edifices in those times were few, till a succession of destructive fires had swept, and swept again, the wooden dwellings and warehouses from the most populous quarters of the town. The buildings stood insulated and independent, not, as now, merging their separate existences into connected ranges, with a front of tiresome ident.i.ty,-but each possessing features of its own, as if the owner's individual taste had shaped it,-and the whole presenting a picturesque irregularity, the absence of which is hardly compensated by any beauties of our modern architecture. Such a scene, dimly vanis.h.i.+ng from the eye by the ray of here and there a tallow candle, glimmering through the small panes of scattered windows, would form a sombre contrast to the street as I beheld it, with the gas-lights blazing from corner to corner, flaming within the shops, and throwing a noonday brightness through the huge plates of gla.s.s.

But the black, lowering sky, as I turned my eyes upward, wore, doubtless, the same visage as when it frowned upon the ante-revolutionary New Englanders. The wintry blast had the same shriek that was familiar to their ears. The Old South Church, too, still pointed its antique spire into the darkness, and was lost between earth and heaven; and as I pa.s.sed, its clock, which had warned so many generations how transitory was their lifetime, spoke heavily and slow the same unregarded moral to myself. "Only seven o'clock," thought I. "My old friend's legends will scarcely kill the hours 'twixt this and bedtime."

Pa.s.sing through the narrow arch, I crossed the courtyard, the confined precincts of which were made visible by a lantern over the portal of the Province House. On entering the bar-room, I found, as I expected, the old tradition monger seated by a special good fire of anthracite, compelling clouds of smoke from a corpulent cigar. He recognized me with evident pleasure; for my rare properties as a patient listener invariably make me a favorite with elderly gentlemen and ladies of narrative propensities. Drawing a chair to the fire, I desired mine host to favor us with a gla.s.s apiece of whiskey punch, which was speedily prepared, steaming hot, with a slice of lemon at the bottom, a dark-red stratum of port wine upon the surface, and a sprinkling of nutmeg strewn over all. As we touched our gla.s.ses together, my legendary friend made himself known to me as Mr. Bela Tiffany; and I rejoiced at the oddity of the name, because it gave his image and character a sort of individuality in my conception. The old gentleman's draught acted as a solvent upon his memory, so that it overflowed with tales, traditions, anecdotes of famous dead people, and traits of ancient manners, some of which were childish as a nurse's lullaby, while others might have been worth the notice of the grave historian. Nothing impressed me more than a story of a black mysterious picture, which used to hang in one of the chambers of the Province House, directly above the room where we were now sitting. The following is as correct a version of the fact as the reader would be likely to obtain from any other source, although, a.s.suredly, it has a tinge of romance approaching to the marvellous.

In one of the apartments of the Province House there was long preserved an ancient picture, the frame of which was as black as ebony, and the canvas itself so dark with age, damp, and smoke, that not a touch of the painter's art could be discerned. Time had thrown an impenetrable veil over it, and left to tradition and fable and conjecture to say what had once been there portrayed. During the rule of many successive governors, it had hung, by prescriptive and undisputed right, over the mantel-piece of the same chamber; and it still kept its place when Lieutenant-Governor Hutchinson a.s.sumed the administration of the province, on the departure of Sir Francis Bernard.

The Lieutenant-Governor sat, one afternoon, resting his head against the carved back of his stately armchair, and gazing up thoughtfully at the void blackness of the picture. It was scarcely a time for such inactive musing, when affairs of the deepest moment required the ruler's decision; for, within that very hour Hutchinson had received intelligence of the arrival of a British fleet, bringing three regiments from Halifax to overawe the insubordination of the people. These troops awaited his permission to occupy the fortress of Castle William, and the town itself. Yet, instead of affixing his signature to an official order, there sat the Lieutenant-Governor, so carefully scrutinizing the black waste of canvas that his demeanor attracted the notice of two young persons who attended him. One, wearing a military dress of buff, was his kinsman, Francis Lincoln, the Provincial Captain of Castle William; the other, who sat on a low stool beside his chair, was Alice Vane, his favorite niece.

She was clad entirely in white, a pale, ethereal creature, who, though a native of New England, had been educated abroad, and seemed not merely a stranger from another clime, but almost a being from another world. For several years, until left an orphan, she had dwelt with her father in sunny Italy, and there had acquired a taste and enthusiasm for sculpture and painting which she found few opportunities of gratifying in the undecorated dwellings of the colonial gentry. It was said that the early productions of her own pencil exhibited no inferior genius, though, perhaps, the rude atmosphere of New England had cramped her hand, and dimmed the glowing colors of her fancy. But observing her uncle's steadfast gaze, which appeared to search through the mist of years to discover the subject of the picture, her curiosity was excited.

