The Jaguar: A Charlie Hood Novel Part 3

"He'll turn up. He always seems to. Crafty little guy."

"Tell me if you see him."

"You bet. That's a promise, Charlie."

Bradley walked down the gravel path toward his Cayenne, then stopped and turned. "Thanks for doing this, man. I knew you would. I'll pray to G.o.d in heaven for you. And to anyone else who might help."

6.

LATER HOOD TOOK HALF OF the extra fifty grand and distributed the cash among his wallet, his shave kit and his Expedition.

Out on his patio in the dark he felt the temperature finally drop. He called Frank Soriana, his managing ATF superior in San Diego, and cleared the next eleven days for personal time. He also talked Soriana into issuing him a diplomatic pouch to carry his gun into Mexico.

"Personal, huh?" asked Soriana. "Sounds like you should be on ATF time."

Hood laughed quietly. He pictured Erin in the hands of cutthroats. He wondered if the million dollars was all Armenta really wanted from Bradley Jones. "See you tomorrow early, sir."

Next Hood called his mother in Bakersfield. She was a talker. The Buick was making a funny sound and the strawberries at the market were plenty big but almost tasteless. His father was doing okay in a.s.sisted living but he had tackled an orderly that morning. He was an Alzheimer's sufferer and his mind was nearly gone but his body was fit and strong. His mother was trying to forget the man he was now, but to remember the man he used to be, trying to steel her heart, but Hood knew that this was breaking it instead. He invented a story about going back to D.C. for ATF meetings.

"Then I'll see you in a week?" she asked.

"A little over."

"Less than two, though?"

"Less than two, Mom."

He called Beth and left a message on her home phone. He rarely called her at work because she was a night-s.h.i.+ft emergency-room doctor at Imperial Mercy in Buenavista and she was almost always busy. In the last year Hood had been working more and more a.s.signments for the ATF Blowdown task force so it wasn't unusual for him to be out of touch. He told her he would call just as soon as he could. Although Beth had never said so, Hood knew that absences like this were taking their toll on them. She wanted more closeness not more distance, but he could only give her what he had. Thus he felt bad. The cool fog of disappointment had begun to settle down upon them. And Hood had started wondering if he worked long and sometimes dangerous hours so he could remain a distance from the demands of love and family and friends.

He told Beth's answering machine that he'd be gone ten days and asked her to come get Daisy if she could. He promised her he would call and write. As he rang off he pictured her face and his breath caught achingly and he doubted that he knew even one thing about love. He set a box of stationery and an elegant pen she had given him in his duffel, beside his gun and holster and three plastic wrist restraints, and the CD slipcase for the most recent release from Erin and the Inmates.

When he was done packing he sat on a bench in his home office-a picnic table in his dining room. He checked his website, Facebook page and Twitter, hoping for a tip that might lead him to a man he had been trying hard to find for the last year. The man had introduced himself as Mike Finnegan, a bathroom-products wholesaler based in L.A. But as Hood came to learn, Mike had also gone by other names and claimed other occupations. It was very possible that he was insane, as someone close to him had said. And it was likely that he had done some very bad things to some good people-good friends of his, in fact. Then Mike had vanished.

Because of his dual citizens.h.i.+p with the Los Angeles sheriffs and the ATF, Hood had many contacts in law enforcement. Once a week he would blast: Dear Paul (John, Barbara, Philip, Donna, Friends...), Charlie Hood checking in. Anything on Mike Finnegan? Here again are the six known photographs of him. Please continue to distribute. I hope this note finds you well and I truly thank you for all the help you've given.

Sincerely, Charlie Hood, Los Angeles Sheriff's Department;

Alcohol, Tobacco & Firearms Blowdown Task Force,

Buenavista Field Office

But no e-mails back today. And no messages on the website. There were several useless postings to his Facebook page, where he trolled the general public, and some more irrelevant tweets.

A year ago, his opening inquisitions had led to some promising "tips" about Mike. But these had trailed off quickly and Hood had been forced to face a numbing truth: not one of his hundreds of contacts had anything at all on the Mike Finnegan he had met in L.A. He was in no database. Not the IRS, not the DMV, not the Social Security System. No one in law enforcement, intelligence or security had anything. No fingerprints, no dental records, no DNA. And apparently, the world outside of law enforcement knew even less about him.

