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The Road to Damascus, a Trilogy Part 19

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STRANGER. Isn't it enough to suffer according to one's deserts?

MOTHER. No. That's revenge.

STRANGER. Then what must one do?

MOTHER. Can you mend a life you've destroyed? Undo a bad action?

STRANGER. Truly, no. But I was forced into it! Forced to take, for no one gave me the right. Accursed be He who forced me! (Putting his hand to his heart.) Ah! He's here, in this room. He's plucking out my heart!

MOTHER. Then bow your head.

STRANGER. I cannot.

MOTHER. Down on your knees.

STRANGER. I will not.

MOTHER. Christ have mercy! Lord have mercy on you! On your knees before Him who was crucified! Only He can wipe out what's been done.

STRANGER. Not before Him! If I were forced, I'll recant... afterwards.

MOTHER. On your knees, my son!

STRANGER. I cannot bow the knee. I cannot. Help me, G.o.d Eternal.

(Pause.)

MOTHER (after a hasty prayer). Do you feel better?

STRANGER. Yes.... It was not death. It was annihilation!

MOTHER. The annihilation of the Divine. We call it spiritual death.

STRANGER. I see. (Without irony.) I begin to understand.

MOTHER. My son! You have left Jerusalem and are on the road to Damascus.

Go back the same way you came. Erect a cross at every station, and stay at the seventh. For you, there are not fourteen, as for Him.

STRANGER. You speak in riddles.

MOTHER. Then go your way. Search out those to whom you have something to say. First, your wife.

STRANGER. Where is she?

MOTHER. You must find her. On your way don't forget to call on him you named the werewolf.

STRANGER. Never!

MOTHER. You'd have said that, as you came here. As you know, I expected your coming.

STRANGER. Why?

MOTHER. For no one reason.

STRANGER. Just as I saw this kitchen... in a trance....

MOTHER. That's why I now regret trying to separate you and Ingeborg. Go and search for her. If you find her, well and good. If not, perhaps that too has been ordained. (Pause.) Dawn's now at hand. Morning has come and the night has pa.s.sed.

STRANGER. Such a night!

MOTHER. You'll remember it.

STRANGER. Not all of it... yet something.

MOTHER (looking out of the window, as if to herself). Lovely morning star--how far from heaven have you fallen!

STRANGER (after a pause). Have you noticed that, before the sun rises, a feeling of awe takes hold of mankind? Are we children of darkness, that we tremble before the light?

MOTHER. Will you never be tired of questioning?

STRANGER. Never. Because I yearn for light.

MOTHER. Go then, and search. And peace be with you!

SCENE XII

IN THE RAVINE

[The same landscape as before, but in autumn colouring. The trees have lost their leaves. Work is going on at the smithy and the mill. The SMITH stands, left, in the doorway; the MILLER'S wife, right. The LADY dressed in a jacket with a hat of patent leather; but she is in mourning. The STRANGER is in Bavarian alpine kit: short jacket of rough material, knickers, heavy boots and alpenstock, green hat with heath-c.o.c.k feather. Over this he wears a brown cloak with a cape and hood.]

LADY (entering tired and dispirited). Did a man pa.s.s here in a long cloak, with a green hat? (The SMITH and the MILLER'S WIFE shake their heads.) Can I lodge here for the night? (The SMITH and the MILLER'S WIFE again shake their heads: to the SMITH.) May I stand in the doorway for a moment and warm myself? (The SMITH pushes her away.) G.o.d reward you according to your deserts!

(Exit. She reappears on the footbridge, and exit once more.)

STRANGER (entering). Has a lady in a coat and skirt crossed the brook?

(The SMITH and MILLER'S WIFE shake their heads.) Will you give me some bread? I'll pay for it. (The MILLER'S WIFE refuses the money.) No charity!

ECHO (imitating his voice from afar). Charity.

(The SMITH and the MILLER'S WIFE laugh so loudly and so long that, at length, ECHO replies.)

STRANGER. Good! An eye for an eye--a tooth for a tooth. It helps to lighten my conscience! (He enters the ravine.)

SCENE XIII

ON THE ROAD

[The same landscape as before; but autumn. The BEGGAR is sitting outside a chapel with a lime twig and a bird cage, in which is a starling. The STRANGER enters wearing the same clothes as in the preceding scene.]

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