"Is it known, my dear uncle," inquired she, "what this old picture once represented? Possibly, could it be made visible, it might prove a masterpiece of some great artist-else, why has it so long held such a conspicuous place?"

As her uncle, contrary to his usual custom (for he was as attentive to all the humors and caprices of Alice as if she had been his own best-beloved child), did not immediately reply, the young Captain of Castle William took that office upon himself.

"This dark old square of canvas, my fair cousin," said he, "has been an heirloom in the Province House from time immemorial. As to the painter, I can tell you nothing; but, if half the stories told of it be true, not one of the great Italian masters has ever produced so marvellous a piece of work as that before you."

Captain Lincoln proceeded to relate some of the strange fables and fantasies which, as it was impossible to refute them by ocular demonstration, had grown to be articles of popular belief, in reference to this old picture. One of the wildest, and at the same time the best accredited, accounts, stated it to be an original and authentic portrait of the Evil One, taken at a witch meeting near Salem; and that its strong and terrible resemblance had been confirmed by several of the confessing wizards and witches, at their trial, in open court. It was likewise affirmed that a familiar spirit or demon abode behind the blackness of the picture, and had shown himself, at seasons of public calamity, to more than one of the royal governors. s.h.i.+rley, for instance, had beheld this ominous apparition, on the eve of General Abercrombie's shameful and b.l.o.o.d.y defeat under the walls of Ticonderoga. Many of the servants of the Province House had caught glimpses of a visage frowning down upon them, at morning or evening twilight,-or in the depths of night, while raking up the fire that glimmered on the hearth beneath; although, if any were bold enough to hold a torch before the picture, it would appear as black and undistinguishable as ever. The oldest inhabitant of Boston recollected that his father, in whose days the portrait had not wholly faded out of sight, had once looked upon it, but would never suffer himself to be questioned as to the face which was there represented. In connection with such stories, it was remarkable that over the top of the frame there were some ragged remnants of black silk, indicating that a veil had formerly hung down before the picture, until the duskiness of time had so effectually concealed it. But, after all, it was the most singular part of the affair that so many of the pompous governors of Ma.s.sachusetts had allowed the obliterated picture to remain in the state chamber of the Province House.

"Some of these fables are really awful," observed Alice Vane, who had occasionally shuddered, as well as smiled, while her cousin spoke. "It would be almost worth while to wipe away the black surface of the canvas, since the original picture can hardly be so formidable as those which fancy paints instead of it."

"But would it be possible," inquired her cousin, "to restore this dark picture to its pristine hues?"

"Such arts are known in Italy," said Alice.

The Lieutenant-Governor had roused himself from his abstracted mood, and listened with a smile to the conversation of his young relatives. Yet his voice had something peculiar in its tones when he undertook the explanation of the mystery.

"I am sorry, Alice, to destroy your faith in the legends of which you are so fond," remarked he; "but my antiquarian researches have long since made me acquainted with the subject of this picture-if picture it can be called-which is no more visible, nor ever will be, than the face of the long buried man whom it once represented. It was the portrait of Edward Randolph, the founder of this house, a person famous in the history of New England."

"Of that Edward Randolph," exclaimed Captain Lincoln, "who obtained the repeal of the first provincial charter, under which our forefathers had enjoyed almost democratic privileges! He that was styled the arch-enemy of New England, and whose memory is still held in detestation as the destroyer of our liberties!"

"It was the same Randolph," answered Hutchinson, moving uneasily in his chair. "It was his lot to taste the bitterness of popular odium."

"Our annals tell us," continued the Captain of Castle William, "that the curse of the people followed this Randolph where he went, and wrought evil in all the subsequent events of his life, and that its effect was seen likewise in the manner of his death. They say, too, that the inward misery of that curse worked itself outward, and was visible on the wretched man's countenance, making it too horrible to be looked upon. If so, and if this picture truly represented his aspect, it was in mercy that the cloud of blackness has gathered over it."