Hood sat straight-backed on the hard picnic bench and looked at his wall, where he had tacked copies of the eight photographs he had of Finnegan. Three were extracted from security video, and showed a small, thick, middle-aged man and an attractive younger woman. Possibly his daughter, as Hood knew, but likely not. The video was taken a little over two years ago as they were leaving Imperial Mercy Hospital in Buenavista. Finnegan had been critically injured in a car accident just weeks prior and had checked himself out of the hospital against doctor's orders. His "daughter," Owens, had picked him up. In the three pictures Mike looked pale and relaxed and maybe a little tired after having half the bones in his body broken, his skull cracked in two places, life-threatening internal damage, and being in a full body cast for almost three weeks.

Hood studied the other pictures, one at a time, still hoping to dredge out some helpful detail he had missed, or achieve some insight that only repet.i.tion could spark. One was taken by a German bird-watcher in an eco-resort on the Arenal Volcano in Costa Rica, where Mike was billing himself as Joe Leftwich, an Irish priest. And Arenal, Hood had learned, was where Leftwich had commenced the almost unimaginably cruel destruction of two of Hood's closest friends.

Another picture showed Finnegan/Leftwich at a home Dodgers game in July of the previous year, roughly one month before he arrived in Costa Rica. The subject of the photographer was not Mike at all, but a small boy and his parents, sitting two rows in front of him. Mike was trying to avoid the camera, turning his face away in clear annoyance at being shot. This image was submitted by the boy's mother, a Ventura County a.s.sistant DA who recognized the face from one of Hood's insistent e-mails.

Another picture was of Mike and Owens, standing arm-in-arm at a c.o.c.ktail party in Beverly Hills. In the picture Owens was a full head taller than he was. Finnegan was smiling resignedly, as if he didn't want to be photographed but knew he should submit to it, but he also appeared happy. The photographer was a professional freelancer who had come across Hood's plea for "Finnegan/Leftwich images" buried in a "Photographs Wanted" search of Google, and recognized Mike.

Hood had not posted the other two pictures, and it wasn't likely he ever would. In some ways, they were his favorites.

One was a group shot that showed Charlie Manson and some hangers-on at Spahn Ranch in the summer of 1969. An L.A. a.s.sistant district attorney had come across the picture while digitizing old forensic photos, and seen that one of Manson's groupies looked a lot like the guy that Charlie Hood had been badgering her about. The groupie was obviously a different man, but she sent a digitized copy along as a lark. Hood was flabbergasted to see a dead-ringer for Mike Finnegan right in the middle of the hippies, sporting a "Freewheelin'" T-s.h.i.+rt, and his hair grown out in a frizzy halo. He looked to be about forty years old. Hood knew that if Mike had been forty in the Manson picture he would have been around eighty when they met at Imperial Mercy Hospital. Not likely. But even allowing for his own gnawing obsession with Mike Finnegan, Hood could see with his own two eyes that the faces belonged to the same man.

The last image was an even worse conundrum. It was taken in San Jose, California, in 1875, at the hanging of the outlaw Tiburcio Vasquez. It was one of several taken by a newspaper photographer who covered the event. Mike was among the onlookers gazing up at the gallows in a dramatic composition that used the noose itself as a blurred up-front framing device and focused on the well-dressed spectators waiting for the execution. Finnegan. Clearly. Dressed and groomed in the fas.h.i.+on of the day. He looked about fifty years old. Which would have made him 184 years old when, two years ago, lying in his Imperial Mercy ICU bed and tipsy with wine, Mike had recounted for Hood the hanging of his friend, Tiburcio. Mike had quoted the outlaw's last words by memory and this had haunted Hood. So, a few months ago, on a long shot, he had finally ferreted out this collection of photographs. In so doing he had found this image and begun to question the soundness of his eyes and of his reason.

Yet he saw what he saw.

He had had his eyes examined and had spent fifty expensive minutes with a psychiatrist. His uncorrected vision was his usual 20/15. The shrink told him he seemed "sound," given his stressful occupation, ailing father, and troubled relations.h.i.+p with Beth. He said depression was possible, and that Hood should try to experience his emotions rather than direct them. He recommended pleasant outdoor activities but no medication.

In addition to his digital searches, Hood had been handing out Mike Finnegan photo alb.u.ms wherever he went for about six months now-to law-enforcement people he met through work, to his contacts and informants, to people he met socially through Beth and their growing circle of friends, to waiters and waitresses, clerks and bartenders, once at his own door to Jehovah's Witnesses, trading them for their Watchtowers. Two hundred and forty-eight booklets distributed so far. To manage costs he ordered fifty at a time from the print shop. But the picture books had gotten him nothing, nothing and more nothing.

