Robert Elsmere Part 81

'Sure!' he said, his expression changing. 'What can I be sure of? I am sure that I am not worth your loving, sure that I am poor, insignificant, obscure, that if you give yourself to me you will be miserably throwing yourself away!'

She looked at him, still smiling, a white sorceress weaving spells about him in the darkness. He drew her lightly gloved hand through his arm, holding the fragile fingers close in his, and they moved on.

'Do you know,' he repeated--a tone of intense melancholy replacing the tone of pa.s.sion,--'how little I have to give you?'

'I know,' she answered, her face turned shyly away from him, her words coming from under the fur hood which had fallen forward a little. 'I know that--that--you are not rich, that you distrust yourself, that----'

'Oh, hush,' he said, and his voice was full of pain. 'You know so little; let me paint myself. I have lived alone, for myself, in myself, till sometimes there seems to be hardly anything left in me to love or be loved; nothing but a brain, a machine that exists only for certain selfish ends. My habits are the tyrants of years; and at Murewell, though I loved you there, they were strong enough to carry me away from you. There is something paralysing in me, which is always forbidding me to feel, to will. Sometimes I think it is an actual physical disability--the horror that is in me of change, of movement, of effort.

Can you bear with me? Can you be poor? Can you live a life of monotony?

Oh, impossible!' he broke out, almost putting her hand away from him.

'You, who ought to be a queen of this world, for whom everything bright and brilliant is waiting if you will but stretch out your hand to it. It is a crime--an infamy--that I should be speaking to you like this!'

Rose raised her head. A pa.s.sing light shone upon her. She was trembling and pale again, but her eyes were unchanged.

'No, no,' she said wistfully; 'not if you love me.'

He hung above her, an agony of feeling in the fine rigid face, of which the beautiful features and surfaces were already worn and blanched by the life of thought. What possessed him was not so much distrust of circ.u.mstance as doubt, hideous doubt, of himself, of this very pa.s.sion beating within him. She saw nothing, meanwhile, but the self-depreciation which she knew so well in him, and against which her love in its rash ignorance and generosity cried out.

'You will not say you love me!' she cried, with hurrying breath. 'But I know--I know--you do.'

Then her courage sinking, ashamed, blus.h.i.+ng, once more turning away from him--'At least, if you don't, I am very--very--unhappy.'

The soft words flew through his blood. For an instant he felt himself saved, like Faust,--saved by the surpa.s.sing moral beauty of one moment's impression. That she should need him, that his life should matter to hers! They were pa.s.sing the garden wall of a great house. In the deepest shadow of it, he stooped suddenly and kissed her.

CHAPTER x.x.xVI

Langham parted with Rose at the corner of Martin Street. She would not let him take her any farther.

'I will say nothing,' she whispered to him, as he put her into a pa.s.sing hansom, wrapping her cloak warmly round her, 'till I see you again.

To-morrow?'

'To-morrow morning,' he said, waving his hand to her, and in another instant he was facing the north wind alone.

He walked on fast towards Beaumont Street, but by the time he reached his destination midnight had struck. He made his way into his room where the fire was still smouldering, and striking a light, sank into his large reading chair, beside which the volumes used in the afternoon lay littered on the floor.

He was suddenly penetrated with the cold of the night, and hung s.h.i.+vering over the few embers which still glowed. What had happened to him? In this room, in this chair, the self-forgetting excitement of that walk, scarcely half an hour old, seems to him already long pa.s.sed--incredible almost.

And yet the brain was still full of images, the mind still full of a hundred new impressions. That fair head against his breast, those soft confiding words, those yielding lips. Ah! it is the poor, silent, insignificant student that has conquered. It is he, not the successful man of the world, that has held that young and beautiful girl in his arms, and heard from her the sweetest and humblest confession of love.

Fate can have neither wit nor conscience to have ordained it so; but fate has so ordained it. Langham takes note of his victory, takes dismal note also that the satisfaction of it has already half departed.

So the great moment has come and gone! The one supreme experience which life and his own will had so far rigidly denied him, is his. He has felt the torturing thrill of pa.s.sion--he has evoked such an answer as all men might envy him,--and fresh from Rose's kiss, from Rose's beauty, the strange maimed soul falls to a pitiless a.n.a.lysis of his pa.s.sion, her response! One moment he is at her feet in a voiceless trance of grat.i.tude and tenderness; the next--is nothing what it promises to be?--and has the boon already, now that he has it in his grasp, lost some of its beauty, just as the sea-sh.e.l.l drawn out of the water, where its lovely iridescence tempted eye and hand, loses half its fairy charm?

The night wore on. Outside an occasional cab or cart would rattle over the stones of the street, an occasional voice or step would penetrate the thin walls of the house, bringing a shock of sound into that silent upper room. Nothing caught Langham's ear. He was absorbed in the dialogue which was to decide his life.

Opposite to him, as it seemed, there sat a spectral reproduction of himself, his true self, with whom he held a long and ghastly argument.

'But I love her!--I love her! A little courage--a little effort--and I too can achieve what other men achieve. I have gifts, great gifts. Mere contact with her, the mere necessities of the situation, will drive me back to life, teach me how to live normally, like other men. I have not forced her love--it has been a free gift. Who can blame me if I take it, if I cling to it, as the man freezing in a creva.s.se clutches the rope thrown to him?'

To which the pale spectre self said scornfully--

'_Courage_ and _effort_ may as well be dropped out of your vocabulary.

