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"Yes. And see if that will not come to be your opinion as much as mine."
Again, to my annoyance, the dialogue is interrupted--this time by the sound of uncertain footsteps in the street without. Thus the next words of the women's conversation escape me. Then I hear:
"Have you ever read 'The Vision of the Mother of G.o.d'?"
"N-no, I have not."
"Then you had better ask some older woman than myself to tell you about it, for it is a good book to become acquainted with. Can you read?"
"No, I cannot. But tell me, yourself, what the vision was?"
"Listen, and I will do so."
From outside the window Konev's voice softly inquires:
"Is that our lot in there? Yes? Thank G.o.d, then, for I had nearly lost my way after stirring up a lot of dogs, and being forced to use my fists upon them. Here, you! Catch hold!"
With which, handing me a large watermelon, he clambers through the window with a great clattering and disturbance.
"I have managed also to gee a good supply of bread," he continues.
"Perhaps you believe that I stole it? But no. Indeed, why should one steal when one can beg-a game at which I am particularly an old hand, seeing that always, on any occasion, I can make up to people? It happened like this. When I went out I saw a fire glowing in a hut, and folk seated at supper. And since, wherever many people are present, one of them at least has a kind heart, I ate and drank my fill, and then managed to make off with provender for you as well. Hi, you women!"
There follows no answer.
"I believe those daughters of wh.o.r.es must be asleep," he comments. "Hi, women!"
"What is it?" drily inquires the woman from Riazan.
"Should you like a taste of water-melon?"
"I should, thank you."
Thereupon, Konev begins to make his way towards the voice.
"Yes, bread, soft wheaten bread such as you--"
Here the other woman whines in beggar fas.h.i.+on:
"And give ME a taste, too."
"Oh, yes, I will. But where the devil are you?"
"And a taste of melon as well?"
"Yes, certainly. Hullo! Who is this?"
From the woman from Riazan comes a cry of pain.
"Mind how you step, wretch!" she exclaims.
"All right, but you needn't make so much noise about it. You see how dark it is, and I--"
"You ought to have struck a match, then."
"I possess but a quarter of a match, for matches are not over-plentiful, and even if I did catch hold of you no great harm can have been done. For instance, when your husband used to beat you he must have hurt you far worse than I. By the way, DID he beat you?"
"What business is that of yours?"
"None; only, I am curious to know. Surely a woman like you--"
"See here. Do not dare to touch me, or I--"
"Or you what?"
There ensues a prolonged altercation amid which I can hear epithets of increasing acerbity and opprobrium being applied; until the woman from Riazan exclaims hoa.r.s.ely:
"Oh, you coward of a man, take that!"
Whereupon follows a scrimmage amid which I can distinguish slappings, gross chuckles from Konev, and a m.u.f.fled cry from the younger woman of:
"Oh, do not so behave, you wretch!"
Striking a match, I approach the spot, and pull Konev away. He is in no way abashed, but merely cooled in his ardour as, seated on the floor at my feet, and panting and expectorating, he says reprovingly to the woman:
"When folk wish merely to have a game with you, you ought not to let yourself lose your temper. Fie, fie!"
"Are you hurt?" the woman inquires quietly.
"What do you suppose? You have cut my lip, but that is the worst damage."
"Then if you come here again I will lay the whole of your face open."
"Vixen! What b.u.mpkinish stupidity!"
Konev turns to myself.
"And as for you, you go catching at the first thing you find, and have torn my coat."
"Then do not insult people."
"INSULT people, fool? The idea of anyone insulting a woman like THAT!"
Whereafter, with a mean chuckle, the fellow goes on to discourse upon the ease with which peasant women err, and upon their love of deceiving their husbands.
"The impudent rascal!" comments the woman from Penza sleepily.
After a while the young fellow springs to his feet, and grates his teeth. Then, reseating himself, and clutching at his head, he says gloomily:
"I intend to leave here tomorrow, and go home. I do not care WHAT becomes of me."