"These traditions are folly to one who has proved, as I have, how little of historic truth lies at the bottom," said the Lieutenant-Governor. "As regards the life and character of Edward Randolph, too implicit credence has been given to Dr. Cotton Mather, who-I must say it, though some of his blood runs in my veins-has filled our early history with old women's tales, as fanciful and extravagant as those of Greece or Rome."

"And yet," whispered Alice Vane, "may not such fables have a moral? And, methinks, if the visage of this portrait be so dreadful, it is not without a cause that it has hung so long in a chamber of the Province House. When the rulers feel themselves irresponsible, it were well that they should be reminded of the awful weight of a people's curse."

The Lieutenant-Governor started, and gazed for a moment at his niece, as if her girlish fantasies had struck upon some feeling in his own breast, which all his policy or principles could not entirely subdue. He knew, indeed, that Alice, in spite of her foreign education, retained the native sympathies of a New England girl.

"Peace, silly child," cried he, at last, more harshly than he had ever before addressed the gentle Alice. "The rebuke of a king is more to be dreaded than the clamor of a wild, misguided mult.i.tude. Captain Lincoln, it is decided. The fortress of Castle William must be occupied by the royal troops. The two remaining regiments shall be billeted in the town, or encamped upon the Common. It is time, after years of tumult, and almost rebellion, that his majesty's government should have a wall of strength about it."

"Trust, sir-trust yet awhile to the loyalty of the people," said Captain Lincoln; "nor teach them that they can ever be on other terms with British soldiers than those of brotherhood, as when they fought side by side through the French War. Do not convert the streets of your native town into a camp. Think twice before you give up old Castle William, the key of the province, into other keeping than that of true-born New Englanders."

"Young man, it is decided," repeated Hutchinson, rising from his chair. "A British officer will be in attendance this evening, to receive the necessary instructions for the disposal of the troops. Your presence also will be required. Till then, farewell."

With these words the Lieutenant-Governor hastily left the room, while Alice and her cousin more slowly followed, whispering together, and once pausing to glance back at the mysterious picture. The Captain of Castle William fancied that the girl's air and mien were such as might have belonged to one of those spirits of fable-fairies, or creatures of a more antique mythology-who sometimes mingled their agency with mortal affairs, half in caprice, yet with a sensibility to human weal or woe. As he held the door for her to pa.s.s, Alice beckoned to the picture and smiled.

"Come forth, dark and evil Shape!" cried she. "It is thine hour!"

In the evening, Lieutenant-Governor Hutchinson sat in the same chamber where the foregoing scene had occurred, surrounded by several persons whose various interests had summoned them together. There were the Selectmen of Boston, plain, patriarchal fathers of the people, excellent representatives of the old puritanical founders, whose sombre strength had stamped so deep an impress upon the New England character. Contrasting with these were one or two members of Council, richly dressed in the white wigs, the embroidered waistcoats and other magnificence of the time, and making a somewhat ostentatious display of courtier-like ceremonial. In attendance, likewise, was a major of the British army, awaiting the Lieutenant-Governor's orders for the landing of the troops, which still remained on board the transports. The Captain of Castle William stood beside Hutchinson's chair with folded arms, glancing rather haughtily at the British officer, by whom he was soon to be superseded in his command. On a table, in the centre of the chamber, stood a branched silver candlestick, throwing down the glow of half a dozen wax-lights upon a paper apparently ready for the Lieutenant-Governor's signature.

Partly shrouded in the voluminous folds of one of the window curtains, which fell from the ceiling to the floor, was seen the white drapery of a lady's robe. It may appear strange that Alice Vane should have been there at such a time; but there was something so childlike, so wayward, in her singular character, so apart from ordinary rules, that her presence did not surprise the few who noticed it. Meantime, the chairman of the Selectmen was addressing to the Lieutenant-Governor a long and solemn protest against the reception of the British troops into the town.

"And if your Honor," concluded this excellent but somewhat prosy old gentleman, "shall see fit to persist in bringing these mercenary sworders and musketeers into our quiet streets, not on our heads be the responsibility. Think, sir, while there is yet time, that if one drop of blood be shed, that blood shall be an eternal stain upon your Honor's memory. You, sir, have written with an able pen the deeds of our forefathers. The more to be desired is it, therefore, that yourself should deserve honorable mention, as a true patriot and upright ruler, when your own doings shall be written down in history."

