A Catechism of Familiar Things Part 45

_Exploit_, action, achievement, deed of valor.

Have we any notice of this art among the Hebrews?

There is no allusion made to the existence of painting among this people, and no proof that it was cultivated among them: it is supposed that the neglect of this art arose from their not being permitted to represent any object by painting.

What progress did the generality of the Eastern nations make in this art?

The art of painting among the Phenicians, Persians, and other Eastern nations, advanced but slowly. The Chinese appear, until a very recent period, to have contented themselves with only so much knowledge of the art as might enable them to decorate their beautiful porcelain and other wares; their taste is very peculiar, and though the pencilling of their birds and flowers is delicate, yet their figures of men and animals are distorted, and out of proportion; and of perspective they seem to have but little idea. Latterly, however, a change has taken place in Chinese art, and proofs have been given of an attempt to imitate European skill. The j.a.panese figures approach more nearly to beauty of style than Chinese productions of a similar kind.

_Distorted_, having a bad figure.

_Perspective_, the science by which things are represented in a picture according to their appearance to the eye.

Who are the j.a.panese?

The inhabitants of j.a.pan, an empire of Eastern Asia, composed of several large islands. They are so similar in feature, and in many of their customs and ceremonies, to the Chinese, as to be regarded by some, as the same race of men. The j.a.panese language is so very peculiar, that it is rarely understood by the people of other nations. Their religion is idolatrous; their government a monarchy, controlled by the priesthood. The people are very ingenious, and the arts and sciences are held in great esteem by them. In all respects, j.a.pan is an important and interesting empire.

_Monarchy_, a government in which the power is vested in a king or emperor.

By what nations was the art of painting practised with great success?

By the Greeks and Romans. Greece produced many distinguished painters, among whom Apelles was one of the most celebrated; he was a native of Cos, an island in the Archipelago, rather north of Rhodes; he flourished in the time of Alexander the Great, and witnessed both the glory and the decay of ancient art: the leading features of his style were beauty and grace. But painting was not at any period so completely national in Greece, as sculpture, its sister art; the names of one hundred and sixty-nine eminent sculptors are recorded, while only fifteen painters are mentioned. Zeuxis, of Heraclea, was another famous Greek painter, who flourished 400 years before Christ. The Romans were not without considerable masters in this art, in the latter times of the republic, and under the first emperors.

What nation is supposed to have known and practised this art even before the foundation of Rome?

The Etruscans, inhabitants of Etruria, whose acquaintance with the arts has excited great astonishment among those who have most deeply searched into their history, and traced their progress by means of the beautiful specimens of their works still extant. Their early works were not superior to those of other nations; but either from their intercourse with Greece, or the original genius of the people, they had attained considerable eminence in the arts of painting, sculpture, &c., before Rome was founded. Pliny speaks of some beautiful pictures at Ardea and Lanuvium, which were older than Rome: and another author also says that before Rome was built, sculpture and painting existed among them.

Where was Etruria situated?

In Italy, on the west of the Tiber, which separated it from the territory of ancient Rome, to which it was afterwards annexed by conquest. Etruria was the ancient name of Tuscany.

_Annexed_, united.

Was not the art greatly obscured for some centuries?

The irruption of Barbarians into Italy and Southern Europe, proved fatal to painting, and almost reduced it to its primitive state; it was not until after a long period that it was fully restored. The first certain signs of its revival took place about the year 1066, when Greek artists were sent for to adorn several of the cities of Italy. Cimabue, a native of Florence, in the thirteenth century, caught the inspiration of the Greek artists, and soon equalled their works. He was both a painter and an architect.

_Irruption_, inroad, invasion.

To what did this revolution in its history give rise?

It caused it to be distinguished into ancient and modern. The ancient painting comprehends the Greek and Roman: the modern has formed several schools, each of which has its peculiar character and merit.

The first masters who revived the art were greatly surpa.s.sed by their scholars, who carried it to the greatest state of perfection, and advanced it not only by their own n.o.ble works, but also by those of their pupils.

Who were the princ.i.p.al masters of the Italian school?

Raphael and the celebrated Michael Angelo Buonarotti; the former is regarded as the prince of modern painters, and is often styled "the divine Raphael;" he was born at Urbino, in 1483. Michael Angelo was born at Florence, in 1564, and united the professions of painter, sculptor, architect, poet, and musician. Besides these there were many other ill.u.s.trious Italian painters, the princ.i.p.al of whom were Leonardo da Vinci, t.i.tian, Correggio, the three Caracci, Guido, Parmegiano, Salvator Rosa, &c.

Was not Raphael also reckoned as excellent an architect as he was a painter?

He was not only esteemed the best painter in the world, but also the best architect; he was at least so admired for skill and taste in architecture, that Leo the Tenth charged him with the building of St.

Peter's Church at Rome.

Who was Leo the Tenth?

A great Pope, who was an ardent lover and patron of learning and the arts. He was born at Florence, in 1475, and died in 1521.

Give me a list of some of the most celebrated painters besides those already mentioned.

The great painters of the _German_ school were Albert Durer, Holbein, Kneller and Mengs, with several others.

Of the _Dutch_ school, were Rembrandt, Gerard Dow, Mieris, Ostade, Polemberg, Berghem, and Wouvermans.

Of the _Flemish_, Rubens, Teniers, Jordaens, and Vandyck.

The admired painters of the _French_ school, were Claude, Poussin, Le Brun, and many others.

The _Spaniards_ also have had their Murillo, Velasquez, &c.

The _English_, Hogarth, Wright, Reynolds, Wilson, Northcote, Gainsborough, Morland, Barry, and others.

The _Americans_, Was.h.i.+ngton Allston, Benjamin West, Gilbert Stuart, John Singleton Copley, John Trumbull, G. Stuart Newton, Thomas Cole, Henry Inman, and a number of others; besides many now living, or but recently deceased.

Upon what materials did the ancients paint their works?

Princ.i.p.ally upon wood; the boards or tables were prepared with a thin ground of chalk and size of some kind. Linen cloth or canvas was also employed, but there is no evidence of its use before the reign of Nero. Parchment, ivory and plaster were the other materials.

_Evidence_, testimony, record.

Who was Nero?

One of the Roman Emperors, a monster of cruelty, extravagance, and debauchery; he raised a dreadful persecution against the Christians, in which St. Paul was beheaded, and St. Peter crucified. At last, being deserted by his army and the senate, he destroyed himself, after a reign of fourteen years.

_Debauchery_, wickedness.