Furnishing the Home of Good Taste Part 8

Fresh air and sunlight, lovely vistas through doors and windows of the garden beyond, cool and comfortable rooms furnished appropriately, and with an atmosphere about them which expresses a hospitable and charming home spirit, is the ideal standard for a country house.

_The Nursery and Play-room_

We should be thankful that the old idea of a nursery has pa.s.sed away and instead of the dreary and rather shabby room has come the charming modern nursery with its special furniture and papers, its common sense and sanitary wisdom and its regard for the childish point of view. The influence of surroundings during the formative years of childhood has a deal to do with the child's future att.i.tude toward life, and now that parents realize this more, the ideal nursery has simplicity, charm and artistic merit, all suited to the needs of its romping inhabitants.

The wall-papers for nurseries are especially attractive with their gay friezes of wonderful fairy-tale people, Mother Goose, Noah's Ark and happy little children playing among the flowers. Some of the designs come in sets of four panels that can be framed if desired. A Noah's Ark frieze with the animals marching two by two under the watchful eyes of the Noah family, with an ark and stiff little Noah's Ark trees, will give endless pleasure if placed about three feet from the floor where small tots can take in its charm. If placed too high, it is very often not noticed at all. Some of the most attractive nurseries have painted walls with special designs stenciled on them.

If any one of these friezes is placed above a simple wainscot, the effect is charming. The paper for nurseries is usually waterproof, for a nursery must be absolutely spick and span. Another thing that gives much pleasure in a nursery is to build on one side of the room a platform about a yard wide and six inches high, and cover it with cus.h.i.+ons.

The furniture in a day nursery should consist of a toy cupboard stained to match the color scheme of the room and large enough for each child to have his own special compartment in it. If the children's initials are painted or burned on the doors, it gives an added feeling of pride in keeping the toys in order. There are many designs of small tables and chairs made with good lines, and the wicker ones with gay cretonne cus.h.i.+ons are very attractive. The tables and chairs should not have sharp corners and should be heavy enough not to tip over easily. There should be a bookcase for favorite picture-books. Besides the special china for the children's own meals there should be a set of play china for doll's parties. A sand table, with a lump of clay for modeling, a blackboard and, in the spring, window-boxes where the children can plant seeds, will all add vastly to the joy of life.

And do not forget a comfortable chair for the nurse-maid. White muslin curtains with side hangings of washable chintz or linen or some special nursery design in cretonne should hang to the sill.

The colors in both day and night nurseries should be soft and cheerful, and the color scheme as carefully thought out as for the rest of the house. Both rooms should be on the sunny side of the house, and far enough away from the family living-room to avoid any one's being disturbed when armies charge up and down the play-room battle-ground or Indians start out on the warpath.

The best floor covering for a day nursery is plain linoleum, as it is not dangerously slippery and is easily kept clean. If the floor is hard wood, it must not have a slippery wax finish. It will also save tumbles if the day nursery has no rugs, but the night nursery ought to have one large one or several small ones by the beds and in front of the open fire. Washable cotton rugs are best to use for this purpose.

When children are very small, it is necessary to have sides to the beds to keep them from falling out. The beds should be placed so that the light does not s.h.i.+ne directly in the children's eyes in the morning, and there should be plenty of fresh air. The rest of the night nursery furniture should consist of a dressing-table, a chest of drawers, a night table and some chairs. There should be a few pictures on the walls hung low, and beautiful and interesting in subjects and treatment. The fire should be well screened.

Pictures like the "Songs of Childhood," for instance, would be charming simply framed. If there is only one nursery for both day and night use, the room should be decorated as a day nursery and the bed-cover made of white dimity with a border of the curtain stuff or made entirely of it.

_Curtains_

The modern window, with its huge panes of gla.s.s and simple framework, makes an insistent demand for curtains. Without curtains windows of this kind give a blank, staring appearance to the room and also a sense of insecurity in having so many holes in the walls. The beautiful windows of the seventeenth and eighteenth centuries in Italy, England and France, give no such feeling of incompleteness, for their well-carved frames, and over-windows, and their small panes of gla.s.s, were important parts of the decorative scheme. Windows and doors were more than mere openings in those days, but things have changed, and the hard lines of our perfectly useful windows get on our nerves if we do not soften them with drapery. In that hopeless time in the last century called "Early Victorian," when black walnut reigned supreme, the curtains were as terrifying as the curves of the furniture and the colors of the carpets.