A familiar chill ran through him as he stared at the Vasquez photograph. He breathed in deeply then slowly out. "Back in ten days," he said. "But you'll keep, Mike, won't you?"

Daisy's tail slapped the tile three times, then stopped. She looked at Hood with a devotion that made him feel undeserving. She sat up and encouraged his self-forgiveness by letting him scratch her throat.

He checked the e-mails and Facebook again and found nothing helpful regarding Mike Finnegan. He got less of everything these days. He wondered if in another year there would be nothing at all. But he knew that Finnegan had not vanished. He knew the man was real and living, perhaps still in L.A. Bathroom fixtures. It's not nearly as exciting as it sounds.

In one of the e-mails on his screen now, Hood's contact suggested that he would notify Hood if anything popped, that the weekly reminders were not needed and in fact were a bit of a nuisance. He sent out a fresh blast anyway-982 friendly reminders of who he was looking for, all with the six photographs attached. And another Facebook posting-2,499 people like the last one! More tweets in the thinning search for Mike.

He sighed and found Erin's webpage and looked at the pictures of her performing, and played a video. Not for the first time he was angry at Bradley for putting her in harm's way, and not for the first time he wished that he'd met her first. He felt some shame in this.

Later Hood watched the clear desert stars awhile, then slept poorly, visited by dreams he did not own or understand.

7.

AFTER SUNRISE SOMEONE KNOCKED ON her door and Erin rose from a deep sleep and sat up on the bed. She had no idea where she was. She touched the long white nights.h.i.+rt that she wore but that did not belong to her. When she looked out and saw the palm trees swaying in the orange light and the water glittering between the mangroves she remembered, and her heart tried to climb out from its cage inside her.

A woman's voice. "Desayuno."

"Yes, breakfast, thank you."

The lock whirred and clunked and in walked not a woman but a slender teenage boy with a golden pompadour and a shy smile. He held a folding stand in one hand and with the other he balanced a large waiter's tray over his shoulder. The tray was stacked with stainless-steel warmers that clinked as he crossed the room. At the table he set the tray on the stand and took his time arranging her meal. He changed his mind twice on the placement of side dishes. With a flourish he snapped the napkin and folded it into a loose scallop and set this to the left. Then the flatware.

Erin caught the scent of the meal as it went by and thought it was the best breakfast she'd ever smelled. Her stomach moaned and gurgled. She watched him pour the coffee and the juice. Last he lifted the warmers and stacked them on the tray, then with a matadorial flair swept up the stand and smiled shyly at her again on his way out.

She ate piggishly, slopping the ranchero sauce onto her nightgown and shoveling down fast the tortillas heaped with sweet preserves. She drank the juice and sighed with the pleasure of it: tangerine. She finished it and held her free hand to her belly.

She drew a bath and dried off the derringer and set it on the deck of the beautifully tiled Roman tub. She lifted off the nights.h.i.+rt and threw it over the shower curtain rod. Her right upper calf still stung from where the taped gun and cash had rubbed and pulled. She disliked guns and the sounds they made. She floated freely in the great deep tub listening to the amplified slurp of the bathwater going in and out of her ears. In these sounds and in their echoes she heard melodies as she had always heard them, the gifts of her nature coming from a universe that, even as a small girl, she had understood was made not only of matter but of music. Straight above her was a raised plaster ceiling painted with the likeness of a young Mayan woman looking down on a warrior who knelt before her. She was long pregnant and she held an urn but Erin could not see into it. This brought tears to her eyes and terror to her heart so she sat up suddenly in the water and slapped herself in the face, hard. You will not come apart. You cannot come apart. She slapped herself hard again.

She dressed in new clothes from the wardrobe, pulling off the tags as she went. They were designer garments, fas.h.i.+onable and well made. She was slender and long-legged and flat-chested but the clothes fit right, even the sandals. The clothes were in colors she liked. She lifted the blouse and stood sideways to the mirror and wondered if they knew.

