The Angel Esmeralda Part 6

There must be something funny in this somewhere that we can use to get us through the night.

She heard everything.

She took catnaps at school.

She was deprived of the city itself. We could be anywhere, any lost corner of Ohio.

She dreamed of a mayfly pond skimmed with fallen blossoms.

Take the stairs everywhere. Take a table near the exit in cafes and tavernas.

The cardplayers sat in hanging smoke, making necessary motions only, somberly guarding their cards.

She learned that Edmund was in the north with friends, peering into monasteries.

She heard the surge of motorcycles on the hill.

She inspected the cracks in the west wall and spoke to the landlord, who closed his eyes and rocked his heavy head.

The wind caused a rustling somewhere very near.

She sat up at night with her book of water-stiffened pages, trying to read, trying to escape the feeling that she was being carried helplessly toward some pitching instant in time.

The acanthus is a spreading perennial.

And everything in the world is either inside or outside.

She came across the figurine one day inside a desk drawer at the school, lying among cough drops and paper clips, in an office used as a teachers' lounge. She didn't even remember putting it there and felt the familiar clas.h.i.+ng agencies of shame and defensiveness working in her blood-a body heat rising against the reproach of forgotten things. She picked it up, finding something remarkable in the leaper's clean and open motion, in the detailed tension of forearms and hands. Shouldn't something so old have a formal bearing, a stiffness of figure? This was easy-flowing work. But beyond this surprise, there was little to know. She didn't know the Minoans. She wasn't even sure what the thing was made of, what kind of lightweight imitation ivory. It occurred to her that she'd left the figure in the desk because she didn't know what to do with it, how to underpin or prop it. The body was alone in s.p.a.ce, with no supports, no fixed position, and seemed best suited to the palm of the hand.

She stood in the small room, listening.

Edmund had said the figure was like her. She studied it, trying to extract the sparest recognition. A girl in a loincloth and wristbands, double-necklaced, suspended over the horns of a running bull. The act, the leap itself, might be vaudeville or sacred terror. There were themes and secrets and storied lore in this six-inch figure that Kyle could not begin to guess at. She turned the object in her hand. All the facile parallels fell away. Lithe, young, buoyant, modern; rumbling bulls and quaking earth. There was nothing that might connect her to the mind inside the work, an ivory carver, 1600 BC, moved by forces remote from her. She remembered the old earthen Hermes, flower-crowned, looking out at her from a knowable past, some shared theater of being. The Minoans were outside all this. Narrow-waisted, graceful, other-minded-lost across vales of language and magic, across dream cosmologies. This was the piece's little mystery. It was a thing in opposition, defining what she was not, marking the limits of the self. She closed her fist around it firmly and thought she could feel it beat against her skin with a soft and periodic pulse, an earthliness.

She was motionless, with tilted head, listening. Buses rolled past, sending diesel fumes through seams in the window frame. She looked toward a corner of the room, concentrating tightly. She listened and waited.

Her self-awareness ended where the acrobat began. Once she realized this, she put the object in her pocket and took it everywhere.

THE ANGEL ESMERALDA.

The old nun rose at dawn, feeling pain in every joint. She'd been rising at dawn since her days as a postulant, kneeling on hardwood floors to pray. First she raised the shade. That's the world out there, little green apples and infectious disease. Banded light fell across the room, steeping the tissued grain of the wood in an antique ocher glow so deeply pleasing in pattern and coloration that she had to look away or become girlishly engrossed. She knelt in the folds of the white nightgown, fabric endlessly laundered, beaten with swirled soap, left gristled and stiff. And the body beneath, the spindly thing she carried through the world, chalk pale mostly, and speckled hands with high veins, and cropped hair that was fine and flaxy gray, and her bluesteel eyes-many a boy and girl of old saw those peepers in their dreams. She made the sign of the cross, murmuring the congruous words. Amen, an olden word, back to Greek and Hebrew, verily-touching her midsection to complete the body-shaped cross. The briefest of everyday prayers yet carrying three years' indulgence, seven if you dip your hand in holy water before you mark the body. Prayer is a practical strategy, the gaining of temporal advantage in the capital markets of Sin and Remission.

She said a morning offering and got to her feet. At the sink she scrubbed her hands repeatedly with coa.r.s.e brown soap. How can the hands be clean if the soap is not? This question was insistent in her life. But if you clean the soap with bleach, what do you clean the bleach bottle with? If you use scouring powder on the bleach bottle, how do you clean the box of Ajax? Germs have personalities. Different objects harbor threats of various insidious types. And the questions turn inward forever.

