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Jacqueline Part 26

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"I knew," he said in the same low voice, full of persuasion, which gave especial meaning to his words, "I knew that, after all, we should meet again."

"I did not expect it," said Jacqueline, haughtily.

"Because you do not believe in the magnetism of a fixed desire."

"No, I do not believe any such thing, when, opposed to such a desire, there is a strong, firm will," said Jacqueline, her eyes burning.

"Ah!" he murmured, and he might have been supposed to be really moved, so much his look changed, "do not abuse your power over me--do not make me wretched; if you could only understand--"

She made a swift movement to rejoin Madame Strahlberg, but that lady was already coming toward them with the same careless ease with which she had left them together.

"Well! you have each found an old acquaintance," she said, gayly. "I beg your pardon, my loveliest, but I had to speak to some old friends, and ask them to join us to-morrow evening. We shall sup at the restaurant of the Grand Hotel, after the opera--for, I did not tell you before, you will have the good luck to hear Patti. Monsieur de Cymier, we shall expect you. Au revoir."

He had been on the point of asking leave to walk home with them. But there was something in Jacqueline's look, and in her stubborn silence, that deterred him. He thought it best to leave a skilful advocate to plead his cause before he continued a conversation which had not begun satisfactorily. Not that Gerard de Cymier was discouraged by the behavior of Jacqueline. He had expected her to be angry at his defection, and that she would make him pay for it; but a little skill on his part, and a little credulity on hers, backed by the intervention of a third party, might set things right.

One moment he lingered to look at her, admiring her as she stood in the light of the dying sun, as beautiful in her plain dress and her indignant paleness, while she looked far out to sea, that she might not be obliged to look at him, as she had been when he had known her in prosperity.

At that moment he knew she hated him, but it would be an additional delight to overcome that feeling.

The two women, when he left them, continued walking on the terrace side by side, without a word. Wanda watched her companion out of the corners of her eyes, and hummed an air to herself to break the silence. She saw a storm gathering under Jacqueline's black eyebrows, and knew that sharp arrows were likely to shoot forth from those lips which several times had opened, though not a word had been uttered, probably through fear of saying too little or too much.

At last she made some trifling comment on the view, explaining something about pigeon-shooting.

"Wanda," interrupted Jacqueline, "did you not know what happened once?"

"Happened, how? About what?" asked Madame Strahlberg, with an air of innocence.

"I am speaking of the way Monsieur de Cymier treated me."

"Bah! He was in love with you. Who didn't know it? Every one could see that. It was all the more reason why you should have been glad to meet him."

"He did not act as if he were much in love," said Jacqueline.

"Because he went away when your family thought he was about to make his formal proposal? Not all men are marrying men, my dear, nor have all women that vocation. Men fall in love all the same."

"Do you think, then, that when a man knows he has no intention of marrying he should pay court to a young girl? I think I told you at the time that he had paid court to me, and that he afterward--how shall I say it?--basely deserted me."

The sharp and thrilling tone in which Jacqueline said this amused Madame Strahlberg.

"What big words, my dear! No, I don't remember that you ever said anything of the sort to me before. But you are wrong. As we grow older we lay aside harsh judgments and sharp words. They do no good. In your place I should be touched by the thought that a man so charming had been faithful to me."

"Faithful!" cried Jacqueline, her dark eyes flas.h.i.+ng into the cat-like eyes of Madame Strahlberg.

Wanda looked down, and fastened a ribbon at her waist.

"Ever since we have been here," she said, "he has been talking of you."

"Really--for how long?"

"Oh, if you must know, for the last two weeks."

"It is just a fortnight since you wrote and asked me to stay with you,"

said Jacqueline, coldly and reproachfully.

"Oh, well--what's the harm? Suppose I did think your presence would increase the attractions of Monaco?"

"Why did you not tell me?"

"Because I never write a word more than is necessary; you know how lazy I am. And also because, I may as well confess, it might have scared you off, you are so sensitive."

"Then you meant to take me by surprise?" said Jacqueline, in the same tone.