She pushed aside the breakfast dishes and sat for a long while at the table by the window. She had been to Cancun twice in her life and this place reminded her of it. She and Bradley had stayed at the Camino Real and snorkeled at Isla Mujeres and rented a jeep to drive to Chichen Itza and Tulum. The jungle around Cancun looked like this jungle, only flatter. She remembered the cloud-muted sunlight and the heat. This morning's light was filtered by clouds too and when she touched her hand to the window she could feel the warmth of the day already on the gla.s.s.

She reached to open the window but it was not made to be opened. She picked up one of the stainless-steel plate warmers and flung it hard against the gla.s.s, to no effect. She lifted a chair and threw it against the gla.s.s hard but the gla.s.s, if it was gla.s.s at all, was very heavy and did not break. She turned and ran to the door and lowered her shoulder and tried to knock it down. She kicked it and hit it with the sides of her fists. She screamed and cursed for anyone to hear and was answered by dead silence. In the bathroom she vomited. She paced the perimeter of her quarters several times, then squeezed into the corner between the wall and the bed and pulled the colorful woven bedspread down over her, curled into a ball on the floor and wept.

Hours later she awakened and threw off the cover and stood. She saw that the breakfast dishes were gone and a light lunch had been left in their place. The chair was back at the table and the plate warmer had been picked up from the floor by the window. She was a heavy sleeper, but she was surprised to have slept through all this. Or maybe not, she thought. You don't get kidnapped every day. You don't see your husband beaten b.l.o.o.d.y by drug traffickers. She looked outside. From the sun she guessed it was closer to evening than morning. She wondered if the breakfast had been drugged but that made little sense. There was a vase of fresh cut tropical flowers on the table.

She walked the room again and felt the sudden rush of abandonment. She'd never felt abandoned in her life. Not for a day, not for an hour. She had never really even been alone, either. And you have to be alone to be abandoned, she thought, although they were not the same thing. She wanted someone to talk to. And someone to listen to. Maybe if she divided the lunch into two meals and set a place across from her someone would appear and they could lunch. To lunch, she thought. A verb.

She stood for a moment in front of the Hummingbird. It was a beautiful instrument, large and resonant and aesthetically dazzling. It looked fairly old, as did the case. She reached for it, then stopped herself. She felt like Pandora, or maybe like Eve herself, confronted with a thing of temptation that had been forbidden to her. But why forbidden? Who had forbidden it? Herself? Some distant G.o.d? She had no memory of the forbidding. In fact, she thought, it hasn't been forbidden; it's been offered.

She picked it up and sat in the handsome leather chair. The strings were new and out of tune. She tuned it and played softly without singing, letting her fingers chase down the music as her ears heard it. The sound led to the feelings and thoughts, and she fetched the paper and pen from the desk and set them on the table in front of her.

Hours became minutes as they always did. There was terror, anger, shame, even hope. She tried to slow the rush of emotion enough to capture the last two days with words, not so much capture as synopsize, sketch, represent. Notes into music. Thoughts into rhyme. Later could come the clarity and the accuracy, the shading and wit.

Later, lost to all this, Erin heard another knock on her door.

"Go away! Marcha.r.s.e!"

"Mr. Armenta will be here in one half hour." It was the soft high voice of the room-service boy.

"For what? Why?"

Silence.

Think. She put the guitar back in its case and pulled off the three sheets of paper upon which she had written, then put the pad and pen back on the desk. The lyrics she stashed under the bed.

Think. She found a blue dress and bit off the Bloomingdale's tag. It was modest and fit loosely around her middle. Then a pair of new sandals. She turned sideways to the mirror to see her profile and she pulled her stomach in again and when she felt the tears starting up she whacked herself on each cheek and this helped.

From the wardrobe she retrieved the used medical tape and in the bathroom she hiked up the blue dress and used its fading adhesive to fasten the derringer around her unchafed calf. She brushed her hair and pulled it back into a pony tail. She thought for a moment, then changed her mind about the gun and removed it and put it and the tape back where they had been.

Five minutes later she heard the whir and clunk of the door lock and Armenta pushed into the room. He wore a black open-collared dress s.h.i.+rt instead of the Pacifico T-s.h.i.+rt, and a pair of wrinkled linen pants instead of the shorts. His hair was still a mess and his face still unshaven and jowly and his eyes haunted. His sandals were a burnished orange color, similar to that of a sunburst Gibson ES-335 guitar. His matching belt was tooled with crocodiles. Three phones hung from it: one satellite and two cell phones, she guessed.

"I will show you my home."

"Let me go."