"I am not insensible, my good sir, to the natural desire to stand well in the annals of my country," replied Hutchinson, controlling his impatience into courtesy, "nor know I any better method of attaining that end than by withstanding the merely temporary spirit of mischief, which, with your pardon, seems to have infected elder men than myself. Would you have me wait till the mob shall sack the Province House, as they did my private mansion? Trust me, sir, the time may come when you will be glad to flee for protection to the king's banner, the raising of which is now so distasteful to you."

"Yes," said the British major, who was impatiently expecting the Lieutenant-Governor's orders. "The demagogues of this Province have raised the devil and cannot lay him again. We will exorcise him, in G.o.d's name and the king's."

"If you meddle with the devil, take care of his claws!" answered the Captain of Castle William, stirred by the taunt against his countrymen.

"Craving your pardon, young sir," said the venerable Selectman, "let not an evil spirit enter into your words. We will strive against the oppressor with prayer and fasting, as our forefathers would have done. Like them, moreover, we will submit to whatever lot a wise Providence may send us,-always, after our own best exertions to amend it."

"And there peep forth the devil's claws!" muttered Hutchinson, who well understood the nature of Puritan submission. "This matter shall be expedited forthwith. When there shall be a sentinel at every corner, and a court of guard before the town house, a loyal gentleman may venture to walk abroad. What to me is the outcry of a mob, in this remote province of the realm? The king is my master, and England is my country! Upheld by their armed strength, I set my foot upon the rabble, and defy them!"

He s.n.a.t.c.hed a pen, and was about to affix his signature to the paper that lay on the table, when the Captain of Castle William placed his hand upon his shoulder. The freedom of the action, so contrary to the ceremonious respect which was then considered due to rank and dignity, awakened general surprise, and in none more than in the Lieutenant-Governor himself. Looking angrily up, he perceived that his young relative was pointing his finger to the opposite wall. Hutchinson's eye followed the signal; and he saw, what had hitherto been un.o.bserved, that a black silk curtain was suspended before the mysterious picture, so as completely to conceal it. His thoughts immediately recurred to the scene of the preceding afternoon; and, in his surprise, confused by indistinct emotions, yet sensible that his niece must have had an agency in this phenomenon, he called loudly upon her.

"Alice!-come hither, Alice!"

No sooner had he spoken than Alice Vane glided from her station, and pressing one hand across her eyes, with the other s.n.a.t.c.hed away the sable curtain that concealed the portrait. An exclamation of surprise burst from every beholder; but the Lieutenant-Governor's voice had a tone of horror.

"By Heaven!" said he, in a low, inward murmur, speaking rather to himself than to those around him, "if the spirit of Edward Randolph were to appear among us from the place of torment, he could not wear more of the terrors of h.e.l.l upon his face!"

"For some wise end," said the aged Selectman, solemnly, "hath Providence scattered away the mist of years that had so long hid this dreadful effigy. Until this hour no living man hath seen what we behold!"

Within the antique frame, which so recently had inclosed a sable waste of canvas, now appeared a visible picture, still dark, indeed, in its hues and shadings, but thrown forward in strong relief. It was a half-length figure of a gentleman in a rich but very old-fas.h.i.+oned dress of embroidered velvet, with a broad ruff and a beard, and wearing a hat, the brim of which overshadowed his forehead. Beneath this cloud the eyes had a peculiar glare, which was almost lifelike. The whole portrait started so distinctly out of the background, that it had the effect of a person looking down from the wall at the astonished and awe-stricken spectators. The expression of the face, if any words can convey an idea of it, was that of a wretch detected in some hideous guilt, and exposed to the bitter hatred and laughter and withering scorn of a vast surrounding mult.i.tude. There was the struggle of defiance, beaten down and overwhelmed by the crus.h.i.+ng weight of ignominy. The torture of the soul had come forth upon the countenance. It seemed as if the picture, while hidden behind the cloud of immemorial years, had been all the time acquiring an intenser depth and darkness of expression, till now it gloomed forth again, and threw its evil omen over the present hour. Such, if the wild legend may be credited, was the portrait of Edward Randolph, as he appeared when a people's curse had wrought its influence upon his nature.

"'T would drive me mad-that awful face!" said Hutchinson, who seemed fascinated by the contemplation of it.

"Be warned, then!" whispered Alice. "He trampled on a people's rights. Behold his punishment-and avoid a crime like his!"

The Lieutenant-Governor actually trembled for an instant; but, exerting his energy-which was not, however, his most characteristic feature-he strove to shake off the spell of Randolph's countenance.