An hour later she was in her veil and habit, sitting in the pa.s.senger seat of a black van that was headed south out of the school district and down past the monster concrete expressway into the lost streets, a squander of burned-out buildings and unclaimed souls. Grace Fahey was at the wheel, a young nun in secular dress. All the nuns at the convent wore plain blouses and skirts except for Sister Edgar, who had permission from the motherhouse to fit herself out in the old things with the arcane names, the wimple, cincture and guimpe. She knew there were stories about her past, how she used to twirl the big-beaded rosary and crack students across the mouth with the iron crucifix. Things were simpler then. Clothing was layered, life was not. But Edgar stopped hitting kids years ago, even before she grew too old to teach. She knew the sisters whispered deliciously about her strictness, feeling shame and awe together. Such an open show of power in a bird-bodied soap-smelling female. Edgar stopped hitting children when the neighborhood changed and the faces of her students became darker. All the righteous fury went out of her soul. How could she strike a child who was not like her?

"The old jalop needs a tune-up," Gracie said. "Hear that noise?"

"Ask Ismael to take a look."

"Ku-ku-ku-ku."

"He's the expert."

"I can do it myself. I just need the right tools."

"I don't hear anything," Edgar said.

"Ku-ku-ku-ku? You don't hear that?"

"Maybe I'm going deaf."

"I'll go deaf before you do, Sister."

"Look, another angel on the wall."

The two women looked across a landscape of vacant lots filled with years of stratified deposits-the age-of-house garbage, the age-of-construction debris and vandalized car bodies. Many ages layered in waste. This area was called the Bird in jocular police parlance, short for bird sanctuary, a term that referred in this case to a tuck of land sitting adrift from the social order. Weeds and trees grew amid the dumped objects. There were dog packs, sightings of hawks and owls. City workers came periodically to excavate the site, the hoods of their sweats.h.i.+rts fitted snug under their hard hats, and they stood warily by the great earth machines, the pumpkin-mudded backhoes and dozers, like infantrymen huddled near advancing tanks. But soon they left, they always left with holes half dug, pieces of equipment discarded, styrofoam cups, pepperoni pizzas. The nuns looked across all this. There were networks of vermin, craters chocked with plumbing fixtures and sheetrock. There were hillocks of slashed tires laced with thriving vine. Gunfire sang at sunset off the low walls of demolished buildings. The nuns sat in the van and looked. At the far end was a lone standing structure, a derelict tenement with an exposed wall where another building had once ab.u.t.ted. This wall was where Ismael Munoz and his crew of graffiti writers spray-painted a memorial angel every time a child died in the neighborhood. Angels in blue and pink covered roughly half the high slab. The child's name and age were printed in cartoon bubbles under each angel, sometimes with cause of death or personal comments by the family, and as the van drew closer Edgar could see entries for TB, AIDS, beatings, drive-by shootings, blood disorders, measles, general neglect and abandonment at birth-left in dumpster, forgot in car, left in Glad bag Xmas Eve.

"I wish they'd stop already with the angels," Gracie said. "It's in totally bad taste. A fourteenth-century church, that's where you go for angels. This wall publicizes all the things we're working to change. Ismael should look for positive things to emphasize. The townhouses, the community gardens that people plant. The townhouses are nice, they're clean. Walk around the corner, you see ordinary people going to work, going to school. Stores and churches."

"t.i.tanic Power Baptist Church."

"It's a church, it's a church, what's the difference? The area's full of churches. Decent working people. Ismael wants to do a wall, these are the people he should celebrate. Be positive."

Edgar laughed inside her skull. It was the drama of the angels that made her feel she belonged here. It was the terrible death these angels represented. It was the danger the writers faced to produce their graffiti. There were no fire escapes or windows on the memorial wall and the writers had to rappel from the roof with belayed ropes or sway on makes.h.i.+ft scaffolds when they did an angel in the lower ranks. Ismael spoke of a companion wall for dead graffitists, flas.h.i.+ng his wasted smile.

"And he does pink for girls and blue for boys. That really sets my teeth on edge."

"There are other colors," Edgar said.

"Sure, the streamers that the angels hold aloft. Big ribbons in the sky. Makes me want to be sick in the street."

They stopped at the friary to pick up food they would distribute to the needy. The friary was an old brick building wedged between boarded tenements. Three monks in gray cloaks and rope belts worked in an anteroom, getting the day's s.h.i.+pment ready. Grace, Edgar and Brother Mike carried the plastic bags out to the van. Mike was an ex-fireman with a Brillo beard and wispy ponytail. He looked like two different guys front and back. When the nuns first appeared he'd offered to serve as guide, a protecting presence, but Edgar had firmly declined. She believed her habit and veil were safety enough. Beyond these South Bronx streets, people might look at her and think she existed outside history and chronology. But inside the strew of rubble she was a natural sight, she and the robed monks. What figures could be so timely, costumed for rats and plague?