They are words that you have no use for. Replace them by two others--_habit_ and _character_. Slave as you are of habit, of the character you have woven for yourself out of years of deliberate living--what wild unreason to imagine that love can unmake, can recreate! What you are, you are to all eternity. Bear your own burden, but for G.o.d's sake beguile no other human creature into trusting you with theirs!'

'But she loves me! Impossible that I should crush and tear so kind, so warm a heart! Poor child--poor child! I have played on her pity. I have won all she had to give. And now to throw her gift back in her face--oh monstrous--oh inhuman!' and the cold drops stood on his forehead.

But the other self was inexorable. 'You have acted as you were bound to act--as any man may be expected to act in whom will and manhood and true human kindness are dying out, poisoned by despair and the tyranny of the critical habit. But at least do not add another crime to the first. What in G.o.d's name have you to offer a creature of such claims, such ambitions? You are poor--you must go back to Oxford--you must take up the work your soul loathes--grow more soured, more embittered--maintain a useless degrading struggle, till her youth is done, her beauty wasted, and till you yourself have lost every shred of decency and dignity, even that decorous outward life in which you can still wrap yourself from the world! Think of the little house--the children--the money difficulties--she, spiritually starved, every illusion gone,--you incapable soon of love, incapable even of pity, conscious only of a dull rage with her, yourself, the world! Bow the neck--submit--refuse that long agony for yourself and her, while there is still time.

_Kismet--Kismet!_'

And spread out before Langham's shrinking soul there lay a whole dismal Hogarthian series, image leading to image, calamity to calamity, till in the last scene of all the maddened inward sight perceived two figures, two gray and withered figures, far apart, gazing at each other with cold and sunken eyes across dark rivers of sordid irremediable regret.

The hours pa.s.sed away, and in the end, the spectre self, a cold and bloodless conqueror, slipped back into the soul which remorse and terror, love and pity, a last impulse of hope, a last stirring of manhood, had been alike powerless to save.

The February dawn was just beginning when he dragged himself to a table and wrote.

Then for hours afterwards he sat sunk in his chair, the stupor of fatigue broken every now and then by a flash of curious introspection.

It was a base thing which he had done--it was also a strange thing psychologically; and at intervals he tried to understand it, to track it to its causes.

At nine o'clock he crept out into the frosty daylight, found a commissionaire who was accustomed to do errands for him, and sent him with a letter to Lerwick Gardens.

On his way back he pa.s.sed a gunsmith's, and stood looking fascinated at the s.h.i.+ning barrels. Then he moved away, shaking his head, his eyes gleaming as though the spectacle of himself had long ago pa.s.sed the bounds of tragedy--become farcical even.

'I should only stand a month--arguing--with my finger on the trigger.'

In the little hall his landlady met him, gave a start at the sight of him, and asked him if he ailed and if she could do anything for him. He gave her a sharp answer and went upstairs, where she heard him dragging books and boxes about as though he were packing.

A little later Rose was standing at the dining-room window of No. 27, looking on to a few trees bedecked with rime which stood outside. The ground and roofs were white, a promise of sun was struggling through the fog. So far everything in these unfrequented Campden Hill roads was clean, crisp, enlivening, and the sparkle in Rose's mood answered to that of Nature.

Breakfast had just been cleared away. Agnes was upstairs with Mrs.

Leyburn. Catherine, who was staying in the house for a day or two, was in a chair by the fire reading some letters forwarded to her from Bedford Square.

He would appear some time in the morning, she supposed. With an expression half rueful, half amused, she fell to imagining his interview with Catherine, with her mother. Poor Catherine! Rose feels herself happy enough to allow herself a good honest pang of remorse for much of her behaviour to Catherine this winter; how th.o.r.n.y she has been, how unkind often, to this sad changed sister. And now this will be a fresh blow! 'But afterwards, when she has got over it,--when she knows that it makes me happy,--that nothing else would make me happy,--then she will be reconciled, and she and I perhaps will make friends, all over again, from the beginning. I won't be angry or hard over it--poor Cathie!'

And with regard to Mr. Flaxman. As she stands there waiting idly for what destiny may send her, she puts herself through a little light catechism about this other friend of hers. He had behaved somewhat oddly towards her of late; she begins now to remember that her exit from Lady Charlotte's house the night before had been a very different matter from the royally attended leave-takings, presided over by Mr. Flaxman, which generally befell her there. Had he understood? With a little toss of her head she said to herself that she did not care if it was so. 'I have never encouraged Mr. Flaxman to think I was going to marry him.'

But of course Mr. Flaxman will consider she has done badly for herself.

So will Lady Charlotte and all her outer world. They will say she is dismally throwing herself away, and her mother, no doubt influenced by the clamour, will take up very much the same line.

What matter! The girl's spirit seemed to rise against all the world.

There was a sort of romantic exaltation in her sacrifice of herself, a jubilant looking forward to remonstrance, a wilful determination to overcome it. That she was about to do the last thing she could have been expected to do, gave her pleasure. Almost all artistic faculty goes with a love of surprise and caprice in life. Rose had her full share of the artistic love for the impossible and the difficult.

Besides--success! To make a man hope and love, and live again--_that_ shall be her success. She leaned against the window, her eyes filling, her heart very soft.

Suddenly she saw a commissionaire coming up the little flagged pa.s.sage to the door. He gave in a note, and immediately afterwards the dining-room door opened.