"Girl!" cried he, laughing bitterly as he turned to Alice, "have you brought hither your painter's art-your Italian spirit of intrigue-your tricks of stage effect-and think to influence the councils of rulers and the affairs of nations by such shallow contrivances? See here!"

"Stay yet a while," said the Selectman, as Hutchinson again s.n.a.t.c.hed the pen; "for if ever mortal man received a warning from a tormented soul, your Honor is that man!"

"Away!" answered Hutchinson fiercely. "Though yonder senseless picture cried 'Forbear!'-it should not move me!"

Casting a scowl of defiance at the pictured face (which seemed at that moment to intensify the horror of its miserable and wicked look), he scrawled on the paper, in characters that betokened it a deed of desperation, the name of Thomas Hutchinson. Then, it is said, he shuddered, as if that signature had granted away his salvation.

"It is done," said he; and placed his hand upon his brow.

"May Heaven forgive the deed," said the soft, sad accents of Alice Vane, like the voice of a good spirit flitting away.

When morning came there was a stifled whisper through the household, and spreading thence about the town, that the dark, mysterious picture had started from the wall, and spoken face to face with Lieutenant-Governor Hutchinson. If such a miracle had been wrought, however, no traces of it remained behind, for within the antique frame nothing could be discerned save the impenetrable cloud, which had covered the canvas since the memory of man. If the figure had, indeed, stepped forth, it had fled back, spirit-like, at the daydawn, and hidden itself behind a century's obscurity. The truth probably was, that Alice Vane's secret for restoring the hues of the picture had merely effected a temporary renovation. But those who, in that brief interval, had beheld the awful visage of Edward Randolph, desired no second glance, and ever afterwards trembled at the recollection of the scene, as if an evil spirit had appeared visibly among them. And as for Hutchinson, when, far over the ocean, his dying hour drew on, he gasped for breath, and complained that he was choking with the blood of the Boston Ma.s.sacre; and Francis Lincoln, the former Captain of Castle William, who was standing at his bedside, perceived a likeness in his frenzied look to that of Edward Randolph. Did his broken spirit feel, at that dread hour, the tremendous burden of a People's curse?

At the conclusion of this miraculous legend, I inquired of mine host whether the picture still remained in the chamber over our heads; but Mr. Tiffany informed me that it had long since been removed, and was supposed to be hidden in some out-of-the-way corner of the New England Museum. Perchance some curious antiquary may light upon it there, and, with the a.s.sistance of Mr. Howorth, the picture cleaner, may supply a not unnecessary proof of the authenticity of the facts here set down. During the progress of the story a storm had been gathering abroad, and raging and rattling so loudly in the upper regions of the Province House, that it seemed as if all the old governors and great men were running riot above stairs while Mr. Bela Tiffany babbled of them below. In the course of generations, when many people have lived and died in an ancient house, the whistling of the wind through its crannies, and the creaking of its beams and rafters, become strangely like the tones of the human voice, or thundering laughter, or heavy footsteps treading the deserted chambers. It is as if the echoes of half a century were revived. Such were the ghostly sounds that roared and murmured in our ears when I took leave of the circle round the fireside of the Province House, and plunging down the door steps, fought my way homeward against a drifting snow-storm.

EDGAR ALLAN POE.

Edgar Allan Poe was born in Richmond in 1809. After the early death of his parents, Poe was taken into the family of John Allan, from whom his middle name derives. He spent the years 1815-20 in England, attending the academy at Stoke Newington. He later briefly attended the University of Virginia and West Point. Poe's earliest publications were volumes of poetry, including the extremely rare Tamerlane and Other Poems Tamerlane and Other Poems (1827), (1827), Al Aaraaf, Tamerlane, and Minor Poems Al Aaraaf, Tamerlane, and Minor Poems (1829), and (1829), and Poems Poems (1831). By the early 1830s he had turned his attention to short fiction, and in the course of his short career he virtually invented the short story, the tale of detection (beginning with "The Murders in the Rue Morgue," 1841), and the tale of supernatural and psychological horror. Many of his earlier tales were gathered in the landmark volume (1831). By the early 1830s he had turned his attention to short fiction, and in the course of his short career he virtually invented the short story, the tale of detection (beginning with "The Murders in the Rue Morgue," 1841), and the tale of supernatural and psychological horror. Many of his earlier tales were gathered in the landmark volume Tales of the Grotesque and Arabesque Tales of the Grotesque and Arabesque (1840). (1840).

