Heart Is a Lonely Hunter Part 6

They sat silently at the table before the supper. Portia kept looking up at the clock on the cupboard because it was time for Highboy and Willie to come. Doctor Copeland bent his head over the plate. He held the fork in his hand as though it were heavy, and his fingers trembled. He only tasted the food and with each mouthful he swallowed hard. There was a feeling of strain, and it seemed as though both of them wanted to keep up some conversation.

Doctor Copeland did not know how to begin. Sometimes he thought that he had talked so much in the years before to his children and they had understood so little that now there was nothing at all to say. After a while he wiped his mouth with his handkerchief and spoke in an uncertain voice.

'You have hardly mentioned yourself. Tell me about your job and what you have been doing lately.'

'Course I still with the Kellys,' said Portia. 'But I tells you, Father, I don't know how long I going to be able to keep on with them. The work is hard and it always take me a long time to get through. However, that don't bother me none. It about the pay I worries about. I suppose to get three dollars a week --but sometimes Mrs. Kelly likes a dollar or fifty cents of paying me the full amount. Course she always catches up on it soon as she able. But it haves a way of leaving me in a pinch.'

'That is not right,' said Doctor Copeland. 'Why do you stand for it?'

'It ain't her fault. She can't help it,' said Portia. 'Half the folks in that house don't pay the rent, and it a big expense to keep everthing up. I tell you the truth--the Kellys is just barely keeping one jump ahead of the sheriff. They having a mighty hard time.'

'There ought to be some other job you can get'

'I know. But the Kellys is really grand white peoples to work for. I really fond of them as I can be. Them three little children is just like some of my own kinfolks. I feel like I done really raised Bubber and the baby. And although Mick and me is always getting into some kind of quarrel together, I haves a real close fondness for her, too.'

'But you must think of yourself,' said Doctor Copeland.

'Mick, now--' said Portia. 'She a real case. Not a soul know how to manage that child. She just as biggity and headstrong as she can be. Something going on in her all the time. I haves a funny feeling about that child. It seem to me that one of these days she going to really surprise somebody. But whether that going to be a good surprise or a bad surprise I just don't know. Mick puzzle me sometimes.

But still I really fond of her.'

'You must look out for your own livelihood first.'

'As I say, it ain't Mrs. Kelly's fault It cost so much to run that big old house and the rent just don't be paid. Ain't but one person in the house who pay a decent amount for his room and pay it on the dot without fail. And that man only been living there a short while. He one of these here deaf-and-dumb folks.

He the first one of them I ever seen close up--but he a mighty fine white man. 'Tall, thin, with gray and green eyes?' asked Doctor Copeland suddenly. 'And always polite to everyone and very well dressed? Not like someone from this town--more like a Northerner or maybe a Jew?'

'That him,' said Portia.

Eagerness came into Doctor Copeland's face. He crumbled his hoecake into the collard juice in his plate and began to eat with a new appet.i.te. 'I have a deaf-mute patient,' he said.

'How come you acquainted with Mr. Singer?' asked Portia.

Doctor Copeland coughed and covered his mouth with his handkerchief. 'I have just seen him several times.'

'I better clean up now,' said Portia. 'It sure enough time for Willie and my Highboy. But with this here real sink and grand running water these little dishes won't take me two winks.'

The quiet insolence of the white race was one thing he had tried to keep out of his mind for years. When the resentment would come to him he would cogitate and study. In the streets and around white people he would keep the dignity on his face and always be silent. When he was younger it was 'Boy'--but now it was 'Uncle.' 'Uncle, run down to that filling station on the corner and send me a mechanic' A white man in a car had called out those words to him not long ago. 'Boy, give me a hand with this.' 'Uncle, do that.' And he would not listen, but would walk, on with the dignity in him and be silent. A few nights ago a drunken white man had come up to him and begun pulling him along the street. He had his bag with him and he was sure someone was hurt. But the drunkard had pulled him into a white man's restaurant and the white men at the counter had begun hollering out with their insolence. He knew that the drunkard was making fun of him. Even then he had kept the dignity in him.

But with this tall, thin white man with the gray-green eyes something had happened that had never happened to him with any white man before.

It came about on a dark, rainy night several weeks ago. He had just come from a maternity case and was standing in the rain on a corner. He had tried to light a cigarette and one by one the matches in his box fizzled out. He had been standing with the unlighted cigarette in his mouth when the white man stepped up and held for him a lighted match. In the dark with the flame between them they could see each other's faces. The white man smiled at him and lighted for him his cigarette. He did not know what to say, for nothing like that had ever happened to him before.

