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Buff, light brown, brown.
Possibly after Kneller. Very weak and crude.
BM, V&A
_Unverified Subjects_
77.
_The Annunciation_, after Parmigianino
Dimensions:
6 4? inches.
Blocks, 3:
Tones of brown.
This is listed as Jackson's in Gutekunst & Klipstein's catalogue 40, 1938. It is described as having "the initials and an engraved letter border," but whether the initials are Jackson's or Parmigianino's is uncertain.
78.
_St. Peter and St. Paul Surprised by the Executioner_, after t.i.tian [Le Bl. 17, N. 16]
Le Blanc and Nagler list this print in addition to _St. Peter Martyr_, but most likely it is the same subject. The t.i.tle might have been taken from a museum catalogue which listed the identical print under a different t.i.tle.
79.
_The Entombment_, after t.i.tian [Le Bl. 11]
This is included in Le Blanc (_J. C. mis au tombeau_) but it seems likely that it was confused with Ba.s.sano's identically t.i.tled subject.
80.
_Giovanni Gastro I De Medici_
This is listed as a Jackson print in Berlin-Dahlem but has not been located.
81.
_Elisabeth, d.u.c.h.ess of Hamilton, as a Shepherdess_
This is catalogued as a Jackson print in the Dresden Kunstsammlungen but was lost in the war.
The _Chiaroscuros_ and _Color Woodcuts_ of John Baptist Jackson
[Ill.u.s.tration: 1. CHRIST GIVING THE KEYS TO ST. PETER, after Raphael (See also color plate)]
[Ill.u.s.tration: 2. VENUS AND CUPID WITH A BOW, after Parmigianino (See also color plate)]
[Ill.u.s.tration: 3. WOMAN STANDING HOLDING JAR ON HER HEAD, after Parmigianino]
[Ill.u.s.tration: 5. WOMAN MEDITATING (ST. THAIS?), after etching by Parmigianino (See also color plate)]
[Ill.u.s.tration: 7. BOOKPLATE]
[Ill.u.s.tration: 6. ULYSSES AND POLYPHEMUS, after Primaticcio]
[Ill.u.s.tration: 8. JUDGMENT OF SOLOMON, after Rubens]
[Ill.u.s.tration: 9. THE VISITATION, after Annibale Carracci]
[Ill.u.s.tration: 10. JULIUS CAESAR, after t.i.tian]
[Ill.u.s.tration: 11. ST. ROCCO, after Cherubino Alberti]
[Ill.u.s.tration: 12. STATUETTE OF NEPTUNE, after Giovanni da Bologna]
[Ill.u.s.tration: 14. CHRIST AND THE WOMAN OF SAMARIA]
[Ill.u.s.tration: 15. ROMULUS AND REMUS, WOLF, AND SEA G.o.d]
[Ill.u.s.tration: 13. DESCENT FROM THE CROSS, after Rembrandt (See also color plate)]
[Ill.u.s.tration: 16. THE DEATH OF ST. PETER MARTYR, after t.i.tian]
[Ill.u.s.tration: 17. THE PRESENTATION IN THE TEMPLE (THE CIRc.u.mCISION), after Veronese]
[Ill.u.s.tration: 18. THE Ma.s.sACRE OF THE INNOCENTS, after Tintoretto]
[Ill.u.s.tration: 22. THE CRUCIFIXION, AFTER TINTORETTO, left sheet (See also color plates)]
[Ill.u.s.tration: 22. THE CRUCIFIXION, after Tintoretto, center sheet (See also color plates)]
[Ill.u.s.tration: 22. THE CRUCIFIXION, after Tintoretto, right sheet (See also color plates)]
[Ill.u.s.tration: 19. THE ENTOMBMENT, after Jacopo Ba.s.sano]