Luckily most of us know only from pictures what that time was, but we all have seen enough remnants of its past glories to be thankful for modern ways and days. The over-draped, stuffy, upholstered nightmares have entirely disappeared, and in their place have come curtains of a high standard of beauty and practicality--simple, appropriate, and serving the ends they were intended for.

The effect of curtains must be taken into account from both the outside and the inside of the house. The outside view should show a general similarity of appearance in the windows of each story, in the manner of hanging the curtains and also of material. The shades throughout the house should be of the same color, and if a different color is needed inside for the sake of the color scheme, either two shades should be used or they should be the double-faced kind. Shades should also be kept drawn down to the same line, or else be rolled up out of sight, for there is nothing that gives a more ill-kept look to a house than having the shades and curtains at any haphazard height or angle.

And now to "return to our muttons." The average window needs two sets of curtains and a shade. Sometimes a thin net or lace curtain, a _"bonne femme"_ is hung close to the gla.s.s, but this is usual only in cities where privacy has to be maintained by main force, or where the curtains of a floor differ greatly. Thin curtains in combination with side curtains of some thicker material are most often used.

Curtains either make or mar a room, and they should be carefully planned to make it a perfect whole. They must be so convincingly right that one only thinks at first how restful and pleasant and charming the whole room is; the details come later. When curtains stand out and astound one, they are wrong. It is not upholstery one is trying to display, but to make a perfect background for one's furniture, one's pictures and one's friends.

There are so many materials to choose from that all tastes and purses can be suited; nets, thin silk and gauzes; scrims and batistes; cotton and silk crepes, muslin or dotted Swiss, cheesecloth, soleil cloth, madras, and a host of other fascinating fabrics which may be used in any room of the house. The ready-made curtains are also charming. There are muslin curtains with applique borders cut from flowered cretonne; sometimes the cretonne is applique on net which is let into the curtain with a four-inch hem at the bottom and sides. A simpler style has a band of flowered muslin sewed on the white muslin, or used as a ruffle. It is also added to the valance. There are many kinds of net and lace curtains ready for use that will harmonize with any kind of room. Some of the expensive ones are really beautiful examples of needlecraft, with lace medallions and insertions and embroidery st.i.tches.

When it comes to the question of side curtains the supply to choose from is almost unlimited, and this great supply forms the bog in which so many are lost. A thing may be beautiful in itself and yet cause woe and havoc in an otherwise charming room. There are linens of all prices, and cretonnes, both the inexpensive kind and the wonderful shadow ones; there are silks and velvets and velours, aurora cloth, cotton crepe and arras cloth, and a thousand other beautiful stuffs that are cheap or medium-priced or expensive, whose names only the shopman knows, but which win our admiration from afar. The curtains for a country house are usually of less valuable materials than those for a town house, and this is as it should be, for winter life is usually more formal than summer life. Nothing can be prettier, however, for a country house than cretonne. It is fresh and dainty and gives a cool and delightful appearance to a room. Among the many designs there are some for every style of decoration.

[Ill.u.s.tration: The arrangement of sofa and table are excellent, but there should be other centers of interest in the room. As it is, this room just misses its aim, and is neither a strict period room nor a really comfortable modern one.]

The height and size of a room must be taken into account in hanging curtains, for with their aid, and also that of wallpaper, we can often change a room of bad proportions to one of seemingly good ones. If a room is very low, a stripe more or less marked in the design, and the curtains straight to the floor, will make it seem higher. A high room may have the curtains reach only to the sills with a valance across the top. This style may be used in a fairly low room if the curtain material is chosen with discretion and is not of a marked design. If the windows are narrow they can be made to seem wider by having the rod for the side curtains extend about eight inches on each side of the window, and the curtain cover the frame and a part of the wall. This leaves all the window for light and air. A valance connecting the side curtains and covering the top of the net curtains will also make the window seem broader. A group of three windows can be treated as one by using only one pair of side curtains with a connecting ruffle, and a pair of net curtains at each window. Curtains may hang in straight lines or be simply looped back, but fancy festooning is not permissible. There is another attractive method of dividing the curtains in halves, the upper sections to hang so they just cover the bra.s.s rod for the lower sections, which are pushed back at the sides. These lower sections may have the rod on which they are run fastened to the window-sash if one wishes. They will then go up with the window and of course keep clean much longer, but to my mind it is not so alluring as a gently blowing curtain on a hot day. I have seen a whole house curtained most charmingly in this manner, with curtains of unbleached muslin edged with a narrow little ruffle. They hung close to the gla.s.s and reached just to the sill with the lower part pushed back at the sides. The outside view was most attractive, and the inside curtains varied according to the needs of each room.

