The Rough Road Part 47

"My dear old chap," said Oliver, "this is the funniest war that ever was."

Peggy sailed in full of apologies and began to pour out coffee.

"Do help yourselves. I'm so sorry to have kept you poor hungry things waiting."

"We've filled up the time amazingly," cried Oliver, waving a silver dish-cover. "What do you think? Doggie's had a fight with Chipmunk and knocked him out."

Peggy splashed the milk over the brim of Doggie's cup and into the saucer. There came a sudden flush on her cheek and a sudden hard look into her eyes.

"Fighting? Do you mean to say you've been fighting with a common man like Chipmunk?"

"We're the best of friends now," said Doggie. "We understand each other."

"I can't quite see the necessity," said Peggy.

"I'm afraid it's rather hard to explain," he replied with a rueful knitting of the brows, for he realized her disgust at the vulgar brawl.

"I think the less said the better," she remarked acidly.

The meal proceeded in ominous gloom, and as soon as Peggy had finished she left the room.

"It seems, old chap, that I can never do right," said Oliver. "Long ago, when I used to crab you, she gave it to me in the neck; and now when I try to boost you, you seem to get it."

"I'm afraid I've got on Peggy's nerves," said Doggie. "You see, we've only met once before during the last two years, and I suppose I've changed."

"There's no doubt about that, old son," said Oliver. "But all the same, Peggy has stood by you like a brick, hasn't she?"

"That's the devil of it," replied Doggie, rubbing up his hair.

"Why the devil of it?" Oliver asked quickly.

"Oh, I don't know," replied Doggie. "As you have once or twice observed, it's a funny old war."

He rose, went to the door.

"Where are you off to?" asked Oliver.

"I'm going to Denby Hall to take a look round."

"Like me to come with you? We can borrow the two-seater."

Doggie advanced a pace. "You're an awfully good sort, Oliver," he said, touched, "but would you mind--I feel rather a beast----"

"All right, you silly old a.s.s," cried Oliver cheerily. "You want, of course, to root about there by yourself. Go ahead."

"If you'll take a spin with me this afternoon, or to-morrow----" said Doggie in his sensitive way.

"Oh, clear out!" laughed Oliver.

And Doggie cleared.

CHAPTER XXI

"All right, Peddle, I can find my way about," said Doggie, dismissing the old butler and his wife after a little colloquy in the hall.

"Everything's in perfect order, sir, just as it was when you left; and there are the keys," said Mrs. Peddle.

The Peddles retired. Doggie eyed the heavy bunch of keys with an air of distaste. For two years he had not seen a key. What on earth could be the good of all this locking and unlocking? He stuffed the bunch in his tunic pocket and looked around him. It seemed difficult to realize that everything he saw was his own. Those trees visible from the hall windows were his own, and the land on which they grew. This s.p.a.cious, beautiful house was his own. He had only to wave a hand, as it were, and it would be filled with serving men and serving maids ready to do his bidding. His foot was on his native heath, and his name was James Marmaduke Trevor.

Did he ever actually live here, have his being here? Was he ever part and parcel of it all--the Oriental rugs, the soft stair-carpet on the n.o.ble oak staircase leading to the gallery, the oil paintings, the impressive statuary, the solid, historical, oak hall furniture? Were it not so acutely remembered, he would have felt like a man accustomed all his life to barns and tents and hedgerows and fetid holes in the ground, who had wandered into some ill-guarded palace. He entered the drawing-room. The faithful Peddles, with pathetic zeal to give him a true home-coming, had set it out fresh and clean and polished; the windows were like crystal, and flowers welcomed him from every available vase. And so in the dining-room. The Chippendale dining-table gleamed like a sombre translucent pool. On the sideboard, amid the array of s.h.i.+ning silver, the very best old Waterford decanters filled with whisky and brandy, and old cut-gla.s.s goblets invited him to refreshment. The precious mezzotint portraits, mostly of his own collecting, regarded him urbanely from the walls. _The Times_ and the _Morning Post_ were laid out on the little table by his accustomed chair near the ma.s.sive marble mantelpiece.

"The dear old idiots," said Doggie, and he sat down for a moment and unfolded the newspapers and strewed them around, to give the impression that he had read and enjoyed them.

And then he went into his own private and particular den, the peac.o.c.k and ivory room, which had been the supreme expression of himself and for which he had ached during many nights of misery. He looked round and his heart sank. He seemed to come face to face with the ineffectual, effeminate creature who had brought upon him the disgrace of his man's life. But for the creator and sybarite enjoyer of this sickening boudoir, he would now be in honoured command of men. He conceived a sudden violent hatred of the room. The only thing in the place worth a man's consideration, save a few water-colours, was the honest grand piano, which, because it did not aesthetically harmonize with his squeaky, pot-bellied theorbos and tinkling spinet, he had hidden in an alcove behind a curtain. He turned an eye of disgust on the vellum backs of his books in the closed Chippendale cases, on the drawers containing his collection of wall-papers, on the footling peac.o.c.ks, on the curtains and cus.h.i.+ons, on the veined ivory paper which, beginning to fade two years ago, now looked mean and meaningless. It was an abominable room. It ought to be smelling of musk or pastilles or joss-sticks. It might have done so, for once he had tried something of the sort, and did not renew the experiment only because the smell happened to make him sick.