Edgar liked seeing the monks in the street. They visited the homebound, ran a shelter for the homeless; they collected food for the hungry. And they were men in a place where few men remained. Teenage boys in cl.u.s.ters, armed drug dealers-these were the men of the immediate streets. She didn't know where the others had gone, the fathers, living with second or third families, hidden in rooming houses or sleeping under highways in refrigerator boxes, buried in the potter's field on Hart Island.

"I'm counting plant species," Brother Mike said. "I've got a book I take out to the lots."

Gracie said, "You stay on the fringes, right?"

"They know me in the lots."

"Who knows you? The dogs know you? There are rabid dogs, Mike."

"I'm a Franciscan, okay? Birds light on my index finger."

"Stay on the fringes," Gracie told him.

"There's a girl I keep seeing, maybe twelve years old, runs away when I try to talk to her. I get the feeling she's living in the ruins. Ask around."

"Will do," Gracie said.

When the van was loaded they drove back to the Bird to do their business with Ismael and to pick up a few of his crew who would help them distribute the food. What was their business with Ismael? They gave him lists that detailed the locations of abandoned cars in the North Bronx, particularly along the Bronx River, which was a major dump site for stolen joyridden semistripped gas-siphoned pariah-dog vehicles. Ismael sent his crew to collect the car bodies and whatever parts might remain unrelinquished. They used a small flatbed truck with an undependable winch and a motif of souls-in-h.e.l.l graffiti on the cab, deck and mudflaps. The car hulks came here to the lots for inspection and price-setting by Ismael and were then delivered to a sc.r.a.p-metal operation in remotest Brooklyn. Sometimes there were forty or fifty cannibalized car bodies dumped in the lots, museumquality-bashed and rusted, hoodless, doorless, windows deep-streaked like starry nights in the mountains.

When the van approached the building, Edgar felt along her midsection for the latex gloves she kept tucked in her belt.

Ismael had teams of car spotters who ranged across the boroughs, concentrating on the bleak streets under bridges and viaducts. Charred cars, upside-down cars, cars with dead bodies wrapped in shower curtains all available for salvage inside the city limits. The money he paid the nuns for their locational work went to the friary for groceries.

Gracie parked the van, the only operating vehicle in human sight. She attached the vinyl-coated steel collar to the steering wheel, fitting the rod into the lock housing. At the same time Edgar force-fitted the latex gloves onto her hands, feeling the secret rea.s.surance of synthetic things, adhesive rubberized plastic, a s.h.i.+eld against organic menace, the spurt of blood or pus and the viral ent.i.ties hidden within, submicroscopic parasites in their protein coats.

Squatters occupied a number of floors. Edgar didn't need to see them to know who they were. They were a civilization of indigents subsisting without heat, lights or water. They were nuclear families with toys and pets, junkies who roamed at night in dead men's Reeboks. She knew who they were through a.s.similation, through the ingestion of messages that riddled the streets. They were foragers and gatherers, can-redeemers, the people who yawed through subway cars with paper cups. And doxies sunning on the roof in clement weather and men with warrants outstanding for reckless endangerment and depraved indifference and other offenses requiring the rounded Victorian locutions that modern courts have adopted to match the woodwork. And shouters of the Spirit, she knew this for a fact-a band of charismatics who leaped and wept on the top floor, uttering words and nonwords, treating knife wounds with prayer.

Ismael had his headquarters on three and the nuns hustled up the stairs. Grace had a tendency to look back unnecessarily at the senior nun, who ached in her movable parts but kept pace well enough, her habit whispering through the stairwell.

"Needles on the landing," Gracie warned.

Watch the needles, sidestep the needles, such deft instruments of self-disregard. Gracie couldn't understand why an addict would not be sure to use clean needles. This failure made her pop her cheeks in anger. But Edgar thought about the lure of d.a.m.nation, the little love bite of that dragonfly dagger. If you know you're worth nothing, only a gamble with death can gratify your vanity.

Ismael stood barefoot on dusty floorboards in a pair of old chinos rolled to his calves and a bright s.h.i.+rt worn outside his pants and he resembled some carefree Cuban ankle-wading in happy surf.

"Sisters, what do you have for me?"

Edgar thought he was quite young despite the seasoned air, maybe early thirties-scattered beard, a sweet smile complicated by rotting teeth. Members of his crew stood around smoking, uncertain of the image they wanted to convey. He sent two of them down to watch the van and the food. Edgar knew that Gracie did not trust these kids. Graffiti writers, car scavengers, probably petty thieves, maybe worse. All street, no home or school. Edgar's basic complaint was their English. They spoke an unfinished English, soft and m.u.f.fled, insufficiently suffixed, and she wanted to drum some hard g's into the ends of their gerunds.