In 1835 Poe became editor of the Southern Literary Messenger Southern Literary Messenger in Richmond, where many of his tales were published. He later edited in Richmond, where many of his tales were published. He later edited Burton's Gentleman's Magazine Burton's Gentleman's Magazine (1839-40), (1839-40), Graham's Magazine Graham's Magazine (1840-42), and the (1840-42), and the Broadway Journal Broadway Journal (1845-46). During this period he produced such well-known tales as "Ligeia" (1838), "William Wilson" (1839), "The Masque of the Red Death" (1842), "The Tell-Tale Heart" (1843), and "The Black Cat" (1843). His sole novel, (1845-46). During this period he produced such well-known tales as "Ligeia" (1838), "William Wilson" (1839), "The Masque of the Red Death" (1842), "The Tell-Tale Heart" (1843), and "The Black Cat" (1843). His sole novel, The Narrative of Arthur Gordon Pym The Narrative of Arthur Gordon Pym (1838), appears to be unfinished. His later stories were collected in (1838), appears to be unfinished. His later stories were collected in Tales Tales (1845). Late in life he produced an eccentric work of philosophy, (1845). Late in life he produced an eccentric work of philosophy, Eureka Eureka (1848). Poe died under mysterious circ.u.mstances in Baltimore in 1849. (1848). Poe died under mysterious circ.u.mstances in Baltimore in 1849.

"The Fall of the House of Usher" (Burton's Gentleman's Magazine, September 1839, in September 1839, in Tales of the Grotesque and Arabesque Tales of the Grotesque and Arabesque) is emblematic of Poe's supernatural work, in such elements as the intense focus on psychological states, the inclusion of weird verse (in this case, "The Haunted Palace"), the setting in a never-never land of the imagination, and in the inexorable progression from beginning to cataclysmic end. It becomes evident that Roderick Usher, his sister Madeline, and the house itself all share a single soul, and that they all perish simultaneously.

THE FALL OF THE HOUSE OF USHER.

Son cur est un luth suspendu; Sitot qu'on le touche il resonne.

De Beranger

During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been pa.s.sing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was-but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me-upon the mere house, and the simple landscape features of the domain-upon the bleak walls-upon the vacant eye-like windows-upon a few rank sedges-and upon a few white trunks of decayed trees-with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium-the bitter lapse into everyday life-the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart-an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it-I paused to think-what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are are combinations of very simple natural objects which have the power of thus affecting us, still the a.n.a.lysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled l.u.s.tre by the dwelling, and gazed down-but with a shudder even more thrilling than before-upon the remodelled and inverted images of the gray sedge, and the ghastly tree-stems, and the vacant and eye-like windows. combinations of very simple natural objects which have the power of thus affecting us, still the a.n.a.lysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled l.u.s.tre by the dwelling, and gazed down-but with a shudder even more thrilling than before-upon the remodelled and inverted images of the gray sedge, and the ghastly tree-stems, and the vacant and eye-like windows.

Nevertheless, in this mansion of gloom I now proposed to myself a sojourn of some weeks. Its proprietor, Roderick Usher, had been one of my boon companions in boyhood; but many years had elapsed since our last meeting. A letter, however, had lately reached me in a distant part of the country-a letter from him-which, in its wildly importunate nature, had admitted of no other than a personal reply. The MS. gave evidence of nervous agitation. The writer spoke of acute bodily illness-of a mental disorder which oppressed him-and of an earnest desire to see me, as his best, and indeed his only personal friend, with a view of attempting, by the cheerfulness of my society, some alleviation of his malady. It was the manner in which all this, and much more, was said-it was the apparent heart heart that went with his request-which allowed me no room for hesitation; and I accordingly obeyed forthwith what I still considered a very singular summons. that went with his request-which allowed me no room for hesitation; and I accordingly obeyed forthwith what I still considered a very singular summons.