[Ill.u.s.tration: A charming window treatment, in a room whose color scheme is carried out in the garden, giving a unique and delightful touch.]

Cas.e.m.e.nt windows should have the muslin curtains drawn back with a cord or a muslin band, and the side curtains should hang straight, with a little top ruffle; if the windows open into the room the curtains may be hung on the frames. The muslin curtains may be left out entirely if one wishes. Net curtains on French doors should be run on small bra.s.s rods at top and bottom, and the heavy curtains that are drawn together at night for privacy's sake should be so hung that they will not interfere with the opening of the door. There should be plenty of room under all ruffles or shaped valances where the curtains are to be drawn to allow for easy working of the cords, otherwise tempers are liable to be suddenly lost.

All windows over eighteen inches wide need two curtains, and the average allowance of fullness is at least twice the width of the window for net and any very soft material, while once and a half is usually enough for material with more body. Great care must be taken to measure curtains correctly and have them cut evenly. It is also a good plan to allow for extra length, which can be folded into the top hem and will not show, but will allow for shrinking.

Stenciling can be very attractively used for curtains and portieres for country houses. Cheesecloth, scrim, aurora cloth, pongee, linen, and velours, are a few of the materials that can be used. The design and kind used in a room should be chosen with due regard to its suitability.

A Louis XVI room could not possibly have arras cloth used in it, while it would be charming and appropriate in a modern bungalow. Arras cloth with an applique design of linen couched on it makes beautiful curtains and portieres to go with the Mission or Craftsman furniture.

There is an old farmhouse on Long Island that has been made over into a most delightful country house, and the furnis.h.i.+ng throughout is consistent and charming. The curtains are reproductions of old designs in chintz and cretonne. The living-room, with its white paneling to the ceiling, its wide fireplace, old mahogany furniture, and curtains gay with parrots and flowers, hanging over cool white muslin, is a room to conjure with.

In town houses the curtains and hangings must also harmonize with the style of furnis.h.i.+ng. When the windows are hung with soft colored brocade, the portieres are usually beautiful tapestry or rich toned velvets, and care is always taken to have the balance of color kept and the color values correct. There are silks and damasks and velvets, and many lesser stuffs, made for all the period styles, whether carried out simply or elaborately, and it is the art of getting the suitable ones for the different rooms which gives the air of harmony, beauty, and restfulness, for which the word home stands.

In hanging these more formal curtains the shaped valance is usually used with the curtains hanging straight at the sides of the window, so they can be drawn together at night. The cords and pulleys should always be in perfect working order. Another method is to have the curtains simply parted in the center, either with a valance or without, and drawn back at the sides with heavy cords and ta.s.sels, or bands of the stuff. If a draped effect is desired great care must be taken not to have it too elaborate.

If the walls of a room are plain in color one may have either plain or figured hangings, but if the wall covering is figured it gives a feeling of unrest if the curtains are also figured. Sometimes one sees bedrooms and small boudoirs where the walls and curtains show the same design, but it must be done with skill, or disaster is sure to follow.

Plain cas.e.m.e.nt cloth or the different "Sunfast" fabrics are attractive with plain or figured papers, especially in bedrooms of country houses.

If one has to live in the town house through the summer do not make the fatal mistake of taking down the curtains and living in bare discomfort during the hot season. If the curtains are too handsome to be kept up, buy a second set of inexpensive ones that can be washed without injury.

It is better that they should stop the dust, and then go into the tub, than that one's lungs should collect it all. Curtains are useful as well as ornamental, and a house without them is as dreary as breakfast without coffee.

_Floors and Floor Coverings_

In planning a room the color values should be divided into the natural divisions of the heaviest, or darkest, part at the bottom, which is the floor; the medium color tone in the middle, which is the wall; and the lightest at the top, which is the ceiling. This keeps the room from seeming top-heavy and gives the necessary feeling of support for the wall and ceiling. The walls and floor serve as a background and should not be insistant or startling in color; and the size and height of the room, the amount of wall s.p.a.ce, the position of doors, windows and fireplace, the quant.i.ty and quality of the light, and the connecting rooms will all be factors in the color scheme and materials chosen.

