Caught. Part 49

"You got the order wrong," Michele said.

"Oh, right. Ed Grayson shot his brother-in-law Lemaine before Mercer."

"Yes. I don't think that changes anything, does it?"

Wendy thought about it, ran it through her head now that she had time.

Actually it changed everything.

She turned toward Walker and saw the gun in his holster. For a moment she just stared at it.

Walker saw what she was doing. "What's wrong?"

"How many slugs did you find at the trailer park?"

"Excuse me?"

"Your crime-tech guys went through the park where Dan Mercer was shot, right?"

"Of course."

"How many slugs did they find?"

"Just the one in that cinder block."

"The one that made the hole in the trailer?"

"Yes. Why?"

Wendy started for her car.

Walker said, "Wait, what's going on?"

She didn't reply. She walked back to her car and looked it over. Nothing. Not a mark, not a scratch. Her hand fluttered up toward her mouth. She bit back the scream.

Wendy got in her car and drove to Ed Grayson's house. She found him out back, pulling weeds. He was startled by her sudden approach.

"Wendy?"

"Whoever killed Dan," she said, "shot at my car."

"What?"

"You're an expert shot. Everyone says so. I saw you aim at my car and fire several rounds. Yet there isn't a mark on it. In fact, the only slug found in the whole park was the one that went through the wall--the first shot you took. The most obvious place."

Ed Grayson looked up from the dirt. "What are you talking about?"

"How could an expert marksman miss Dan from such close range? How could he miss my car? How could he miss the d.a.m.n ground? Answer: He couldn't. It was all a ruse."

"Wendy?"

"What?"

"Let it go."

They just looked at each other for a moment.

"No way. Dan's death is still on me."

He said nothing.

"And it's ironic when you think about it. When I first got to the trailer, Dan was all bruised from a beating. The cops thought Hester Crimstein had been so clever. She used my testimony to claim that you beat him up--that's how the blood got in your car. What the cops didn't realize was, she was telling the truth. You found Dan. You beat him up because you wanted him to confess. But he didn't, did he?"

"No," Ed Grayson said. "He didn't."

"In fact, you started believing him. You realized that maybe he was innocent."

"Maybe."

"So help me here. You came home. What then--did you push E. J. for the truth?"

"Leave it alone, Wendy."

"Come on. You know I can't. Did E. J. come clean and tell you it was his uncle who took the pictures?"

"No."

"Who then?"

"My wife, okay? She saw me covered in blood. She told me that I had to stop. She told me what happened, that it was her brother who took those pictures. She begged me to let it go. E. J. was moving past it, she said. Her brother was getting help."

"But you weren't going to let it slide."

"No, I wasn't. But I wasn't going to make E. J. testify against his own uncle."

"So you shot him in the kneecaps."

"I'm not dumb enough to answer that one."

"Doesn't matter. We both know you did. And then, what, you called Dan to apologize? Something like that?"

He didn't reply.

"It didn't matter that the judge had thrown the case out," she continued. "My show had destroyed Dan's life. Even now--even after I've come forward and publicly exonerated him--people still think he's a pedophile. Where there's smoke, there's fire, right? He had no chance right then. His life was over. You probably blamed yourself some too, the way you hounded him. So you wanted to make things right."

"Let it go, Wendy."

"And even better, you were a federal marshal. Those are the guys who handle the witness protection program, don't they? You know how to make people disappear."

He did not reply.

"So the solution was pretty simple now. You had to fake his death. You couldn't really find another body or make up a fake police report like you could with your federal subjects. And without a body, you needed a reliable witness--someone who would never side with Dan Mercer. Me. You left enough evidence so the police would believe my story--the one round, his blood, the witness who saw you carry out a carpet, your car at the scene, putting the GPS on my car, even going to the shooting range--but not enough evidence so you could be convicted. You had one real bullet in the gun. That's the first one you shot into the wall. The rest were blanks. Dan probably gave you a blood sample or just intentionally cut himself--that explains the blood left behind. Oh, and even smarter--you found a trailer park where you knew there would be no cell phone service. Your witness would have to drive off. That would give you enough time to sneak Dan out. And when they found that iPhone in his motel room, well, you freaked out for a moment, didn't you? That's why you came up to the park. That's why you wanted information. You were afraid, just for a moment, that maybe you had helped a real killer run away."