Although, as boys, we had been even intimate a.s.sociates, yet I really knew little of my friend. His reserve had been always excessive and habitual. I was aware, however, that his very ancient family had been noted, time out of mind, for a peculiar sensibility of temperament, displaying itself, through long ages, in many works of exalted art, and manifested, of late, in repeated deeds of munificent yet un.o.btrusive charity, as well as in a pa.s.sionate devotion to the intricacies, perhaps even more than to the orthodox and easily recognisable beauties, of musical science. I had learned, too, the very remarkable fact, that the stem of the Usher race, all time-honoured as it was, had put forth, at no period, any enduring branch; in other words, that the entire family lay in the direct line of descent, and had always, with very trifling and very temporary variation, so lain. It was this deficiency, I considered, while running over in thought the perfect keeping of the character of the premises with the accredited character of the people, and while speculating upon the possible influence which the one, in the long lapse of centuries, might have exercised upon the other-it was this deficiency, perhaps, of collateral issue, and the consequent undeviating transmission, from sire to son, of the patrimony with the name, which had, at length, so identified the two as to merge the original t.i.tle of the estate in the quaint and equivocal appellation of the "House of Usher"-an appellation which seemed to include, in the minds of the peasantry who used it, both the family and the family mansion.

I have said that the sole effect of my somewhat childish experiment-that of looking down within the tarn-had been to deepen the first singular impression. There can be no doubt that the consciousness of the rapid increase of my superst.i.tion-for why should I not so term it?-served mainly to accelerate the increase itself. Such, I have long known, is the paradoxical law of all sentiments having terror as a basis. And it might have been for this reason only, that, when I again uplifted my eyes to the house itself, from its image in the pool, there grew in my mind a strange fancy-a fancy so ridiculous, indeed, that I but mention it to show the vivid force of the sensations which oppressed me. I had so worked upon my imagination as really to believe that about the whole mansion and domain there hung an atmosphere peculiar to themselves and their immediate vicinity-an atmosphere which had no affinity with the air of heaven, but which had reeked up from the decayed trees, and the gray wall, and the silent tarn-a pestilent and mystic vapour, dull, sluggish, faintly discernible, and leaden-hued.

Shaking off from my spirit what must must have been a dream, I scanned more narrowly the real aspect of the building. Its princ.i.p.al feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no disturbance from the breath of the external air. Beyond this indication of extensive decay, however, the fabric gave little token of instability. Perhaps the eye of a scrutinising observer might have discovered a barely perceptible fissure, which, extending from the roof of the building in front, made its way down the wall in a zigzag direction, until it became lost in the sullen waters of the tarn. have been a dream, I scanned more narrowly the real aspect of the building. Its princ.i.p.al feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no disturbance from the breath of the external air. Beyond this indication of extensive decay, however, the fabric gave little token of instability. Perhaps the eye of a scrutinising observer might have discovered a barely perceptible fissure, which, extending from the roof of the building in front, made its way down the wall in a zigzag direction, until it became lost in the sullen waters of the tarn.

Noticing these things, I rode over a short causeway to the house. A servant in waiting took my horse, and I entered the Gothic archway of the hall. A valet, of stealthy step, thence conducted me, in silence, through many dark and intricate pa.s.sages in my progress to the studio studio of his master. Much that I encountered on the way contributed, I know not how, to heighten the vague sentiments of which I have already spoken. While the objects around me-while the carvings of the ceilings, the sombre tapestries of the walls, the ebon blackness of the floors, and the phantasmagoric armorial trophies which rattled as I strode, were but matters to which, or to such as which, I had been accustomed from my infancy-while I hesitated not to acknowledge how familiar was all this-I still wondered to find how unfamiliar were the fancies which ordinary images were stirring up. On one of the staircases, I met the physician of the family. His countenance, I thought, wore a mingled expression of low cunning and perplexity. He accosted me with trepidation and pa.s.sed on. The valet now threw open a door and ushered me into the presence of his master. of his master. Much that I encountered on the way contributed, I know not how, to heighten the vague sentiments of which I have already spoken. While the objects around me-while the carvings of the ceilings, the sombre tapestries of the walls, the ebon blackness of the floors, and the phantasmagoric armorial trophies which rattled as I strode, were but matters to which, or to such as which, I had been accustomed from my infancy-while I hesitated not to acknowledge how familiar was all this-I still wondered to find how unfamiliar were the fancies which ordinary images were stirring up. On one of the staircases, I met the physician of the family. His countenance, I thought, wore a mingled expression of low cunning and perplexity. He accosted me with trepidation and pa.s.sed on. The valet now threw open a door and ushered me into the presence of his master.