He wagged a thick finger at her and shook his head slightly. "You will now see my home."

8.

THEY TOOK THE ELEVATOR TO the bas.e.m.e.nt kitchen. It was large and two black women labored over the stoves and another operated a tortilla maker. It was hot and fragrant. Two young men sat in folding chairs by a far wall, weapons across their knees.

"A large kitchen," said Armenta. "Yes, very large."

"Why are the staff all black?"

"I used to live in the Caribbean."

They left the kitchen through steel double doors and entered a warren of windowless vaults that soon defeated her sense of direction. The air was cool and smelled of concrete. Armenta led the way, apparently disinterested and walking fast, revealing the large handgun holstered at the small of his back. But Erin was intrigued by the mystery of this place and she lagged behind to see.

The vaults were large and the ceilings high and all were made of concrete block, unpainted, roughly cemented together. In the first was a bank of four large Honda generators, which groaned along. It was vented to the outside by a network of pipes and grates, and the adjacent vault was filled with fifty-five gallon drums of what Erin figured must be gasoline to run the generators.

In some of the vaults were large quant.i.ties of canned food and bottled water, sacks of flour, rice and beans. Others, she saw, were stacked high with crates and pallets of music CDs and movie DVDs. Thousands of them. She recognized the covers of some-American and Mexican musicians and Hollywood movies and TV shows-and she remembered Bradley telling her that the Mexican drug cartels weren't selling just drugs anymore, but also pirated entertainment and both stolen and counterfeit designer fas.h.i.+on ware. She wondered if any Erin and the Inmates CDs were in the crates. Not likely, she thought, as they were a good band and known but not famous.

One large room was filled with Olmec statuary much like she remembered from the National Museum of Anthropology in Mexico City. She had always been impressed by the great brooding heads with their infinite gazes. Another room had Toltec pieces and another was cluttered with Mayan artifacts, many crumbling with age-stone serpents and jaguars and great blackened blocks that must have come from pyramids or temples or one of the big sporting arenas like she'd seen in Chichen Itza. Armenta stopped and spoke softly into one of the cell phones as he waited for her.

They took the elevator up one floor to the ground-level zoo. It included two tigers, two lions, two leopards, two jaguars, two pumas and two ocelots. Armenta said they were mated pairs. Their separate enclosures spanned outward like the spokes of a half-wheel from the common hub of the Castle's ground floor, then continued out into the jungle behind the structure in widening angles. The runs were separated by metal spike fences that Armenta said were too high even for the leopards to jump. The viewing area took up approximately the rear half of the ground floor of the Castle, and had a cobblestone floor and a low limestone ceiling that, to Erin, gave it the look and feel of a dungeon.

Here in the viewing area the cages converged, each of the enclosures ending at a large rust-eaten barred door that might have come from a prison. Monkeys sat on the cobblestones just out of claw range or walked with tails waving as they contemplated and jeered the captives. A giant sloth slept in a leather chair. A group of coatimundis came wobbling in from an opening on one side of the enclosures, crossed in front of Erin and Armenta, and continued out another. Parrots and macaws in reds and greens sat atop the prison doors. Peac.o.c.ks and hens came and went. In the shade near the courtyard stood a large aviary filled with what looked like pigeons.

"I brought the cats in so you could see them."

Erin studied the animals. They looked healthy. Their coats shone even in the dim light except for the lions, pale and tawny, the color of the hillsides where she lived. All of the animals were calm except the leopards. They paced opposite sides of their cage in opposite directions, six steps from the bars to the raised grates that kept them from their runs, six steps back, again and again as if counterbalanced. The tigers seemed curious about her though the lions did not. She recognized the black jaguar from the third-floor landing and it beheld her again with its pale green eyes. Eyes like the moon, she thought, eyes like the stone heads that stare forever. A piece of a song she had been hearing came to her now and she added to it: Come to me by moonlight, sugar/Let the moon be your guide/Be a jaguar in the jungle/Be a cat with Olmec eyes. She sensed Armenta looking not at the cats, but at her.

"I give them to friends. I sell them occasionally. They are splendidly cared for and indulged and yet this changes their natures none. They are not dogs and can never be as dogs. This is what I respect in them."

Armenta walked to the last barred door and pushed a red b.u.t.ton on the wall. Erin saw the enclosure grates withdraw into their respective concrete floors and the animals, some running and others walking, travel back into their dark slices of jungle.