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An Onlooker in France 1917-1919 Part 8

An Onlooker in France 1917-1919 - LightNovelsOnl.com

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I then got more ill and took to my bed. My recollections from that time to the middle of January are very hazy. People were very kind to me, and used to come and sit with me for hours, especially two Rifle Brigade boys--Stevens and Riviere--two of the best. Stevens had just come back from Brussels, where there had been great times, music and dancing. Apparently the great tune of that period was "Katie"; anyway Stevens could not get it out of his head. He never knew how near he was to sending me completely mad, by singing gently to himself as the winter afternoons drew in:--

"K-K-K-Katie, beautiful Katie, You're the only g-g-girl that I adore, When the ke-moon s.h.i.+nes on the Ke-cowshed; I'll be waiting at the Kitchie Kitchen door."

Long afterwards, during the Peace Conference, whenever I heard that tune in the "Majestic," my mind went back to the misery and semi-darkness in that dirty room in Amiens.

On New Year's Eve, Angus McDonnell came all the way from G.H.Q. and (p. 099) had me lifted out to dinner, so I must have been better then. General Sir John Cowans also came all the way from G.H.Q. to see how I was.

Kindness is a wonderful thing.

[Ill.u.s.tration: XLII. _General Sir J. S. Cowans, G.C.B., etc._]

The Allied Press disbanded, and I gave a dinner to the boys at the "Hotel de la Paix." It was all arranged by my chauffeur, Gordon Howlett, and my batman, Green, and it was well done. Great were the songs and dances, and great was the amount of liquid put away. I was lifted downstairs and laid out beside the table, and the lads presented me with a magnificent silver ash-tray.

Towards the end of January, I was allowed out and about again, and I went up to G.H.Q. to paint the Q.M.G., who put me up in his chateau. I painted him, and also did some work down at "b.u.mpherie," including a drawing of Lieutenant Brooks, who took the most wonderful official photographs during the war, often at great personal risk. I remember a story that went round in 1917, in which there was not a word of truth, but it was amusing. A terrible-looking Tommy stopped Brooks in the Street of the Three Pebbles and said: "Say, guv'ner, when are you going to give me me photo?" "What photo? Who are you?" said Brooks.

"Blimy," said the Tommy, "you don't know me, and me the bloke as was killed going over the top for you!"

I now got a reminder that I was due in Paris to paint the Peace Conference. The whole thing had gone from my mind. I afterwards found the letter, which I apparently had received and read, dated December, telling me to go to Paris, but I was so sick I did not realise what it was about. I realised now right enough, so I packed my bag and breezed away to Paris, and found that great family gathering, the Peace (p. 100) Conference, and the life of the "Astoria" and the "Majestic" commenced for me.

The great family really was composed of a number of little families.

Mine consisted of Lord Riddell, George Mair, Lieut.-Colonel Stroud Jackson, D.S.O., George Adam, Sidney Dark and Gordon Knox, and great were the meetings at Foucquet's before lunch.

For the most part, my life consisted now of painting portraits at the "Astoria," or attending the Conference at the "Quai d'Orsay." During these I did little drawings of the delegates. For a seat I was usually perched up on a window-sill. It was very amusing to sit there and listen to Clemenceau--"Le Tigre"--putting the fear of death into the delegates of the smaller nations if they talked too long. Apparently, the smaller the nation he represented, the more the delegate felt it inc.u.mbent on himself to talk, but after a while, Clemenceau, with the grey gloves whirling about, would shout him down.

President Wilson occasionally rose and spoke of love and forgiveness.

Lloyd George just went on working, his secretaries constantly rus.h.i.+ng up to him, whispering and departing, only to return for more whispers.

Mr. Balfour, whose personality made all the other delegates look common, would quietly sleep. The Marquis Siongi was the only other man who could hold his own at all with Mr. Balfour in dignity of appearance.

As a whole there was just a little ma.s.s of black frock-coated figures--"frocks" as we called them--sitting and moving about under the vast decoration of "Le Salon de l'Horloge." Some of the little people seemed excited, but for the most part they looked profoundly (p. 101) bored, yet they were changing the face of the map, slices were being cut off one country and dumped on to another. It was all very wonderful, but I admit that all these little "frocks" seemed to me very small personalities, in comparison with the fighting men I had come in contact with during the war.

