The Confession Part 14

"Some one may find it," she replied. "Some one who does not care, as I--as we care."

"Are you sure there is something?"

"She told me, near the last. I only don't know just where it is."

"And if you find it?"

"It is a letter. I shall burn it without reading. Although," she drew a long breath, "I know what it contains."

"If in any way it comes into my hands," I a.s.sured her, "I shall let you know. And I shall not read it."

She looked thoughtful rather than grateful.

"I hardly know," she said. "I think she would want you to read it if it came to you. It explains so much. And it was a part of her plan. You know, of course, that she had a plan. It was a sort of arrangement"--she hesitated--"it was a sort of pact she made with G.o.d, if you know what I mean."

That night Maggie found the letter.

I had gone upstairs, and Anne was, I think, already asleep. I heard what sounded like distant hammering, and I went to the door. Some one was in the library below. The light was s.h.i.+ning out into the hall, and my discovery of that was followed almost immediately by the faint splintering of wood. Rather outraged than alarmed, I went back for my dressing-gown, and as I left the room, I confronted Maggie in the hallway. She had an envelope in one hand, and a hatchet in the other.

"I found it," she said briefly.

She held it out, and I took it. On the outside, in Miss Emily's writing, it said, "To whom it may concern." It was sealed.

I turned it over in my hand, while Maggie talked.

"When I saw that girl crawling around," she said, "seems to me I remembered all at once seeing Miss Emily, that day I found her, running her finger along the baseboard. Says I to myself, there's something more hidden, and she don't know where it is. But I do. So I lifted the baseboard, and this was behind it."

Anne heard her from her room, and she went out soon afterward. I heard her going down the stairs and called to her. But she did not answer. I closed the door on Maggie and stood in my room, staring at the envelope.

I have wondered since whether Miss Emily, had she lived, would have put the responsibility on Providence for the discovery of her pitiful story.

So many of us blame the remorseless hand of destiny for what is so manifestly our own doing. It was her own anxiety, surely, that led to the discovery in each instance, yet I am certain that old Emily Benton died, convinced that a higher hand than any on earth had directed the discovery of the confession.

Miss Emily has been dead for more than a year now. To publish the letter can do her no harm. In a way, too, I feel, it may be the fulfilment of that strange pact she made. For just as discovery was the thing she most dreaded, so she felt that by paying her penalty here she would be saved something beyond--that sort of spiritual book-keeping which most of us call religion. Anne Sprague--she is married now to Martin has, I think, some of Miss Emily's feeling about it, although she denies it. But I am sure that in consenting to the recording of Miss Emily's story, she feels that she is doing what that gentle fatalist would call following the hand of Providence.

I read the letter that night in the library where the light was good. It was a narrative, not a letter, strictly speaking. It began abruptly.

"I must set down this thing as it happened. I shall write it fully, because I must get it off my mind. I find that I am always composing it, and that my lips move when I walk along the street or even when I am sitting in church. How terrible if I should some day speak it aloud. My great-grandmother was a Catholic. She was a Bullard. Perhaps it is from her that I have this overwhelming impulse to confession. And lately I have been terrified. I must tell it, or I shall shriek it out some day, in the church, during the Litany. 'From battle and murder, and from sudden death, Good Lord, deliver us.'"

(There was a s.p.a.ce here. When the writing began again, time had elapsed.

The ink was different, the writing more controlled.)

"What a terrible thing hate is. It is a poison. It penetrates the mind and the body and changes everything. I, who once thought I could hate no one, now find that hate is my daily life, my getting up and lying down, my sleep, my waking.

"'From hatred, envy, and malice, and all uncharitableness, Good Lord, deliver us.'

"Must one suffer twice for the same thing? Is it not true that we pay but one penalty? Surely we pay either here or beyond, but not both. Oh, not both!

"Will this ever be found? Where shall I hide it? For I have the feeling that I must hide it, not destroy it--as the Catholic buries his sin with the priest. My father once said that it is the healthful humiliation of the confessional that is its reason for existing. If humiliation be a virtue--"

I have copied the confession to this point, but I find I can not go on.

