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Casa Braccio Part 11

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He was annoyed, however, by what she said this evening, though he was also secretly surprised and delighted. The contradiction is a common one. The miser is half mad with joy on discovering that he has much more than he supposed, and bitterly resents, at the same time, any notice which may be taken of the fact by others.

Annetta did not enjoy his discomfiture and evident embarra.s.sment, for she was far more deeply hurt herself than she realized, and every word she had spoken about Maria Addolorata had hurt her, though she had taken a sort of vague delight in teasing Dalrymple. She relapsed into silence now, alternately wis.h.i.+ng that he loved her, and then, that she might kill him. If she could not have his heart, she would be satisfied with his blood. There was a pa.s.sionate animal longing in the instinct to have him for herself, even dead, rather than that any other woman should get his love.

Dalrymple was aware only that the girl's words had annoyed him, while inwardly conscious that if what she said were true, the truth would make a difference in his life. He showed no inclination to talk any more, and finished his supper in a rather morose silence, turning to his book as soon as he had done. Then Gigetto came in with his guitar and sang and talked with the two women.

But he was restless that night, and did not fall asleep until the moon had set and his window grew dark. And even in his dreams he was restless still, so that when he awoke in the morning he said to himself that he had been foolish in his behaviour towards Maria Addolorata on the previous day. He felt tired, too, and his colour was less brilliant than usual. It was Sunday, and he remembered that if he chose he could go in the afternoon to the Benediction in the convent church and hear Maria's voice perhaps. But at the usual hour, just before noon, he went to make his visit to the abbess.

It was his intention to forget his stiff manner, and to behave as he had always behaved until yesterday. Strange to say, however, he felt a constraint coming upon him as soon as he was in the nun's presence. She received him as usual, there was the usual comic scene at the abbess's door, and, as every day, the two were alone together after her door was shut.

"Are you ill?" asked Maria Addolorata, after a moment's silence which, short as it was, both felt to be awkward.

Dalrymple was taken by surprise. The tone in which she had spoken was cold and distant rather than expressive of any concern for his welfare, but he did not think of that. He only realized that his manner must seem to her very unusual, since she asked such a question. An Italian would have observed that his own face was pale, and would have told her that he was dying of love.

"No, I am not ill," answered the Scotchman, simply, and in his most natural tone of voice.

"Then what is the matter with you since yesterday?" asked Maria Addolorata, less coldly, and as though she were secretly amused.

"There is nothing the matter--at least, nothing that I could explain to you."

She sat down in the big easy-chair and, as formerly, he took his seat opposite to her.

"There is something," she insisted, speaking thoughtfully. "You cannot deceive a woman, Signor Doctor."

Dalrymple smiled and looked at her veiled head.

"You said the other day that I was not a man, but a doctor," he answered. "I suppose I might answer that you are not a woman, but a nun."

"And is not a nun a woman?" asked Maria Addolorata, and he knew that she was smiling, too.

"You would not forgive me if I answered you," he said.

"Who knows? I might be obliged to, since I am obliged to meet you every day. It may be a sin, but I am curious."

"Shall I tell you?"

As though instinctively, Maria was silent for a moment, and turned her veiled face towards the abbess's door. But Dalrymple needed no such warning to lower his voice.

"Tell me," she said, and under her veil she could feel that her eyes were growing deep and the pupils wide and dark, and she knew that she had done wrong.

"How should I know whether you are a saint or only a woman, since I have never seen your face?" he asked. "I shall never know--for in a few days Doctor Taddei will be well again, and you will not need my services."

He saw the quick tightening of one hand upon the other, and the slight start of the head, and in a flash he knew that all Annetta had told him was true. The silence that followed seemed longer than the awkward pause which had preceded the conversation.

"It cannot be so soon," she said in a very low tone.

"It may be to-morrow," he answered, and to his own astonishment his voice almost broke in his throat, and he felt that his own hands were twisting each other, as though he were in pain. "I shall die without seeing you," he added almost roughly.

Again there was a short silence in the still room.