The room in which I found myself was very large and lofty. The windows were long, narrow, and pointed, and at so vast a distance from the black oaken floor as to be altogether inaccessible from within. Feeble gleams of encrimsoned light made their way through the trellised panes, and served to render sufficiently distinct the more prominent objects around; the eye, however, struggled in vain to reach the remoter angles of the chamber, or the recesses of the vaulted and fretted ceiling. Dark draperies hung upon the walls. The general furniture was profuse, comfortless, antique, and tattered. Many books and musical instruments lay scattered about, but failed to give any vitality to the scene. I felt that I breathed an atmosphere of sorrow. An air of stern, deep, and irredeemable gloom hung over and pervaded all.

Upon my entrance, Usher arose from a sofa on which he had been lying at full length, and greeted me with a vivacious warmth which had much in it, I at first thought, of an overdone cordiality-of the constrained effort of the ennuye ennuye man of the world. A glance, however, at his countenance, convinced me of his perfect sincerity. We sat down; and for some moments, while he spoke not, I gazed upon him with a feeling half of pity, half of awe. Surely, man had never before so terribly altered, in so brief a period, as had Roderick Usher! It was with difficulty that I could bring myself to admit the ident.i.ty of the wan being before me with the companion of my early boyhood. Yet the character of his face had been at all times remarkable. A cadaverousness of complexion; an eye large, liquid, and luminous beyond comparison; lips somewhat thin and very pallid, but of a surpa.s.singly beautiful curve; a nose of a delicate Hebrew model, but with a breadth of nostril unusual in similar formations; a finely moulded chin, speaking, in its want of prominence, of a want of moral energy; hair of a more than web-like softness and tenuity; these features, with an inordinate expansion above the regions of the temple, made up altogether a countenance not easily to be forgotten. And now in the mere exaggeration of the prevailing character of these features, and of the expression they were wont to convey, lay so much of change that I doubted to whom I spoke. The now ghastly pallor of the skin, and the now miraculous l.u.s.tre of the eye, above all things startled and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its Arabesque expression with any idea of simple humanity. man of the world. A glance, however, at his countenance, convinced me of his perfect sincerity. We sat down; and for some moments, while he spoke not, I gazed upon him with a feeling half of pity, half of awe. Surely, man had never before so terribly altered, in so brief a period, as had Roderick Usher! It was with difficulty that I could bring myself to admit the ident.i.ty of the wan being before me with the companion of my early boyhood. Yet the character of his face had been at all times remarkable. A cadaverousness of complexion; an eye large, liquid, and luminous beyond comparison; lips somewhat thin and very pallid, but of a surpa.s.singly beautiful curve; a nose of a delicate Hebrew model, but with a breadth of nostril unusual in similar formations; a finely moulded chin, speaking, in its want of prominence, of a want of moral energy; hair of a more than web-like softness and tenuity; these features, with an inordinate expansion above the regions of the temple, made up altogether a countenance not easily to be forgotten. And now in the mere exaggeration of the prevailing character of these features, and of the expression they were wont to convey, lay so much of change that I doubted to whom I spoke. The now ghastly pallor of the skin, and the now miraculous l.u.s.tre of the eye, above all things startled and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its Arabesque expression with any idea of simple humanity.

In the manner of my friend I was at once struck with an incoherence-an inconsistency; and I soon found this to arise from a series of feeble and futile struggles to overcome an habitual trepidancy-an excessive nervous agitation. For something of this nature I had indeed been prepared, no less by his letter, than by reminiscences of certain boyish traits, and by conclusions deduced from peculiar physical conformation and temperament. His action was alternately vivacious and sullen. His voice varied rapidly from a tremulous indecision (when the animal spirits seemed utterly in abeyance) to that species of energetic concision-that abrupt, weighty, unhurried, and hollow-sounding enunciation-that leaden, self-balanced and perfectly modulated guttural utterance, which may be observed in the lost drunkard, or the irreclaimable eater of opium, during the periods of his most intense excitement.

It was thus that he spoke of the object of my visit, of his earnest desire to see me, and of the solace he expected me to afford him. He entered, at some length, into what he conceived to be the nature of his malady. It was, he said, a const.i.tutional and a family evil, and one for which he despaired to find a remedy-a mere nervous affection, he immediately added, which would undoubtedly soon pa.s.s off. It displayed itself in a host of unnatural sensations. Some of these, as he detailed them, interested and bewildered me; although, perhaps, the terms, and the general manner of the narration had their weight. He suffered much from a morbid acuteness of the senses; the most insipid food was alone endurable; he could wear only garments of certain texture; the odours of all flowers were oppressive; his eyes were tortured by even a faint light; and there were but peculiar sounds, and these from stringed instruments, which did not inspire him with horror.