[Ill.u.s.tration: XLIII. _Field-Marshal Sir Henry H. Wilson, Bart., K.C.B., etc._]

They appeared to think so much--too much--of their own personal importance, searching all the time for popularity, each little one for himself--strange little things. President Wilson made a great hit in the Press with his smile. He was pleased at that, and after this he never failed to let you see all his back teeth. Lloyd George grew hair down his back, I presume from Mr. Asquith's lead. Paderewski--well, he was always a made-up job. In short, from my window-seat it was easy to see how self-important the majority of all these little black "frocks"

thought themselves. It was all like an _opera bouffe_, after the people I had seen, known and painted during the war; and these, as the days went by, seemed to be gradually becoming more and more forgotten.

It seemed impossible, but it was true. The fighting man, alive, and those who fought and died--all the people who made the Peace Conference possible, were being forgotten, the "frocks" reigned supreme. One was almost forced to think that the "frocks" won the war.

"I did this," "I did that," they all screamed, but the silent soldier man never said a word, yet he must have thought a lot.

I remember when the Peace Terms were handed to the Germans at the Trianon Palace, I tried my hardest to get a card to enable me to see it, but failed. This may not seem strange, but it really was, considering that about half the people who were present were there out of curiosity alone. They were just friends of the "frocks." This (p. 102) ceremony took place at 2.30 p.m. on that particular day. I happened to leave my room and go into the hall of the "Astoria" for something about 3 p.m. There I met Field-Marshal Sir Henry Wilson. I said: "How did you get back so soon, sir?" He said: "Back from where?" I said: "From the handing over of the Peace Terms." "Oh," he said, "I haven't been there. They wouldn't give me a pa.s.s, the little 'frocks' wouldn't give me one." "I've been trying for days, sir," I said. "They expect me to paint them, but they won't let me see them." "Look here, little man," he said. "I've been thinking as I was walking back here, and I'll give you a little piece of advice: 'Laugh at those who cry, and cry at those who laugh.' Just go back to your little room and think that over and you will feel better."

When I painted Sir Henry, he gave me his views on the brains and merits of many of the delegates, views full of wit and brilliant criticism, but when I had finished painting him I came under his kindly lash. He called me "a nasty little wasp," and he kept a "black book" for any of his lady friends who said the sketch was like him. In it their names were inscribed, and they were never to be spoken to again. With all his fun, Sir Henry was a deep thinker, and towered over the majority of the "frocks" by his personality, big outlook and clear vision.

General Botha was big, large and great in body and brain--elephantine!

Everything on an immense scale, even to his sense of humour. He had no sign of pose, like most of the "frocks." He never seemed to try to impress anyone. One could notice no change in his method or mode of conversation according to whom he was speaking. The great mind just (p. 103) went on and uttered what it thought, regardless of whom it uttered it to. In Mrs. Botha he had the ideal wife. Together they were like two school-children. "Louis" and "Mother," how well they knew each other, and how they loved their family and home! They were always talking of "home" and longing to get back to it. Alas! Louis only got back there for a very short time, and now "home" will never be the same for "Mother."

[Ill.u.s.tration: XLIV. _The Rt. Hon. Louis Botha, P.C., LL.D._]

What arguments they used to have--fierce arguments which always ended the same way! "Louis" would make some remark which would absolutely pulverise "Mother's" side of the question, and as she was stammering to reply, he would say very gently: "It's all right, Mother, it's all right, you've won." And she would flash out with: "Don't you dare to say that to me, Louis! You always say that when you get the best of the argument."

She used to complain to me how terrible the General's love for bridge was, and how she used to be kept up so late. He would laugh and say: "But, Mother, you didn't get up till nine this morning. I was walking in the Bois at half-past six."