There was one feature of the room at which for a long time he avoided looking: but wherever he turned, it impressed itself on his consciousness as the miserable genius of the despicable place. And that was his collection of little china dogs.

At last he planted himself in front of the great gla.s.s cabinet, whence thousands of little dogs looked at him out of little black dots of eyes. There were dogs of all nationalities, all breeds, all twisted enormities of human invention. There were monstrous dogs of China and j.a.pan; Aztec dogs; dogs in Sevres and Dresden and Chelsea; sixpenny dogs from Austria and Switzerland; everything in the way of a little dog that man had made. He stood in front of it with almost a doggish snarl on his lips. He had spent hundreds and hundreds of pounds over these futile dogs. Yet never a flesh and blood, real, l.u.s.ty _canis futilis_ had he possessed. He used to dislike real dogs. The s.h.i.+vering rat, Goliath, could scarcely be called a dog. He had wasted his heart over these contemptible counterfeits. To add to his collection, catalogue it, describe it, correspond about it with the semi-imbecile Russian prince, his only rival collector, had once ranked with his history of wall-papers as the serious and absorbing pursuit of his life.

Then suddenly Doggie's hatred reached the crisis of ferocity. He saw red. He seized the first instrument of destruction that came to his hand, a little gilt Louis XV music stool, and bashed the cabinet full in front. The gla.s.s flew into a thousand splinters. He bashed again.

The woodwork of the cabinet, stoutly resisting, worked hideous damage on the gilt stool. But Doggie went on bas.h.i.+ng till the cabinet sank in ruins and the little dogs, headless, tailless, rent in twain, strewed the floor. Then Doggie stamped on them with his heavy munition boots until dogs and gla.s.s were reduced to powder and the Aubusson carpet was cut to pieces.

"d.a.m.n the whole infernal place!" cried Doggie, and he heaved a mandolin tied up with disgusting peac.o.c.k-blue ribbons at the bookcase, and fled from the room.

He stood for a while in the hall, shaken with his anger; then mounted the staircase and went into his own bedroom with the satinwood furniture and nattier blue hangings. G.o.d! what a bedchamber for a man!

He would have liked to throw bombs into the nest of effeminacy. But his mother had arranged it, so in a way it was immune from his iconoclastic rage. He went down to the dining-room, helped himself to a whisky and soda from the sideboard, and sat down in the arm-chair amidst the scattered newspapers and held his head in his hands and thought.

The house was hateful; all its a.s.sociations were hateful. If he lived there until he was ninety, the abhorred ghost of the pre-war little Doggie Trevor would always haunt every nook and cranny of the place, mouthing the quarter of a century's shame that had culminated in the Great Disgrace. At last he brought his hand down with a bang on the arm of his chair. He would never live in this House of Dishonour again. Never. He would sell it.

"By G.o.d!" he cried, starting to his feet, as the inspiration came.

He would sell it, as it stood, lock, stock and barrel, with everything in it. He would wipe out at one stroke the whole of his unedifying history. Denby Hall gone, what could tie him to Durdlebury? He would be freed, for ever, from the petrification of the grey, cramping little city. If Peggy didn't like it, that was Peggy's affair. In material things he was master of his destiny. Peggy would have to follow him in his career, whatever it was, not he Peggy. He saw clearly that which had been mapped out for him, the silly little social ambitions, the useless existence, little Doggie Trevor for ever trailing obediently behind the lady of Denby Hall. Doggie threw himself back in his chair and laughed. No one had ever heard him laugh like that. After a while he was even surprised at himself.

He was perfectly ready to marry Peggy. It was almost a preordained thing. A rupture of the engagement was unthinkable. Her undeviating loyalty bound him by every fibre of grat.i.tude and honour. But it was essential that Peggy should know whom and what she was marrying. The Doggie trailing in her wake no longer existed. If she were prepared to follow the new Doggie, well and good. If not, there would be conflict.

For that he was prepared.

He strode, this time contemptuously, into his wrecked peac.o.c.k and ivory room, where his telephone (blatant and hideous thing) was ingeniously concealed behind a screen, and rang up Spooner and Smithson, the leading firm of auctioneers and estate agents in the town. At the mention of his name, Mr. Spooner, the senior partner, came to the telephone.

"Yes, I'm back, Mr. Spooner, and I'm quite well," said Doggie. "I want to see you on very important business. When can you fix it up? Any time? Can you come along now to Denby Hall?"

Mr. Spooner would be pleased to wait upon Mr. Trevor immediately. He would start at once. Doggie went out and sat on the front doorstep and smoked cigarettes till he came.

"Mr. Spooner," said he, as soon as the elderly auctioneer descended from his little car, "I'm going to sell the whole of the Denby Hall estate, and, with the exception of a few odds and ends, family relics and so forth, which I'll pick out, all the contents of the house--furniture, pictures, sheets, towels and kitchen clutter. I've only got six days' leave, and I want all the worries, as far as I am concerned, settled and done with before I go. So you'll have to buck up, Mr. Spooner. If you say you can't do it, I'll put the business by telephone into the hands of a London agent."