Gracie handed over a list of cars they'd spotted in the last few days. Details of time and place, type of vehicle, condition of same.

He said, "You do nice work. My other people do like this, we run the world by now."

What was Edgar supposed to do, correct their grammar and p.r.o.nunciation, kids suffering from malnutrition, unparented some of them, some visibly pregnant-there were at least four girls in the crew. In fact she was inclined to do just that. She wanted to get them in a room with a blackboard and to buzz their minds with Spelling and Punctuation, transitive verbs, i before e except after c. She wanted to drill them in the lessons of the old Baltimore Catechism. True or false, yes or no, fill in the blanks. She'd talked to Ismael about this and he'd made an effort to look interested, nodding heavily and muttering insincere a.s.surances that he would think about the matter.

"I can pay you next time," Ismael said. "I got some things I'm doing that I need the capital."

"What things?" Gracie said.

"I'm making plans I get some heat and electric in here, plus pirate cable for the Knicks."

Edgar stood at the far end of the room, by a window facing front, and she saw someone moving among the poplars and ailanthus trees in the most overgrown part of the rubbled lots. A girl in a too-big jersey and striped pants grubbing in the underbrush, maybe for something to eat or wear. Edgar watched her, a lanky kid who had a sort of feral intelligence, a sureness of gesture and step-she looked helpless but alert, she looked unwashed but completely clean somehow, earthclean and hungry and quick. There was something about her that mesmerized the nun, a charmed quality, a grace that guided and sustained.

Edgar said something and just then the girl slipped through a maze of wrecked cars and by the time Gracie reached the window she was barely a flick of the eye, lost in the low ruins of an old firehouse.

"Who is this girl," Gracie said, "who's out there in the lots, hiding from people?"

Ismael looked at his crew and one of them piped up, an undersized boy in spray-painted jeans, dark-skinned and s.h.i.+rtless.

"Esmeralda. n.o.body know where her mother's at."

Gracie said, "Can you find the girl and then tell Brother Mike?"

"This girl she being swift."

A little murmur of a.s.sent.

"She be a running fool this girl."

t.i.tters, brief.

"Why did her mother go away?"

"She be a addict. They un, you know, predictable."

If you let me teach you not to end a sentence with a preposition, Edgar thought, I will save your life.

Ismael said, "Maybe the mother returns. She feels the worm of remorse. You have to think positive."

"I do," Gracie said. "All the time."

"But the truth of the matter there's kids that are better off without their mothers or fathers. Because their mothers or fathers are dangering their safety."

Gracie said, "If anyone sees Esmeralda, take her to Brother Mike or hold her, I mean really hold her until I can get here and talk to her. She's too young to be on her own or even living with the crew. Brother said she's twelve."

"Twelve is not so young," Ismael said. "One of my best writers, he does wildstyle, he's exactly twelve more or less. Juano. I send him down in a rope for the complicated letters."

"When do we get our money?" Gracie said.

"Next time for sure. I make practically, you know, nothing on this sc.r.a.p. My margin it's very minimum. I'm looking to expand outside Brooklyn. Sell my cars to one of these up-and-coming countries that's making the bomb."

"Making the what? I don't think they're looking for junked cars," Gracie said. "I think they're looking for weapons-grade uranium."

"The j.a.panese built their navy with the Sixth Avenue el. You know this story? One day it's sc.r.a.p, next day it's a plane taking off a deck. Hey, don't be surprise my sc.r.a.p ends up in North, you know, Korea."

Edgar caught the smirk on Gracie's face. Edgar did not smirk. This was not a subject she could ever take lightly. Edgar was a cold-war nun who'd once lined the walls of her room with aluminum foil as a s.h.i.+eld against nuclear fallout from Communist bombs. Not that she didn't think a war might be thrilling. She daydreamed many a domed flash in the film of her skin, tried to conjure the burst even now, with the USSR crumbled alphabetically, the ma.s.sive letters toppled like Cyrillic statuary.

They went down to the van, the nuns and three kids, and with the two kids already on the street they set out to distribute the food, starting with the hardest cases in the projects.

They rode the elevators and walked down the long pa.s.sageways. Behind each door a set of unimaginable lives, with histories and memories, pet fish swimming in dusty bowls. Edgar led the way, the five kids in single file behind her, each with two bags of food, and Gracie at the rear, carrying food, calling out apartment numbers of people on the list.

They spoke to an elderly woman who lived alone, a diabetic with an amputated leg.

They saw a man with epilepsy.

They spoke to two blind women who lived together and shared a seeing-eye dog.