I remember one afternoon they came to my room and Mrs. Botha said: "Well, Louis, what kind of a morning had you?" He replied: "Not very good, Mother, not very good. You see, Mother, Clemenceau got very irritated with President Wilson, and Lloyd George the same with Orlando. No, it wasn't a very pleasant morning. Nearly everyone was irritable." Then "Mother" said: "I think it disgusting, Louis, that these men, settling the peace of the world, should allow their own little petty irritabilities to interfere with the great work." And (p. 104) Botha replied: "Ah! Mother, you must make allowances. Men are only human." "I don't make allowances," jerked in "Mother," "I think it's disgusting." "Don't say that, Mother," he replied. "I remember one time, long ago, when we made our little peace, you used to get very irritable at times, and I had to make a lot of allowances for you. You must try and make the same for these poor people now." "Mother" never even replied to this, but jumped from her chair and left the room, and the big man's face broadened into a smile. Yes, Botha was big--a giant among men.

Admiral Lord Wester Wemyss came along. He has a good head for a "Sea Dog." He brought the sea into the heart of Paris with him. A man of great charm, with a wonderful smile, which I did not paint.

I wrote and asked President Wilson to sit, and got a reply saying that as his time was fully occupied with the Peace Conference work, he regretted that he was unable to give any sittings.

I also wrote to Mr. Lansing and Colonel House, asking them. The Colonel rang up the same afternoon and said, "Certainly," would I name my day and hour? Which I did; and along he came, a charming man, very calm, very sure of himself, yet modest. During the sitting he asked me if I had painted the President. I replied: "No." He then asked me if I was going to do so, and I replied: "No," that the President had refused to sit. He said: "Refused?" I said: "Yes; he hasn't got the time." "What d.a.m.ned rot!" said the Colonel, "he's got a d.a.m.ned sight more time than I have. What day would you like him to come to sit?" I named a day, and the Colonel said: "Right! I'll see that he's here,"

and he did. Mr. Lansing was also very good about giving sittings, (p. 105) and we had a good time, as he loves paintings, and knows all the Art Galleries in Europe. He also paints himself in his spare time, and all through the Conference at the "Quai d'Orsay" he drew caricatures of the different delegates. President Wilson told me he had a large collection of these.

[Ill.u.s.tration: XLV. _The Rt. Hon. A. J. Balfour. O.M._]

When Lord Reading sat he had the "'flu," and did not talk, so I got nothing out of him except that he has a very fine head.

The Emir Feisul sat. He had a nice, calm, thoughtful face. Of course, his make-up in garments made one think of Ruth, or, rather, Boaz. He could not let me work for one minute without coming round to see what I was doing. This made the sittings a bit jerky. I was going to paint another portrait of him for his home, but we never hit off times when we were both free.

I asked Mr. Balfour to sit, and he asked me to lunch to arrange it.

The subject was never mentioned, but the lunch in the Rue Nito was excellent, and it was a joy to listen to Mr. Balfour. One could also look down into President Wilson's garden, as Mr. Balfour's flat was on the second floor, and one could see over the armed defences and view the American Army on guard outside, with steel helmets and bayonets flas.h.i.+ng in the sunlight.

Mr. Balfour did sit in the end. I remember he came to my room about 12.15 p.m. He was sound asleep by 12.35 p.m., but woke up sharp at 1 p.m., and left for lunch. What a head! It put all other heads out of the running. So refined, so calm, so strong, a fitting head for such a great personality.

Dr. E. J. Dillon very kindly asked me to dinner to meet Venezelos, and he arranged for him to sit, which he did at the "Mercedes Hotel." He (p. 106) had a beautiful head, with far-seeing blue eyes, which had a distinctly Jewish look. It was difficult to paint him, as he had no idea of sitting at all. It was a pity, as he had a wonderful head to paint. His flesh was fresh and rosy like a young boy's.

Da Costa, of Portugal, came along: a bright little man, full of health and energy; and after him that quiet, thoughtful friendly person, Sir Robert Borden, of Canada; even then he looked rather tired and overworked.

General Sykes sat. What a strange head! A sort of mixture between Hall Caine and Shakespeare.

The day arrived when President Wilson was to sit. He was to come at 2 p.m., so I went back to the "Astoria" about 1.30. When I got to the door I found a large strange man ordering all the English motors to go one hundred yards down the Rue Vernet. No British car was allowed to stop closer. When I entered the "Astoria," one of the Security Officers told me that an American detective had been inquiring the direct route the President was to take to my room. I went on into another little room I had, where I kept my paints and things; and there I found two large men sitting in the only two chairs. They took no notice of me, and were quite silent, so I proceeded to get ready.

