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"We were wondering where you had been," said another.
"They said you had gone boar-hunting."
"Or to Naples."
"Or even to Paris." Three or four spoke in one breath.
"I am exceedingly flattered at the interest you all show in me," said Giovanni, quietly. "There is very little to tell. I have been in Saracinesca upon a matter of business, spending my days in the woods with my steward, and my nights in keeping away the cold and the ghosts. I would have invited you all to join the festivity, had I known how much you were interested. The beef up there is monstrously tough, and the rats are abominably noisy, but the mountain air is said to be very healthy."
Most of the men present felt that they had not only behaved foolishly, but had spoiled the little circle around the d.u.c.h.essa by introducing a man who had the power to interest her, whereas they could only afford her a little amus.e.m.e.nt. Valdarno was still standing, and his chair beside Corona was vacant. Giovanni calmly installed himself upon it, and began to talk as though nothing had happened.
"You are not dancing, d.u.c.h.essa," he remarked. "I suppose you have been in the ball-room?"
"Yes--but I am rather tired this evening. I will wait."
"You were here at the last great ball, before the old prince died, were you not?" asked Giovanni, remembering that he had first seen her on that occasion.
"Yes," she answered; "and I remember that we danced together; and the accident to the window, and the story of the ghost."
So they fell into conversation, and though one or two of the men ventured an ineffectual remark, the little circle dropped away, and Giovanni was left alone by the side of the d.u.c.h.essa. The distant opening strains of a waltz came floating down the gallery, but neither of the two heard, nor cared.
"It is strange," Giovanni said. "They say it has always happened, since the memory of man. No one has ever seen anything, but whenever there is a great ball, there is a crash of broken gla.s.s some time in the course of the evening. n.o.body could ever explain why that window fell in, five years ago--five years ago this month,--this very day, I believe," he continued suddenly, in the act of recollection. "Yes--the nineteenth of January, I remember very well--it was my mother's birthday."
"It is not so extraordinary," said Corona, "for it chances to be the name-day of the present prince. That was probably the reason why it was chosen this year." She spoke a little nervously, as though still ill at ease.
"But it is very strange," said Giovanni, in a low voice. "It is strange that we should have met here the first time, and that we should not have met here since, until--to-day."
He looked towards her as he spoke, and their eyes met and lingered in each other's gaze. Suddenly the blood mounted to Corona's cheeks, her eyelids drooped, she leaned back in her seat and was silent.
Far off, at the entrance to the ball-room, Del Ferice found Donna Tullia alone. She was very angry. The dance for which she was engaged to Giovanni Saracinesca had begun, and was already half over, and still he did not come. Her pink face was unusually flushed, and there was a disagreeable look in her blue eyes.
"Ah!--I see Don Giovanni has again forgotten his engagement," said Ugo, in smooth tones. He well knew that he himself had brought about the omission, but none could have guessed it from his manner. "May I have the honour of a turn before your cavalier arrives?" he asked.
"No," said Donna Tullia, angrily. "Give me your arm. We will go and find him." She almost hissed the words through her closed teeth.
She hardly knew that Del Ferice was leading her as they moved towards the picture-gallery, pa.s.sing through the crowded rooms that lay between. She never spoke; but her movement was impetuous, and she resented being delayed by the hosts of men and women who filled the way. As they entered the long apartment, where the portraits of the Frangipani lined the walls from end to end, Del Ferice uttered a well-feigned exclamation.
"Oh, there he is!" he cried. "Do you see him?--his back is turned--he is alone with the Astrardente."
"Come," said Donna Tullia, shortly. Del Ferice would have preferred to have let her go alone, and to have witnessed from a distance the scene he had brought about. But he could not refuse to accompany Madame Mayer.
Neither Corona, who was facing the pair, but was talking with Giovanni, nor Giovanni himself, who was turned away from them, noticed their approach until they came and stood still beside them. Saracinesca looked up and started. The d.u.c.h.essa d'Astrardente raised her black eyebrows in surprise.
"Our dance!" exclaimed Giovanni, in considerable agitation. "It is the one after this--"
"On the contrary," said Donna Tullia, in tones trembling with rage, "it is already over. It is the most unparalleled insolence!"
Giovanni was profoundly disgusted at himself and Donna Tullia. He cared not so much for the humiliation itself, which was bad enough, as for the annoyance the scene caused Corona, who looked from one to the other in angry astonishment, but of course could have nothing to say.