Suddenly, with quick movements of both hands at once, Maria Addolorata threw back the veil from her face, and drew away the folds that covered her mouth.

"There, see me!" she exclaimed. "Look at me well this once!"

Her face was as white as marble, and her dark eyes had a wild and startled look in them, as though she saw the world for the first time.

A ringlet of red-gold hair had escaped from the bands of white that crossed her forehead in an even line and were drawn down straight on either side, for in the quick movement she had made she had loosened the pin that held them together under her chin, and had freed the dazzling throat down to the high collar.

[Ill.u.s.tration: "She had covered her face with the veil."--Vol. I., p.

126.]

Dalrymple's pale, bright blue eyes caught fire, and he looked at her with all his being, at her face, her throat, her eyes, the ringlet of her hair. He breathed audibly, with parted lips, between his clenched teeth.

Gradually, as he looked, he saw the red blush rise from the throat to the cheeks, from the cheeks to the forehead, and the marble grew more beautiful with womanly life. Then, all at once, he saw the hot tears welling up in her eyes, and in an instant the vision was gone. With a pa.s.sionate movement she had covered her face with the veil, and throwing herself sideways against the high back of the chair, she pressed the dark stuff still closer to her eyes and mouth and cheeks. Her whole body shook convulsively, and a moment later she was sobbing, not audibly, but visibly, as though her heart were breaking.

Dalrymple was again taken by surprise. He had been so completely lost in the utterly selfish contemplation of her beauty that he had been very far from realizing what she herself must have felt as soon as she appreciated what she had done. He at once accused himself of having looked too rudely at her, but at the same time he was himself too much disturbed to argue the matter. Quite instinctively he rose to his feet and tried to take one of her hands from her veil, touching it comfortingly. But she made a wild gesture, as though to drive him away.

"Go!" she cried in a low and broken voice, between her sobs. "Go! Go quickly!"

She could not say more for her sobbing, but he did not obey her. He only drew back a little and watched her, all his blood on fire from the touch of her soft white hand.

She stifled her sobs in her veil, and gradually grew more calm. She even arranged the veil itself a little better, her face still turned away towards the back of the chair.

"Maria! Maria!" The abbess's voice was calling her, hoa.r.s.ely and almost desperately, from the next room.

She started and sat up straight, listening. Then the cry was heard again, more desperate, less loud. With a quick skill which seemed marvellous in Dalrymple's eyes, Maria adjusted her veil almost before she had sprung to her feet.

"Wait!" she said. "Something is the matter!"

She was at the bedroom door in an instant, and in an instant more she was at her aunt's bedside.

"Maria--I am dying," said the abbess's voice faintly, as she felt the nun's arm under her head.

Dalrymple heard the words, and did not hesitate as he hastily felt for something in his pocket.

"Come!" cried Maria Addolorata.

But he was already there, on the other side of the bed, pouring something between the sick lady's lips.

It was fortunate that he was there at that moment. He had indeed antic.i.p.ated the possibility of a sudden failure in the action of the heart, and he never came to the convent without a small supply of a powerful stimulant of his own invention. The liquid, however, was of such a nature that he did not like to leave the use of it to Maria Addolorata's discretion, for he was aware that she might easily be mistaken in the symptoms of the collapse which would really require its use.

The abbess swallowed a sufficient quant.i.ty of it, and Dalrymple allowed her head to lie again upon the pillow. She looked almost as though she were dead. Her eyes were turned up, and her jaw had dropped. Maria Addolorata believed that all was over.

"She is dead," she said. "Let us leave her in peace."

It is a very ancient custom among Italians to withdraw as soon as a dying person is unconscious, if not even before the supreme moment.

"She will probably live through this," answered Dalrymple, shaking his head.

Neither he nor the nun spoke again for a long time. Little by little, the abbess revived under the influence of the stimulant, the heart beat less faintly, and the mouth slowly closed, while the eyelids shut themselves tightly over the upturned eyes. The normal regular breathing began again, and the crisis was over.

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About Casa Braccio Part 11 novel

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