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But she clapped, she clapped. And as she did so, moved to look round, she saw Mrs. s.h.i.+ffney and Madame Sennier watching her through two pairs of opera-gla.s.ses.
Her hands fell apart, dropped to her sides mechanically.
Still cries, separated, far, it seemed, from one another, went up.
"Heath! Heath!" Charmian now heard distinctly.
"Gillier! Author! Author!"
The curtains moved. One was drawn back. A strangely shaped gap showed itself. But for a long moment no one emerged through this gap. And again the applause died down. Charmian sat quite still, her arms hanging, her eyes fixed on the gap, her cheeks still very white.
Just as the applause seemed fading beyond recall Claude stepped through the gap, followed by Armand Gillier.
Once more the cries were heard. The applause revived. Charmian gazed at Claude. His face, she thought, looked set but quite calm. He stood at the very edge of the stage, and she saw him look, not toward where she was, but up to the gallery as if in search of someone. Then he stepped back. He had come to the audience before Gillier. He now disappeared before Gillier, who seemed about to follow him closely, hesitated, looked round once more at the audience, and stood for an instant alone on the stage.
Then suddenly came from the audience the sound!
It was less full, less strong, less intense than it had been at Covent Garden on the night of the first performance of _Le Paradis Terrestre_.
But essentially it was the same sound.
Charmian heard it and her lips grew pale. But she sat well forward in the box, and, though she saw two opera-gla.s.ses levelled at her, she lifted her hands again and clapped till Armand Gillier pa.s.sed out of sight.
CHAPTER x.x.xVII
In the red sitting-room at the St. Regis Hotel a supper-table was laid for three people. It was decorated with some lilies-of-the-valley and white heather, which Jacob Crayford had sent in the afternoon to the "little lady." On a table near stood a gilded basket of tulips, left by Gillier with a formal note. The elderly German waiter, who looked like a very respectable butler, placed a menu beside the lilies and the heather soon after the clock struck twelve. Then he glanced at the clock, compared it with his silver watch, and retired to see that the champagne was being properly iced. He returned, with a subordinate, about half-past twelve, and began to arrange an ice pail, from which the neck of a bottle protruded, and other things on a side table. While he was still in the room he heard voices in the corridor, and the three people for whom the preparations had been made came in.
"Supper is ready? That's right!" Charmian said, in a high and gay voice.
She turned.
"Doesn't the table look pretty, Alston, with Mr. Crayford's white heather?"
She had Alston's red roses in her hand.
"I am going to put your roses in water now."
She turned again to the waiter.
"Could I have some water put in that vase, please? And we'll have supper at once."
"Certainly, ma'am!"
"Come and see the menu, both of you, and tell me if you are satisfied with it."
She picked it up and handed it to Alston.
"And then show it to Claude while I take off my cloak."
She went away, smiling.
The waiters had gone out for a moment. The two friends were alone together.
Claude put his arm round Alston Lake's shoulder.
"Alston, this has been my first chance to congratulate you without a lot of people round us, or--really to tell you, I mean, how fine your performance was. There is no doubt that you are a made man from to-night. I am glad for you. You've worked splendidly, and you deserve this great success."
Alston wrung his friend's hand.
"Thank you, Claude. But I only got my chance through you and Mrs.
Charmian. If you hadn't composed a splendid opera, I couldn't have scored in it."
"You would have scored in something else. You are going to."
"I shall never enjoy singing any role so much as I have enjoyed singing your Spahi."
"I don't see how you are ever going to sing any role better," said Claude.
Their hands fell apart as Charmian quickly came in.
"You've put your coats in the lobby? That's right. Oh, here is supper!
Caviare first! I'll sit here. Oh, Alston, what a comfort to be quietly here with just you and Claude after all the excitement!"
For a moment her mouth dropped, but only for a moment.
"But I'm wonderfully little tired!" she continued. "It all went so splendidly, without a single hitch. Mr. Crayford must be enchanted. I only saw him for a moment coming out after I had congratulated Miss Mardon. There were so many people. There was no time to hear all he thought. But there could not be two opinions. Claudie, do you feel quite finished?"
"No," said Claude, in a strong voice, which broke in almost strangely upon her lively chattering.
Both Charmian and Alston looked at him for an instant with a sort of inquiry, which in Charmian was almost furtive.
"That's good!" Charmian began, after a little pause. "I was almost afraid--here's the champagne! We ought to drink a toast to-night, I think. Suppose we--"
"We'll drink to Alston's career," interrupted Claude. And he lifted his gla.s.s.
"Alston!" said Charmian, swiftly following his example.
"And now no more toasts for the present. They seem too formal when only we three are together. And we know what we wish each other without them.
Oyster soup! You see, I remembered what you are fond of, Claudie. I recollect ages ago in London I once met Mr. Whistler. It was when I was very small. He came to lunch with Madre. By the way, Claude, did you take Madre's cablegram with you when you went to answer your call?"
"Yes."
"I thought you had, because I couldn't find it. Well Mr. Whistler came to lunch with us, Alston. And he talked about nothing but oysters."
"Was he painting them at the time? A nocturne of natives?"