She waited for him to say anything. For a moment he just studied her face.

"That's a whale of a tale, Wendy."

"Now, I can't prove any of this--"

"I know," he said. "Because it's nonsense." He almost smiled now. "Or are you hoping to get me on your wire too?"

"I don't have a wire."

He shook his head and started toward his house. She followed him.

"Don't you see? I don't want to prove any of it."

"So why are you here then?"

Tears filled her eyes. "Because I'm responsible for what happened to him. I'm the one who set him up on that television show. I'm the reason the world thinks he's a pedophile."

"I guess that's true."

"And if you killed him, that's on me. Forever. I don't get a do-over. It's my fault. But if you helped him escape, maybe, just maybe, he's okay now. Maybe he'd even understand and . . ."

She stopped. They were inside the house.

"And what?"

She had trouble getting the words out of her mouth. The tears were coming faster now.

"And what, Wendy?"

"And maybe," she said, "he'd even forgive me."

Ed Grayson lifted the phone then. He dialed a long telephone number. He said some kind of code into the line. He listened for a click. Then he handed the phone to her.

EPILOGUE.

"MR. DAN?".

I am in a tent that doubles as the school, teaching these kids to read via a program called LitWorld. "Yes?"

"The radio. It's for you."

There is no phone in the village. You can only reach this part of the Cabinda Province of Angola via a radio. I had served not far from here years ago, after I graduated from Princeton and worked for the Peace Corps. You've heard that saying that when G.o.d closes a door, he opens another. Or something like that. So when I opened that red door, I had no idea another one would open.

Ed Grayson is the one who saved my life. He has a friend, a woman named Terese Collins, who works in a village like this on the other side of the mountain. She and Ed are the only ones who know the truth. To everyone else, Dan Mercer is indeed dead.

That isn't really a lie.

I told you before that the life of Dan Mercer was over. But the life of Dan Mayer--not a big name change, but big enough--has begun. Funny thing. I don't really miss my old life. Something had happened to me along the way--maybe it was a cruel foster family, maybe it was what I had done to Christa Stockwell, maybe it was the fact that I let Phil Turnball take the fall alone--that made this kind of work my calling. I guess that you'd call it atonement. That might be it. But I think it somehow works on a genetic level, like some people are born to be doctors or to like fis.h.i.+ng or to shoot baskets with great skill.

For a long time I fought this. I married Jenna. But like I told you in the beginning, my destiny is to be alone. Now I embrace that. Because--and I know this will sound corny--when you see the smiles on these kids' faces, you aren't really ever alone.

I don't look back. If the world thinks Dan Mercer is some kind of pedophile, so be it. We don't have the Internet out here, so I can't check on what's going on at home. I don't think I'd be tempted anyway. I miss Jenna and Noel and the kids, but that's okay. I am tempted to tell her the truth. Jenna is the only one who will really, truly mourn for me.

I don't know. Maybe someday I will.

I pick up the radio receiver. In my short time here, I have never gotten a call. Only Terese Collins and Ed Grayson have this number, so I'm surprised when I hear the familiar voice say, "I'm so sorry."

I guess that I should hate the sound of her voice. I should be angry with her, but I'm not. I smile. In the end, in a way, she's made me happier than I've ever been.

She is talking fast now, crying too, explaining herself. I listen with half an ear. I don't need to know any of this. Wendy has called to hear three words. I wait. And when she finally gives me the chance, I am more than happy to say them to her: "I forgive you."

ABOUT THE AUTHOR.

Harlan Coben is the bestselling author of sixteen previous novels, including the #1 is the bestselling author of sixteen previous novels, including the #1 New York Times New York Times bestsellers bestsellers Long Lost Long Lost and and Hold Tight Hold Tight. Winner of the Edgar Award, the Shamus Award, and the Anthony Award, Coben lives in New Jersey with his family.

ALSO BY HARLAN COBEN.

Deal Breaker

Drop Shot

Fade Away