Taking off my belt and tunic, and putting on my painting coat, I started to squeeze out colours, when suddenly in marched an enormous man. He looked all round the room and said in a deep voice: "Is Sir William Orpen here?" "Yes, I'm here," I said. He walked up to me and, towering over me, looked down and said in grave doubt: "Are _you_ Sir William Orpen?" "Yep," I replied, in my best American accent. "Well,"

he said, "be pleased to dress yourself and proceed to the door and prepare to receive the President of the United States of America." (p. 107) That finished me--I had been worked up to desperate action. So I looked up as fully as I could in his face, and uttered one short, thoroughly English word, but one which has a lot to it. Immediately the two large men and the enormous one left the room in utter silence.

[Ill.u.s.tration: XLVI. _President Woodrow Wilson._]

Shortly afterwards the President arrived, smiling as usual; but he was a good sort, and he laughed hard when I told him the story of the detectives. He was very genial and sat well, but even then he was very nervous and twitchy. He told endless stories, mostly harmless, and some witty. I only remember one. A king was informed that all the men in his State were obeying their wives; so he ordered them all before him on a certain day and spoke to them, saying he had heard the fact about their obeying their wives, and he wished to ascertain if it was so. So he commanded, "All men who obey their wives go to my left!"

They all went to his left except one miserable little man, who remained where he was, alone. The king turned, and said to him: "Are you the only man in my State who does not obey his wife?" "No, sire,"

said the little man, "I obey my wife, sire." "Then why do you not go to my left as I commanded?" "Because, sire," said the little man, "my wife told me always to avoid a crush." It's a mild story, but it's the only one I remember. The only other thing I recollect about President Wilson is that he had a great admiration for Lord Robert Cecil.

General Sackville-West came, and we had some peaceful sittings. A very calm, very sad man, but he was kindness itself. Many are the acts for which I have to thank him.

Lord Beatty arrived in Paris. A lunch was given in his honour at the Emba.s.sy, after which he came back with me to the "Astoria," and sat. (p. 108) A forceful character! I may be wrong, but I imagine he did not love the "frocks."

George Adam gave a great dinner one night out at some little country place near Paris. Mr. Ma.s.sey, of New Zealand, and Admiral Heaton Ellis were the two chief people present. Ma.s.sey was a most pleasant big man, with kind, blue eyes--a simple, honest, straightforward person, large in body and big enough in brain to laugh at himself. He made me feel I was back painting the honest people in the war. He had none of the affectations of the "frocks."

I painted the Marquis Siongi in his flat in the Rue Ba.s.sano. There one worked in the calm of the East. People entered the room, people left, but I never heard a sound. The Marquis sat--never for one second did his expression give an inkling of what his brain was thinking about.

He never moved; his eyelids never fluttered, and beside me all the time I worked, curled up on a sofa, was his daughter--surely one of the most beautiful women I have ever seen, soft and gentle, with her lovely little white feet. I loved it all. When I left that flat I could not help feeling I was going downstairs to a lower and more common world, a world where pa.s.sions and desires were thrust upon one's eyes and ears, leaving no room for imagination or wonder. I never pa.s.s down the Rue Ba.s.sano now that I do not think of the Marquis and those lovely little white feet, the gentle manners and the calm of the East which pervaded those apartments.

General s.m.u.ts sat, a strong personality with great love for his own country, and a fearless blue eye. I would not like to be up against him, yet in certain ways he was a dreamer and poet in thought. He loved the people and hated the "frocks." He and I had a great night once at the servants' dance down in the ballroom of the "Majestic." (p. 109) I found him down there during the evening, and he said: "You've got sense, Orpen. There is life down here, but upstairs it's 'just death.'"

[Ill.u.s.tration: XLVII. _The Marquis Siongi._]

Mary was, of course, the "Belle of the Ball." No description of the Peace Conference could be complete without including Mary. One great man said that the most joyous sight he saw in Paris was Mary. Mary doled us out tea and cigarettes in the hall of the "Majestic"--doled them out with a smile of pure health. Mary came from Manchester, yet she made the Parisian girls look pale, pallid and washed out. Her rosy cheeks had a smile for everyone, men and women; one and all loved Mary. She really was the greatest personal success of the Peace Conference. How the people of Manchester must have missed her, and how lucky they are to have her back again!

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