The floor of a room must be right or all the character of the furnis.h.i.+ngs will be lost. One should first see that it is in perfect condition. If it is a hardwood or parquetry floor it should not be finished the bright and glaring yellow which is sometimes seen, but should be slightly toned down before the finish is put on. Samples of different tones should be submitted to be tried with samples of the rug and stuffs to be used before the decision is made. A wax finish is better than the usual coats of sh.e.l.lac, for the wax has a soft and beautiful glow, while sh.e.l.lac has a hard commercial glare. A waxed floor, if properly taken care of, which is not difficult, wears extremely well and does not have the distressingly shabby appearance of a partly worn sh.e.l.laced floor. If the floor is old and worn and is to be painted or stained all cracks should be filled, and the color chosen should be a neutral color-in harmony with the rest of the room, the wood shades usually being the best, with the exception of cherry and the red tones of mahogany. Teak is a good tone for hard wood. Soft wood floors of such woods as pine, fir, and cypress can be made to have the appearance of hardwood if first sc.r.a.ped or sandpapered and then stained with an oil stain and finished with a thin coat of sh.e.l.lac and two coats of prepared floor wax.

The usual ways of using floor covering are: one large rug which leaves a border of hard wood floor of about a foot all around it; several small rugs placed with a well balanced plan upon the floor; and carpet, either seamless or of strips sewed together, made into one rug or entirely covering the floor.

In the majority of cases the use of a single large plain rug is by far the best plan, for it gives the feeling of an un.o.btrusive background whose beauty of color serves to bind the room in the unity of a well planned scheme; and this sense of dignity and solidity goes a long way on the road to success. It is one of the most satisfactory methods of covering a floor imaginable. These plain carpets come in several grades and many colors and are woven in widths from nine to thirty feet which can be cut in any desired length. This makes it possible to have a rug which will be a suitable size for a room. The colors are very good, especially the soft grays, tans, putty color, and taupe. There are also some good blues and greens, a very beautiful dark blue having great possibilities. There are also, besides these wide carpets, narrow carpets from twenty-seven inches to four feet wide which can be sewed together and made into rugs, or the carpet can cover the entire floor.

In some cases this is the most attractive thing to do, for it will make a room seem larger by carrying the vision all the way to the wall without the break of a border; and it also covers a mult.i.tude of sins in the way of a rough floor. In these days of vacuum cleaners the old terrors of dust have lost their sting.

A plain carpet or rug may be used with propriety in any room in the house, provided the right color is chosen for the surroundings. Some people, however, prefer a figured carpet in the dining-room on account of the wear and tear around the table. This risk is not very great if the rug is of good quality in the first place. A two-toned all-over design is often chosen for halls and stairs because of the special wear which they receive, and a Chinese rug is a good selection to make with a stair carpet of soft blue and yellow Chinese design to match. A small, figured, all-over design is a good choice for a nursery.

Bedrooms may have either one large rug or be covered entirely with carpet, or have several rugs so placed that the floor is practically covered but is easily kept clean. Plain rugs are more restful in effect in bedrooms than figured rugs, and with plain walls and chintz are fresh and charming. These carpet rugs should be made with a flat binding which turns under and is sewed down, as this looks far better and lies flatter on the floor than the usual over-and-over finish, which is apt to stretch. All rugs should be thoroughly stretched before they are delivered as otherwise they will not lie flat.

There is a kind of plain woven linen rug, with a different colored border if desired, which is very good to use in many country houses.

These rugs come in a large a.s.sortment of colors and sizes, and, when sufficient time is allowed, they can be made in special sizes.

Old-fas.h.i.+oned woven and hooked rag rugs are not appropriate in all kinds of rooms, even in the country. They should only be used in the simple farm house type and in some bungalows, and should be used with the simple styles of old furniture and never with fine examples, whether copies or originals.

[Ill.u.s.tration: This attractive Colonial hallway shows a good arrangement of rugs. The border on the portieres spoils the effect, but the lamp is well chosen.]

The light in a room must be taken into account in choosing a rug, and cold colors should not be used in north or cheerless rooms. The theory of color in regard to light has been explained in other chapters, very fully in the chapter on wallpapers, and its principles should be applied to all questions of furnis.h.i.+ng, or disappointment will be the result.

[Ill.u.s.tration: The Oriental rug used on the stairs harmonizes with those used on the floor.]