They had stood for a few minutes on the street corner together, and then the white man had handed him his card. He wanted to talk to the white man and ask him some questions, but he did not know for sure if he could really understand.

Because of the insolence of all the white race he was afraid to lose his dignity in friendliness.

But the white man had lighted his cigarette and smiled and seemed to want to be with him. Since then he had thought this over many times.

'I have a deaf-mute patient,' said Doctor Copeland to Portia.

The patient is a boy five years of age. And somehow I cannot get over the feeling that I am to blame for his handicap. I delivered him, and after two post-delivery visits of course I forgot about him. He developed ear trouble, but the mother paid no attention to the discharges from his ears and did not bring him to me. When it was finally brought to my attention it was too late. Of course he hears nothing and of course he therefore cannot speak. But I have watched him carefully, and it seems to me that if he were normal he would be a very intelligent child.'

'You always had a great interest in little children,' said Portia. 'You care a heap more about them than about grown peoples, don't you?'

'There is more hope in the young child,' said Doctor Copeland. 'But this deaf boy--I have been meaning to. make inquiries and find if there is some inst.i.tution that would take him.'

'Mr. Singer would tell you. He a truly kind white man and he not a bit biggity.'

'I do not know--' said Doctor Copeland. 'I have thought once or twice about writing him a note and seeing if he could give me information.'

'Sure I would if I was you. You a grand letter-writer and I would give it to Mr. Singer for you,' said Portia. 'He come down in the kitchen two-three weeks ago with a few s.h.i.+rts he wanted me to rinse out for him. Them s.h.i.+rts were no more dirty than if Saint John the Baptist hisself had been wearing them. All I had to do were dip them in warm water and give the collars a small rub and press them. But that night when I taken them five clean s.h.i.+rts up to his room you know how much he give me?'

'No.'

'He smile like he always do and hand over to me a dollar. A whole dollar just for them little s.h.i.+rts. He one really kind and pleasant white man and I wouldn't be afraid to ask him any question. I wouldn't even mind writing that nice white man a letter myself. You go right ahead and do it, Father, if you wants to.'

'Perhaps I will,' said Doctor Copeland.

Portia sat up suddenly and began arranging her tight, oily hair.

There was the faint sound of a harmonica and then gradually the music grew louder. 'Here come Willie and Highboy,' Portia said. 'I got to go out now and meet them. You take care of yourself now, and send me a word if you needs me for anything. I did enjoy the supper with you and the talking very much.'

The music from the harmonica was very clear now, and they could tell that Willie was playing while he waited at the front gate.

'Wait a minute,' said Doctor Copeland. 'I have only seen your husband with you about two times and I believe we have never really met each other. And it has been three years since William has visited his father. Why not tell them to drop in for a little while?'

Portia stood in the doorway, fingering her hair and her earrings.

'Last time Willie come in here you hurted his feelings. You see you don't understand just how--'

'Very well,' said Doctor Copeland. 'it was only a suggestion.'

'Wait,' said Portia. 'I going to call them. I going to invite them in right now.'

Doctor Copeland lighted a cigarette and walked up and down the room. He could not straighten his gla.s.ses to just the right position and his fingers kept trembling. From the front yard there was the sound of low voices. Then heavy footsteps were in the hall and Portia, William, and Highboy entered the kitchen.

'Here we is,' said Portia. 'Highboy, I don't believe you and my Father has ever truly been introduced to each other. But you knows who each other is.'

Doctor Copeland shook hands with both of them. Willie hung back shyly against the wall, but Highboy stepped forward and bowed formally. 'I has always heard so much about you,' he said. 'I be very pleased to make your acquaintance.'

Portia and Doctor Copeland brought in chairs from the hall and the four of them sat around the stove. They were silent and uneasy. Willie gazed nervously around the room--at the books on the kitchen table, the sink, the cot against the wall, and at his father. Highboy grinned and picked at his tie.

Doctor Copeland seemed about to speak, and then he wet his lips and was still silent.

'Willie, you were going pretty good with your harp,' said Portia finally. 'Look to me like you and Highboy must of got into somebody's gin bottle.'

'No, ma'am,' said Highboy very politely. 'Us haven't had anything since Sat.u.r.day. Us have just been enjoying our horseshoe game.'

Doctor Copeland still did not speak, and they all kept glancing at him and waiting. The room was close and the quietness made everyone nervous.

'I do haves the hardest time with them boys' clothes,' Portia said. 'I washes both of them white suits ever Sat.u.r.day and I presses them twice a week. And look at them now. Course they don't wear them except when they gets home from work. But after two days they seems to be potty black. I ironed them pants just last night and now there not a crease left.'