"Oh! my dear, why do you try to quarrel with me?" replied Madame Strahlberg, stopping suddenly and looking at her through her eyegla.s.s.

"We may as well understand what you mean by a free and independent life."

And thereupon ensued an address to which Jacqueline listened, leaning one hand on a bal.u.s.trade of that enchanted garden, while the voice of the serpent, as she thought, was ringing in her ears. Her limbs shook under her--her brain reeled. All her hopes of success as a singer on the stage Madame Strahlberg swept away, as not worth a thought. She told her that, in her position, had she meant to be too scrupulous, she should have stayed in the convent. Everything to Jacqueline seemed to dance before her eyes. The evening closed around them, the light died out, the landscape, like her life, had lost its glow. She uttered a brief prayer for help, such a prayer as she had prayed in infancy. She whispered it in terror, like a cry in extreme danger. She was more frightened by Wanda's wicked words than she had been by M. de Talbrun or by M. de Cymier. She ceased to know what she was saying till the last words, "You have good sense and you will think about it," met her ear.

Jacqueline said not a word.

Wanda took her arm. "You may be sure," she said, "that I am thinking only of your good. Come! Would you like to go into the Casino and look at the pictures? No, you are tired? You can see them some evening. The ballroom holds a thousand persons. Yes, if you prefer, we will go home.

You can take a nap till dinner-time. We shall dine at eight o'clock."

Conversation languished till they reached the Villa Rosa.

Notwithstanding Jacqueline's efforts to appear natural, her own voice rang in her ears in tones quite new to her, a laugh that she uttered without any occasion, and which came near resulting in hysterics. Yet she had power enough over her nerves to notice the surroundings as she entered the house. At the door of the room in which she was to sleep, and which was on the first story, Madame Strahlberg kissed her with one of those equivocal smiles which so long had imposed on her simplicity.

"Till eight o'clock, then."

"Till eight o'clock," repeated Jacqueline, pa.s.sively.

But when eight o'clock came she sent word that she had a severe headache, and would try to sleep it off.

Suppose, she thought, M. de Cymier should have been asked to dinner; suppose she should be placed next to him at table? Anything in that house seemed possible now.

They brought her a cup of tea. Up to a late hour she heard a confused noise of music and laughter. She did not try to sleep. All her faculties were on the alert, like those of a prisoner who is thinking of escape.

She knew what time the night trains left the station, and, abandoning her trunk and everything else that she had with her, she furtively--but ready, if need were, to fight for her liberty with the strength of desperation--slipped down the broad stairs over their thick carpet and pushed open a little gla.s.s door. Thank heaven! people came in and went out of that house as if it had been a mill. No one discovered her flight till the next morning, when she was far on her way to Paris in an express train. Modeste, quite unprepared for her young mistress's arrival, was amazed to see her drop down upon her, feverish and excited, like some poor hunted animal, with strength exhausted. Jacqueline flung herself into her nurse's arms as she used to do when, as a little girl, she was in what she fancied some great trouble, and she cried: "Oh, take me in--pray take me in! Keep me safe! Hide me!" And then she told Modeste everything, speaking rapidly and disconnectedly, thankful to have some one to whom she could open her heart. In default of Modeste she would have spoken to stone walls.

"And what will you do now, my poor darling?" asked the old nurse, as soon as she understood that her young lady had come back to her, "with weary foot and broken wing," from what she had a.s.sured her on her departure would be a brilliant excursion.

"Oh! I don't know," answered Jacqueline, in utter discouragement; "I am too worn out to think or to do anything. Let me rest; that is all."

"Why don't you go to see your stepmother?"

"My stepmother? Oh, no! She is at the bottom of all that has happened to me."

"Or Madame d'Argy? Or Madame de Talbrun? Madame de Talbrun is the one who would give you good advice."

Jacqueline shook her head with a sad smile.

"Let me stay here. Don't you remember--years ago--but it seems like yesterday--all the rest is like a nightmare--how I used to hide myself under your petticoats, and you would say, going on with your knitting: 'You see she is not here; I can't think where she can be.' Hide me now just like that, dear old Modeste. Only hide me."

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About Jacqueline Part 26 novel

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