There was a King in Egypt Part 13

"I should like to know, Meg."

"A voice seemed to wake me. It spoke to me of you. I was to help you . . . you were struggling."

"You can help me," Mike said. "You have."

"It spoke of the oldest of all stories, the battle of light against darkness. It said that Egypt in the early days wors.h.i.+pped light; in the days which followed light was swallowed up in the wors.h.i.+p of false G.o.ds."

"Osiris and Set--you know the legend--the fundamental ethics of all religions."

"I know a little about it," Margaret said. She paused. "Please go on . . . tell me everything."

"In dreams we are so vain, so wonderful . . . you know how it always is! The ego in us has unlimited sway. In my dream I dreamed that my friends.h.i.+p was to be 'light'; if I withdrew it, you would have darkness. What glorious vanity!"

"Oh, Meg, it's quite true! Will you give me back your sympathy?

I . . ." he hesitated, ". . . I am trying to be more worthy of it."

"We are friends," she said. "I was foolish and conceited, my dream made me see how foolish. I had no right to . . ."

He interrupted her. "Yes, you had . . . you weren't foolish. Your sensibilities told you what was absolutely true. . . . I would explain more if I could."

"No, don't explain--things are explained. I thought I should find you here; I wanted to begin the new day happily. My dream made me see so very clearly that the world is made up of those who sit in darkness and those who sit in light, that thoughts are things. My thoughts were unjust, unkind, so my world was unkind, unjust. I made it."

"The light which is Aton," Michael said.

"If we wish to enjoy happiness, we must sit in the light. We must make our own happiness."

"In the fullness and glory of Aton."

"G.o.d, I suppose you mean," Margaret said.

"The one and only G.o.d Whom every human being has striven to wors.h.i.+p in his or her odd way ever since the world began. There is G.o.d in every man's heart. It doesn't a bit matter what His symbol may be. Some races of mankind have evolved higher forms of wors.h.i.+p, some lower; their symbols are appropriate. But they are all striving for the one and same thing--to render wors.h.i.+p to the Divine Creator, to sit in the Light of Aton."

"But the sun," Margaret said--she pointed to the fiery ball on the horizon--"I thought your divine Akhnaton was a sun-wors.h.i.+pper?"

"He wors.h.i.+pped our G.o.d, the Creator of all things of heaven or earth, even of our precious human sympathy, Meg, for nothing that is could be without Him, and to Akhnaton His symbol was the sun. The earlier Egyptians wors.h.i.+pped Ra, the great sun-G.o.d; Akhnaton brought divinity into his wors.h.i.+p. He wors.h.i.+pped Aton as the Lord and Giver of Life, the Bestower of Mercy, the Father of the Fatherless. All His attributes were symbolized in the sun. Its rising and setting signified Darkness and Light; its power as the creative force in nature, Resurrection. It evolved mankind from the lower life and implanted the spirit of divinity in him through the Creator of all things created. The sun was G.o.d created, His symbol, His manifestation."

"Look," Margaret said, "look at it now--it is G.o.d, walking in the desert."

For a little time they stood together, their material forms side by side.

Michael's house-boy, with a deferential salaam, suddenly informed him that his bath had been waiting for him and was now cold.

Before Michael hurried off Margaret said, "Thank you for my first lesson in Akhnaton's wors.h.i.+p." She held out her hands.

"We all wors.h.i.+p as he did, all day long," he said, "when we admire the sun and the stars and the flowers, when we admire all that is beautiful, we are seeing G.o.d."

"I adore beauty," Margaret said, "but I forget that beauty is G.o.d.

You, like Akhnaton, are conscious of G.o.d first, the beauty He has made afterwards. If there had been the text 'G.o.d is Beauty' as there is 'G.o.d is Love,' it might have helped us to understand."

"I forget him," Michael said, "you know how easily."

"It is far better to know and love, even if you are human and forget. . . ." she paused ". . . than always to sit in darkness, to sit outside the door."

"I don't see how any one can," Michael said. "It is all so exquisitely evident. The desolation must be so terrifying, like living in this lonely spot with no watch-dogs to keep off evil-doers. It takes great courage to live on one's own strength, one's own material self."

They had parted, Margaret going to her room, Michael to his tent.

Freddy, who was almost dressed, saw two figures approaching, wrapped up in big coats.

"That's a good job!" he said. "The sunrise has made them friends again." He was out in the desert the next moment, hearing the roll-call of the workmen, who had all ranged themselves up in a line near the hut.

CHAPTER IX

One evening, some weeks later, when the trio, Margaret, Freddy and Michael, were busily engaged in sorting and cleaning the day's finds, which had been more than usually interesting, Margaret held up for inspection a tiny alabaster kohl-pot, which she had freed from the incrustations of thousands of years. It was exactly similar to a little green gla.s.s bottle which she had bought in the bazaar at a.s.suan, in which the modern Egyptian, but more especially the Coptic, women carry the kohl which they use for blacking their eyes and eyebrows.

Margaret showed Freddy the bottle, which led to a discussion about the similarity of the customs of the modern Egyptians and those in the pictures in the tombs, whose decorations always reveal the more human and intimate side of the life of ancient Egypt than the decoration of the temples.

"They were as vain and fond of making up as any woman of to-day,"

Freddy said. "We find no end of recipes for cosmetics and hair-dyes and restorers. One popular pomade was made of the hoofs of a donkey, a dog's pad and some date-kernels, all boiled together in oil. It was supposed to stop the hair from falling out and restore its brilliancy.

There is another, even more savoury, for hair-dying."

"Do you suppose they still use that receipt?" Michael said.

"I shouldn't wonder. Customs never die in Egypt--they have had the same superst.i.tions and the same customs for thousands of years. The Copts have clung more jealously to them, of course. The Moslem invasion did a little to change some of them, but not many."

Margaret listened while Freddy explained how the Moslems, after the Arab invasion, behaved with regard to the festivals and superst.i.tions of the pagans very much in the same way as the Early Christian church in Rome behaved with regard to the pagan festivities and superst.i.tions--adapting them, as far as was possible, to the new religion, grafting on such things as the people would not or could not renounce. The wisdom of the custom was obvious. The new converts, who believed in one G.o.d Whose Prophet had come to knock down all graven images in the temples, were still allowed the protection and comfort of their personal amulets, which were powerful enough to protect them from every evil imaginable, or to bring them all the blessings their simple souls desired. Arab workmen, who believe that Allah wills all things, that whatsoever happens, it is his purpose, will flock round any soothsayer who professes to see into the future and do the most absurd things conceivable to keep off the evil eye. The eye of Horus is still their favourite amulet.

"Abdul professes to tell fortunes and see into the future. They do sometimes manage to hit off some wonderfully clever guesses," Freddy said. "Abdul has been curiously correct in a number of things he has foretold relating to this bit of work."

"What did he tell you about this excavation?"

"He didn't tell me--I overheard the workmen's chatter. He has worked them up to a pitch of absurd excitement."

"What sort of things has he foretold? Good or bad? What things have come true?"

"I forget the small points now. I really can't tell you. He predicts all sorts of extravagant things about the inside of the tomb, says he has seen visions of a wonderful figure of a queen, dressed as if for her bridal, and the place all glittering with gold and precious stones--the most superb tomb that has ever been opened."

"Oh!" Meg said excitedly. "I wonder if it will be?--if there will be any truth in it?"

"Tommy-rot!" Freddy said. "But the excitement's spread--the men are working like mad--never did so much good work before."

"May I talk to Abdul? I'd love to have my future told!"