Still Doctor Copeland was silent. He kept his eyes on his son's face, but when Willie noticed this he bit his rough, blunt fingers and stared at his feet. Doctor Copeland felt his pulse hammering at his wrists and temples. He coughed and held his fist to his chest. He wanted to speak to his son, but he could think of nothing to say. The old bitterness came up in him and he did not have time to cogitate and push it down. His pulse hammered in him and he was confused. But they all looked at him, and the silence was so strong that he had to speak.

His voice was high and it did not sound as though it came from himself. 'William, I wonder how much of all the things I have said to you when you were a child have stayed in your mind.'

'I don't know what you m-m-means,' Willie said.

The words came before Doctor Copeland knew what he would say. 'I mean that to you and Hamilton and Karl Marx I gave all that was in me. And I put all of my trust and hope in you. And all I get is blank misunderstanding and idleness and indifference. Of all I have put in nothing has remained. All has been taken away from me. All that I have tried to do--'

'Hush,' said Portia. 'Father, you promised me that us would not quarrel. This here is crazy. Us can't afford to quarrel.'

Portia got up and started toward the front door. Willie and Highboy followed quickly. Doctor Copeland was the last to come.

They stood in the dark before the front door. Doctor Copeland tried to speak, but his voice seemed lost some--.. where deep inside him. Willie and Portia and Highboy stood in a group together.

With one arm Portia held to her husband and brother and with the other she reached out to Doctor Copeland. 'Less us all make up now before us goes. I can't stand this here fighting between us. Less us not ever quarrel no more.'

In silence Doctor Copeland shook hands again with each of them. 'I am sorry,' he said.

'It quite all right with me,' said Highboy politely.

'It quite all right with me too,' Willie mumbled.

Portia held all of their hands together. 'Us just can't afford to quarrel.'

They said goodbye, and Doctor Copeland watched them from the dark front porch as they went together up the street. Their footsteps as they walked away had a lonesome sound and he felt weak and tired. When they were a block away William began playing his harmonica again. The music was sad and empty. He stayed on the. front porch until he could neither see nor hear them any longer.

Doctor Copeland turned off the lights in his house and sat in the dark before the stove. But peace would not come to him.

He wanted to remove Hamilton and Karl Marx and William from his mind. Each word that Portia had said to him came back in a loud, hard way to his memory. He got up suddenly and turned on the light. He settled himself at the table with his books by Spinoza and William Shakespeare and Karl Marx.

When he read the Spinoza aloud to himself the words had a rich, dark sound.

He thought of the white man of whom they had spoken. It would be good if the white man could help him with Augustus Benedict Mady Lewis, the deaf patient. It would be good to write to the white man even if he did not have this reason and these questions to ask. Doctor Copeland held his head in his hands and from his throat there came the strange sound like a kind of singing moan. He remembered the white man's face when he smiled behind the yellow match flame on that rainy night--and peace was in him.

BY MIDSUMMER Singer had visitors more often than any other person in the house. From his room in the evening there was nearly always the sound of a voice. After dinner at the New York Cafe he bathed and dressed himself in one of his cool wash suits and as a rule did not go out again.

The room was cool and pleasant. He had an icebox in the closet where he kept bottles of cold beer and fruit drinks. He was never busy or in a hurry. And always he met his guests at the door with a welcome smile.

Mick loved to go up to Mister Singer's room. Even if he was a deaf-and-dumb mute he understood every word she said to him. Talking with him was like a game. Only there was a whole lot more to it than any game. It was like finding out new things about music. She would tell him some of her plans that she would not tell anybody else. He let her meddle with his cute little chess men. Once when she was excited and caught her s.h.i.+rt-tail in the electric fan he acted in such a kindly way that she was not embarra.s.sed at all. Except for her Dad, Mister Singer was the nicest man she knew.

When Doctor Copeland wrote the note to John Singer about Augustus Benedict Mady Lewis there was a polite reply and an invitation for him to make a call when he found the opportunity. Doctor Copeland went to the back of the house and sat with Portia awhile in the kitchen. Then he climbed the stairs to the white man's room. There was truly none of the quiet insolence about this man. They had a lemonade together and the mute wrote down the answer to the questions he wished to know. This man was different from any person of the white race whom Doctor Copeland had ever encountered.

Afterward he pondered about this white man a long time.

Then later, inasmuch as he had been invited in a cordial manner to return, he made another visit.

Jake Blount came every week. When he walked up to Singer's room the whole stairway shook. Usually he carried a paper sack of beers. Often his voice would come out loud and angry from the room. But before he left his voice gradually quieted. When he descended the stairs he did not carry the sack of beers any longer, and he walked away thoughtfully without seeming to notice where he was going.

