Thin Air Part 2

"Frank's taking some time off," Quirk said.

His blue blazer hung on a hanger on a hook inside his door. He wore a white s.h.i.+rt and a maroon knit tie and his thick hands rested quietly on the near-empty desk between us. He was always quiet, except when he got mad, then he was quieter. n.o.body much wanted to make him mad.

"I know," I said.

"You know why?"

"Needed a rest."

"You know about his wife?"

"Yes."

"Me too," I said.

"What do you know?"

"I know she's gone."

Quirk nodded.

"Okay," he said. "So I don't have to be cute."

"Is that what you were being?"

"Yeah."

"He's afraid she left him," I said.

"Happens," Quirk said.

"You've never had the experience," I said.

"You have."

"Yeah."

"I remember."

"There's nothing logical about your first reactions," I said.

"Must be why they call it crazy time."

"That's why," I said. "What do you know about her?"

"No, you got it wrong," Quirk said. "I'm the copper. I say stuff like that to you."

"Frank won't talk about her."

Quirk nodded. "But you, being a f.u.c.king Eagle Scout, are nosing around."

"That's how I like to think of it," I said.

"Frank's kind of f.u.c.ked up about this."

"So what do you know about her?"

"Her name's Lisa St. Claire. She's a disc jockey at a station in Proctor, which is one of those jerkwater cities up by New Hamps.h.i.+re."

"I know Proctor," I said.

"Good for you," Quirk said. "Frank met her about a year ago. In the bar at the Charles Hotel. Frank had just gone through the divorce. The old lady didn't let go easy. You ever meet adorable Kitty?"

I nodded.

"So Lisa looked good to him. h.e.l.l, she looks good to me, and I'm happily married. Frank probably did the I'm-a-police-detective trick, always works great."

"How the h.e.l.l do you know?" I said.

"Used to work great for me."

"You got married before you were a detective."

Quirk grinned.

"I used to lie," he said. "Anyway, she and Frank started going out. They moved in together about a month later, his old lady had the house. Maybe six months ago they got married and bought that place out near the pond."

"She got money?"

Quirk shrugged.

"How much does a disc jockey make?"

"More than a cop."

"'Cause they're more valuable," he said. "Frank worked a lot of overtime, probably had a little something put away, himself."

"That his wife didn't get?"

"He saw that coming for a long time," Quirk said. "Might have had a few bearer bonds someplace."

"You know how old Lisa is?"

"Nope, I'd guess around thirty. What do you think?"

"Lot younger than Frank," I said.

"And better looking. Frank was f.u.c.king blown away by how good looking she was."

"Yeah," I said, "but is she a nice person?"

"Maybe we'll find that out," Quirk said.

"You know where she's from?"

Quirk shrugged.

"Family?"

Shrug.

"You know where she worked before Proctor?"

"No."

"Ever hear her program?"

"No. I'm too busy listening to my Prince alb.u.ms."

"He doesn't call himself Prince anymore."

"Who gives a f.u.c.k," Quirk said.

"n.o.body I know," I said. "She been married before?"

"I don't know."

"Thirty's kind of old for a first marriage," I said.

"For crissake, Spenser, you've never been married at all."

"Sure, that's odd, too. But I'm not missing."

"Kids get laid now. They live with people. They don't marry as early."

"How old were you?" I said.

"Twenty," Quirk said.

"Better to marry than burn," I said.

"Worked out okay for me," Quirk said. "But a lot of people got married so they could f.u.c.k six times a week. Then in a while they only felt like f.u.c.king once a week and had to talk to each other in between. Created a lot of drunks."

"You think she left him?" I said.

"I don't know," Quirk said. "If she left him it'll kill him. If she didn't leave him... where the f.u.c.k is she?"

"Hard to know what to root for," I said.

The window behind Quirk looked out into Stanhope Street, which was little more than an alley. If you stood up and looked, you could see Bertucci's Pizza, where the Red Coach Grill once was. A pigeon settled on Quirk's window ledge and sidled across it, puffing up his feathers as he went. He turned sideways and looked in at us with one eye. Behind me in the squad room the phone rang periodically, sometimes only once, sometimes for much too long. A phone call to Homicide didn't usually bring good news.

I stood up. The pigeon watched me.

"I hear anything, I'll let you know," Quirk said.

I opened Quirk's door. As I went out, the pigeon flew away.