She was so merciless to herself, so hideously calm, so exact as to dates and hours. She had laid her life on the table and dissected it--for the Almighty!

I heard the story that night gently told, and somehow I feel that that is the version by which Miss Emily will be judged.

"If humiliation be a virtue--" I read and was about to turn the page, when I heard Anne in the hall. She was not alone. I recognized Doctor Lingard's voice.

Five minutes later I was sitting opposite him, almost knee to knee, and he was telling me how Miss Emily had come to commit her crime. Anne Bullard was there, standing on the hearth rug. She kept her eyes on me, and after a time I realized that these two simple people feared me, feared for Miss Emily's gentle memory, feared that I--good heaven!--would make the thing public.

"First of all, Miss Blakiston," said the doctor, "one must have known the family to realize the situation--its pride in its own uprightness.

The virtue of the name, what it stood for in Bolivar County. She was raised on that. A Benton could do no wrong, because a Benton would do no wrong.

"But there is another side, also. I doubt if any girl was ever raised as Miss Emily was. She--well, she knew nothing. At fifty she was as childlike and innocent as she was at ten. She had practically never heard of vice. The ugly things, for her, did not exist.

"And, all the time, there was a deep and strong nature underneath. She should have married and had children, but there was no one here for her to marry. I," he smiled faintly, "I asked for her myself, and was forbidden the house for years as a result.

"You have heard of the brother? But of course you have. I know you have found the books. Such an existence as the family life here was bound to have its reactions. Carlo was a reaction. Twenty-five years ago he ran away with a girl from the village. He did not marry her. I believe he was willing at one time, but his father opposed it violently. It would have been to recognize a thing he refused to recognize." He turned suddenly to Anne. "Don't you think this is going to be painful?" he asked.

"Why? I know it all."

"Very well. This girl--the one Carlo ran away with--determined to make the family pay for that refusal. She made them actually pay, year by year. Emily knew about it. She had to pinch to make the payments. The father sat in a sort of detached position, in the center of Bolivar County, and let her bear the brunt of it. I shall never forget the day she learned there was a child. It--well, it sickened her. She had not known about those things. And I imagine, if we could know, that that was the beginning of things.

"And all the time there was the necessity for secrecy. She had never known deceit, and now she was obliged to practice it constantly. She had no one to talk to. Her father, beyond making entries of the amounts paid to the woman in the case, had nothing to do with it. She bore it all, year after year. And it ate, like a cancer.

"Remember, I never knew. I, who would have done anything for her--she never told me. Carlo lived hard and came back to die. The father went.

She nursed them both. I came every day, and I never suspected. Only, now and then, I wondered about her. She looked burned. I don't know any other word.

"Then, the night after Carlo had been buried, she telephoned for me.

It was eleven o'clock, She met me, out there in the hall, and she said, 'John, I have killed somebody.'

"I thought she was out of her mind. But she opened the door, and--"

He turned and glanced at Anne.

"Please!" she said.

"It was Anne's mother. You have guessed it about Anne by now, of course.

It seems that the funeral had taken the money for the payment that was due, and there had been a threat of exposure. And Emily had reached the breaking-point. I believe what she said--that she had no intention even of striking her. You can't take the act itself. You have to take twenty-five years into account. Anyhow, she picked up a chair and knocked the woman down. And it killed her." He ran his fingers through his heavy hair. "It should not have killed her," he reflected. "There must have been some other weakness, heart or something. I don't know.

But it was a heavy chair. I don't see how Emily--"

His voice trailed off.

"There we were," he said, with a long breath. "Poor Emily, and the other poor soul, neither of them fundamentally at fault, both victims."

"I know about the books," I put in hastily. I could not have him going over that again.

"You knew that, too!" He gazed at me.

"Poor Emily," he said. "She tried to atone. She brought Anne here, and told her the whole story. It was a bad time--all round. But at last Anne saw the light. The only one who would not see the light was Emily. And at last she hit on this confession idea. I suspected it when she rented the house. When I accused her of it, she said: 'I have given it to Providence to decide. If the confession is found, I shall know I am to suffer. And I shall not lift a hand to save myself.'"