Even Biff Brannon came to the mute's room one night. But as he could never stay away from the restaurant for long, he left in a half-hour.

Singer was always the same to everyone. He sat in a straight chair by the window with his hands stuffed tight into his pockets, and nodded or smiled to show his guests that he understood.

If he did not have a visitor in the evening, Singer went to a late movie. He liked to sit back and watch the actors talking and walking about on the screen. He never looked at the t.i.tle of a picture before going into a movie, and no matter what was showing he watched each scene with equal interest.

Then, one day in July, Singer suddenly went away without warning. He left the door of his room open, and on the table in an envelope addressed to Mrs. Kelly there were four dollars for the past week's rent. His few simple possessions were gone and the room was very clean and bare. When his visitors came and saw this empty room they went away with hurt surprise.

No one could imagine why he had left like this.

Singer spent all of his summer vacation in the town where Antonapoulos was being kept in the asylum. For months he had planned this trip and imagined about each moment they would have together. Two weeks beforehand his hotel reservation had been made and for a long time he had carried his railroad ticket in an envelope in his pocket.

Antonapoulos was not changed at all. When Singer came into his room he ambled placidly to meet his friend. He was even fatter than before, but the dreamy smile on his face was just the same. Singer had some packages in his arms and the big Greek gave them his first attention. His presents were a scarlet dressing-gown, soft bedroom slippers, and two monogrammed nights.h.i.+rts. Antonapoulos looked beneath all the tissue papers in the boxes very carefully. When he saw that nothing good to eat had been concealed there, he dumped the gifts disdainfully on his bed and did not bother with them any more.

The room was large and sunny. Several beds were s.p.a.ced in a row together. Three old men played a game of slapjack in a corner. They did not notice Singer or Antonapoulos, and the two friends sat alone on the other side of the room.

It seemed to Singer that years had pa.s.sed since they had been together. There was so much to say that his hands could not shape the signs with speed enough. His green eyes burned and sweat glittered on his forehead. The old feeling of gaiety and bliss was so quick in him again that he could not control himself.

Antonapoulos kept his dark, oily eyes on his friend and did not move. His hands fumbled languidly with the crotch of his trousers. Singer told him, among other things, about the visitors who had been coming to see him. He told his friend that they helped take his mind away from his lonesomeness.

He told Antonapoulos that they were strange people and always talking--but that he liked to have them come. He drew quick sketches of Jake Blount and Mick and Doctor Copeland.

Then as soon as he saw mat Antonapoulos was not interested Singer crumpled the sketches and forgot about them. When the attendant came in to say that their time was up, Singer had not finished half of the things he wanted to say. But he left the room very tired and happy.

The patients could receive their friends only on Thursday and Sunday. On the days when he could not be with Antonapoulos, Singer walked up and down in his room at the hotel.

His second visit to his friend was like the first, except that the old men in the room watched them listlessly and did not play slapjack.

After much trouble Singer obtained permission to take Antonapoulos out with him for a few hours. He planned each detail of the little excursion in advance. They drove out into the country in a taxi, and then at four-thirty they went to the dining-room at the hotel. Antonapoulos greatly enjoyed his extra meal. He ordered half the dishes on the menu and ate very greedily. But when he had finished he would not leave.

He held to the table. Singer coaxed him and the cab driver wanted to use force. Antonapoulos sat stolidly and made obscene gestures when they came too close to him. At last Singer bought a bottle of whiskey from the hotel manager and lured him into the taxi again. When Singer threw the unopened bottle out of the window Antonapoulos wept with disappointment and offense. The end of their little excursion made Singer very sad.

His next visit was the last one, for his two weeks' vacation was almost over. Antonapoulos had forgotten what had happened before. They sat in their same corner of the room. The minutes slipped by quickly. Singer's hands talked desperately and his narrow face was very pale. At last it was time for him to go. He held his friend by the arm and looked into his face in the way that he used to do when they parted each day before work. Antonapoulos stared at him drowsily and did not move. Singer left the room with his hands stuffed hard into his pockets.

Soon after Singer returned to his room at the boarding-house, Mick and Jake Blount and Doctor Copeland began to come again. Each one of them wanted to know where he had been and why he had not let them know about his plans. But Singer pretended that he did not understand their questions, and his smile was inscrutable.

One by one they would come to Singer's room to spend the evening with him. The mute was always thoughtful and composed. His many-tinted gentle eyes were grave as a sorcerer's. Mick Kelly and Jake Blount and Doctor Copeland would come and talk in the silent room--for they felt that the mute would always understand whatever they wanted to say to him. And maybe even more than that.

Part Two