She was out of bondage. And she was alone. On the monitors were images of him, carefully untying the scarves. The release helped reduce her panic a little. She could at least move. She could speak, though there was no one but him to speak to.

"We will save these scarves, amor mio," he said on the monitors. "They are part of our reuniting. "

She sat on the edge of her bed waiting for the pins and needles of reawakened circulation to subside. It was a huge, four-poster Victorian bed fitted with pale lavender satin sheets covered with a thick damask canopy. Around the bed were theater flats, creating a tarnished and shabby illusion of green meadows, and willow trees, archaic stone walls, and an elongated English pointer in field pose. In the distance, lambs grazed under the gaze of a young shepherd with no shoes and a crook. A winding road dwindled in geometric perspective through the meadow, and curved out of sight behind the wall. Some of the flats she knew were from a Children's Theater production of Rumpelstiltskin. How he had gotten them she didn't know. Behind the flats the windows were boarded up, and the light came from a series of clamp lights on the web of pipes near the black painted ceiling, as well as the glow of the television monitors, which looped the same sequences over and over. The monitors were silent again. He seemed to control the sound whimsically. There were gauze cloths draped among the lights, masking the ceiling and creating a tattered semblance of gossamer eternity above. A big oak wardrobe stood against the wall opposite the foot of the bed. Its double doors were open, and the wardrobe was packed with theatrical costumes. In the far wall to the right of the bed was a doorway. She got up when she could and went to it, walking with difficulty, her legs still numb and tingling. The door was locked. She hadn't thought it would be open. She turned and began to circle the room, running her hands around the black plywood panels that had been nailed in place over the windows. One of the panels was hinged on one side and padlocked on the other. Another had an air conditioner cut into it. All of them were impenetrable. She opened her mouth and worked her jaw a little. Her mouth, which had felt so wet when she was gagged, now felt dry and stiff. She said "h.e.l.lo" out loud a couple of times to see if she could speak. The noise was rusty and small in the sealed room. She felt the claustrophobic panic again. She was untied, but she was not free. To the left of the armoire was a bathroom, the door ajar, the light on dimly. The walls were pink plastic tile. There was a pink chenille cover on the toilet seat, and the one-piece fibergla.s.s shower stall had a pink tinted gla.s.s door on it. There were flowers in a vase, and a thick pink rug on the floor. There was no window. Behind her she heard the camera sound.

"You should shower, querida. There is French milled soap, and lilac shampoo, and there are fresh clothes for you in the armoire... Do not be shy... I will have everything on tape... we will watch it all together when we are old."

She stared at him, unmoving. She was wearing the sweat-soaked blouse and jeans that she'd been wearing when he took her.

"Take off your clothes, chiquita, you need to shower and change."

She continued to stare at him. She had been naked with him before. They had made love often. But now it was as if a stranger had ordered her to disrobe in public. She could think of no words.

"Do it," he said and his voice was full of hate, "or I will have it done."

She stared at him still, and the camera continued to whir. She felt the bottomlessness of herself, the sense of weakness that raced along her arms and clenched in her stomach. It was an old feeling. She'd had it many times. She didn't want to. She couldn't bear to. She was being forced to. There was no way not to. The two of them stood poised like that, in a kind of furious immobility for an infinite time in which all there was was the sound of the camera tape rolling, and of her breath and his, both slightly raspy. Helpless, she thought. I'm helpless again. Then, slowly, she began to unb.u.t.ton her blouse.

Chapter 4.

I sat in a coffee shop on Columbus Avenue with Frank Belson and drank a cup of decaffeinated coffee on an ugly spring day with the sky a hard gray and a spit of rain mixed with snow flakes in the air. He hadn't found his wife yet.

"You meet her before you got divorced from Kitty?" I said, mostly to be saying something.

"No."

"So she wasn't the reason for the divorce," I said.

"The divorce was just making it official," he said. "The marriage had been f.u.c.ked for a long time."

I was on one of my periodic attempts to give up coffee. The previous failures were discouraging, but not final. I stirred more sugar into my decaf to disguise it.

"Kitty was bad," Belson said, looking at the faintly iridescent surface of his real coffee. "Hysterical, nervous-thought f.u.c.king was only a way to get children. Didn't want children, but didn't want anyone to get ahead of her by having them first. You know?"

"I was never one of Kitty's rooters," I said.