"I can only a.s.sure you that I thought--"
"You need not a.s.sure me!" cried Donna Tullia, losing all self-control.
"There is no excuse, nor pardon--it is the second time. Do not insult me further, by inventing untruths for your apology."
"Nevertheless--" began Giovanni, who was sincerely sorry for his great rudeness, and would gladly have attempted to explain his conduct, seeing that Donna Tullia was so justly angry.
"There is no nevertheless!" she interrupted. "You may stay where you are," she added, with a scornful glance at the d.u.c.h.essa d'Astrardente.
Then she laid her hand upon Del Ferice's arm, and swept angrily past, so that the train of her red silk gown brushed sharply against Corona's soft white velvet.
Giovanni remained standing a moment, with a puzzled expression upon his face.
"How could you do anything so rude?" asked Corona, very gravely. "She will never forgive you, and she will be quite right."
"I do not know how I forgot," he answered, seating himself again. "It is dreadful--unpardonable--but perhaps the consequences will be good."
CHAPTER XI.
Corona was ill at ease. In the first few moments of being alone with Giovanni the pleasure she felt outweighed all other thoughts. But as the minutes lengthened to a quarter of an hour, then to half an hour, she grew nervous, and her answers came more and more shortly. She said to herself that she should never have given him the cotillon, and she wondered how the remainder of the time would pa.s.s. The realisation of what had occurred came upon her, and the hot blood rose to her face and ebbed away again, and rose once more. Yet she could not speak out what her pride prompted her to say, because she pitied Giovanni a little, and was willing to think for a moment that it was only compa.s.sion she felt, lest she should feel that she must send him away.
But Giovanni sat beside her, and knew that the spell was working upon him, and that there was no salvation. He had taken her unawares, though he hardly knew it, when she first entered, and he asked her suddenly for a dance. He had wondered vaguely why she had so freely consented; but, in the wild delight of being by her side, he completely lost all hold upon himself, and yielded to the exquisite charm of her presence, as a man who has struggled for a moment against a powerful opiate sinks under its influence, and involuntarily acknowledges his weakness. Strong as he was, his strength was all gone, and he knew not where he should find it.
"You will have to make her some further apology," said Corona, as Madame Mayer's red train disappeared through the doorway at the other end of the room.
"Of course--I must do something about it," said Giovanni, absently.
"After all, I do not wonder--it is amazing that I should have recognised her at all. I should forget anything to-night, except that I am to dance with you."
The d.u.c.h.essa looked away, and fanned herself slowly; but she sighed, and checked the deep-drawn breath as by a great effort. The waltz was over, and the dancers streamed through the intervening rooms towards the gallery in quest of fresher air and freer s.p.a.ce. Two and two they came, quickly following each other and pa.s.sing on, some filling the high seats along the walls, others hastening towards the supper-rooms beyond. A few minutes earlier Saracinesca and Corona had been almost alone in the great apartment; now they were surrounded on all sides by a chattering crowd of men and women, with flushed faces or unnaturally pale, according as the effort of dancing affected each, and the indistinguishable din of hundreds of voices so filled the air that Giovanni and the d.u.c.h.essa could hardly hear each other speak.
"This is intolerable," said Giovanni, suddenly. "You are not engaged for the last quadrille? Shall we not go away until the cotillon begins?"
Corona hesitated a moment, and was silent. She glanced once at Giovanni, and again surveyed the moving crowd.
"Yes," she said at last; "let us go away."
"You are very good," answered Giovanni in a low voice, as he offered her his arm. She looked at him inquiringly, and her face grew grave, as they slowly made their way out of the room.
At last they came to the conservatory, and went in among the great plants and the soft lights. There was no one there, and they slowly paced the broad walk that was left clear all round the gla.s.s-covered chamber, and up and down the middle. The plants were disposed so thickly as to form almost impenetrable walls of green on either side; and at one end there was an open s.p.a.ce where a little marble fountain played, around which were disposed seats of carved wood. But Giovanni and Corona continued to walk slowly along the tiled path.
"Why did you say I was good just now?" asked Corona at last. Her voice sounded cold.
"I should not have said it, perhaps," answered Giovanni. "I say many things which I cannot help saying. I am very sorry."
"I am very sorry too," answered the d.u.c.h.essa, quietly.
"Ah! if you knew, you would forgive me. If you could guess half the truth, you would forgive me."