The Judgment House Part 57

"Will you not go?" she asked in a voice of suppressed pa.s.sion. "Have you no consideration? It is past midnight."

His anger flamed, but he forced back the words upon his lips, and said with a bitter smile: "Day and night are the same to me always now. What else should be in war? I am going." He looked at the watch at his wrist. "It is half-past one o'clock. At five our work begins--not an eight-hour day. We have twenty-four-hour days here sometimes. This one may be shorter. You never can tell. It may be a one-hour day--or less."

Suddenly he came towards her with hands outstretched. "Dear wife--Jasmine--" he exclaimed.

Pity, memory, a great magnanimity carried him off his feet for a moment, and all that had happened seemed as nothing beside this fact that they might never see each other again; and peace appeared to him the one thing needful after all. The hatred and conflict of the world seemed of small significance beside the hovering presence of an enemy stronger than Time.

She was still in a pa.s.sion of rebellion against the inevitable--that old impatience and unrealized vanity which had helped to destroy her past. She shrank back in blind misunderstanding from him, for she scarcely heard his words. She mistook what he meant. She was bewildered, distraught.

"No, no--coward!" she cried.

He stopped short as though he had been shot. His face turned white.

Then, with an oath, he went swiftly to the window which opened to the floor and pa.s.sed through it into the night.

An instant later he was on his horse.

A moment of dumb confusion succeeded, then she realized her madness, and the thing as it really was. Running to the window, she leaned out.

She called, but only the grey mare's galloping came back to her awe-struck ears.

With a cry like that of an animal in pain, she sank on her knees on the floor, her face turned towards the stars.

"Oh, my G.o.d, help me!" she moaned.

At least here was no longer the cry of doom.

CHAPTER x.x.xII

THE WORLD'S FOUNDLING

At last day came. Jasmine was crossing the hallway of the hospital on her way to the dining-room when there came from the doorway of a ward a figure in a nurse's dress. It startled her by some familiar motion.

Presently the face turned in her direction, but without seeing her.

Jasmine recognized her then. She went forward quickly and touched the nurse's arm.

"Al'mah--it is Al'mah?" she said.

Al'mah's face turned paler, and she swayed slightly, then she recovered herself. "Oh, it is you, Mrs. Byng!" she said, almost dazedly.

After an instant's hesitation she held out a hand. "It's a queer place for it to happen," she added.

Jasmine noticed the hesitation and wondered at the words. She searched the other's face. What did Al'mah's look mean? It seemed composite of paralyzing surprise, of anxiety, of apprehension. Was there not also a look of aversion?

"Everything seems to come all at once," Al'mah continued, as though in explanation.

Jasmine had no inkling as to what the meaning of the words was; and, with something of her old desire to conquer those who were alien to her, she smiled winningly.

"Yes, things concentrate in life," she rejoined.

"I've noticed that," was the reply. "Fate seems to scatter, and then to gather in all at once, as though we were all feather-toys on strings."

After a moment, as Al'mah regarded her with vague wonder, though now she smiled too, and the anxiety, apprehension, and pain went from her face, Jasmine said: "Why did you come here? You had a world to work for in England."

"I had a world to forget in England," Al'mah replied. Then she added suddenly, "I could not sing any longer."

"Your voice--what happened to it?" Jasmine asked.

"One doesn't sing with one's voice only. The music is far behind the voice."

They had been standing in the middle of the hallway. Suddenly Al'mah caught at Jasmine's sleeve. "Will you come with me?" she said.

She led the way into a room which was almost gay with veld everlastings, pictures from ill.u.s.trated papers, small flags of the navy and the colonies, the Boer Vierkleur and the Union Jack.

"I like to have things cheerful here," Al'mah said almost gaily.

"Sometimes I have four or five convalescents in here, and they like a little gaiety. I sing them things from comic operas--Offenbach, Sullivan, and the rest; and if they are very sentimentally inclined I sing them good old-fas.h.i.+oned love-songs full of the musician's tricks.

How people adore illusions! I've had here an old Natal sergeant, over sixty, and he was as cracked as could be about songs belonging to the time when we don't know that it's all illusion, and that there's no such thing as Love, nor ever was; but only a kind of mirage of the mind, a sort of phantasy that seizes us, in which we do crazy things, and sometimes, if the phantasy is strong enough, we do awful things.

But still the illusions remain in spite of everything, as they did with the old sergeant. I've heard the most painful stories here from men before they died, of women that were false, and injuries done, many, many years ago; and they couldn't see that it wasn't real at all, but just phantasy."

"All the world's mad," responded Jasmine wearily, as Al'mah paused.

Al'mah nodded. "So I laugh a good deal, and try to be cheerful, and it does more good than being too sympathetic. Sympathy gets to be mere snivelling very often. I've smiled and laughed a great deal out here; and they say it's useful. The surgeons say it, and the men say it too sometimes."

"Are you known as Nurse Grattan?" Jasmine asked with sudden remembrance.

"Yes, Grattan was my mother's name. I am Nurse Grattan here."

"So many have whispered good things of you. A Scottish Rifleman said to me a week ago, 'Ech, she's aye see cheery!' What a wonderful thing it is to make a whole army laugh. Coming up here three officers spoke of you, and told of humorous things you had said. It's all quite honest, too. It's a reputation made out of new cloth. No one knows who you are?"

Al'mah flushed. "I don't know quite who I am myself. I think sometimes I'm the world's foundling."

Suddenly a cloud pa.s.sed over her face again, and her strong whimsical features became drawn.

"I seem almost to lose my ident.i.ty at times; and then it is I try most to laugh and be cheerful. If I didn't perhaps I should lose my ident.i.ty altogether. Do you ever feel that?"

"No; I often wish I could."

Al'mah regarded her steadfastly. "Why did you come here?" she asked.

"You had the world at your feet; and there was plenty to do in London.

Was it for the same reason that brought me here? Was it something you wanted to forget there, some one you wanted to help here?"

Jasmine saw the hovering pa.s.sion in the eyes fixed on her, and wondered what this woman had to say which could be of any import to herself; yet she felt there was something drawing nearer which would make her shrink.

"No," Jasmine answered, "I did not come to forget, but to try and remember that one belongs to the world, to the work of the world, to the whole people, and not to one of the people; not to one man, or to one family, or to one's self. That's all."

Al'mah's face was now very haggard, but her eyes were burning. "I do not believe you," she said straightly. "You are one of those that have had a phantasy. I had one first fifteen years ago, and it pa.s.sed, yet it pursued me till yesterday--till yesterday evening. Now it's gone; that phantasy is gone forever. Come and see what it was."